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Color name
HEX #B7149F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B7149F it is the complementary color #48EB60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B7149F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B7149F shade: #BC149A, #CD26AD, #DE38C0, #EF4AD3 and #FF5CE6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B7149F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B7149F shade: #B7149F, #A6028C, #950079, #840066 and #730053

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B7149F shade: #B7149F, #B71473, #B71447, #B7141B and #B71414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B7149F shade: #B7149F, #A314B7, #7714B7, #4B14B7 and #1F14B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B7149F shade matches the following richer shades: #B7149F and #C803AB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B7149F shade: #B7149F, #A72493, #963588, #86457C and #755670

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B7149F shade: #7614B7, #A114B7, #B714A1, #B71476 and #B7144A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B7149F shade: #6D0C5F, #92107F, #B7149F, #DC18BF and #E835CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B7149F shade: #B7149F, #B74A14 and #14B78C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B7149F shade: #B7149F, #A1B714 and #14A1B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B7149F shade: #B7149F, #B74A14, #14B72A and #1481B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B7149F shade: #B7149F, #B77B14, #14B72A and #1450B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 13 / 28

HEX #B7149F

RGB 183 20 159

HSL 308.83, 0.8%, 0.4%

LAB 42.87, 70.98, -34.12

 

Complementary color

CMYK 69 / 0 / 59 / 8

HEX #48EB60

RGB 72 235 96

HSL 128.83, 0.8%, 0.6%

LAB 82.72, -68.88, 54.39

 

CMYK 0 / 89 / 18 / 26

HEX #BC149A

RGB 188 20 154

HSL 312.14, 0.81%, 0.41%

LAB 43.54, 71.31, -29.99

 

CMYK 0 / 81 / 16 / 20

HEX #CD26AD

RGB 205 38 173

HSL 311.5, 0.69%, 0.48%

LAB 48.74, 73.84, -32.96

 

CMYK 0 / 75 / 14 / 13

HEX #DE38C0

RGB 222 56 192

HSL 310.84, 0.72%, 0.55%

LAB 54.2, 75.37, -35.28

 

CMYK 0 / 69 / 12 / 6

HEX #EF4AD3

RGB 239 74 211

HSL 310.18, 0.84%, 0.61%

LAB 59.84, 76.18, -37.11

 

CMYK 0 / 64 / 10 / 0

HEX #FF5CE6

RGB 255 92 230

HSL 309.2, 1%, 0.68%

LAB 65.46, 76.25, -38.83

 

CMYK 0 / 89 / 13 / 28

HEX #B7149F

RGB 183 20 159

HSL 308.83, 0.8%, 0.4%

LAB 42.87, 70.98, -34.12

 

CMYK 0 / 99 / 16 / 35

HEX #A6028C

RGB 166 2 140

HSL 309.51, 0.98%, 0.33%

LAB 37.92, 67.34, -30.59

 

CMYK 0 / 100 / 19 / 42

HEX #950079

RGB 149 0 121

HSL 311.28, 1%, 0.29%

LAB 33.5, 61.83, -25.93

 

CMYK 0 / 100 / 23 / 48

HEX #840066

RGB 132 0 102

HSL 313.64, 1%, 0.26%

LAB 29.07, 55.97, -20.96

 

CMYK 0 / 100 / 28 / 55

HEX #730053

RGB 115 0 83

HSL 316.7, 1%, 0.23%

LAB 24.54, 49.99, -15.75

 

CMYK 0 / 89 / 13 / 28

HEX #B7149F

RGB 183 20 159

HSL 308.83, 0.8%, 0.4%

LAB 42.87, 70.98, -34.12

 

CMYK 0 / 89 / 37 / 28

HEX #B71473

RGB 183 20 115

HSL 325.03, 0.8%, 0.4%

LAB 40.91, 65.72, -10.2

 

CMYK 0 / 89 / 61 / 28

HEX #B71447

RGB 183 20 71

HSL 341.23, 0.8%, 0.4%

LAB 39.62, 62.13, 15.83

 

CMYK 0 / 89 / 85 / 28

HEX #B7141B

RGB 183 20 27

HSL 357.42, 0.8%, 0.4%

LAB 38.98, 60.3, 41.68

 

CMYK 0 / 89 / 89 / 28

HEX #B71414

RGB 183 20 20

HSL 0, 0.8%, 0.4%

LAB 38.93, 60.16, 45.09

 

CMYK 0 / 89 / 13 / 28

HEX #B7149F

RGB 183 20 159

HSL 308.83, 0.8%, 0.4%

LAB 42.87, 70.98, -34.12

 

CMYK 11 / 89 / 0 / 28

HEX #A314B7

RGB 163 20 183

HSL 292.64, 0.8%, 0.4%

LAB 40.74, 71.01, -52.02

 

CMYK 35 / 89 / 0 / 28

HEX #7714B7

RGB 119 20 183

HSL 276.44, 0.8%, 0.4%

LAB 33.65, 64.38, -63.87

 

CMYK 59 / 89 / 0 / 28

HEX #4B14B7

RGB 75 20 183

HSL 260.25, 0.8%, 0.4%

LAB 27.89, 59.55, -73.56

 

CMYK 83 / 89 / 0 / 28

HEX #1F14B7

RGB 31 20 183

HSL 244.05, 0.8%, 0.4%

LAB 24.36, 56.97, -79.53

 

CMYK 0 / 89 / 13 / 28

HEX #B7149F

RGB 183 20 159

HSL 308.83, 0.8%, 0.4%

LAB 42.87, 70.98, -34.12

 

CMYK 0 / 99 / 15 / 22

HEX #C803AB

RGB 200 3 171

HSL 308.83, 0.97%, 0.4%

LAB 46.02, 77.59, -36.11

 

CMYK 0 / 89 / 13 / 28

HEX #B7149F

RGB 183 20 159

HSL 308.83, 0.8%, 0.4%

LAB 42.87, 70.98, -34.12

 

CMYK 0 / 78 / 12 / 35

HEX #A72493

RGB 167 36 147

HSL 309.16, 0.65%, 0.4%

LAB 40.55, 62.48, -30.72

 

CMYK 0 / 65 / 9 / 41

HEX #963588

RGB 150 53 136

HSL 308.66, 0.48%, 0.4%

LAB 39.25, 50.52, -26.24

 

CMYK 0 / 49 / 7 / 47

HEX #86457C

RGB 134 69 124

HSL 309.23, 0.32%, 0.4%

LAB 39.21, 35.78, -19.12

 

CMYK 0 / 26 / 4 / 54

HEX #755670

RGB 117 86 112

HSL 309.68, 0.15%, 0.4%

LAB 40.59, 17.54, -9.82

 

CMYK 36 / 89 / 0 / 28

HEX #7614B7

RGB 118 20 183

HSL 276.07, 0.8%, 0.4%

LAB 33.5, 64.25, -64.12

 

CMYK 12 / 89 / 0 / 28

HEX #A114B7

RGB 161 20 183

HSL 291.9, 0.8%, 0.4%

LAB 40.4, 70.68, -52.58

 

CMYK 0 / 89 / 12 / 28

HEX #B714A1

RGB 183 20 161

HSL 308.1, 0.8%, 0.4%

LAB 42.97, 71.25, -35.16

 

CMYK 0 / 89 / 36 / 28

HEX #B71476

RGB 183 20 118

HSL 323.93, 0.8%, 0.4%

LAB 41.02, 66.03, -11.9

 

CMYK 0 / 89 / 60 / 28

HEX #B7144A

RGB 183 20 74

HSL 340.12, 0.8%, 0.4%

LAB 39.68, 62.32, 14

 

CMYK 0 / 89 / 13 / 57

HEX #6D0C5F

RGB 109 12 95

HSL 308.66, 0.8%, 0.24%

LAB 24.77, 47.91, -23.47

 

CMYK 0 / 89 / 13 / 43

HEX #92107F

RGB 146 16 127

HSL 308.77, 0.8%, 0.32%

LAB 34.01, 59.76, -28.94

 

CMYK 0 / 89 / 13 / 28

HEX #B7149F

RGB 183 20 159

HSL 308.83, 0.8%, 0.4%

LAB 42.87, 70.98, -34.12

 

CMYK 0 / 89 / 13 / 14

HEX #DC18BF

RGB 220 24 191

HSL 308.88, 0.8%, 0.48%

LAB 51.42, 81.73, -39.1

 

CMYK 0 / 77 / 11 / 9

HEX #E835CE

RGB 232 53 206

HSL 308.72, 0.8%, 0.56%

LAB 56.25, 80.28, -39.99

 

CMYK 0 / 89 / 13 / 28

HEX #B7149F

RGB 183 20 159

HSL 308.83, 0.8%, 0.4%

LAB 42.87, 70.98, -34.12

 

CMYK 0 / 60 / 89 / 28

HEX #B74A14

RGB 183 74 20

HSL 19.88, 0.8%, 0.4%

LAB 45.66, 41.72, 50.26

 

CMYK 89 / 0 / 23 / 28

HEX #14B78C

RGB 20 183 140

HSL 164.17, 0.8%, 0.4%

LAB 66.45, -48.6, 11.17

 

CMYK 0 / 89 / 13 / 28

HEX #B7149F

RGB 183 20 159

HSL 308.83, 0.8%, 0.4%

LAB 42.87, 70.98, -34.12

 

CMYK 12 / 0 / 89 / 28

HEX #A1B714

RGB 161 183 20

HSL 68.1, 0.8%, 0.4%

LAB 70.52, -25.98, 69.06

 

CMYK 89 / 12 / 0 / 28

HEX #14A1B7

RGB 20 161 183

HSL 188.1, 0.8%, 0.4%

LAB 60.83, -26.14, -21.08

 

CMYK 0 / 89 / 13 / 28

HEX #B7149F

RGB 183 20 159

HSL 308.83, 0.8%, 0.4%

LAB 42.87, 70.98, -34.12

 

CMYK 0 / 60 / 89 / 28

HEX #B74A14

RGB 183 74 20

HSL 19.88, 0.8%, 0.4%

LAB 45.66, 41.72, 50.26

 

CMYK 89 / 0 / 77 / 28

HEX #14B72A

RGB 20 183 42

HSL 128.1, 0.8%, 0.4%

LAB 65.11, -64.4, 56.57

 

CMYK 89 / 30 / 0 / 28

HEX #1481B7

RGB 20 129 183

HSL 199.88, 0.8%, 0.4%

LAB 51, -8.82, -36.32

 

CMYK 0 / 89 / 13 / 28

HEX #B7149F

RGB 183 20 159

HSL 308.83, 0.8%, 0.4%

LAB 42.87, 70.98, -34.12

 

CMYK 0 / 33 / 89 / 28

HEX #B77B14

RGB 183 123 20

HSL 37.91, 0.8%, 0.4%

LAB 56.37, 15.67, 58.63

 

CMYK 89 / 0 / 77 / 28

HEX #14B72A

RGB 20 183 42

HSL 128.1, 0.8%, 0.4%

LAB 65.11, -64.4, 56.57

 

CMYK 89 / 56 / 0 / 28

HEX #1450B7

RGB 20 80 183

HSL 217.91, 0.8%, 0.4%

LAB 36.56, 22.18, -59.42

 

Description

Color code: HEX #B7149F | qconv.com Color code: HEX #B7149F | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 20 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 20 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 13 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 13% 28% C M Y K

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Provide designers and agencies with accurate color values.

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