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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBE1A2 it is the complementary color #241E5D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBE1A2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBE1A2 shade: #E0E19D, #F1F3B0, #FFFFC3, #FFFFD6 and #FFFFE9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBE1A2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBE1A2 shade: #DBE1A2, #CACF8F, #B9BD7C, #A8AB69 and #979956

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBE1A2 shade: #DBE1A2, #E1D6A2, #E1C5A2, #E1B4A2 and #E1A3A2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBE1A2 shade: #DBE1A2, #CAE1A2, #B9E1A2, #A8E1A2 and #A2E1AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBE1A2 shade matches the following richer shades: #DBE1A2, #E3EA98, #EBF48E and #F3FE84

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBE1A2 shade: #DBE1A2, #D3D7AC, #CBCDB6, #C3C3C0 and #BBB9CA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBE1A2 shade: #E1C4A2, #E1D5A2, #DBE1A2, #CBE1A2 and #BAE1A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBE1A2 shade: #C2CC64, #CED683, #DBE1A2, #E7EBC1 and #F3F5E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBE1A2 shade: #DBE1A2, #A2E1B4 and #CDA2E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBE1A2 shade: #DBE1A2, #A2DBE1 and #E1A2DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBE1A2 shade: #DBE1A2, #A2E1B4, #A7A2E1 and #E1A2CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBE1A2 shade: #DBE1A2, #A2E1C7, #A7A2E1 and #E1A2BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 28 / 12

HEX #DBE1A2

RGB 219 225 162

HSL 65.71, 0.51%, 0.76%

LAB 87.74, -11.98, 30.23

 

Complementary color

CMYK 61 / 68 / 0 / 64

HEX #241E5D

RGB 36 30 93

HSL 245.71, 0.51%, 0.24%

LAB 15.97, 23.09, -36.86

 

CMYK 0 / 0 / 30 / 12

HEX #E0E19D

RGB 224 225 157

HSL 60.88, 0.53%, 0.75%

LAB 88.03, -10.74, 33.25

 

CMYK 1 / 0 / 28 / 5

HEX #F1F3B0

RGB 241 243 176

HSL 61.79, 0.74%, 0.82%

LAB 94.29, -10.95, 32.18

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC3

RGB 255 255 195

HSL 60, 1%, 0.88%

LAB 98.72, -9.28, 28.77

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD6

RGB 255 255 214

HSL 60, 1%, 0.92%

LAB 99.08, -6.61, 19.64

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE9

RGB 255 255 233

HSL 60, 1%, 0.96%

LAB 99.48, -3.69, 10.51

 

CMYK 3 / 0 / 28 / 12

HEX #DBE1A2

RGB 219 225 162

HSL 65.71, 0.51%, 0.76%

LAB 87.74, -11.98, 30.23

 

CMYK 2 / 0 / 31 / 19

HEX #CACF8F

RGB 202 207 143

HSL 64.69, 0.4%, 0.69%

LAB 81.38, -11.79, 31.31

 

CMYK 2 / 0 / 34 / 26

HEX #B9BD7C

RGB 185 189 124

HSL 63.69, 0.33%, 0.61%

LAB 74.93, -11.57, 32.44

 

CMYK 2 / 0 / 39 / 33

HEX #A8AB69

RGB 168 171 105

HSL 62.73, 0.28%, 0.54%

LAB 68.37, -11.3, 33.62

 

CMYK 1 / 0 / 44 / 40

HEX #979956

RGB 151 153 86

HSL 61.79, 0.28%, 0.47%

LAB 61.68, -10.96, 34.85

 

CMYK 3 / 0 / 28 / 12

HEX #DBE1A2

RGB 219 225 162

HSL 65.71, 0.51%, 0.76%

LAB 87.74, -11.98, 30.23

 

CMYK 0 / 5 / 28 / 12

HEX #E1D6A2

RGB 225 214 162

HSL 49.52, 0.51%, 0.76%

LAB 85.36, -4.14, 27.1

 

CMYK 0 / 12 / 28 / 12

HEX #E1C5A2

RGB 225 197 162

HSL 33.33, 0.51%, 0.76%

LAB 81.04, 4.68, 21.21

 

CMYK 0 / 20 / 28 / 12

HEX #E1B4A2

RGB 225 180 162

HSL 17.14, 0.51%, 0.76%

LAB 76.84, 13.69, 15.36

 

CMYK 0 / 28 / 28 / 12

HEX #E1A3A2

RGB 225 163 162

HSL 0.95, 0.51%, 0.76%

LAB 72.77, 22.81, 9.61

 

CMYK 3 / 0 / 28 / 12

HEX #DBE1A2

RGB 219 225 162

HSL 65.71, 0.51%, 0.76%

LAB 87.74, -11.98, 30.23

 

CMYK 10 / 0 / 28 / 12

HEX #CAE1A2

RGB 202 225 162

HSL 81.9, 0.51%, 0.76%

LAB 86.51, -18.24, 28.37

 

CMYK 18 / 0 / 28 / 12

HEX #B9E1A2

RGB 185 225 162

HSL 98.1, 0.51%, 0.76%

LAB 85.39, -24.31, 26.66

 

CMYK 25 / 0 / 28 / 12

HEX #A8E1A2

RGB 168 225 162

HSL 114.29, 0.51%, 0.76%

LAB 84.37, -30.1, 25.11

 

CMYK 28 / 0 / 23 / 12

HEX #A2E1AD

RGB 162 225 173

HSL 130.48, 0.51%, 0.76%

LAB 84.25, -30.19, 19.17

 

CMYK 3 / 0 / 28 / 12

HEX #DBE1A2

RGB 219 225 162

HSL 65.71, 0.51%, 0.76%

LAB 87.74, -11.98, 30.23

 

CMYK 3 / 0 / 35 / 8

HEX #E3EA98

RGB 227 234 152

HSL 65.12, 0.66%, 0.76%

LAB 90.53, -14.68, 39.08

 

CMYK 4 / 0 / 42 / 4

HEX #EBF48E

RGB 235 244 142

HSL 65.29, 0.82%, 0.76%

LAB 93.59, -17.64, 48.01

 

CMYK 4 / 0 / 48 / 0

HEX #F3FE84

RGB 243 254 132

HSL 65.41, 0.98%, 0.76%

LAB 96.66, -20.36, 56.62

 

CMYK 3 / 0 / 28 / 12

HEX #DBE1A2

RGB 219 225 162

HSL 65.71, 0.51%, 0.76%

LAB 87.74, -11.98, 30.23

 

CMYK 2 / 0 / 20 / 16

HEX #D3D7AC

RGB 211 215 172

HSL 65.58, 0.35%, 0.76%

LAB 84.7, -8.49, 20.81

 

CMYK 1 / 0 / 11 / 20

HEX #CBCDB6

RGB 203 205 182

HSL 65.22, 0.19%, 0.76%

LAB 81.69, -4.69, 11.22

 

CMYK 0 / 0 / 2 / 24

HEX #C3C3C0

RGB 195 195 192

HSL 60, 0.02%, 0.76%

LAB 78.72, -0.54, 1.5

 

CMYK 7 / 8 / 0 / 21

HEX #BBB9CA

RGB 187 185 202

HSL 247.06, 0.14%, 0.76%

LAB 75.78, 3.96, -8.31

 

CMYK 0 / 13 / 28 / 12

HEX #E1C4A2

RGB 225 196 162

HSL 32.38, 0.51%, 0.76%

LAB 80.79, 5.21, 20.86

 

CMYK 0 / 5 / 28 / 12

HEX #E1D5A2

RGB 225 213 162

HSL 48.57, 0.51%, 0.76%

LAB 85.1, -3.63, 26.75

 

CMYK 3 / 0 / 28 / 12

HEX #DBE1A2

RGB 219 225 162

HSL 65.71, 0.51%, 0.76%

LAB 87.74, -11.98, 30.23

 

CMYK 10 / 0 / 28 / 12

HEX #CBE1A2

RGB 203 225 162

HSL 80.95, 0.51%, 0.76%

LAB 86.58, -17.88, 28.48

 

CMYK 17 / 0 / 28 / 12

HEX #BAE1A2

RGB 186 225 162

HSL 97.14, 0.51%, 0.76%

LAB 85.45, -23.96, 26.76

 

CMYK 5 / 0 / 51 / 20

HEX #C2CC64

RGB 194 204 100

HSL 65.77, 0.5%, 0.6%

LAB 79.37, -18.12, 50.08

 

CMYK 4 / 0 / 39 / 16

HEX #CED683

RGB 206 214 131

HSL 65.78, 0.5%, 0.68%

LAB 83.37, -15.22, 40.06

 

CMYK 3 / 0 / 28 / 12

HEX #DBE1A2

RGB 219 225 162

HSL 65.71, 0.51%, 0.76%

LAB 87.74, -11.98, 30.23

 

CMYK 2 / 0 / 18 / 8

HEX #E7EBC1

RGB 231 235 193

HSL 65.71, 0.51%, 0.84%

LAB 91.8, -8.25, 19.97

 

CMYK 1 / 0 / 9 / 4

HEX #F3F5E0

RGB 243 245 224

HSL 65.71, 0.51%, 0.92%

LAB 95.89, -4.23, 9.87

 

CMYK 3 / 0 / 28 / 12

HEX #DBE1A2

RGB 219 225 162

HSL 65.71, 0.51%, 0.76%

LAB 87.74, -11.98, 30.23

 

CMYK 28 / 0 / 20 / 12

HEX #A2E1B4

RGB 162 225 180

HSL 137.14, 0.51%, 0.76%

LAB 84.39, -28.94, 15.71

 

CMYK 9 / 28 / 0 / 12

HEX #CDA2E1

RGB 205 162 225

HSL 280.95, 0.51%, 0.76%

LAB 72.4, 27.09, -25.81

 

CMYK 3 / 0 / 28 / 12

HEX #DBE1A2

RGB 219 225 162

HSL 65.71, 0.51%, 0.76%

LAB 87.74, -11.98, 30.23

 

CMYK 28 / 3 / 0 / 12

HEX #A2DBE1

RGB 162 219 225

HSL 185.71, 0.51%, 0.76%

LAB 83.85, -16.73, -8.84

 

CMYK 0 / 28 / 3 / 12

HEX #E1A2DB

RGB 225 162 219

HSL 305.71, 0.51%, 0.76%

LAB 74.17, 32.4, -19.66

 

CMYK 3 / 0 / 28 / 12

HEX #DBE1A2

RGB 219 225 162

HSL 65.71, 0.51%, 0.76%

LAB 87.74, -11.98, 30.23

 

CMYK 28 / 0 / 20 / 12

HEX #A2E1B4

RGB 162 225 180

HSL 137.14, 0.51%, 0.76%

LAB 84.39, -28.94, 15.71

 

CMYK 26 / 28 / 0 / 12

HEX #A7A2E1

RGB 167 162 225

HSL 244.76, 0.51%, 0.76%

LAB 69.11, 15.35, -31.16

 

CMYK 0 / 28 / 8 / 12

HEX #E1A2CF

RGB 225 162 207

HSL 317.14, 0.51%, 0.76%

LAB 73.77, 30.29, -13.68

 

CMYK 3 / 0 / 28 / 12

HEX #DBE1A2

RGB 219 225 162

HSL 65.71, 0.51%, 0.76%

LAB 87.74, -11.98, 30.23

 

CMYK 28 / 0 / 12 / 12

HEX #A2E1C7

RGB 162 225 199

HSL 155.24, 0.51%, 0.76%

LAB 84.82, -25.28, 6.33

 

CMYK 26 / 28 / 0 / 12

HEX #A7A2E1

RGB 167 162 225

HSL 244.76, 0.51%, 0.76%

LAB 69.11, 15.35, -31.16

 

CMYK 0 / 28 / 16 / 12

HEX #E1A2BC

RGB 225 162 188

HSL 335.24, 0.51%, 0.76%

LAB 73.21, 27.16, -4.07

 

Description

Color code: HEX #DBE1A2 | qconv.com Color code: HEX #DBE1A2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 225 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 225 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 28 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 28% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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