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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CAE1A2 it is the complementary color #351E5D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CAE1A2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CAE1A2 shade: #CFE19D, #E0F3B0, #F1FFC3, #FFFFD6 and #FFFFE9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CAE1A2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CAE1A2 shade: #CAE1A2, #B9CF8F, #A8BD7C, #97AB69 and #869956

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CAE1A2 shade: #CAE1A2, #DBE1A2, #E1D6A2, #E1C5A2 and #E1B4A2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CAE1A2 shade: #CAE1A2, #B9E1A2, #A8E1A2, #A2E1AD and #A2E1BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CAE1A2 shade matches the following richer shades: #CAE1A2, #CCEA98, #CFF48E and #D2FE84

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CAE1A2 shade: #CAE1A2, #C7D7AC, #C4CDB6, #C2C3C0 and #BFB9CA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CAE1A2 shade: #E1D5A2, #DBE1A2, #CBE1A2, #BAE1A2 and #A9E1A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CAE1A2 shade: #A6CC64, #B8D683, #CAE1A2, #DCEBC1 and #EDF5E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CAE1A2 shade: #CAE1A2, #A2E1C4 and #DDA2E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CAE1A2 shade: #CAE1A2, #A2CBE1 and #E1A2CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CAE1A2 shade: #CAE1A2, #A2E1C4, #B8A2E1 and #E1A2BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CAE1A2 shade: #CAE1A2, #A2E1D7, #B8A2E1 and #E1A2AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 28 / 12

HEX #CAE1A2

RGB 202 225 162

HSL 81.9, 0.51%, 0.76%

LAB 86.51, -18.24, 28.37

 

Complementary color

CMYK 43 / 68 / 0 / 64

HEX #351E5D

RGB 53 30 93

HSL 261.9, 0.51%, 0.24%

LAB 17.81, 26.85, -33.79

 

CMYK 8 / 0 / 30 / 12

HEX #CFE19D

RGB 207 225 157

HSL 75.88, 0.53%, 0.75%

LAB 86.78, -17.1, 31.35

 

CMYK 8 / 0 / 28 / 5

HEX #E0F3B0

RGB 224 243 176

HSL 77.01, 0.74%, 0.82%

LAB 93.05, -17.17, 30.31

 

CMYK 5 / 0 / 24 / 0

HEX #F1FFC3

RGB 241 255 195

HSL 74, 1%, 0.88%

LAB 97.7, -14.31, 27.21

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD6

RGB 255 255 214

HSL 60, 1%, 0.92%

LAB 99.08, -6.61, 19.64

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE9

RGB 255 255 233

HSL 60, 1%, 0.96%

LAB 99.48, -3.69, 10.51

 

CMYK 10 / 0 / 28 / 12

HEX #CAE1A2

RGB 202 225 162

HSL 81.9, 0.51%, 0.76%

LAB 86.51, -18.24, 28.37

 

CMYK 11 / 0 / 31 / 19

HEX #B9CF8F

RGB 185 207 143

HSL 80.63, 0.4%, 0.69%

LAB 80.14, -18.21, 29.43

 

CMYK 11 / 0 / 34 / 26

HEX #A8BD7C

RGB 168 189 124

HSL 79.38, 0.33%, 0.61%

LAB 73.66, -18.17, 30.54

 

CMYK 12 / 0 / 39 / 33

HEX #97AB69

RGB 151 171 105

HSL 78.18, 0.28%, 0.54%

LAB 67.07, -18.1, 31.7

 

CMYK 12 / 0 / 44 / 40

HEX #869956

RGB 134 153 86

HSL 77.01, 0.28%, 0.47%

LAB 60.36, -17.99, 32.91

 

CMYK 10 / 0 / 28 / 12

HEX #CAE1A2

RGB 202 225 162

HSL 81.9, 0.51%, 0.76%

LAB 86.51, -18.24, 28.37

 

CMYK 3 / 0 / 28 / 12

HEX #DBE1A2

RGB 219 225 162

HSL 65.71, 0.51%, 0.76%

LAB 87.74, -11.98, 30.23

 

CMYK 0 / 5 / 28 / 12

HEX #E1D6A2

RGB 225 214 162

HSL 49.52, 0.51%, 0.76%

LAB 85.36, -4.14, 27.1

 

CMYK 0 / 12 / 28 / 12

HEX #E1C5A2

RGB 225 197 162

HSL 33.33, 0.51%, 0.76%

LAB 81.04, 4.68, 21.21

 

CMYK 0 / 20 / 28 / 12

HEX #E1B4A2

RGB 225 180 162

HSL 17.14, 0.51%, 0.76%

LAB 76.84, 13.69, 15.36

 

CMYK 10 / 0 / 28 / 12

HEX #CAE1A2

RGB 202 225 162

HSL 81.9, 0.51%, 0.76%

LAB 86.51, -18.24, 28.37

 

CMYK 18 / 0 / 28 / 12

HEX #B9E1A2

RGB 185 225 162

HSL 98.1, 0.51%, 0.76%

LAB 85.39, -24.31, 26.66

 

CMYK 25 / 0 / 28 / 12

HEX #A8E1A2

RGB 168 225 162

HSL 114.29, 0.51%, 0.76%

LAB 84.37, -30.1, 25.11

 

CMYK 28 / 0 / 23 / 12

HEX #A2E1AD

RGB 162 225 173

HSL 130.48, 0.51%, 0.76%

LAB 84.25, -30.19, 19.17

 

CMYK 28 / 0 / 16 / 12

HEX #A2E1BE

RGB 162 225 190

HSL 146.67, 0.51%, 0.76%

LAB 84.61, -27.05, 10.77

 

CMYK 10 / 0 / 28 / 12

HEX #CAE1A2

RGB 202 225 162

HSL 81.9, 0.51%, 0.76%

LAB 86.51, -18.24, 28.37

 

CMYK 13 / 0 / 35 / 8

HEX #CCEA98

RGB 204 234 152

HSL 81.95, 0.66%, 0.76%

LAB 88.9, -23.25, 36.65

 

CMYK 15 / 0 / 42 / 4

HEX #CFF48E

RGB 207 244 142

HSL 81.76, 0.82%, 0.76%

LAB 91.65, -28.13, 45.16

 

CMYK 17 / 0 / 48 / 0

HEX #D2FE84

RGB 210 254 132

HSL 81.64, 0.98%, 0.76%

LAB 94.42, -32.77, 53.39

 

CMYK 10 / 0 / 28 / 12

HEX #CAE1A2

RGB 202 225 162

HSL 81.9, 0.51%, 0.76%

LAB 86.51, -18.24, 28.37

 

CMYK 7 / 0 / 20 / 16

HEX #C7D7AC

RGB 199 215 172

HSL 82.33, 0.35%, 0.76%

LAB 83.82, -12.85, 19.45

 

CMYK 4 / 0 / 11 / 20

HEX #C4CDB6

RGB 196 205 182

HSL 83.48, 0.19%, 0.76%

LAB 81.17, -7.18, 10.4

 

CMYK 1 / 0 / 2 / 24

HEX #C2C3C0

RGB 194 195 192

HSL 80, 0.02%, 0.76%

LAB 78.64, -0.89, 1.37

 

CMYK 5 / 8 / 0 / 21

HEX #BFB9CA

RGB 191 185 202

HSL 261.18, 0.14%, 0.76%

LAB 76.09, 5.31, -7.81

 

CMYK 0 / 5 / 28 / 12

HEX #E1D5A2

RGB 225 213 162

HSL 48.57, 0.51%, 0.76%

LAB 85.1, -3.63, 26.75

 

CMYK 3 / 0 / 28 / 12

HEX #DBE1A2

RGB 219 225 162

HSL 65.71, 0.51%, 0.76%

LAB 87.74, -11.98, 30.23

 

CMYK 10 / 0 / 28 / 12

HEX #CBE1A2

RGB 203 225 162

HSL 80.95, 0.51%, 0.76%

LAB 86.58, -17.88, 28.48

 

CMYK 17 / 0 / 28 / 12

HEX #BAE1A2

RGB 186 225 162

HSL 97.14, 0.51%, 0.76%

LAB 85.45, -23.96, 26.76

 

CMYK 25 / 0 / 28 / 12

HEX #A9E1A2

RGB 169 225 162

HSL 113.33, 0.51%, 0.76%

LAB 84.43, -29.77, 25.2

 

CMYK 19 / 0 / 51 / 20

HEX #A6CC64

RGB 166 204 100

HSL 81.92, 0.5%, 0.6%

LAB 77.41, -29.12, 47.27

 

CMYK 14 / 0 / 39 / 16

HEX #B8D683

RGB 184 214 131

HSL 81.69, 0.5%, 0.68%

LAB 81.8, -23.61, 37.73

 

CMYK 10 / 0 / 28 / 12

HEX #CAE1A2

RGB 202 225 162

HSL 81.9, 0.51%, 0.76%

LAB 86.51, -18.24, 28.37

 

CMYK 6 / 0 / 18 / 8

HEX #DCEBC1

RGB 220 235 193

HSL 81.43, 0.51%, 0.84%

LAB 91, -12.16, 18.74

 

CMYK 3 / 0 / 9 / 4

HEX #EDF5E0

RGB 237 245 224

HSL 82.86, 0.51%, 0.92%

LAB 95.45, -6.29, 9.19

 

CMYK 10 / 0 / 28 / 12

HEX #CAE1A2

RGB 202 225 162

HSL 81.9, 0.51%, 0.76%

LAB 86.51, -18.24, 28.37

 

CMYK 28 / 0 / 13 / 12

HEX #A2E1C4

RGB 162 225 196

HSL 152.38, 0.51%, 0.76%

LAB 84.75, -25.88, 7.81

 

CMYK 2 / 28 / 0 / 12

HEX #DDA2E1

RGB 221 162 225

HSL 296.19, 0.51%, 0.76%

LAB 73.96, 32.21, -23.28

 

CMYK 10 / 0 / 28 / 12

HEX #CAE1A2

RGB 202 225 162

HSL 81.9, 0.51%, 0.76%

LAB 86.51, -18.24, 28.37

 

CMYK 28 / 10 / 0 / 12

HEX #A2CBE1

RGB 162 203 225

HSL 200.95, 0.51%, 0.76%

LAB 79.52, -8.5, -15.32

 

CMYK 0 / 28 / 10 / 12

HEX #E1A2CB

RGB 225 162 203

HSL 320.95, 0.51%, 0.76%

LAB 73.65, 29.61, -11.67

 

CMYK 10 / 0 / 28 / 12

HEX #CAE1A2

RGB 202 225 162

HSL 81.9, 0.51%, 0.76%

LAB 86.51, -18.24, 28.37

 

CMYK 28 / 0 / 13 / 12

HEX #A2E1C4

RGB 162 225 196

HSL 152.38, 0.51%, 0.76%

LAB 84.75, -25.88, 7.81

 

CMYK 18 / 28 / 0 / 12

HEX #B8A2E1

RGB 184 162 225

HSL 260.95, 0.51%, 0.76%

LAB 70.5, 20.5, -28.89

 

CMYK 0 / 28 / 16 / 12

HEX #E1A2BE

RGB 225 162 190

HSL 333.33, 0.51%, 0.76%

LAB 73.26, 27.48, -5.09

 

CMYK 10 / 0 / 28 / 12

HEX #CAE1A2

RGB 202 225 162

HSL 81.9, 0.51%, 0.76%

LAB 86.51, -18.24, 28.37

 

CMYK 28 / 0 / 4 / 12

HEX #A2E1D7

RGB 162 225 215

HSL 170.48, 0.51%, 0.76%

LAB 85.22, -21.94, -1.53

 

CMYK 18 / 28 / 0 / 12

HEX #B8A2E1

RGB 184 162 225

HSL 260.95, 0.51%, 0.76%

LAB 70.5, 20.5, -28.89

 

CMYK 0 / 28 / 24 / 12

HEX #E1A2AB

RGB 225 162 171

HSL 351.43, 0.51%, 0.76%

LAB 72.75, 24.6, 4.64

 

Description

Color code: HEX #CAE1A2 | qconv.com Color code: HEX #CAE1A2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 225 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 225 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 28 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 28% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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