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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBADE1 it is the complementary color #24521E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBADE1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBADE1 shade: #E0ADDC, #F1BFEF, #FFD1FF, #FFE3FF and #FFF5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBADE1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBADE1 shade: #DBADE1, #CA9BCE, #B989BB, #A877A8 and #976595

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBADE1 shade: #DAADE0, #E0ADD8, #E0ADCA, #E0ADBC and #E0ADAE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBADE1 shade: #DAADE0, #CCADE0, #BEADE0, #B0ADE0 and #ADADE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBADE1 shade matches the following richer shades: #DAADE0, #E1A4E9, #E89AF2 and #EF91FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBADE1 shade: #DAADE0, #D3B6D7, #CCBFCE, #C5C8C5 and #BED1BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBADE1 shade: #BFADE0, #CCADE0, #DAADE0, #E0ADD8 and #E0ADCB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBADE1 shade: #C070CA, #CD8ED5, #DAADE0, #E8CBEB and #F5E9F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBADE1 shade: #DBADE1, #E0B1AD and #ADE0C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBADE1 shade: #DBADE1, #E0DAAD and #ADE0DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBADE1 shade: #DBADE1, #E0B1AD, #B3E0AD and #ADDCE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBADE1 shade: #DBADE1, #E0C0AD, #B3E0AD and #ADCCE0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 23 / 0 / 12

HEX #DBADE1

RGB 219 173 225

HSL 293.08, 0.46%, 0.78%

LAB 76.3, 25.62, -19.74

 

Complementary color

CMYK 56 / 0 / 63 / 68

HEX #24521E

RGB 36 82 30

HSL 113.08, 0.46%, 0.22%

LAB 30.65, -27.46, 25.35

 

CMYK 0 / 23 / 2 / 12

HEX #E0ADDC

RGB 224 173 220

HSL 304.71, 0.45%, 0.78%

LAB 76.62, 26.34, -16.51

 

CMYK 0 / 21 / 1 / 5

HEX #F1BFEF

RGB 241 191 239

HSL 302.4, 0.64%, 0.85%

LAB 83.02, 25.78, -16.94

 

CMYK 0 / 18 / 0 / 0

HEX #FFD1FF

RGB 255 209 255

HSL 300, 1%, 0.91%

LAB 88.96, 23.75, -16.36

 

CMYK 0 / 11 / 0 / 0

HEX #FFE3FF

RGB 255 227 255

HSL 300, 1%, 0.95%

LAB 93.2, 14.35, -10.03

 

CMYK 0 / 4 / 0 / 0

HEX #FFF5FF

RGB 255 245 255

HSL 300, 1%, 0.98%

LAB 97.55, 5.08, -3.61

 

CMYK 3 / 23 / 0 / 12

HEX #DBADE1

RGB 219 173 225

HSL 293.08, 0.46%, 0.78%

LAB 76.3, 25.62, -19.74

 

CMYK 2 / 25 / 0 / 19

HEX #CA9BCE

RGB 202 155 206

HSL 295.29, 0.34%, 0.71%

LAB 69.79, 26.2, -19.36

 

CMYK 1 / 27 / 0 / 27

HEX #B989BB

RGB 185 137 187

HSL 297.6, 0.27%, 0.64%

LAB 63.17, 26.84, -18.97

 

CMYK 0 / 29 / 0 / 34

HEX #A877A8

RGB 168 119 168

HSL 300, 0.22%, 0.56%

LAB 56.43, 27.52, -18.56

 

CMYK 0 / 33 / 1 / 41

HEX #976595

RGB 151 101 149

HSL 302.4, 0.2%, 0.49%

LAB 49.56, 28.25, -18.13

 

CMYK 3 / 23 / 0 / 12

HEX #DAADE0

RGB 218 173 224

HSL 292.94, 0.45%, 0.78%

LAB 76.18, 25.1, -19.4

 

CMYK 0 / 23 / 4 / 12

HEX #E0ADD8

RGB 224 173 216

HSL 309.41, 0.45%, 0.78%

LAB 76.49, 25.62, -14.52

 

CMYK 0 / 23 / 10 / 12

HEX #E0ADCA

RGB 224 173 202

HSL 325.88, 0.45%, 0.78%

LAB 76.07, 23.18, -7.53

 

CMYK 0 / 23 / 16 / 12

HEX #E0ADBC

RGB 224 173 188

HSL 342.35, 0.45%, 0.78%

LAB 75.68, 20.89, -0.46

 

CMYK 0 / 23 / 22 / 12

HEX #E0ADAE

RGB 224 173 174

HSL 358.82, 0.45%, 0.78%

LAB 75.32, 18.76, 6.67

 

CMYK 3 / 23 / 0 / 12

HEX #DAADE0

RGB 218 173 224

HSL 292.94, 0.45%, 0.78%

LAB 76.18, 25.1, -19.4

 

CMYK 9 / 23 / 0 / 12

HEX #CCADE0

RGB 204 173 224

HSL 276.47, 0.45%, 0.78%

LAB 74.89, 20.54, -21.47

 

CMYK 15 / 23 / 0 / 12

HEX #BEADE0

RGB 190 173 224

HSL 260, 0.45%, 0.78%

LAB 73.69, 16.06, -23.42

 

CMYK 21 / 23 / 0 / 12

HEX #B0ADE0

RGB 176 173 224

HSL 243.53, 0.45%, 0.78%

LAB 72.56, 11.69, -25.24

 

CMYK 23 / 23 / 0 / 12

HEX #ADADE0

RGB 173 173 224

HSL 240, 0.45%, 0.78%

LAB 72.33, 10.78, -25.61

 

CMYK 3 / 23 / 0 / 12

HEX #DAADE0

RGB 218 173 224

HSL 292.94, 0.45%, 0.78%

LAB 76.18, 25.1, -19.4

 

CMYK 3 / 30 / 0 / 9

HEX #E1A4E9

RGB 225 164 233

HSL 293.04, 0.61%, 0.78%

LAB 75.1, 33.92, -25.87

 

CMYK 4 / 36 / 0 / 5

HEX #E89AF2

RGB 232 154 242

HSL 293.18, 0.77%, 0.78%

LAB 73.98, 43.1, -32.42

 

CMYK 5 / 42 / 0 / 2

HEX #EF91FB

RGB 239 145 251

HSL 293.21, 0.93%, 0.78%

LAB 73.26, 51.5, -38.36

 

CMYK 3 / 23 / 0 / 12

HEX #DAADE0

RGB 218 173 224

HSL 292.94, 0.45%, 0.78%

LAB 76.18, 25.1, -19.4

 

CMYK 2 / 15 / 0 / 16

HEX #D3B6D7

RGB 211 182 215

HSL 292.73, 0.29%, 0.78%

LAB 77.41, 16.2, -12.73

 

CMYK 1 / 7 / 0 / 19

HEX #CCBFCE

RGB 204 191 206

HSL 292, 0.13%, 0.78%

LAB 78.78, 7.28, -5.88

 

CMYK 1 / 0 / 1 / 22

HEX #C5C8C5

RGB 197 200 197

HSL 120, 0.03%, 0.78%

LAB 80.3, -1.58, 1.13

 

CMYK 9 / 0 / 10 / 18

HEX #BED1BC

RGB 190 209 188

HSL 114.29, 0.19%, 0.78%

LAB 81.94, -10.3, 8.24

 

CMYK 15 / 23 / 0 / 12

HEX #BFADE0

RGB 191 173 224

HSL 261.18, 0.45%, 0.78%

LAB 73.77, 16.38, -23.29

 

CMYK 9 / 23 / 0 / 12

HEX #CCADE0

RGB 204 173 224

HSL 276.47, 0.45%, 0.78%

LAB 74.89, 20.54, -21.47

 

CMYK 3 / 23 / 0 / 12

HEX #DAADE0

RGB 218 173 224

HSL 292.94, 0.45%, 0.78%

LAB 76.18, 25.1, -19.4

 

CMYK 0 / 23 / 4 / 12

HEX #E0ADD8

RGB 224 173 216

HSL 309.41, 0.45%, 0.78%

LAB 76.49, 25.62, -14.52

 

CMYK 0 / 23 / 9 / 12

HEX #E0ADCB

RGB 224 173 203

HSL 324.71, 0.45%, 0.78%

LAB 76.1, 23.35, -8.03

 

CMYK 5 / 45 / 0 / 21

HEX #C070CA

RGB 192 112 202

HSL 293.33, 0.46%, 0.62%

LAB 59.03, 45.56, -33.77

 

CMYK 4 / 33 / 0 / 16

HEX #CD8ED5

RGB 205 142 213

HSL 293.24, 0.46%, 0.7%

LAB 67.37, 35.62, -26.91

 

CMYK 3 / 23 / 0 / 12

HEX #DAADE0

RGB 218 173 224

HSL 292.94, 0.45%, 0.78%

LAB 76.18, 25.1, -19.4

 

CMYK 1 / 14 / 0 / 8

HEX #E8CBEB

RGB 232 203 235

HSL 294.38, 0.44%, 0.86%

LAB 84.93, 15.7, -12.03

 

CMYK 0 / 5 / 0 / 4

HEX #F5E9F6

RGB 245 233 246

HSL 295.38, 0.42%, 0.94%

LAB 93.6, 6.32, -4.84

 

CMYK 3 / 23 / 0 / 12

HEX #DBADE1

RGB 219 173 225

HSL 293.08, 0.46%, 0.78%

LAB 76.3, 25.62, -19.74

 

CMYK 0 / 21 / 23 / 12

HEX #E0B1AD

RGB 224 177 173

HSL 4.71, 0.45%, 0.78%

LAB 76.26, 16.46, 8.56

 

CMYK 23 / 0 / 12 / 12

HEX #ADE0C6

RGB 173 224 198

HSL 149.41, 0.45%, 0.78%

LAB 85.14, -21.6, 7.39

 

CMYK 3 / 23 / 0 / 12

HEX #DBADE1

RGB 219 173 225

HSL 293.08, 0.46%, 0.78%

LAB 76.3, 25.62, -19.74

 

CMYK 0 / 3 / 23 / 12

HEX #E0DAAD

RGB 224 218 173

HSL 52.94, 0.45%, 0.78%

LAB 86.51, -5.08, 22.94

 

CMYK 23 / 0 / 3 / 12

HEX #ADE0DA

RGB 173 224 218

HSL 172.94, 0.45%, 0.78%

LAB 85.63, -17.56, -2.44

 

CMYK 3 / 23 / 0 / 12

HEX #DBADE1

RGB 219 173 225

HSL 293.08, 0.46%, 0.78%

LAB 76.3, 25.62, -19.74

 

CMYK 0 / 21 / 23 / 12

HEX #E0B1AD

RGB 224 177 173

HSL 4.71, 0.45%, 0.78%

LAB 76.26, 16.46, 8.56

 

CMYK 20 / 0 / 23 / 12

HEX #B3E0AD

RGB 179 224 173

HSL 112.94, 0.45%, 0.78%

LAB 84.95, -24.14, 20.3

 

CMYK 23 / 2 / 0 / 12

HEX #ADDCE0

RGB 173 220 224

HSL 184.71, 0.45%, 0.78%

LAB 84.72, -14.25, -6.96

 

CMYK 3 / 23 / 0 / 12

HEX #DBADE1

RGB 219 173 225

HSL 293.08, 0.46%, 0.78%

LAB 76.3, 25.62, -19.74

 

CMYK 0 / 14 / 23 / 12

HEX #E0C0AD

RGB 224 192 173

HSL 22.35, 0.45%, 0.78%

LAB 79.93, 8.47, 13.78

 

CMYK 20 / 0 / 23 / 12

HEX #B3E0AD

RGB 179 224 173

HSL 112.94, 0.45%, 0.78%

LAB 84.95, -24.14, 20.3

 

CMYK 23 / 9 / 0 / 12

HEX #ADCCE0

RGB 173 204 224

HSL 203.53, 0.45%, 0.78%

LAB 80.43, -5.99, -13.34

 

Description

Color code: HEX #DBADE1 | qconv.com Color code: HEX #DBADE1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 173 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 173 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 23 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 23% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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