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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB96D5 it is the complementary color #24692A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB96D5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB96D5 shade: #E096D0, #F1A8E3, #FFBAF6, #FFCCFF and #FFDEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB96D5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB96D5 shade: #DB96D5, #CA84C2, #B972AF, #A8609C and #974E89

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB96D5 shade: #DA94D4, #DA94C1, #DA94AE, #DA949B and #DA9494

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB96D5 shade: #DA94D4, #CD94DA, #BA94DA, #A894DA and #9594DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB96D5 shade matches the following richer shades: #DA94D4, #E689DE, #F17DE7 and #FD71F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB96D5 shade: #DA94D4, #CFA0CA, #C3ABC1, #B7B7B7 and #ACC2AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB96D5 shade: #BB94DA, #CD94DA, #DA94D4, #DA94C2 and #DA94AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB96D5 shade: #C557BB, #D075C8, #DA94D4, #E5B3E0 and #EFD2ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB96D5 shade: #DB96D5, #DAA894 and #94DAC4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB96D5 shade: #DB96D5, #D4DA94 and #94D4DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB96D5 shade: #DB96D5, #DAA894, #94DA9A and #94C6DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB96D5 shade: #DB96D5, #DABD94, #94DA9A and #94B1DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 3 / 14

HEX #DB96D5

RGB 219 150 213

HSL 305.22, 0.49%, 0.72%

LAB 70.65, 35.8, -21.77

 

Complementary color

CMYK 66 / 0 / 60 / 59

HEX #24692A

RGB 36 105 42

HSL 125.22, 0.49%, 0.28%

LAB 38.98, -35.73, 28.76

 

CMYK 0 / 33 / 7 / 12

HEX #E096D0

RGB 224 150 208

HSL 312.97, 0.54%, 0.73%

LAB 71.02, 36.55, -18.39

 

CMYK 0 / 30 / 6 / 5

HEX #F1A8E3

RGB 241 168 227

HSL 311.51, 0.72%, 0.8%

LAB 77.43, 35.85, -18.91

 

CMYK 0 / 27 / 4 / 0

HEX #FFBAF6

RGB 255 186 246

HSL 307.83, 1%, 0.86%

LAB 83.46, 34.22, -19.88

 

CMYK 0 / 20 / 0 / 0

HEX #FFCCFF

RGB 255 204 255

HSL 300, 1%, 0.9%

LAB 87.81, 26.37, -18.1

 

CMYK 0 / 13 / 0 / 0

HEX #FFDEFF

RGB 255 222 255

HSL 300, 1%, 0.94%

LAB 92.01, 16.95, -11.8

 

CMYK 0 / 32 / 3 / 14

HEX #DB96D5

RGB 219 150 213

HSL 305.22, 0.49%, 0.72%

LAB 70.65, 35.8, -21.77

 

CMYK 0 / 35 / 4 / 21

HEX #CA84C2

RGB 202 132 194

HSL 306.86, 0.4%, 0.65%

LAB 64.12, 36.52, -21.3

 

CMYK 0 / 38 / 5 / 27

HEX #B972AF

RGB 185 114 175

HSL 308.45, 0.34%, 0.59%

LAB 57.51, 37.27, -20.78

 

CMYK 0 / 43 / 7 / 34

HEX #A8609C

RGB 168 96 156

HSL 310, 0.29%, 0.52%

LAB 50.79, 38.05, -20.19

 

CMYK 0 / 48 / 9 / 41

HEX #974E89

RGB 151 78 137

HSL 311.51, 0.32%, 0.45%

LAB 43.99, 38.81, -19.49

 

CMYK 0 / 32 / 3 / 15

HEX #DA94D4

RGB 218 148 212

HSL 305.14, 0.49%, 0.72%

LAB 70.06, 36.37, -22.12

 

CMYK 0 / 32 / 11 / 15

HEX #DA94C1

RGB 218 148 193

HSL 321.43, 0.49%, 0.72%

LAB 69.42, 33.06, -12.55

 

CMYK 0 / 32 / 20 / 15

HEX #DA94AE

RGB 218 148 174

HSL 337.71, 0.49%, 0.72%

LAB 68.85, 30.04, -2.8

 

CMYK 0 / 32 / 29 / 15

HEX #DA949B

RGB 218 148 155

HSL 354, 0.49%, 0.72%

LAB 68.35, 27.32, 7.09

 

CMYK 0 / 32 / 32 / 15

HEX #DA9494

RGB 218 148 148

HSL 0, 0.49%, 0.72%

LAB 68.18, 26.39, 10.76

 

CMYK 0 / 32 / 3 / 15

HEX #DA94D4

RGB 218 148 212

HSL 305.14, 0.49%, 0.72%

LAB 70.06, 36.37, -22.12

 

CMYK 6 / 32 / 0 / 15

HEX #CD94DA

RGB 205 148 218

HSL 288.86, 0.49%, 0.72%

LAB 68.91, 33.34, -27.32

 

CMYK 15 / 32 / 0 / 15

HEX #BA94DA

RGB 186 148 218

HSL 272.57, 0.49%, 0.72%

LAB 67.04, 27.38, -30.36

 

CMYK 23 / 32 / 0 / 15

HEX #A894DA

RGB 168 148 218

HSL 257.14, 0.49%, 0.72%

LAB 65.41, 21.89, -33.01

 

CMYK 32 / 32 / 0 / 15

HEX #9594DA

RGB 149 148 218

HSL 240.86, 0.49%, 0.72%

LAB 63.86, 16.32, -35.54

 

CMYK 0 / 32 / 3 / 15

HEX #DA94D4

RGB 218 148 212

HSL 305.14, 0.49%, 0.72%

LAB 70.06, 36.37, -22.12

 

CMYK 0 / 40 / 3 / 10

HEX #E689DE

RGB 230 137 222

HSL 305.16, 0.65%, 0.72%

LAB 69.46, 47.69, -28.45

 

CMYK 0 / 48 / 4 / 5

HEX #F17DE7

RGB 241 125 231

HSL 305.17, 0.81%, 0.72%

LAB 68.85, 58.44, -34.25

 

CMYK 0 / 55 / 5 / 1

HEX #FD71F1

RGB 253 113 241

HSL 305.14, 0.97%, 0.72%

LAB 68.78, 68.86, -39.75

 

CMYK 0 / 32 / 3 / 15

HEX #DA94D4

RGB 218 148 212

HSL 305.14, 0.49%, 0.72%

LAB 70.06, 36.37, -22.12

 

CMYK 0 / 23 / 2 / 19

HEX #CFA0CA

RGB 207 160 202

HSL 306.38, 0.33%, 0.72%

LAB 71.33, 24.39, -14.78

 

CMYK 0 / 12 / 1 / 24

HEX #C3ABC1

RGB 195 171 193

HSL 305, 0.17%, 0.72%

LAB 72.61, 12.57, -8.03

 

CMYK 0 / 0 / 0 / 28

HEX #B7B7B7

RGB 183 183 183

HSL 0, 0%, 0.72%

LAB 74.42, 0, -0.01

 

CMYK 11 / 0 / 10 / 24

HEX #ACC2AE

RGB 172 194 174

HSL 125.45, 0.15%, 0.72%

LAB 76.32, -11.3, 7.53

 

CMYK 14 / 32 / 0 / 15

HEX #BB94DA

RGB 187 148 218

HSL 273.43, 0.49%, 0.72%

LAB 67.13, 27.7, -30.21

 

CMYK 6 / 32 / 0 / 15

HEX #CD94DA

RGB 205 148 218

HSL 288.86, 0.49%, 0.72%

LAB 68.91, 33.34, -27.32

 

CMYK 0 / 32 / 3 / 15

HEX #DA94D4

RGB 218 148 212

HSL 305.14, 0.49%, 0.72%

LAB 70.06, 36.37, -22.12

 

CMYK 0 / 32 / 11 / 15

HEX #DA94C2

RGB 218 148 194

HSL 320.57, 0.49%, 0.72%

LAB 69.46, 33.23, -13.06

 

CMYK 0 / 32 / 20 / 15

HEX #DA94AF

RGB 218 148 175

HSL 336.86, 0.49%, 0.72%

LAB 68.88, 30.19, -3.32

 

CMYK 0 / 56 / 5 / 23

HEX #C557BB

RGB 197 87 187

HSL 305.45, 0.49%, 0.56%

LAB 54.32, 56.66, -32.49

 

CMYK 0 / 44 / 4 / 18

HEX #D075C8

RGB 208 117 200

HSL 305.27, 0.49%, 0.64%

LAB 61.91, 47.4, -28.01

 

CMYK 0 / 32 / 3 / 15

HEX #DA94D4

RGB 218 148 212

HSL 305.14, 0.49%, 0.72%

LAB 70.06, 36.37, -22.12

 

CMYK 0 / 22 / 2 / 10

HEX #E5B3E0

RGB 229 179 224

HSL 306, 0.49%, 0.8%

LAB 78.62, 25.5, -15.61

 

CMYK 0 / 12 / 1 / 6

HEX #EFD2ED

RGB 239 210 237

HSL 304.14, 0.48%, 0.88%

LAB 87.27, 14.7, -9.54

 

CMYK 0 / 32 / 3 / 14

HEX #DB96D5

RGB 219 150 213

HSL 305.22, 0.49%, 0.72%

LAB 70.65, 35.8, -21.77

 

CMYK 0 / 23 / 32 / 15

HEX #DAA894

RGB 218 168 148

HSL 17.14, 0.49%, 0.72%

LAB 72.92, 15.6, 17.41

 

CMYK 32 / 0 / 10 / 15

HEX #94DAC4

RGB 148 218 196

HSL 161.14, 0.49%, 0.72%

LAB 82.07, -26.63, 3.85

 

CMYK 0 / 32 / 3 / 14

HEX #DB96D5

RGB 219 150 213

HSL 305.22, 0.49%, 0.72%

LAB 70.65, 35.8, -21.77

 

CMYK 3 / 0 / 32 / 15

HEX #D4DA94

RGB 212 218 148

HSL 65.14, 0.49%, 0.72%

LAB 85.14, -12.9, 33.84

 

CMYK 32 / 3 / 0 / 15

HEX #94D4DA

RGB 148 212 218

HSL 185.14, 0.49%, 0.72%

LAB 80.99, -18.74, -9.46

 

CMYK 0 / 32 / 3 / 14

HEX #DB96D5

RGB 219 150 213

HSL 305.22, 0.49%, 0.72%

LAB 70.65, 35.8, -21.77

 

CMYK 0 / 23 / 32 / 15

HEX #DAA894

RGB 218 168 148

HSL 17.14, 0.49%, 0.72%

LAB 72.92, 15.6, 17.41

 

CMYK 32 / 0 / 29 / 15

HEX #94DA9A

RGB 148 218 154

HSL 125.14, 0.49%, 0.72%

LAB 81.17, -34.63, 24.71

 

CMYK 32 / 9 / 0 / 15

HEX #94C6DA

RGB 148 198 218

HSL 197.14, 0.49%, 0.72%

LAB 77.13, -11.54, -15.23

 

CMYK 0 / 32 / 3 / 14

HEX #DB96D5

RGB 219 150 213

HSL 305.22, 0.49%, 0.72%

LAB 70.65, 35.8, -21.77

 

CMYK 0 / 13 / 32 / 15

HEX #DABD94

RGB 218 189 148

HSL 35.14, 0.49%, 0.72%

LAB 78.13, 4.38, 24.56

 

CMYK 32 / 0 / 29 / 15

HEX #94DA9A

RGB 148 218 154

HSL 125.14, 0.49%, 0.72%

LAB 81.17, -34.63, 24.71

 

CMYK 32 / 19 / 0 / 15

HEX #94B1DA

RGB 148 177 218

HSL 215.14, 0.49%, 0.72%

LAB 71.42, -0.29, -23.88

 

Description

Color code: HEX #DB96D5 | qconv.com Color code: HEX #DB96D5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 150 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 150 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 3 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 3% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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