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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB8FB1 it is the complementary color #24704E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB8FB1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB8FB1 shade: #E08FAC, #F1A1BF, #FFB3D2, #FFC5E5 and #FFD7F8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB8FB1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB8FB1 shade: #DB8FB1, #CA7D9E, #B96B8B, #A85978 and #974765

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB8FB1 shade: #DA8FB1, #DA8F9C and #DA8F8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB8FB1 shade: #DA8FB1, #DA8FC5, #DA8FD9, #C78FDA and #B38FDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB8FB1 shade matches the following richer shades: #DA8FB1, #E683AF, #F277AE and #FE6BAD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB8FB1 shade: #DA8FB1, #CE9BB2, #C2A7B3, #B6B3B4 and #AABFB6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB8FB1 shade: #DA8FD9, #DA8FC5, #DA8FB1, #DA8F9D and #DA958F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB8FB1 shade: #C65185, #D0709B, #DA8FB1, #E4AEC6 and #EECDDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB8FB1 shade: #DB8FB1, #DAC78F and #8FCFDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB8FB1 shade: #DB8FB1, #B1DA8F and #8FB1DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB8FB1 shade: #DB8FB1, #DAC78F, #8FDAB8 and #8FA2DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB8FB1 shade: #DB8FB1, #D6DA8F, #8FDAB8 and #938FDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 19 / 14

HEX #DB8FB1

RGB 219 143 177

HSL 333.16, 0.51%, 0.71%

LAB 67.93, 33.53, -5.83

 

Complementary color

CMYK 68 / 0 / 30 / 56

HEX #24704E

RGB 36 112 78

HSL 153.16, 0.51%, 0.29%

LAB 42.02, -31.91, 12.25

 

CMYK 0 / 36 / 23 / 12

HEX #E08FAC

RGB 224 143 172

HSL 338.52, 0.57%, 0.72%

LAB 68.37, 34.55, -2.32

 

CMYK 0 / 33 / 21 / 5

HEX #F1A1BF

RGB 241 161 191

HSL 337.5, 0.74%, 0.79%

LAB 74.79, 33.77, -3.19

 

CMYK 0 / 30 / 18 / 0

HEX #FFB3D2

RGB 255 179 210

HSL 335.53, 1%, 0.85%

LAB 80.82, 32.01, -4.49

 

CMYK 0 / 23 / 10 / 0

HEX #FFC5E5

RGB 255 197 229

HSL 326.9, 1%, 0.89%

LAB 85.43, 25.56, -7.87

 

CMYK 0 / 16 / 3 / 0

HEX #FFD7F8

RGB 255 215 248

HSL 310.5, 1%, 0.92%

LAB 90.15, 19.36, -10.89

 

CMYK 0 / 35 / 19 / 14

HEX #DB8FB1

RGB 219 143 177

HSL 333.16, 0.51%, 0.71%

LAB 67.93, 33.53, -5.83

 

CMYK 0 / 38 / 22 / 21

HEX #CA7D9E

RGB 202 125 158

HSL 334.29, 0.42%, 0.64%

LAB 61.39, 34.33, -4.98

 

CMYK 0 / 42 / 25 / 27

HEX #B96B8B

RGB 185 107 139

HSL 335.38, 0.36%, 0.57%

LAB 54.76, 35.17, -4.01

 

CMYK 0 / 47 / 29 / 34

HEX #A85978

RGB 168 89 120

HSL 336.46, 0.31%, 0.5%

LAB 48.04, 36.05, -2.89

 

CMYK 0 / 53 / 33 / 41

HEX #974765

RGB 151 71 101

HSL 337.5, 0.36%, 0.44%

LAB 41.26, 36.92, -1.54

 

CMYK 0 / 34 / 19 / 15

HEX #DA8FB1

RGB 218 143 177

HSL 332.8, 0.5%, 0.71%

LAB 67.82, 33.18, -6.01

 

CMYK 0 / 34 / 28 / 15

HEX #DA8F9C

RGB 218 143 156

HSL 349.6, 0.5%, 0.71%

LAB 67.24, 30.14, 4.93

 

CMYK 0 / 34 / 34 / 15

HEX #DA8F8F

RGB 218 143 143

HSL 0, 0.5%, 0.71%

LAB 66.93, 28.45, 11.78

 

CMYK 0 / 34 / 19 / 15

HEX #DA8FB1

RGB 218 143 177

HSL 332.8, 0.5%, 0.71%

LAB 67.82, 33.18, -6.01

 

CMYK 0 / 34 / 10 / 15

HEX #DA8FC5

RGB 218 143 197

HSL 316.8, 0.5%, 0.71%

LAB 68.45, 36.41, -16.25

 

CMYK 0 / 34 / 0 / 15

HEX #DA8FD9

RGB 218 143 217

HSL 300.8, 0.5%, 0.71%

LAB 69.16, 39.94, -26.27

 

CMYK 9 / 34 / 0 / 15

HEX #C78FDA

RGB 199 143 218

HSL 284.8, 0.5%, 0.71%

LAB 67.16, 34.19, -30.06

 

CMYK 18 / 34 / 0 / 15

HEX #B38FDA

RGB 179 143 218

HSL 268.8, 0.5%, 0.71%

LAB 65.19, 28.03, -33.27

 

CMYK 0 / 34 / 19 / 15

HEX #DA8FB1

RGB 218 143 177

HSL 332.8, 0.5%, 0.71%

LAB 67.82, 33.18, -6.01

 

CMYK 0 / 43 / 24 / 10

HEX #E683AF

RGB 230 131 175

HSL 333.33, 0.66%, 0.71%

LAB 66.63, 43.33, -6.48

 

CMYK 0 / 51 / 28 / 5

HEX #F277AE

RGB 242 119 174

HSL 333.17, 0.83%, 0.71%

LAB 65.85, 53.12, -6.91

 

CMYK 0 / 58 / 32 / 0

HEX #FE6BAD

RGB 254 107 173

HSL 333.06, 0.99%, 0.71%

LAB 65.44, 62.25, -6.76

 

CMYK 0 / 34 / 19 / 15

HEX #DA8FB1

RGB 218 143 177

HSL 332.8, 0.5%, 0.71%

LAB 67.82, 33.18, -6.01

 

CMYK 0 / 25 / 14 / 19

HEX #CE9BB2

RGB 206 155 178

HSL 332.94, 0.34%, 0.71%

LAB 69.31, 22.58, -4.5

 

CMYK 0 / 14 / 8 / 24

HEX #C2A7B3

RGB 194 167 179

HSL 333.33, 0.18%, 0.71%

LAB 71.12, 11.87, -2.53

 

CMYK 0 / 2 / 1 / 29

HEX #B6B3B4

RGB 182 179 180

HSL 340, 0.02%, 0.71%

LAB 73.21, 1.25, -0.14

 

CMYK 11 / 0 / 5 / 25

HEX #AABFB6

RGB 170 191 182

HSL 154.29, 0.14%, 0.71%

LAB 75.57, -8.92, 2.1

 

CMYK 0 / 34 / 0 / 15

HEX #DA8FD9

RGB 218 143 217

HSL 300.8, 0.5%, 0.71%

LAB 69.16, 39.94, -26.27

 

CMYK 0 / 34 / 10 / 15

HEX #DA8FC5

RGB 218 143 197

HSL 316.8, 0.5%, 0.71%

LAB 68.45, 36.41, -16.25

 

CMYK 0 / 34 / 19 / 15

HEX #DA8FB1

RGB 218 143 177

HSL 332.8, 0.5%, 0.71%

LAB 67.82, 33.18, -6.01

 

CMYK 0 / 34 / 28 / 15

HEX #DA8F9D

RGB 218 143 157

HSL 348.8, 0.5%, 0.71%

LAB 67.27, 30.28, 4.41

 

CMYK 0 / 32 / 34 / 15

HEX #DA958F

RGB 218 149 143

HSL 4.8, 0.5%, 0.71%

LAB 68.3, 25.22, 13.71

 

CMYK 0 / 59 / 33 / 22

HEX #C65185

RGB 198 81 133

HSL 333.33, 0.51%, 0.55%

LAB 51.36, 51.82, -5.28

 

CMYK 0 / 46 / 25 / 18

HEX #D0709B

RGB 208 112 155

HSL 333.13, 0.51%, 0.63%

LAB 59.31, 42.83, -6.24

 

CMYK 0 / 34 / 19 / 15

HEX #DA8FB1

RGB 218 143 177

HSL 332.8, 0.5%, 0.71%

LAB 67.82, 33.18, -6.01

 

CMYK 0 / 24 / 13 / 11

HEX #E4AEC6

RGB 228 174 198

HSL 333.33, 0.5%, 0.79%

LAB 76.58, 23.38, -4.54

 

CMYK 0 / 14 / 8 / 7

HEX #EECDDC

RGB 238 205 220

HSL 332.73, 0.49%, 0.87%

LAB 85.51, 14.02, -3.14

 

CMYK 0 / 35 / 19 / 14

HEX #DB8FB1

RGB 219 143 177

HSL 333.16, 0.51%, 0.71%

LAB 67.93, 33.53, -5.83

 

CMYK 0 / 9 / 34 / 15

HEX #DAC78F

RGB 218 199 143

HSL 44.8, 0.5%, 0.71%

LAB 80.59, -1.47, 30.49

 

CMYK 34 / 5 / 0 / 15

HEX #8FCFDA

RGB 143 207 218

HSL 188.8, 0.5%, 0.71%

LAB 79.34, -17.56, -11.93

 

CMYK 0 / 35 / 19 / 14

HEX #DB8FB1

RGB 219 143 177

HSL 333.16, 0.51%, 0.71%

LAB 67.93, 33.53, -5.83

 

CMYK 19 / 0 / 34 / 15

HEX #B1DA8F

RGB 177 218 143

HSL 92.8, 0.5%, 0.71%

LAB 82.63, -26.52, 32.64

 

CMYK 34 / 19 / 0 / 15

HEX #8FB1DA

RGB 143 177 218

HSL 212.8, 0.5%, 0.71%

LAB 71.11, -1.7, -24.39

 

CMYK 0 / 35 / 19 / 14

HEX #DB8FB1

RGB 219 143 177

HSL 333.16, 0.51%, 0.71%

LAB 67.93, 33.53, -5.83

 

CMYK 0 / 9 / 34 / 15

HEX #DAC78F

RGB 218 199 143

HSL 44.8, 0.5%, 0.71%

LAB 80.59, -1.47, 30.49

 

CMYK 34 / 0 / 16 / 15

HEX #8FDAB8

RGB 143 218 184

HSL 152.8, 0.5%, 0.71%

LAB 81.53, -30.56, 9.42

 

CMYK 34 / 26 / 0 / 15

HEX #8FA2DA

RGB 143 162 218

HSL 224.8, 0.5%, 0.71%

LAB 67.08, 6.65, -30.57

 

CMYK 0 / 35 / 19 / 14

HEX #DB8FB1

RGB 219 143 177

HSL 333.16, 0.51%, 0.71%

LAB 67.93, 33.53, -5.83

 

CMYK 2 / 0 / 34 / 15

HEX #D6DA8F

RGB 214 218 143

HSL 63.2, 0.5%, 0.71%

LAB 85.21, -12.74, 36.51

 

CMYK 34 / 0 / 16 / 15

HEX #8FDAB8

RGB 143 218 184

HSL 152.8, 0.5%, 0.71%

LAB 81.53, -30.56, 9.42

 

CMYK 33 / 34 / 0 / 15

HEX #938FDA

RGB 147 143 218

HSL 243.2, 0.5%, 0.71%

LAB 62.43, 18.63, -37.78

 

Description

Color code: HEX #DB8FB1 | qconv.com Color code: HEX #DB8FB1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 143 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 143 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 19 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 19% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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