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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8FB1DA it is the complementary color #704E25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8FB1DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8FB1DA shade: #94B1D5, #A5C3E8, #B6D5FB, #C7E7FF and #D8F9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8FB1DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8FB1DA shade: #8FB1DA, #7E9FC7, #6D8DB4, #5C7BA1 and #4B698E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8FB1DA shade: #90B1DA, #909DDA, #9690DA, #AA90DA and #BE90DA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8FB1DA shade: #90B1DA, #909DDA and #9090DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8FB1DA shade matches the following richer shades: #90B1DA, #84B0E5, #78AFF1 and #6CAEFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8FB1DA shade: #90B1DA, #9CB2CE, #A8B3C2, #B3B4B6 and #BFB6AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8FB1DA shade: #90DADA, #90C6DA, #90B2DA, #909EDA and #9590DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8FB1DA shade: #5286C5, #719CCF, #90B1DA, #AFC7E4 and #CDDCEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8FB1DA shade: #8FB1DA, #C690DA and #D0DA90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8FB1DA shade: #8FB1DA, #DA90B2 and #B2DA90

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8FB1DA shade: #8FB1DA, #C690DA, #DAB790 and #A3DA90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8FB1DA shade: #8FB1DA, #DA90D7, #DAB790 and #90DA92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 19 / 0 / 15

HEX #8FB1DA

RGB 143 177 218

HSL 212.8, 0.5%, 0.71%

LAB 71.11, -1.7, -24.39

 

Complementary color

CMYK 0 / 30 / 67 / 56

HEX #704E25

RGB 112 78 37

HSL 32.8, 0.5%, 0.29%

LAB 36.04, 9.69, 29.45

 

CMYK 31 / 17 / 0 / 16

HEX #94B1D5

RGB 148 177 213

HSL 213.23, 0.44%, 0.71%

LAB 71.24, -1.53, -21.41

 

CMYK 29 / 16 / 0 / 9

HEX #A5C3E8

RGB 165 195 232

HSL 213.13, 0.59%, 0.78%

LAB 77.79, -1.72, -21.67

 

CMYK 27 / 15 / 0 / 2

HEX #B6D5FB

RGB 182 213 251

HSL 213.04, 0.9%, 0.85%

LAB 84.22, -1.9, -21.95

 

CMYK 22 / 9 / 0 / 0

HEX #C7E7FF

RGB 199 231 255

HSL 205.71, 1%, 0.89%

LAB 90.1, -5.4, -15.09

 

CMYK 15 / 2 / 0 / 0

HEX #D8F9FF

RGB 216 249 255

HSL 189.23, 1%, 0.92%

LAB 95.82, -9.41, -6.46

 

CMYK 34 / 19 / 0 / 15

HEX #8FB1DA

RGB 143 177 218

HSL 212.8, 0.5%, 0.71%

LAB 71.11, -1.7, -24.39

 

CMYK 37 / 20 / 0 / 22

HEX #7E9FC7

RGB 126 159 199

HSL 212.88, 0.39%, 0.64%

LAB 64.45, -1.44, -24.18

 

CMYK 39 / 22 / 0 / 29

HEX #6D8DB4

RGB 109 141 180

HSL 212.96, 0.32%, 0.57%

LAB 57.65, -1.13, -24.01

 

CMYK 43 / 24 / 0 / 37

HEX #5C7BA1

RGB 92 123 161

HSL 213.04, 0.27%, 0.5%

LAB 50.7, -0.76, -23.85

 

CMYK 47 / 26 / 0 / 44

HEX #4B698E

RGB 75 105 142

HSL 213.13, 0.31%, 0.43%

LAB 43.58, -0.3, -23.74

 

CMYK 34 / 19 / 0 / 15

HEX #90B1DA

RGB 144 177 218

HSL 213.24, 0.5%, 0.71%

LAB 71.17, -1.42, -24.29

 

CMYK 34 / 28 / 0 / 15

HEX #909DDA

RGB 144 157 218

HSL 229.46, 0.5%, 0.71%

LAB 65.83, 9.76, -32.51

 

CMYK 31 / 34 / 0 / 15

HEX #9690DA

RGB 150 144 218

HSL 244.86, 0.5%, 0.71%

LAB 62.92, 18.91, -37

 

CMYK 22 / 34 / 0 / 15

HEX #AA90DA

RGB 170 144 218

HSL 261.08, 0.5%, 0.71%

LAB 64.61, 24.75, -34.24

 

CMYK 13 / 34 / 0 / 15

HEX #BE90DA

RGB 190 144 218

HSL 277.3, 0.5%, 0.71%

LAB 66.49, 30.85, -31.18

 

CMYK 34 / 19 / 0 / 15

HEX #90B1DA

RGB 144 177 218

HSL 213.24, 0.5%, 0.71%

LAB 71.17, -1.42, -24.29

 

CMYK 34 / 28 / 0 / 15

HEX #909DDA

RGB 144 157 218

HSL 229.46, 0.5%, 0.71%

LAB 65.83, 9.76, -32.51

 

CMYK 34 / 34 / 0 / 15

HEX #9090DA

RGB 144 144 218

HSL 240, 0.5%, 0.71%

LAB 62.46, 17.22, -37.76

 

CMYK 34 / 19 / 0 / 15

HEX #90B1DA

RGB 144 177 218

HSL 213.24, 0.5%, 0.71%

LAB 71.17, -1.42, -24.29

 

CMYK 42 / 23 / 0 / 10

HEX #84B0E5

RGB 132 176 229

HSL 212.78, 0.65%, 0.71%

LAB 70.6, -1.16, -31.23

 

CMYK 50 / 27 / 0 / 5

HEX #78AFF1

RGB 120 175 241

HSL 212.73, 0.81%, 0.71%

LAB 70.18, -0.06, -38.47

 

CMYK 57 / 31 / 0 / 1

HEX #6CAEFD

RGB 108 174 253

HSL 212.69, 0.97%, 0.71%

LAB 69.86, 1.61, -45.52

 

CMYK 34 / 19 / 0 / 15

HEX #90B1DA

RGB 144 177 218

HSL 213.24, 0.5%, 0.71%

LAB 71.17, -1.42, -24.29

 

CMYK 24 / 14 / 0 / 19

HEX #9CB2CE

RGB 156 178 206

HSL 213.6, 0.34%, 0.71%

LAB 71.8, -1.37, -16.69

 

CMYK 13 / 8 / 0 / 24

HEX #A8B3C2

RGB 168 179 194

HSL 214.62, 0.18%, 0.71%

LAB 72.53, -0.76, -8.92

 

CMYK 2 / 1 / 0 / 29

HEX #B3B4B6

RGB 179 180 182

HSL 220, 0.02%, 0.71%

LAB 73.29, 0.03, -1.15

 

CMYK 0 / 5 / 11 / 25

HEX #BFB6AA

RGB 191 182 170

HSL 34.29, 0.14%, 0.71%

LAB 74.47, 1.11, 7.23

HEX #BFB6AA

CMYK 34 / 0 / 0 / 15

HEX #90DADA

RGB 144 218 218

HSL 180, 0.5%, 0.71%

LAB 82.45, -22.82, -7.31

 

CMYK 34 / 9 / 0 / 15

HEX #90C6DA

RGB 144 198 218

HSL 196.22, 0.5%, 0.71%

LAB 76.91, -12.65, -15.58

 

CMYK 34 / 18 / 0 / 15

HEX #90B2DA

RGB 144 178 218

HSL 212.43, 0.5%, 0.71%

LAB 71.44, -1.97, -23.87

 

CMYK 34 / 28 / 0 / 15

HEX #909EDA

RGB 144 158 218

HSL 228.65, 0.5%, 0.71%

LAB 66.09, 9.19, -32.1

 

CMYK 32 / 34 / 0 / 15

HEX #9590DA

RGB 149 144 218

HSL 244.05, 0.5%, 0.71%

LAB 62.84, 18.62, -37.13

 

CMYK 58 / 32 / 0 / 23

HEX #5286C5

RGB 82 134 197

HSL 212.87, 0.5%, 0.55%

LAB 54.94, 1.59, -38

 

CMYK 45 / 25 / 0 / 19

HEX #719CCF

RGB 113 156 207

HSL 212.55, 0.49%, 0.63%

LAB 63.17, -0.97, -30.67

 

CMYK 34 / 19 / 0 / 15

HEX #90B1DA

RGB 144 177 218

HSL 213.24, 0.5%, 0.71%

LAB 71.17, -1.42, -24.29

 

CMYK 23 / 13 / 0 / 11

HEX #AFC7E4

RGB 175 199 228

HSL 212.83, 0.5%, 0.79%

LAB 79.36, -1.83, -17.08

 

CMYK 14 / 8 / 0 / 7

HEX #CDDCEE

RGB 205 220 238

HSL 212.73, 0.49%, 0.87%

LAB 87.16, -1.45, -10.51

 

CMYK 34 / 19 / 0 / 15

HEX #8FB1DA

RGB 143 177 218

HSL 212.8, 0.5%, 0.71%

LAB 71.11, -1.7, -24.39

 

CMYK 9 / 34 / 0 / 15

HEX #C690DA

RGB 198 144 218

HSL 283.78, 0.5%, 0.71%

LAB 67.29, 33.33, -29.88

 

CMYK 5 / 0 / 34 / 15

HEX #D0DA90

RGB 208 218 144

HSL 68.11, 0.5%, 0.71%

LAB 84.77, -14.91, 35.35

 

CMYK 34 / 19 / 0 / 15

HEX #8FB1DA

RGB 143 177 218

HSL 212.8, 0.5%, 0.71%

LAB 71.11, -1.7, -24.39

 

CMYK 0 / 34 / 18 / 15

HEX #DA90B2

RGB 218 144 178

HSL 332.43, 0.5%, 0.71%

LAB 68.07, 32.8, -6.2

 

CMYK 18 / 0 / 34 / 15

HEX #B2DA90

RGB 178 218 144

HSL 92.43, 0.5%, 0.71%

LAB 82.71, -26.03, 32.25

 

CMYK 34 / 19 / 0 / 15

HEX #8FB1DA

RGB 143 177 218

HSL 212.8, 0.5%, 0.71%

LAB 71.11, -1.7, -24.39

 

CMYK 9 / 34 / 0 / 15

HEX #C690DA

RGB 198 144 218

HSL 283.78, 0.5%, 0.71%

LAB 67.29, 33.33, -29.88

 

CMYK 0 / 16 / 34 / 15

HEX #DAB790

RGB 218 183 144

HSL 31.62, 0.5%, 0.71%

LAB 76.55, 7.07, 24.54

 

CMYK 25 / 0 / 34 / 15

HEX #A3DA90

RGB 163 218 144

HSL 104.59, 0.5%, 0.71%

LAB 81.81, -31.28, 30.89

 

CMYK 34 / 19 / 0 / 15

HEX #8FB1DA

RGB 143 177 218

HSL 212.8, 0.5%, 0.71%

LAB 71.11, -1.7, -24.39

 

CMYK 0 / 34 / 1 / 15

HEX #DA90D7

RGB 218 144 215

HSL 302.43, 0.5%, 0.71%

LAB 69.3, 39.05, -24.95

 

CMYK 0 / 16 / 34 / 15

HEX #DAB790

RGB 218 183 144

HSL 31.62, 0.5%, 0.71%

LAB 76.55, 7.07, 24.54

 

CMYK 34 / 0 / 33 / 15

HEX #90DA92

RGB 144 218 146

HSL 121.62, 0.5%, 0.71%

LAB 80.82, -37.22, 28.36

 

Description

Color code: HEX #8FB1DA | qconv.com Color code: HEX #8FB1DA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 177 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 177 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 19 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 19% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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