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Color name
HEX #DAA748

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAA748 it is the complementary color #2558B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAA748. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAA748 shade: #DFA743, #F0B956, #FFCB69, #FFDD7C and #FFEF8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAA748. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAA748 shade: #DAA748, #C99535, #B88322, #A7710F and #965F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAA748 shade: #D9A748, #D98048, #D95948 and #D94848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAA748 shade: #D9A748, #D9CE48, #BED948, #97D948 and #70D948

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAA748 shade matches the following richer shades: #D9A748, #EBAC37 and #FDB125

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAA748 shade: #D9A748, #C7A15A, #B69C6C, #A4977E and #92918F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAA748 shade: #D95948, #D98048, #D9A748, #D9CD48 and #BFD948

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAA748 shade: #AC7C23, #CF952A, #D9A748, #E0B76B and #E7C88D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAA748 shade: #DAA748, #5ED948 and #6D48D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAA748 shade: #DAA748, #48D9A7 and #A748D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAA748 shade: #DAA748, #5ED948, #487BD9 and #C448D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAA748 shade: #DAA748, #48D95E, #487BD9 and #D948C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 67 / 15

HEX #DAA748

RGB 218 167 72

HSL 39.04, 0.66%, 0.57%

LAB 71.56, 9.08, 54.76

 

Complementary color

CMYK 80 / 52 / 0 / 28

HEX #2558B7

RGB 37 88 183

HSL 219.04, 0.66%, 0.43%

LAB 39.23, 18.24, -55.08

 

CMYK 0 / 25 / 70 / 13

HEX #DFA743

RGB 223 167 67

HSL 38.46, 0.71%, 0.57%

LAB 72.05, 10.94, 57.64

 

CMYK 0 / 23 / 64 / 6

HEX #F0B956

RGB 240 185 86

HSL 38.57, 0.84%, 0.64%

LAB 78.4, 9.67, 56.54

 

CMYK 0 / 20 / 59 / 0

HEX #FFCB69

RGB 255 203 105

HSL 39.2, 1%, 0.71%

LAB 84.48, 7.74, 55.04

 

CMYK 0 / 13 / 51 / 0

HEX #FFDD7C

RGB 255 221 124

HSL 44.43, 1%, 0.74%

LAB 89.12, -0.02, 51.53

 

CMYK 0 / 6 / 44 / 0

HEX #FFEF8F

RGB 255 239 143

HSL 51.43, 1%, 0.78%

LAB 93.87, -7.35, 48.22

 

CMYK 0 / 23 / 67 / 15

HEX #DAA748

RGB 218 167 72

HSL 39.04, 0.66%, 0.57%

LAB 71.56, 9.08, 54.76

 

CMYK 0 / 26 / 74 / 21

HEX #C99535

RGB 201 149 53

HSL 38.92, 0.58%, 0.5%

LAB 65.1, 10.45, 55.73

 

CMYK 0 / 29 / 82 / 28

HEX #B88322

RGB 184 131 34

HSL 38.8, 0.69%, 0.43%

LAB 58.54, 12.06, 56.19

 

CMYK 0 / 32 / 91 / 35

HEX #A7710F

RGB 167 113 15

HSL 38.68, 0.84%, 0.36%

LAB 51.91, 13.96, 55.56

 

CMYK 0 / 37 / 100 / 41

HEX #965F00

RGB 150 95 0

HSL 38, 1%, 0.29%

LAB 45.18, 16.18, 53.13

 

CMYK 0 / 23 / 67 / 15

HEX #D9A748

RGB 217 167 72

HSL 39.31, 0.66%, 0.57%

LAB 71.46, 8.65, 54.62

 

CMYK 0 / 41 / 67 / 15

HEX #D98048

RGB 217 128 72

HSL 23.17, 0.66%, 0.57%

LAB 62.22, 29.59, 44.41

 

CMYK 0 / 59 / 67 / 15

HEX #D95948

RGB 217 89 72

HSL 7.03, 0.66%, 0.57%

LAB 54.41, 49.19, 35.29

 

CMYK 0 / 67 / 67 / 15

HEX #D94848

RGB 217 72 72

HSL 0, 0.66%, 0.57%

LAB 51.67, 56.52, 31.97

 

CMYK 0 / 23 / 67 / 15

HEX #D9A748

RGB 217 167 72

HSL 39.31, 0.66%, 0.57%

LAB 71.46, 8.65, 54.62

 

CMYK 0 / 5 / 67 / 15

HEX #D9CE48

RGB 217 206 72

HSL 55.45, 0.66%, 0.57%

LAB 81.49, -11.66, 65.13

 

CMYK 12 / 0 / 67 / 15

HEX #BED948

RGB 190 217 72

HSL 71.17, 0.66%, 0.57%

LAB 82.4, -28.14, 65.4

 

CMYK 30 / 0 / 67 / 15

HEX #97D948

RGB 151 217 72

HSL 87.31, 0.66%, 0.57%

LAB 80, -43.04, 62.15

 

CMYK 48 / 0 / 67 / 15

HEX #70D948

RGB 112 217 72

HSL 103.45, 0.66%, 0.57%

LAB 78.19, -55.77, 59.7

 

CMYK 0 / 23 / 67 / 15

HEX #D9A748

RGB 217 167 72

HSL 39.31, 0.66%, 0.57%

LAB 71.46, 8.65, 54.62

 

CMYK 0 / 27 / 77 / 8

HEX #EBAC37

RGB 235 172 55

HSL 39, 0.82%, 0.57%

LAB 74.47, 12.86, 65.3

 

CMYK 0 / 30 / 85 / 1

HEX #FDB125

RGB 253 177 37

HSL 38.89, 0.98%, 0.57%

LAB 77.56, 17.31, 74.52

 

CMYK 0 / 23 / 67 / 15

HEX #D9A748

RGB 217 167 72

HSL 39.31, 0.66%, 0.57%

LAB 71.46, 8.65, 54.62

 

CMYK 0 / 19 / 55 / 22

HEX #C7A15A

RGB 199 161 90

HSL 39.08, 0.49%, 0.57%

LAB 68.29, 5.48, 41.88

 

CMYK 0 / 14 / 41 / 29

HEX #B69C6C

RGB 182 156 108

HSL 38.92, 0.34%, 0.57%

LAB 65.6, 2.83, 28.69

 

CMYK 0 / 8 / 23 / 36

HEX #A4977E

RGB 164 151 126

HSL 39.47, 0.17%, 0.57%

LAB 62.95, 0.65, 14.92

 

CMYK 0 / 1 / 2 / 43

HEX #92918F

RGB 146 145 143

HSL 40, 0.01%, 0.57%

LAB 60.2, -0.01, 1.18

 

CMYK 0 / 59 / 67 / 15

HEX #D95948

RGB 217 89 72

HSL 7.03, 0.66%, 0.57%

LAB 54.41, 49.19, 35.29

 

CMYK 0 / 41 / 67 / 15

HEX #D98048

RGB 217 128 72

HSL 23.17, 0.66%, 0.57%

LAB 62.22, 29.59, 44.41

 

CMYK 0 / 23 / 67 / 15

HEX #D9A748

RGB 217 167 72

HSL 39.31, 0.66%, 0.57%

LAB 71.46, 8.65, 54.62

 

CMYK 0 / 6 / 67 / 15

HEX #D9CD48

RGB 217 205 72

HSL 55.03, 0.66%, 0.57%

LAB 81.23, -11.15, 64.86

 

CMYK 12 / 0 / 67 / 15

HEX #BFD948

RGB 191 217 72

HSL 70.76, 0.66%, 0.57%

LAB 82.47, -27.74, 65.49

 

CMYK 0 / 28 / 80 / 33

HEX #AC7C23

RGB 172 124 35

HSL 38.98, 0.66%, 0.41%

LAB 55.39, 10.61, 52.45

 

CMYK 0 / 28 / 80 / 19

HEX #CF952A

RGB 207 149 42

HSL 38.91, 0.66%, 0.49%

LAB 65.69, 12.62, 60.78

 

CMYK 0 / 23 / 67 / 15

HEX #D9A748

RGB 217 167 72

HSL 39.31, 0.66%, 0.57%

LAB 71.46, 8.65, 54.62

 

CMYK 0 / 18 / 52 / 12

HEX #E0B76B

RGB 224 183 107

HSL 38.97, 0.65%, 0.65%

LAB 76.54, 5.62, 43.9

 

CMYK 0 / 13 / 39 / 9

HEX #E7C88D

RGB 231 200 141

HSL 39.33, 0.65%, 0.73%

LAB 81.96, 2.88, 33.55

 

CMYK 0 / 23 / 67 / 15

HEX #DAA748

RGB 218 167 72

HSL 39.04, 0.66%, 0.57%

LAB 71.56, 9.08, 54.76

 

CMYK 57 / 0 / 67 / 15

HEX #5ED948

RGB 94 217 72

HSL 110.9, 0.66%, 0.57%

LAB 77.56, -60.61, 58.84

 

CMYK 50 / 67 / 0 / 15

HEX #6D48D9

RGB 109 72 217

HSL 255.31, 0.66%, 0.57%

LAB 42.61, 50.37, -69.08

 

CMYK 0 / 23 / 67 / 15

HEX #DAA748

RGB 218 167 72

HSL 39.04, 0.66%, 0.57%

LAB 71.56, 9.08, 54.76

 

CMYK 67 / 0 / 23 / 15

HEX #48D9A7

RGB 72 217 167

HSL 159.31, 0.66%, 0.57%

LAB 78.34, -50.11, 13.54

 

CMYK 23 / 67 / 0 / 15

HEX #A748D9

RGB 167 72 217

HSL 279.31, 0.66%, 0.57%

LAB 49.33, 61.77, -57.88

 

CMYK 0 / 23 / 67 / 15

HEX #DAA748

RGB 218 167 72

HSL 39.04, 0.66%, 0.57%

LAB 71.56, 9.08, 54.76

 

CMYK 57 / 0 / 67 / 15

HEX #5ED948

RGB 94 217 72

HSL 110.9, 0.66%, 0.57%

LAB 77.56, -60.61, 58.84

 

CMYK 67 / 43 / 0 / 15

HEX #487BD9

RGB 72 123 217

HSL 218.9, 0.66%, 0.57%

LAB 52.46, 13.22, -53.29

 

CMYK 10 / 67 / 0 / 15

HEX #C448D9

RGB 196 72 217

HSL 291.31, 0.66%, 0.57%

LAB 53.36, 68.09, -51.19

 

CMYK 0 / 23 / 67 / 15

HEX #DAA748

RGB 218 167 72

HSL 39.04, 0.66%, 0.57%

LAB 71.56, 9.08, 54.76

 

CMYK 67 / 0 / 57 / 15

HEX #48D95E

RGB 72 217 94

HSL 129.1, 0.66%, 0.57%

LAB 77.17, -63.03, 48.8

 

CMYK 67 / 43 / 0 / 15

HEX #487BD9

RGB 72 123 217

HSL 218.9, 0.66%, 0.57%

LAB 52.46, 13.22, -53.29

 

CMYK 0 / 67 / 10 / 15

HEX #D948C4

RGB 217 72 196

HSL 308.69, 0.66%, 0.57%

LAB 55.45, 69.48, -35.68

 

Description

Color code: HEX #DAA748 | qconv.com Color code: HEX #DAA748 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 167 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 167 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 67 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 67% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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