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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 190 217 72 it is the complementary color RGB 65 38 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 190 217 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 190 217 72 shade: RGB 195 217 67, RGB 212 235 86, RGB 229 253 105, RGB 246 255 124 and RGB 255 255 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 190 217 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 190 217 72 shade: RGB 190 217 72, RGB 173 199 53, RGB 156 181 34, RGB 139 163 15 and RGB 122 145 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 190 217 72 shade: RGB 190 217 72, RGB 217 205 72, RGB 217 166 72, RGB 217 127 72 and RGB 217 88 72

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 190 217 72 shade: RGB 190 217 72, RGB 151 217 72, RGB 112 217 72, RGB 73 217 72 and RGB 72 217 111

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 190 217 72 shade matches the following richer shades: RGB 190 217 72, RGB 201 235 55 and RGB 213 253 37

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 190 217 72 shade: RGB 190 217 72, RGB 179 199 90, RGB 168 182 108, RGB 157 164 126 and RGB 146 146 143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 190 217 72 shade: RGB 217 167 72, RGB 217 205 72, RGB 191 217 72, RGB 152 217 72 and RGB 113 217 72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 190 217 72 shade: RGB 147 172 35, RGB 176 207 42, RGB 190 217 72, RGB 202 224 107 and RGB 214 231 141

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 190 217 72 shade: RGB 190 217 72, RGB 72 217 128 and RGB 186 72 217

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 190 217 72 shade: RGB 190 217 72, RGB 72 191 217 and RGB 217 72 191

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 190 217 72 shade: RGB 190 217 72, RGB 72 217 128, RGB 99 72 217 and RGB 217 72 162

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 190 217 72 shade: RGB 190 217 72, RGB 72 217 171, RGB 99 72 217 and RGB 217 72 118

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 67 / 15

HEX #BED948

RGB 190 217 72

HSL 71.17, 0.66%, 0.57%

LAB 82.4, -28.14, 65.4

 

Complementary color

CMYK 64 / 79 / 0 / 28

HEX #4126B7

RGB 65 38 183

HSL 251.17, 0.66%, 0.43%

LAB 29.23, 51.76, -71.36

 

CMYK 10 / 0 / 69 / 15

HEX #C3D943

RGB 195 217 67

HSL 68.8, 0.66%, 0.56%

LAB 82.72, -26.42, 67.7

 

CMYK 10 / 0 / 63 / 8

HEX #D4EB56

RGB 212 235 86

HSL 69.26, 0.79%, 0.63%

LAB 88.96, -27.02, 67.25

 

CMYK 9 / 0 / 58 / 1

HEX #E5FD69

RGB 229 253 105

HSL 69.73, 0.97%, 0.7%

LAB 95.13, -27.5, 66.5

 

CMYK 4 / 0 / 51 / 0

HEX #F6FF7C

RGB 246 255 124

HSL 64.12, 1%, 0.74%

LAB 97.05, -20.37, 60.77

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF8F

RGB 255 255 143

HSL 60, 1%, 0.78%

LAB 97.94, -15.21, 53.26

 

CMYK 12 / 0 / 67 / 15

HEX #BED948

RGB 190 217 72

HSL 71.17, 0.66%, 0.57%

LAB 82.4, -28.14, 65.4

 

CMYK 13 / 0 / 73 / 22

HEX #ADC735

RGB 173 199 53

HSL 70.68, 0.58%, 0.49%

LAB 76.06, -27.51, 65.58

 

CMYK 14 / 0 / 81 / 29

HEX #9CB522

RGB 156 181 34

HSL 70.2, 0.68%, 0.42%

LAB 69.63, -26.71, 65.05

 

CMYK 15 / 0 / 91 / 36

HEX #8BA30F

RGB 139 163 15

HSL 69.73, 0.83%, 0.35%

LAB 63.11, -25.7, 63.29

 

CMYK 16 / 0 / 100 / 43

HEX #7A9100

RGB 122 145 0

HSL 69.52, 1%, 0.28%

LAB 56.47, -24.46, 59.88

 

CMYK 12 / 0 / 67 / 15

HEX #BED948

RGB 190 217 72

HSL 71.17, 0.66%, 0.57%

LAB 82.4, -28.14, 65.4

 

CMYK 0 / 6 / 67 / 15

HEX #D9CD48

RGB 217 205 72

HSL 55.03, 0.66%, 0.57%

LAB 81.23, -11.15, 64.86

 

CMYK 0 / 24 / 67 / 15

HEX #D9A648

RGB 217 166 72

HSL 38.9, 0.66%, 0.57%

LAB 71.21, 9.19, 54.35

 

CMYK 0 / 41 / 67 / 15

HEX #D97F48

RGB 217 127 72

HSL 22.76, 0.66%, 0.57%

LAB 62, 30.12, 44.16

 

CMYK 0 / 59 / 67 / 15

HEX #D95848

RGB 217 88 72

HSL 6.62, 0.66%, 0.57%

LAB 54.24, 49.65, 35.08

 

CMYK 12 / 0 / 67 / 15

HEX #BED948

RGB 190 217 72

HSL 71.17, 0.66%, 0.57%

LAB 82.4, -28.14, 65.4

 

CMYK 30 / 0 / 67 / 15

HEX #97D948

RGB 151 217 72

HSL 87.31, 0.66%, 0.57%

LAB 80, -43.04, 62.15

 

CMYK 48 / 0 / 67 / 15

HEX #70D948

RGB 112 217 72

HSL 103.45, 0.66%, 0.57%

LAB 78.19, -55.77, 59.7

 

CMYK 66 / 0 / 67 / 15

HEX #49D948

RGB 73 217 72

HSL 119.59, 0.66%, 0.57%

LAB 76.99, -65.25, 58.05

 

CMYK 67 / 0 / 49 / 15

HEX #48D96F

RGB 72 217 111

HSL 136.14, 0.66%, 0.57%

LAB 77.37, -60.69, 41.01

 

CMYK 12 / 0 / 67 / 15

HEX #BED948

RGB 190 217 72

HSL 71.17, 0.66%, 0.57%

LAB 82.4, -28.14, 65.4

 

CMYK 14 / 0 / 77 / 8

HEX #C9EB37

RGB 201 235 55

HSL 71.33, 0.82%, 0.57%

LAB 88.02, -33.02, 76.84

 

CMYK 16 / 0 / 85 / 1

HEX #D5FD25

RGB 213 253 37

HSL 71.11, 0.98%, 0.57%

LAB 93.68, -37.04, 86.38

 

CMYK 12 / 0 / 67 / 15

HEX #BED948

RGB 190 217 72

HSL 71.17, 0.66%, 0.57%

LAB 82.4, -28.14, 65.4

 

CMYK 10 / 0 / 55 / 22

HEX #B3C75A

RGB 179 199 90

HSL 71.01, 0.49%, 0.57%

LAB 76.78, -22.56, 51.44

 

CMYK 8 / 0 / 41 / 29

HEX #A8B66C

RGB 168 182 108

HSL 71.35, 0.34%, 0.57%

LAB 71.46, -16.63, 36.01

 

CMYK 4 / 0 / 23 / 36

HEX #9DA47E

RGB 157 164 126

HSL 71.05, 0.17%, 0.57%

LAB 65.92, -9.15, 18.93

 

CMYK 0 / 0 / 2 / 43

HEX #92928F

RGB 146 146 143

HSL 60, 0.01%, 0.57%

LAB 60.47, -0.57, 1.58

 

CMYK 0 / 23 / 67 / 15

HEX #D9A748

RGB 217 167 72

HSL 39.31, 0.66%, 0.57%

LAB 71.46, 8.65, 54.62

 

CMYK 0 / 6 / 67 / 15

HEX #D9CD48

RGB 217 205 72

HSL 55.03, 0.66%, 0.57%

LAB 81.23, -11.15, 64.86

 

CMYK 12 / 0 / 67 / 15

HEX #BFD948

RGB 191 217 72

HSL 70.76, 0.66%, 0.57%

LAB 82.47, -27.74, 65.49

 

CMYK 30 / 0 / 67 / 15

HEX #98D948

RGB 152 217 72

HSL 86.9, 0.66%, 0.57%

LAB 80.05, -42.68, 62.23

 

CMYK 48 / 0 / 67 / 15

HEX #71D948

RGB 113 217 72

HSL 103.03, 0.66%, 0.57%

LAB 78.23, -55.48, 59.75

 

CMYK 15 / 0 / 80 / 33

HEX #93AC23

RGB 147 172 35

HSL 70.95, 0.66%, 0.41%

LAB 66.39, -26.08, 61.63

 

CMYK 15 / 0 / 80 / 19

HEX #B0CF2A

RGB 176 207 42

HSL 71.27, 0.66%, 0.49%

LAB 78.48, -30.55, 71.24

 

CMYK 12 / 0 / 67 / 15

HEX #BED948

RGB 190 217 72

HSL 71.17, 0.66%, 0.57%

LAB 82.4, -28.14, 65.4

 

CMYK 10 / 0 / 52 / 12

HEX #CAE06B

RGB 202 224 107

HSL 71.28, 0.65%, 0.65%

LAB 85.47, -24.1, 54.13

 

CMYK 7 / 0 / 39 / 9

HEX #D6E78D

RGB 214 231 141

HSL 71.33, 0.65%, 0.73%

LAB 88.62, -19.41, 41.91

 

CMYK 12 / 0 / 67 / 15

HEX #BED948

RGB 190 217 72

HSL 71.17, 0.66%, 0.57%

LAB 82.4, -28.14, 65.4

 

CMYK 67 / 0 / 41 / 15

HEX #48D980

RGB 72 217 128

HSL 143.17, 0.66%, 0.57%

LAB 77.62, -57.94, 32.85

 

CMYK 14 / 67 / 0 / 15

HEX #BA48D9

RGB 186 72 217

HSL 287.17, 0.66%, 0.57%

LAB 51.93, 65.89, -53.56

 

CMYK 12 / 0 / 67 / 15

HEX #BED948

RGB 190 217 72

HSL 71.17, 0.66%, 0.57%

LAB 82.4, -28.14, 65.4

 

CMYK 67 / 12 / 0 / 15

HEX #48BFD9

RGB 72 191 217

HSL 190.76, 0.66%, 0.57%

LAB 71.99, -24.95, -22.76

 

CMYK 0 / 67 / 12 / 15

HEX #D948BF

RGB 217 72 191

HSL 310.76, 0.66%, 0.57%

LAB 55.22, 68.74, -33.16

 

CMYK 12 / 0 / 67 / 15

HEX #BED948

RGB 190 217 72

HSL 71.17, 0.66%, 0.57%

LAB 82.4, -28.14, 65.4

 

CMYK 67 / 0 / 41 / 15

HEX #48D980

RGB 72 217 128

HSL 143.17, 0.66%, 0.57%

LAB 77.62, -57.94, 32.85

 

CMYK 54 / 67 / 0 / 15

HEX #6348D9

RGB 99 72 217

HSL 251.17, 0.66%, 0.57%

LAB 41.68, 48.69, -70.63

 

CMYK 0 / 67 / 25 / 15

HEX #D948A2

RGB 217 72 162

HSL 322.76, 0.66%, 0.57%

LAB 54.02, 64.75, -18.15

 

CMYK 12 / 0 / 67 / 15

HEX #BED948

RGB 190 217 72

HSL 71.17, 0.66%, 0.57%

LAB 82.4, -28.14, 65.4

 

CMYK 67 / 0 / 21 / 15

HEX #48D9AB

RGB 72 217 171

HSL 160.97, 0.66%, 0.57%

LAB 78.43, -49.2, 11.55

 

CMYK 54 / 67 / 0 / 15

HEX #6348D9

RGB 99 72 217

HSL 251.17, 0.66%, 0.57%

LAB 41.68, 48.69, -70.63

 

CMYK 0 / 67 / 46 / 15

HEX #D94876

RGB 217 72 118

HSL 340.97, 0.66%, 0.57%

LAB 52.61, 59.89, 5.89

 

Description

Color code: RGB 190 217 72 | qconv.com Color code: RGB 190 217 72 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 217 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 217 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 67 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 67% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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