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Color name
HEX #DAA485

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAA485 it is the complementary color #255B7A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAA485. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAA485 shade: #DFA480, #F0B693, #FFC8A6, #FFDAB9 and #FFECCC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAA485. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAA485 shade: #DAA485, #C99272, #B8805F, #A76E4C and #965C39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAA485 shade: #D9A486, #D98E86 and #D98686

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAA485 shade: #D9A486, #D9BB86, #D9D186, #CBD986 and #B4D986

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAA485 shade matches the following richer shades: #D9A486, #E6A179 and #F39D6C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAA485 shade: #D9A486, #CDA892, #C0AB9F, #B3AEAC and #A6B2B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAA485 shade: #D98695, #D98D86, #D9A386, #D9B986 and #D9D086

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAA485 shade: #C67546, #D08D66, #D9A486, #E3BCA5 and #EDD3C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAA485 shade: #DAA485, #ABD986 and #868AD9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAA485 shade: #DAA485, #86D9A3 and #A386D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAA485 shade: #DAA485, #ABD986, #86BCD9 and #B486D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAA485 shade: #DAA485, #92D986, #86BCD9 and #CD86D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 39 / 15

HEX #DAA485

RGB 218 164 133

HSL 21.88, 0.53%, 0.69%

LAB 71.66, 15.93, 23.84

 

Complementary color

CMYK 70 / 25 / 0 / 52

HEX #255B7A

RGB 37 91 122

HSL 201.88, 0.53%, 0.31%

LAB 36.52, -7.1, -22.72

 

CMYK 0 / 26 / 43 / 13

HEX #DFA480

RGB 223 164 128

HSL 22.74, 0.6%, 0.69%

LAB 72.09, 17.36, 27.22

 

CMYK 0 / 24 / 39 / 6

HEX #F0B693

RGB 240 182 147

HSL 22.58, 0.76%, 0.76%

LAB 78.51, 16.54, 25.96

 

CMYK 0 / 22 / 35 / 0

HEX #FFC8A6

RGB 255 200 166

HSL 22.92, 1%, 0.83%

LAB 84.65, 15.06, 24.49

 

CMYK 0 / 15 / 27 / 0

HEX #FFDAB9

RGB 255 218 185

HSL 28.29, 1%, 0.86%

LAB 89.35, 8.09, 21.01

 

CMYK 0 / 7 / 20 / 0

HEX #FFECCC

RGB 255 236 204

HSL 37.65, 1%, 0.9%

LAB 94.15, 1.48, 17.85

 

CMYK 0 / 25 / 39 / 15

HEX #DAA485

RGB 218 164 133

HSL 21.88, 0.53%, 0.69%

LAB 71.66, 15.93, 23.84

 

CMYK 0 / 27 / 43 / 21

HEX #C99272

RGB 201 146 114

HSL 22.07, 0.45%, 0.62%

LAB 65.11, 16.78, 25.13

 

CMYK 0 / 30 / 48 / 28

HEX #B8805F

RGB 184 128 95

HSL 22.25, 0.39%, 0.55%

LAB 58.47, 17.75, 26.55

 

CMYK 0 / 34 / 54 / 35

HEX #A76E4C

RGB 167 110 76

HSL 22.42, 0.37%, 0.48%

LAB 51.71, 18.89, 28.12

 

CMYK 0 / 39 / 62 / 41

HEX #965C39

RGB 150 92 57

HSL 22.58, 0.45%, 0.41%

LAB 44.85, 20.22, 29.86

 

CMYK 0 / 24 / 38 / 15

HEX #D9A486

RGB 217 164 134

HSL 21.69, 0.52%, 0.69%

LAB 71.57, 15.65, 23.16

 

CMYK 0 / 35 / 38 / 15

HEX #D98E86

RGB 217 142 134

HSL 5.78, 0.52%, 0.69%

LAB 66.38, 27.53, 16.04

 

CMYK 0 / 38 / 38 / 15

HEX #D98686

RGB 217 134 134

HSL 0, 0.52%, 0.69%

LAB 64.58, 31.81, 13.53

 

CMYK 0 / 24 / 38 / 15

HEX #D9A486

RGB 217 164 134

HSL 21.69, 0.52%, 0.69%

LAB 71.57, 15.65, 23.16

 

CMYK 0 / 14 / 38 / 15

HEX #D9BB86

RGB 217 187 134

HSL 38.31, 0.52%, 0.69%

LAB 77.29, 3.36, 30.81

 

CMYK 0 / 4 / 38 / 15

HEX #D9D186

RGB 217 209 134

HSL 54.22, 0.52%, 0.69%

LAB 82.95, -8.06, 38.19

 

CMYK 6 / 0 / 38 / 15

HEX #CBD986

RGB 203 217 134

HSL 70.12, 0.52%, 0.69%

LAB 83.99, -17.52, 39.31

 

CMYK 17 / 0 / 38 / 15

HEX #B4D986

RGB 180 217 134

HSL 86.75, 0.52%, 0.69%

LAB 82.41, -26.16, 36.95

 

CMYK 0 / 24 / 38 / 15

HEX #D9A486

RGB 217 164 134

HSL 21.69, 0.52%, 0.69%

LAB 71.57, 15.65, 23.16

 

CMYK 0 / 30 / 47 / 10

HEX #E6A179

RGB 230 161 121

HSL 22.02, 0.69%, 0.69%

LAB 72.02, 21.04, 31.04

 

CMYK 0 / 35 / 56 / 5

HEX #F39D6C

RGB 243 157 108

HSL 21.78, 0.85%, 0.69%

LAB 72.4, 27.2, 38.71

 

CMYK 0 / 24 / 38 / 15

HEX #D9A486

RGB 217 164 134

HSL 21.69, 0.52%, 0.69%

LAB 71.57, 15.65, 23.16

 

CMYK 0 / 18 / 29 / 20

HEX #CDA892

RGB 205 168 146

HSL 22.37, 0.37%, 0.69%

LAB 71.6, 10.3, 16.46

 

CMYK 0 / 11 / 17 / 25

HEX #C0AB9F

RGB 192 171 159

HSL 21.82, 0.21%, 0.69%

LAB 71.44, 5.61, 8.94

 

CMYK 0 / 3 / 4 / 30

HEX #B3AEAC

RGB 179 174 172

HSL 17.14, 0.04%, 0.69%

LAB 71.44, 1.41, 1.65

 

CMYK 10 / 4 / 0 / 27

HEX #A6B2B9

RGB 166 178 185

HSL 202.11, 0.12%, 0.69%

LAB 71.86, -2.76, -5

 

CMYK 0 / 38 / 31 / 15

HEX #D98695

RGB 217 134 149

HSL 349.16, 0.52%, 0.69%

LAB 64.94, 33.66, 5.55

 

CMYK 0 / 35 / 38 / 15

HEX #D98D86

RGB 217 141 134

HSL 5.06, 0.52%, 0.69%

LAB 66.15, 28.06, 15.72

 

CMYK 0 / 25 / 38 / 15

HEX #D9A386

RGB 217 163 134

HSL 20.96, 0.52%, 0.69%

LAB 71.33, 16.19, 22.83

 

CMYK 0 / 15 / 38 / 15

HEX #D9B986

RGB 217 185 134

HSL 36.87, 0.52%, 0.69%

LAB 76.78, 4.42, 30.14

 

CMYK 0 / 4 / 38 / 15

HEX #D9D086

RGB 217 208 134

HSL 53.49, 0.52%, 0.69%

LAB 82.69, -7.55, 37.86

 

CMYK 0 / 41 / 65 / 22

HEX #C67546

RGB 198 117 70

HSL 22.03, 0.53%, 0.53%

LAB 57.24, 27.57, 39.05

 

CMYK 0 / 32 / 51 / 18

HEX #D08D66

RGB 208 141 102

HSL 22.08, 0.53%, 0.61%

LAB 64.5, 21.16, 31.05

 

CMYK 0 / 24 / 38 / 15

HEX #D9A486

RGB 217 164 134

HSL 21.69, 0.52%, 0.69%

LAB 71.57, 15.65, 23.16

 

CMYK 0 / 17 / 27 / 11

HEX #E3BCA5

RGB 227 188 165

HSL 22.26, 0.53%, 0.77%

LAB 79.05, 10.6, 16.87

 

CMYK 0 / 11 / 17 / 7

HEX #EDD3C5

RGB 237 211 197

HSL 21, 0.53%, 0.85%

LAB 86.32, 6.82, 10.22

 

CMYK 0 / 25 / 39 / 15

HEX #DAA485

RGB 218 164 133

HSL 21.88, 0.53%, 0.69%

LAB 71.66, 15.93, 23.84

 

CMYK 21 / 0 / 38 / 15

HEX #ABD986

RGB 171 217 134

HSL 93.25, 0.52%, 0.69%

LAB 81.84, -29.42, 36.11

 

CMYK 38 / 36 / 0 / 15

HEX #868AD9

RGB 134 138 217

HSL 237.11, 0.52%, 0.69%

LAB 60.12, 17.71, -40.92

 

CMYK 0 / 25 / 39 / 15

HEX #DAA485

RGB 218 164 133

HSL 21.88, 0.53%, 0.69%

LAB 71.66, 15.93, 23.84

 

CMYK 38 / 0 / 25 / 15

HEX #86D9A3

RGB 134 217 163

HSL 140.96, 0.52%, 0.69%

LAB 80.37, -36.81, 18.8

 

CMYK 25 / 38 / 0 / 15

HEX #A386D9

RGB 163 134 217

HSL 260.96, 0.52%, 0.69%

LAB 61.52, 28.13, -38.55

 

CMYK 0 / 25 / 39 / 15

HEX #DAA485

RGB 218 164 133

HSL 21.88, 0.53%, 0.69%

LAB 71.66, 15.93, 23.84

 

CMYK 21 / 0 / 38 / 15

HEX #ABD986

RGB 171 217 134

HSL 93.25, 0.52%, 0.69%

LAB 81.84, -29.42, 36.11

 

CMYK 38 / 13 / 0 / 15

HEX #86BCD9

RGB 134 188 217

HSL 200.96, 0.52%, 0.69%

LAB 73.57, -10.35, -20.13

 

CMYK 17 / 38 / 0 / 15

HEX #B486D9

RGB 180 134 217

HSL 273.25, 0.52%, 0.69%

LAB 63.15, 33.14, -35.89

 

CMYK 0 / 25 / 39 / 15

HEX #DAA485

RGB 218 164 133

HSL 21.88, 0.53%, 0.69%

LAB 71.66, 15.93, 23.84

 

CMYK 33 / 0 / 38 / 15

HEX #92D986

RGB 146 217 134

HSL 111.33, 0.52%, 0.69%

LAB 80.44, -37.98, 34.01

 

CMYK 38 / 13 / 0 / 15

HEX #86BCD9

RGB 134 188 217

HSL 200.96, 0.52%, 0.69%

LAB 73.57, -10.35, -20.13

 

CMYK 6 / 38 / 0 / 15

HEX #CD86D9

RGB 205 134 217

HSL 291.33, 0.52%, 0.69%

LAB 65.78, 40.71, -31.59

 

Description

Color code: HEX #DAA485 | qconv.com Color code: HEX #DAA485 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 164 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 164 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 39 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 39% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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