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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9BB86 it is the complementary color #264479. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9BB86. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9BB86 shade: #DEBB81, #EFCD94, #FFDFA7, #FFF1BA and #FFFFCD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9BB86. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9BB86 shade: #D9BB86, #C8A973, #B79760, #A6854D and #95733A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9BB86 shade: #D9BB86, #D9A586, #D98E86 and #D98686

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9BB86 shade: #D9BB86, #D9D186, #CAD986, #B4D986 and #9ED986

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9BB86 shade matches the following richer shades: #D9BB86, #E5BE7A and #F2C26D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9BB86 shade: #D9BB86, #CCB793, #BFB4A0, #B2B0AD and #A5ADBA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9BB86 shade: #D98F86, #D9A486, #D9BA86, #D9D086 and #CBD986

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9BB86 shade: #C59848, #CFA967, #D9BB86, #E2CCA6 and #ECDEC5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9BB86 shade: #D9BB86, #94D986 and #9A86D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9BB86 shade: #D9BB86, #86D9BA and #BA86D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9BB86 shade: #D9BB86, #94D986, #86A4D9 and #CB86D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9BB86 shade: #D9BB86, #86D991, #86A4D9 and #D986CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 38 / 15

HEX #D9BB86

RGB 217 187 134

HSL 38.31, 0.52%, 0.69%

LAB 77.29, 3.36, 30.81

 

Complementary color

CMYK 69 / 44 / 0 / 53

HEX #264479

RGB 38 68 121

HSL 218.31, 0.52%, 0.31%

LAB 29.23, 7.6, -33.59

 

CMYK 0 / 16 / 42 / 13

HEX #DEBB81

RGB 222 187 129

HSL 37.42, 0.58%, 0.69%

LAB 77.67, 4.81, 34.02

 

CMYK 0 / 14 / 38 / 6

HEX #EFCD94

RGB 239 205 148

HSL 37.58, 0.74%, 0.76%

LAB 84.04, 4.2, 32.81

 

CMYK 0 / 13 / 35 / 0

HEX #FFDFA7

RGB 255 223 167

HSL 38.18, 1%, 0.83%

LAB 90.24, 3.28, 31.54

 

CMYK 0 / 5 / 27 / 0

HEX #FFF1BA

RGB 255 241 186

HSL 47.83, 1%, 0.86%

LAB 95.04, -3.49, 28.32

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCD

RGB 255 255 205

HSL 60, 1%, 0.9%

LAB 98.9, -7.91, 23.96

 

CMYK 0 / 14 / 38 / 15

HEX #D9BB86

RGB 217 187 134

HSL 38.31, 0.52%, 0.69%

LAB 77.29, 3.36, 30.81

 

CMYK 0 / 16 / 43 / 22

HEX #C8A973

RGB 200 169 115

HSL 38.12, 0.44%, 0.62%

LAB 70.8, 3.98, 32.04

 

CMYK 0 / 17 / 48 / 28

HEX #B79760

RGB 183 151 96

HSL 37.93, 0.38%, 0.55%

LAB 64.2, 4.7, 33.35

 

CMYK 0 / 20 / 54 / 35

HEX #A6854D

RGB 166 133 77

HSL 37.75, 0.37%, 0.48%

LAB 57.48, 5.56, 34.73

 

CMYK 0 / 23 / 61 / 42

HEX #95733A

RGB 149 115 58

HSL 37.58, 0.44%, 0.41%

LAB 50.64, 6.6, 36.15

 

CMYK 0 / 14 / 38 / 15

HEX #D9BB86

RGB 217 187 134

HSL 38.31, 0.52%, 0.69%

LAB 77.29, 3.36, 30.81

 

CMYK 0 / 24 / 38 / 15

HEX #D9A586

RGB 217 165 134

HSL 22.41, 0.52%, 0.69%

LAB 71.81, 15.11, 23.49

 

CMYK 0 / 35 / 38 / 15

HEX #D98E86

RGB 217 142 134

HSL 5.78, 0.52%, 0.69%

LAB 66.38, 27.53, 16.04

 

CMYK 0 / 38 / 38 / 15

HEX #D98686

RGB 217 134 134

HSL 0, 0.52%, 0.69%

LAB 64.58, 31.81, 13.53

 

CMYK 0 / 14 / 38 / 15

HEX #D9BB86

RGB 217 187 134

HSL 38.31, 0.52%, 0.69%

LAB 77.29, 3.36, 30.81

 

CMYK 0 / 4 / 38 / 15

HEX #D9D186

RGB 217 209 134

HSL 54.22, 0.52%, 0.69%

LAB 82.95, -8.06, 38.19

 

CMYK 7 / 0 / 38 / 15

HEX #CAD986

RGB 202 217 134

HSL 70.84, 0.52%, 0.69%

LAB 83.92, -17.91, 39.2

 

CMYK 17 / 0 / 38 / 15

HEX #B4D986

RGB 180 217 134

HSL 86.75, 0.52%, 0.69%

LAB 82.41, -26.16, 36.95

 

CMYK 27 / 0 / 38 / 15

HEX #9ED986

RGB 158 217 134

HSL 102.65, 0.52%, 0.69%

LAB 81.08, -33.97, 34.98

 

CMYK 0 / 14 / 38 / 15

HEX #D9BB86

RGB 217 187 134

HSL 38.31, 0.52%, 0.69%

LAB 77.29, 3.36, 30.81

 

CMYK 0 / 17 / 47 / 10

HEX #E5BE7A

RGB 229 190 122

HSL 38.13, 0.67%, 0.69%

LAB 78.98, 5.34, 39.44

 

CMYK 0 / 20 / 55 / 5

HEX #F2C26D

RGB 242 194 109

HSL 38.35, 0.84%, 0.69%

LAB 81.05, 7.4, 48.77

 

CMYK 0 / 14 / 38 / 15

HEX #D9BB86

RGB 217 187 134

HSL 38.31, 0.52%, 0.69%

LAB 77.29, 3.36, 30.81

 

CMYK 0 / 10 / 28 / 20

HEX #CCB793

RGB 204 183 147

HSL 37.89, 0.36%, 0.69%

LAB 75.33, 1.99, 21.07

 

CMYK 0 / 6 / 16 / 25

HEX #BFB4A0

RGB 191 180 160

HSL 38.71, 0.19%, 0.69%

LAB 73.71, 0.55, 11.6

 

CMYK 0 / 1 / 3 / 30

HEX #B2B0AD

RGB 178 176 173

HSL 36, 0.03%, 0.69%

LAB 71.92, 0.16, 1.77

 

CMYK 11 / 7 / 0 / 27

HEX #A5ADBA

RGB 165 173 186

HSL 217.14, 0.13%, 0.69%

LAB 70.48, -0.18, -7.61

 

CMYK 0 / 34 / 38 / 15

HEX #D98F86

RGB 217 143 134

HSL 6.51, 0.52%, 0.69%

LAB 66.61, 26.99, 16.36

 

CMYK 0 / 24 / 38 / 15

HEX #D9A486

RGB 217 164 134

HSL 21.69, 0.52%, 0.69%

LAB 71.57, 15.65, 23.16

 

CMYK 0 / 14 / 38 / 15

HEX #D9BA86

RGB 217 186 134

HSL 37.59, 0.52%, 0.69%

LAB 77.04, 3.89, 30.48

 

CMYK 0 / 4 / 38 / 15

HEX #D9D086

RGB 217 208 134

HSL 53.49, 0.52%, 0.69%

LAB 82.69, -7.55, 37.86

 

CMYK 6 / 0 / 38 / 15

HEX #CBD986

RGB 203 217 134

HSL 70.12, 0.52%, 0.69%

LAB 83.99, -17.52, 39.31

 

CMYK 0 / 23 / 63 / 23

HEX #C59848

RGB 197 152 72

HSL 38.4, 0.52%, 0.53%

LAB 65.59, 8.15, 47.58

 

CMYK 0 / 18 / 50 / 19

HEX #CFA967

RGB 207 169 103

HSL 38.08, 0.52%, 0.61%

LAB 71.3, 5.67, 39.09

 

CMYK 0 / 14 / 38 / 15

HEX #D9BB86

RGB 217 187 134

HSL 38.31, 0.52%, 0.69%

LAB 77.29, 3.36, 30.81

 

CMYK 0 / 10 / 27 / 11

HEX #E2CCA6

RGB 226 204 166

HSL 38, 0.51%, 0.77%

LAB 82.97, 1.94, 21.76

 

CMYK 0 / 6 / 17 / 7

HEX #ECDEC5

RGB 236 222 197

HSL 38.46, 0.51%, 0.85%

LAB 88.97, 0.76, 13.98

 

CMYK 0 / 14 / 38 / 15

HEX #D9BB86

RGB 217 187 134

HSL 38.31, 0.52%, 0.69%

LAB 77.29, 3.36, 30.81

 

CMYK 32 / 0 / 38 / 15

HEX #94D986

RGB 148 217 134

HSL 109.88, 0.52%, 0.69%

LAB 80.54, -37.32, 34.17

 

CMYK 29 / 38 / 0 / 15

HEX #9A86D9

RGB 154 134 217

HSL 254.46, 0.52%, 0.69%

LAB 60.72, 25.55, -39.86

 

CMYK 0 / 14 / 38 / 15

HEX #D9BB86

RGB 217 187 134

HSL 38.31, 0.52%, 0.69%

LAB 77.29, 3.36, 30.81

 

CMYK 38 / 0 / 14 / 15

HEX #86D9BA

RGB 134 217 186

HSL 157.59, 0.52%, 0.69%

LAB 80.87, -32.21, 7.35

 

CMYK 14 / 38 / 0 / 15

HEX #BA86D9

RGB 186 134 217

HSL 277.59, 0.52%, 0.69%

LAB 63.75, 34.94, -34.9

 

CMYK 0 / 14 / 38 / 15

HEX #D9BB86

RGB 217 187 134

HSL 38.31, 0.52%, 0.69%

LAB 77.29, 3.36, 30.81

 

CMYK 32 / 0 / 38 / 15

HEX #94D986

RGB 148 217 134

HSL 109.88, 0.52%, 0.69%

LAB 80.54, -37.32, 34.17

 

CMYK 38 / 24 / 0 / 15

HEX #86A4D9

RGB 134 164 217

HSL 218.31, 0.52%, 0.69%

LAB 67, 2.78, -30.2

 

CMYK 6 / 38 / 0 / 15

HEX #CB86D9

RGB 203 134 217

HSL 289.88, 0.52%, 0.69%

LAB 65.56, 40.1, -31.95

 

CMYK 0 / 14 / 38 / 15

HEX #D9BB86

RGB 217 187 134

HSL 38.31, 0.52%, 0.69%

LAB 77.29, 3.36, 30.81

 

CMYK 38 / 0 / 33 / 15

HEX #86D991

RGB 134 217 145

HSL 127.95, 0.52%, 0.69%

LAB 80.03, -40, 27.73

 

CMYK 38 / 24 / 0 / 15

HEX #86A4D9

RGB 134 164 217

HSL 218.31, 0.52%, 0.69%

LAB 67, 2.78, -30.2

 

CMYK 0 / 38 / 5 / 15

HEX #D986CE

RGB 217 134 206

HSL 307.95, 0.52%, 0.69%

LAB 66.72, 42.41, -23.91

 

Description

Color code: HEX #D9BB86 | qconv.com Color code: HEX #D9BB86 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 187 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 187 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 38 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 38% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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