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Color name
HEX #DA5C6F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA5C6F it is the complementary color #25A390. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA5C6F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA5C6F shade: #DF5C6A, #F06E7D, #FF8090, #FF92A3 and #FFA4B6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA5C6F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA5C6F shade: #DA5C6F, #C94A5C, #B83849, #A72636 and #961423

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA5C6F shade: #DA5C6F and #DA5C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA5C6F shade: #DA5C6F, #DA5C91, #DA5CB3, #DA5CD5 and #BD5CDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA5C6F shade matches the following richer shades: #DA5C6F, #EA4C64 and #FA3C59

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA5C6F shade: #DA5C6F, #CA6C7B, #BA7D86, #A98D91 and #999D9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA5C6F shade: #DA5CB4, #DA5C93, #DA5C71, #DA695C and #DA8A5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA5C6F shade: #BA2A40, #D23B52, #DA5C6F, #E17E8D and #E9A0AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA5C6F shade: #DA5C6F, #D6DA5C and #5CA3DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA5C6F shade: #DA5C6F, #71DA5C and #5C71DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA5C6F shade: #DA5C6F, #D6DA5C, #5CDAC5 and #615CDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA5C6F shade: #DA5C6F, #B0DA5C, #5CDAC5 and #865CDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 49 / 15

HEX #DA5C6F

RGB 218 92 111

HSL 350.95, 0.63%, 0.61%

LAB 55.79, 51, 14.55

 

Complementary color

CMYK 77 / 0 / 12 / 36

HEX #25A390

RGB 37 163 144

HSL 170.95, 0.63%, 0.39%

LAB 60.43, -37.62, 0.33

 

CMYK 0 / 59 / 52 / 13

HEX #DF5C6A

RGB 223 92 106

HSL 353.59, 0.67%, 0.62%

LAB 56.47, 52.25, 18.54

 

CMYK 0 / 54 / 48 / 6

HEX #F06E7D

RGB 240 110 125

HSL 353.08, 0.81%, 0.69%

LAB 62.64, 51.34, 16.42

 

CMYK 0 / 50 / 44 / 0

HEX #FF8090

RGB 255 128 144

HSL 352.44, 1%, 0.75%

LAB 68.54, 49.69, 14.17

 

CMYK 0 / 43 / 36 / 0

HEX #FF92A3

RGB 255 146 163

HSL 350.64, 1%, 0.79%

LAB 72.54, 42.79, 9.21

 

CMYK 0 / 36 / 29 / 0

HEX #FFA4B6

RGB 255 164 182

HSL 348.13, 1%, 0.82%

LAB 76.79, 35.89, 4.85

 

CMYK 0 / 58 / 49 / 15

HEX #DA5C6F

RGB 218 92 111

HSL 350.95, 0.63%, 0.61%

LAB 55.79, 51, 14.55

 

CMYK 0 / 63 / 54 / 21

HEX #C94A5C

RGB 201 74 92

HSL 351.5, 0.54%, 0.54%

LAB 49.6, 51.77, 16.91

 

CMYK 0 / 70 / 60 / 28

HEX #B83849

RGB 184 56 73

HSL 352.03, 0.53%, 0.47%

LAB 43.51, 52.28, 19.79

 

CMYK 0 / 77 / 68 / 35

HEX #A72636

RGB 167 38 54

HSL 352.56, 0.63%, 0.4%

LAB 37.6, 52.28, 23.36

 

CMYK 0 / 87 / 77 / 41

HEX #961423

RGB 150 20 35

HSL 353.08, 0.76%, 0.33%

LAB 32.05, 51.38, 27.8

 

CMYK 0 / 58 / 49 / 15

HEX #DA5C6F

RGB 218 92 111

HSL 350.95, 0.63%, 0.61%

LAB 55.79, 51, 14.55

 

CMYK 0 / 58 / 58 / 15

HEX #DA5C5C

RGB 218 92 92

HSL 0, 0.63%, 0.61%

LAB 55.41, 49.45, 25.15

 

CMYK 0 / 58 / 49 / 15

HEX #DA5C6F

RGB 218 92 111

HSL 350.95, 0.63%, 0.61%

LAB 55.79, 51, 14.55

 

CMYK 0 / 58 / 33 / 15

HEX #DA5C91

RGB 218 92 145

HSL 334.76, 0.63%, 0.61%

LAB 56.69, 54.55, -4.15

 

CMYK 0 / 58 / 18 / 15

HEX #DA5CB3

RGB 218 92 179

HSL 318.57, 0.63%, 0.61%

LAB 57.86, 59.05, -22.15

 

CMYK 0 / 58 / 2 / 15

HEX #DA5CD5

RGB 218 92 213

HSL 302.38, 0.63%, 0.61%

LAB 59.31, 64.37, -39.31

 

CMYK 13 / 58 / 0 / 15

HEX #BD5CDA

RGB 189 92 218

HSL 286.19, 0.63%, 0.61%

LAB 55.62, 57.91, -48.22

 

CMYK 0 / 58 / 49 / 15

HEX #DA5C6F

RGB 218 92 111

HSL 350.95, 0.63%, 0.61%

LAB 55.79, 51, 14.55

 

CMYK 0 / 68 / 57 / 8

HEX #EA4C64

RGB 234 76 100

HSL 350.89, 0.79%, 0.61%

LAB 55.67, 62.06, 21.28

 

CMYK 0 / 76 / 64 / 2

HEX #FA3C59

RGB 250 60 89

HSL 350.84, 0.95%, 0.61%

LAB 56.36, 71.46, 29.2

 

CMYK 0 / 58 / 49 / 15

HEX #DA5C6F

RGB 218 92 111

HSL 350.95, 0.63%, 0.61%

LAB 55.79, 51, 14.55

 

CMYK 0 / 47 / 39 / 21

HEX #CA6C7B

RGB 202 108 123

HSL 350.43, 0.47%, 0.61%

LAB 56.79, 38.7, 8.59

 

CMYK 0 / 33 / 28 / 27

HEX #BA7D86

RGB 186 125 134

HSL 351.15, 0.31%, 0.61%

LAB 58.81, 24.95, 4.83

 

CMYK 0 / 17 / 14 / 34

HEX #A98D91

RGB 169 141 145

HSL 351.43, 0.14%, 0.61%

LAB 61.25, 11.21, 1.82

 

CMYK 3 / 0 / 1 / 38

HEX #999D9C

RGB 153 157 156

HSL 165, 0.02%, 0.61%

LAB 64.39, -1.63, 0.01

 

CMYK 0 / 58 / 17 / 15

HEX #DA5CB4

RGB 218 92 180

HSL 318.1, 0.63%, 0.61%

LAB 57.9, 59.2, -22.67

 

CMYK 0 / 58 / 33 / 15

HEX #DA5C93

RGB 218 92 147

HSL 333.81, 0.63%, 0.61%

LAB 56.75, 54.79, -5.23

 

CMYK 0 / 58 / 48 / 15

HEX #DA5C71

RGB 218 92 113

HSL 350, 0.63%, 0.61%

LAB 55.84, 51.18, 13.44

 

CMYK 0 / 52 / 58 / 15

HEX #DA695C

RGB 218 105 92

HSL 6.19, 0.63%, 0.61%

LAB 57.83, 43.19, 28.28

 

CMYK 0 / 37 / 58 / 15

HEX #DA8A5C

RGB 218 138 92

HSL 21.9, 0.63%, 0.61%

LAB 64.85, 26.01, 37.13

 

CMYK 0 / 77 / 66 / 27

HEX #BA2A40

RGB 186 42 64

HSL 350.83, 0.63%, 0.45%

LAB 41.95, 57.24, 23.39

 

CMYK 0 / 72 / 61 / 18

HEX #D23B52

RGB 210 59 82

HSL 350.86, 0.63%, 0.53%

LAB 48.81, 59.82, 22.15

 

CMYK 0 / 58 / 49 / 15

HEX #DA5C6F

RGB 218 92 111

HSL 350.95, 0.63%, 0.61%

LAB 55.79, 51, 14.55

 

CMYK 0 / 44 / 37 / 12

HEX #E17E8D

RGB 225 126 141

HSL 350.91, 0.62%, 0.69%

LAB 64.04, 39.78, 8.94

 

CMYK 0 / 31 / 27 / 9

HEX #E9A0AB

RGB 233 160 171

HSL 350.96, 0.62%, 0.77%

LAB 73.16, 28.6, 5.33

 

CMYK 0 / 58 / 49 / 15

HEX #DA5C6F

RGB 218 92 111

HSL 350.95, 0.63%, 0.61%

LAB 55.79, 51, 14.55

 

CMYK 2 / 0 / 58 / 15

HEX #D6DA5C

RGB 214 218 92

HSL 61.9, 0.63%, 0.61%

LAB 84.59, -17.6, 60.07

 

CMYK 58 / 25 / 0 / 15

HEX #5CA3DA

RGB 92 163 218

HSL 206.19, 0.63%, 0.61%

LAB 64.59, -6.31, -34.66

 

CMYK 0 / 58 / 49 / 15

HEX #DA5C6F

RGB 218 92 111

HSL 350.95, 0.63%, 0.61%

LAB 55.79, 51, 14.55

 

CMYK 48 / 0 / 58 / 15

HEX #71DA5C

RGB 113 218 92

HSL 110, 0.63%, 0.61%

LAB 78.71, -53.95, 51.83

 

CMYK 58 / 48 / 0 / 15

HEX #5C71DA

RGB 92 113 218

HSL 230, 0.63%, 0.61%

LAB 50.86, 23.27, -56.36

 

CMYK 0 / 58 / 49 / 15

HEX #DA5C6F

RGB 218 92 111

HSL 350.95, 0.63%, 0.61%

LAB 55.79, 51, 14.55

 

CMYK 2 / 0 / 58 / 15

HEX #D6DA5C

RGB 214 218 92

HSL 61.9, 0.63%, 0.61%

LAB 84.59, -17.6, 60.07

 

CMYK 58 / 0 / 10 / 15

HEX #5CDAC5

RGB 92 218 197

HSL 170, 0.63%, 0.61%

LAB 79.87, -39.9, -0.15

 

CMYK 56 / 58 / 0 / 15

HEX #615CDA

RGB 97 92 218

HSL 242.38, 0.63%, 0.61%

LAB 45.99, 37.06, -64.21

 

CMYK 0 / 58 / 49 / 15

HEX #DA5C6F

RGB 218 92 111

HSL 350.95, 0.63%, 0.61%

LAB 55.79, 51, 14.55

 

CMYK 19 / 0 / 58 / 15

HEX #B0DA5C

RGB 176 218 92

HSL 80, 0.63%, 0.61%

LAB 81.92, -32.63, 56.34

 

CMYK 58 / 0 / 10 / 15

HEX #5CDAC5

RGB 92 218 197

HSL 170, 0.63%, 0.61%

LAB 79.87, -39.9, -0.15

 

CMYK 39 / 58 / 0 / 15

HEX #865CDA

RGB 134 92 218

HSL 260, 0.63%, 0.61%

LAB 49.23, 44.69, -58.8

 

Description

Color code: HEX #DA5C6F | qconv.com Color code: HEX #DA5C6F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 92 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 92 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 49 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 49% 15% C M Y K

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Provide designers and agencies with accurate color values.

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