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Color name
CMYK 0 / 58 / 33 / 15

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 58 / 33 / 15 it is the complementary color CMYK 77 / 0 / 33 / 36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 58 / 33 / 15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 58 / 33 / 15 shade: CMYK 0 / 59 / 37 / 13, CMYK 0 / 54 / 33 / 6, CMYK 0 / 50 / 30 / 0, CMYK 0 / 43 / 23 / 0 and CMYK 0 / 36 / 15 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 58 / 33 / 15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 58 / 33 / 15 shade: CMYK 0 / 58 / 33 / 15, CMYK 0 / 64 / 37 / 22, CMYK 0 / 70 / 42 / 28, CMYK 0 / 78 / 47 / 35 and CMYK 0 / 87 / 54 / 42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 58 / 33 / 15 shade: CMYK 0 / 59 / 34 / 15, CMYK 0 / 59 / 50 / 15 and CMYK 0 / 59 / 59 / 15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 58 / 33 / 15 shade: CMYK 0 / 59 / 34 / 15, CMYK 0 / 59 / 18 / 15, CMYK 0 / 59 / 2 / 15, CMYK 14 / 59 / 0 / 15 and CMYK 30 / 59 / 0 / 15

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 58 / 33 / 15 shade matches the following richer shades: CMYK 0 / 59 / 34 / 15, CMYK 0 / 69 / 39 / 9 and CMYK 0 / 78 / 44 / 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 58 / 33 / 15 shade: CMYK 0 / 59 / 34 / 15, CMYK 0 / 47 / 27 / 22, CMYK 0 / 33 / 19 / 28, CMYK 0 / 16 / 9 / 35 and CMYK 3 / 0 / 1 / 39

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 58 / 33 / 15 shade: CMYK 0 / 59 / 2 / 15, CMYK 0 / 59 / 18 / 15, CMYK 0 / 59 / 33 / 15, CMYK 0 / 59 / 49 / 15 and CMYK 0 / 53 / 59 / 15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 58 / 33 / 15 shade: CMYK 0 / 77 / 44 / 29, CMYK 0 / 73 / 42 / 18, CMYK 0 / 59 / 34 / 15, CMYK 0 / 45 / 26 / 12 and CMYK 0 / 32 / 19 / 9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 58 / 33 / 15 shade: CMYK 0 / 58 / 33 / 15, CMYK 0 / 14 / 59 / 15 and CMYK 59 / 10 / 0 / 15

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 58 / 33 / 15 shade: CMYK 0 / 58 / 33 / 15, CMYK 33 / 0 / 59 / 15 and CMYK 59 / 33 / 0 / 15

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 58 / 33 / 15 shade: CMYK 0 / 58 / 33 / 15, CMYK 0 / 14 / 59 / 15, CMYK 59 / 0 / 25 / 15 and CMYK 59 / 45 / 0 / 15

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 58 / 33 / 15 shade: CMYK 0 / 58 / 33 / 15, CMYK 4 / 0 / 59 / 15, CMYK 59 / 0 / 25 / 15 and CMYK 55 / 59 / 0 / 15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 33 / 15

HEX #D95B91

RGB 217 91 145

HSL 334.29, 0.62%, 0.6%

LAB 56.37, 54.69, -4.65

 

Complementary color

CMYK 77 / 0 / 33 / 36

HEX #26A46E

RGB 38 164 110

HSL 154.29, 0.62%, 0.4%

LAB 59.97, -46.35, 18.67

 

CMYK 0 / 59 / 37 / 13

HEX #DE5B8C

RGB 222 91 140

HSL 337.56, 0.66%, 0.61%

LAB 56.98, 55.69, -0.72

 

CMYK 0 / 54 / 33 / 6

HEX #EF6D9F

RGB 239 109 159

HSL 336.92, 0.8%, 0.68%

LAB 63.17, 55.04, -2.36

 

CMYK 0 / 50 / 30 / 0

HEX #FF7FB2

RGB 255 127 178

HSL 336.09, 1%, 0.75%

LAB 69.22, 53.98, -3.98

 

CMYK 0 / 43 / 23 / 0

HEX #FF91C5

RGB 255 145 197

HSL 331.64, 1%, 0.78%

LAB 73.25, 47.64, -8.6

 

CMYK 0 / 36 / 15 / 0

HEX #FFA3D8

RGB 255 163 216

HSL 325.43, 1%, 0.82%

LAB 77.53, 41.26, -12.64

 

CMYK 0 / 58 / 33 / 15

HEX #D95B91

RGB 217 91 145

HSL 334.29, 0.62%, 0.6%

LAB 56.37, 54.69, -4.65

 

CMYK 0 / 64 / 37 / 22

HEX #C8497E

RGB 200 73 126

HSL 334.96, 0.54%, 0.54%

LAB 50.16, 55.15, -2.83

 

CMYK 0 / 70 / 42 / 28

HEX #B7376B

RGB 183 55 107

HSL 335.63, 0.54%, 0.47%

LAB 44.03, 55.27, -0.57

 

CMYK 0 / 78 / 47 / 35

HEX #A62558

RGB 166 37 88

HSL 336.28, 0.64%, 0.4%

LAB 38.08, 54.8, 2.32

 

CMYK 0 / 87 / 54 / 42

HEX #951345

RGB 149 19 69

HSL 336.92, 0.77%, 0.33%

LAB 32.45, 53.34, 6.12

 

CMYK 0 / 59 / 34 / 15

HEX #D8598F

RGB 216 89 143

HSL 334.49, 0.62%, 0.6%

LAB 55.81, 55.05, -4.31

 

CMYK 0 / 59 / 50 / 15

HEX #D8596D

RGB 216 89 109

HSL 350.55, 0.62%, 0.6%

LAB 54.92, 51.52, 14.46

 

CMYK 0 / 59 / 59 / 15

HEX #D85959

RGB 216 89 89

HSL 0, 0.62%, 0.6%

LAB 54.52, 49.92, 25.66

 

CMYK 0 / 59 / 34 / 15

HEX #D8598F

RGB 216 89 143

HSL 334.49, 0.62%, 0.6%

LAB 55.81, 55.05, -4.31

 

CMYK 0 / 59 / 18 / 15

HEX #D859B2

RGB 216 89 178

HSL 317.95, 0.62%, 0.6%

LAB 57.03, 59.66, -22.87

 

CMYK 0 / 59 / 2 / 15

HEX #D859D4

RGB 216 89 212

HSL 301.89, 0.62%, 0.6%

LAB 58.51, 64.98, -40.03

 

CMYK 14 / 59 / 0 / 15

HEX #BA59D8

RGB 186 89 216

HSL 285.83, 0.62%, 0.6%

LAB 54.6, 58.19, -48.74

 

CMYK 30 / 59 / 0 / 15

HEX #9859D8

RGB 152 89 216

HSL 269.76, 0.62%, 0.6%

LAB 50.43, 49.96, -55.64

 

CMYK 0 / 59 / 34 / 15

HEX #D8598F

RGB 216 89 143

HSL 334.49, 0.62%, 0.6%

LAB 55.81, 55.05, -4.31

 

CMYK 0 / 69 / 39 / 9

HEX #E8498D

RGB 232 73 141

HSL 334.34, 0.78%, 0.6%

LAB 55.93, 66.1, -2.66

 

CMYK 0 / 78 / 44 / 2

HEX #F9388B

RGB 249 56 139

HSL 334.2, 0.94%, 0.6%

LAB 56.91, 75.83, 0.31

 

CMYK 0 / 59 / 34 / 15

HEX #D8598F

RGB 216 89 143

HSL 334.49, 0.62%, 0.6%

LAB 55.81, 55.05, -4.31

 

CMYK 0 / 47 / 27 / 22

HEX #C76A92

RGB 199 106 146

HSL 334.19, 0.45%, 0.6%

LAB 56.61, 41.6, -5.16

 

CMYK 0 / 33 / 19 / 28

HEX #B77A94

RGB 183 122 148

HSL 334.43, 0.3%, 0.6%

LAB 58.16, 27.6, -4.26

 

CMYK 0 / 16 / 9 / 35

HEX #A68B97

RGB 166 139 151

HSL 333.33, 0.13%, 0.6%

LAB 60.61, 12.26, -2.57

 

CMYK 3 / 0 / 1 / 39

HEX #969B99

RGB 150 155 153

HSL 156, 0.02%, 0.6%

LAB 63.53, -2.18, 0.41

 

CMYK 0 / 59 / 2 / 15

HEX #D859D4

RGB 216 89 212

HSL 301.89, 0.62%, 0.6%

LAB 58.51, 64.98, -40.03

 

CMYK 0 / 59 / 18 / 15

HEX #D859B2

RGB 216 89 178

HSL 317.95, 0.62%, 0.6%

LAB 57.03, 59.66, -22.87

 

CMYK 0 / 59 / 33 / 15

HEX #D85990

RGB 216 89 144

HSL 334.02, 0.62%, 0.6%

LAB 55.84, 55.16, -4.85

 

CMYK 0 / 59 / 49 / 15

HEX #D8596E

RGB 216 89 110

HSL 350.08, 0.62%, 0.6%

LAB 54.94, 51.61, 13.91

 

CMYK 0 / 53 / 59 / 15

HEX #D86659

RGB 216 102 89

HSL 6.14, 0.62%, 0.6%

LAB 56.9, 43.71, 28.74

 

CMYK 0 / 77 / 44 / 29

HEX #B52A65

RGB 181 42 101

HSL 334.53, 0.62%, 0.44%

LAB 41.87, 58.61, -0.04

 

CMYK 0 / 73 / 42 / 18

HEX #D03879

RGB 208 56 121

HSL 334.34, 0.62%, 0.52%

LAB 49.03, 63.42, -1.31

 

CMYK 0 / 59 / 34 / 15

HEX #D8598F

RGB 216 89 143

HSL 334.49, 0.62%, 0.6%

LAB 55.81, 55.05, -4.31

 

CMYK 0 / 45 / 26 / 12

HEX #E07BA6

RGB 224 123 166

HSL 334.46, 0.62%, 0.68%

LAB 63.97, 44.14, -5.41

 

CMYK 0 / 32 / 19 / 9

HEX #E79CBC

RGB 231 156 188

HSL 334.4, 0.61%, 0.76%

LAB 72.49, 32.48, -5.05

 

CMYK 0 / 58 / 33 / 15

HEX #D95B91

RGB 217 91 145

HSL 334.29, 0.62%, 0.6%

LAB 56.37, 54.69, -4.65

 

CMYK 0 / 14 / 59 / 15

HEX #D8BA59

RGB 216 186 89

HSL 45.83, 0.62%, 0.6%

LAB 76.34, -0.72, 52.2

 

CMYK 59 / 10 / 0 / 15

HEX #59C3D8

RGB 89 195 216

HSL 189.92, 0.62%, 0.6%

LAB 73.62, -24.42, -19.7

 

CMYK 0 / 58 / 33 / 15

HEX #D95B91

RGB 217 91 145

HSL 334.29, 0.62%, 0.6%

LAB 56.37, 54.69, -4.65

 

CMYK 33 / 0 / 59 / 15

HEX #90D859

RGB 144 216 89

HSL 94.02, 0.62%, 0.6%

LAB 79.48, -43.65, 54.41

 

CMYK 59 / 33 / 0 / 15

HEX #5990D8

RGB 89 144 216

HSL 214.02, 0.62%, 0.6%

LAB 59, 3.31, -42.3

 

CMYK 0 / 58 / 33 / 15

HEX #D95B91

RGB 217 91 145

HSL 334.29, 0.62%, 0.6%

LAB 56.37, 54.69, -4.65

 

CMYK 0 / 14 / 59 / 15

HEX #D8BA59

RGB 216 186 89

HSL 45.83, 0.62%, 0.6%

LAB 76.34, -0.72, 52.2

 

CMYK 59 / 0 / 25 / 15

HEX #59D8A1

RGB 89 216 161

HSL 154.02, 0.62%, 0.6%

LAB 78.35, -47.93, 16.79

 

CMYK 59 / 45 / 0 / 15

HEX #5977D8

RGB 89 119 216

HSL 225.83, 0.62%, 0.6%

LAB 52.15, 18.34, -53.17

 

CMYK 0 / 58 / 33 / 15

HEX #D95B91

RGB 217 91 145

HSL 334.29, 0.62%, 0.6%

LAB 56.37, 54.69, -4.65

 

CMYK 4 / 0 / 59 / 15

HEX #CFD859

RGB 207 216 89

HSL 64.25, 0.62%, 0.6%

LAB 83.49, -19.68, 60.01

 

CMYK 59 / 0 / 25 / 15

HEX #59D8A1

RGB 89 216 161

HSL 154.02, 0.62%, 0.6%

LAB 78.35, -47.93, 16.79

 

CMYK 55 / 59 / 0 / 15

HEX #6259D8

RGB 98 89 216

HSL 244.25, 0.62%, 0.6%

LAB 45.22, 38.41, -64.3

 

Description

Color code: CMYK 0 / 58 / 33 / 15 | qconv.com Color code: CMYK 0 / 58 / 33 / 15 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 91 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 91 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 33 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 33% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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