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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA4365 it is the complementary color #25BC9A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA4365. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA4365 shade: #DF4360, #F05573, #FF6786, #FF7999 and #FF8BAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA4365. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA4365 shade: #DA4365, #C93152, #B81F3F, #A70D2C and #960019

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA4365 shade: #D94365 and #D94343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA4365 shade: #D94365, #D9438E, #D943B6, #D443D9 and #AC43D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA4365 shade matches the following richer shades: #D94365, #EC315B and #FE1F51

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA4365 shade: #D94365, #C7556F, #B56779, #A37A83 and #918C8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA4365 shade: #D943B6, #D9438E, #D94366, #D94843 and #D97043

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA4365 shade: #A92140, #CC284D, #D94365, #E06681 and #E7889D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA4365 shade: #DA4365, #D9D443 and #43A2D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA4365 shade: #DA4365, #66D943 and #4366D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA4365 shade: #DA4365, #D9D443, #43D9B6 and #4348D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA4365 shade: #DA4365, #B1D943, #43D9B6 and #6B43D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 54 / 15

HEX #DA4365

RGB 218 67 101

HSL 346.49, 0.67%, 0.56%

LAB 51.68, 60.66, 14.81

 

Complementary color

CMYK 80 / 0 / 18 / 26

HEX #25BC9A

RGB 37 188 154

HSL 166.49, 0.67%, 0.44%

LAB 68.53, -45.8, 6.49

 

CMYK 0 / 70 / 57 / 13

HEX #DF4360

RGB 223 67 96

HSL 348.85, 0.71%, 0.57%

LAB 52.45, 61.8, 19

 

CMYK 0 / 65 / 52 / 6

HEX #F05573

RGB 240 85 115

HSL 348.39, 0.84%, 0.64%

LAB 58.28, 61.49, 16.19

 

CMYK 0 / 60 / 47 / 0

HEX #FF6786

RGB 255 103 134

HSL 347.76, 1%, 0.7%

LAB 63.9, 60.28, 13.36

 

CMYK 0 / 53 / 40 / 0

HEX #FF7999

RGB 255 121 153

HSL 345.67, 1%, 0.74%

LAB 67.45, 53.96, 7.55

 

CMYK 0 / 45 / 33 / 0

HEX #FF8BAC

RGB 255 139 172

HSL 342.93, 1%, 0.77%

LAB 71.35, 47.38, 2.5

 

CMYK 0 / 69 / 54 / 15

HEX #DA4365

RGB 218 67 101

HSL 346.49, 0.67%, 0.56%

LAB 51.68, 60.66, 14.81

 

CMYK 0 / 76 / 59 / 21

HEX #C93152

RGB 201 49 82

HSL 346.97, 0.61%, 0.49%

LAB 45.94, 60.52, 18.04

 

CMYK 0 / 83 / 66 / 28

HEX #B81F3F

RGB 184 31 63

HSL 347.45, 0.71%, 0.42%

LAB 40.46, 59.66, 22.03

 

CMYK 0 / 92 / 74 / 35

HEX #A70D2C

RGB 167 13 44

HSL 347.92, 0.86%, 0.35%

LAB 35.37, 57.69, 26.93

 

CMYK 0 / 100 / 83 / 41

HEX #960019

RGB 150 0 25

HSL 350, 1%, 0.29%

LAB 30.77, 54.38, 32.56

 

CMYK 0 / 69 / 53 / 15

HEX #D94365

RGB 217 67 101

HSL 346.4, 0.66%, 0.56%

LAB 51.5, 60.36, 14.54

 

CMYK 0 / 69 / 69 / 15

HEX #D94343

RGB 217 67 67

HSL 0, 0.66%, 0.56%

LAB 50.89, 58.2, 33.91

 

CMYK 0 / 69 / 53 / 15

HEX #D94365

RGB 217 67 101

HSL 346.4, 0.66%, 0.56%

LAB 51.5, 60.36, 14.54

 

CMYK 0 / 69 / 35 / 15

HEX #D9438E

RGB 217 67 142

HSL 330, 0.66%, 0.56%

LAB 52.64, 64.23, -8.41

 

CMYK 0 / 69 / 16 / 15

HEX #D943B6

RGB 217 67 182

HSL 314, 0.66%, 0.56%

LAB 54.18, 69.26, -29.58

 

CMYK 2 / 69 / 0 / 15

HEX #D443D9

RGB 212 67 217

HSL 298, 0.66%, 0.56%

LAB 55.09, 73.44, -48.29

 

CMYK 21 / 69 / 0 / 15

HEX #AC43D9

RGB 172 67 217

HSL 282, 0.66%, 0.56%

LAB 49.25, 64.94, -57.97

 

CMYK 0 / 69 / 53 / 15

HEX #D94365

RGB 217 67 101

HSL 346.4, 0.66%, 0.56%

LAB 51.5, 60.36, 14.54

 

CMYK 0 / 79 / 61 / 7

HEX #EC315B

RGB 236 49 91

HSL 346.52, 0.83%, 0.56%

LAB 52.71, 70.8, 22.77

 

CMYK 0 / 88 / 68 / 0

HEX #FE1F51

RGB 254 31 81

HSL 346.55, 0.99%, 0.56%

LAB 54.7, 78.62, 31.98

 

CMYK 0 / 69 / 53 / 15

HEX #D94365

RGB 217 67 101

HSL 346.4, 0.66%, 0.56%

LAB 51.5, 60.36, 14.54

 

CMYK 0 / 57 / 44 / 22

HEX #C7556F

RGB 199 85 111

HSL 346.32, 0.5%, 0.56%

LAB 51.6, 47.82, 8.23

 

CMYK 0 / 43 / 33 / 29

HEX #B56779

RGB 181 103 121

HSL 346.15, 0.35%, 0.56%

LAB 52.85, 33.38, 3.73

 

CMYK 0 / 25 / 20 / 36

HEX #A37A83

RGB 163 122 131

HSL 346.83, 0.18%, 0.56%

LAB 55.43, 17.37, 1.34

 

CMYK 0 / 3 / 3 / 43

HEX #918C8D

RGB 145 140 141

HSL 348, 0.02%, 0.56%

LAB 58.69, 2.04, 0.12

 

CMYK 0 / 69 / 16 / 15

HEX #D943B6

RGB 217 67 182

HSL 314, 0.66%, 0.56%

LAB 54.18, 69.26, -29.58

 

CMYK 0 / 69 / 35 / 15

HEX #D9438E

RGB 217 67 142

HSL 330, 0.66%, 0.56%

LAB 52.64, 64.23, -8.41

 

CMYK 0 / 69 / 53 / 15

HEX #D94366

RGB 217 67 102

HSL 346, 0.66%, 0.56%

LAB 51.53, 60.44, 13.97

 

CMYK 0 / 67 / 69 / 15

HEX #D94843

RGB 217 72 67

HSL 2, 0.66%, 0.56%

LAB 51.6, 56.26, 34.76

 

CMYK 0 / 48 / 69 / 15

HEX #D97043

RGB 217 112 67

HSL 18, 0.66%, 0.56%

LAB 58.74, 37.67, 43.03

 

CMYK 0 / 80 / 62 / 34

HEX #A92140

RGB 169 33 64

HSL 346.32, 0.67%, 0.4%

LAB 37.65, 54.98, 17.16

 

CMYK 0 / 80 / 62 / 20

HEX #CC284D

RGB 204 40 77

HSL 346.46, 0.67%, 0.48%

LAB 45.48, 63.67, 20.62

 

CMYK 0 / 69 / 53 / 15

HEX #D94365

RGB 217 67 101

HSL 346.4, 0.66%, 0.56%

LAB 51.5, 60.36, 14.54

 

CMYK 0 / 54 / 42 / 12

HEX #E06681

RGB 224 102 129

HSL 346.72, 0.66%, 0.64%

LAB 58.91, 50.08, 8.54

 

CMYK 0 / 41 / 32 / 9

HEX #E7889D

RGB 231 136 157

HSL 346.74, 0.66%, 0.72%

LAB 67.3, 38.69, 4.66

 

CMYK 0 / 69 / 54 / 15

HEX #DA4365

RGB 218 67 101

HSL 346.49, 0.67%, 0.56%

LAB 51.68, 60.66, 14.81

 

CMYK 0 / 2 / 69 / 15

HEX #D9D443

RGB 217 212 67

HSL 58, 0.66%, 0.56%

LAB 83.04, -14.92, 68.58

 

CMYK 69 / 25 / 0 / 15

HEX #43A2D9

RGB 67 162 217

HSL 202, 0.66%, 0.56%

LAB 63.38, -10.41, -36.06

 

CMYK 0 / 69 / 54 / 15

HEX #DA4365

RGB 218 67 101

HSL 346.49, 0.67%, 0.56%

LAB 51.68, 60.66, 14.81

 

CMYK 53 / 0 / 69 / 15

HEX #66D943

RGB 102 217 67

HSL 106, 0.66%, 0.56%

LAB 77.79, -58.97, 61.09

 

CMYK 69 / 53 / 0 / 15

HEX #4366D9

RGB 67 102 217

HSL 226, 0.66%, 0.56%

LAB 46.59, 25.58, -62.75

 

CMYK 0 / 69 / 54 / 15

HEX #DA4365

RGB 218 67 101

HSL 346.49, 0.67%, 0.56%

LAB 51.68, 60.66, 14.81

 

CMYK 0 / 2 / 69 / 15

HEX #D9D443

RGB 217 212 67

HSL 58, 0.66%, 0.56%

LAB 83.04, -14.92, 68.58

 

CMYK 69 / 0 / 16 / 15

HEX #43D9B6

RGB 67 217 182

HSL 166, 0.66%, 0.56%

LAB 78.58, -47.33, 5.89

 

CMYK 69 / 67 / 0 / 15

HEX #4348D9

RGB 67 72 217

HSL 238, 0.66%, 0.56%

LAB 39.31, 44.19, -74.62

 

CMYK 0 / 69 / 54 / 15

HEX #DA4365

RGB 218 67 101

HSL 346.49, 0.67%, 0.56%

LAB 51.68, 60.66, 14.81

 

CMYK 18 / 0 / 69 / 15

HEX #B1D943

RGB 177 217 67

HSL 76, 0.66%, 0.56%

LAB 81.5, -33.59, 66.08

 

CMYK 69 / 0 / 16 / 15

HEX #43D9B6

RGB 67 217 182

HSL 166, 0.66%, 0.56%

LAB 78.58, -47.33, 5.89

 

CMYK 51 / 69 / 0 / 15

HEX #6B43D9

RGB 107 67 217

HSL 256, 0.66%, 0.56%

LAB 41.45, 52.67, -70.97

 

Description

Color code: HEX #DA4365 | qconv.com Color code: HEX #DA4365 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 67 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 67 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 54 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 54% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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