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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B56779 it is the complementary color #4A9886. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B56779. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B56779 shade: #BA6774, #CB7987, #DC8B9A, #ED9DAD and #FEAFC0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B56779. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B56779 shade: #B56779, #A45566, #934353, #823140 and #711F2D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B56779 shade: #B66779 and #B66767

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B56779 shade: #B66779, #B6678E, #B667A4, #B267B6 and #9D67B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B56779 shade matches the following richer shades: #B66779, #C8556F, #DA4366, #EC315C and #FE1E52

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B56779 shade: #B66779, #A37983, #918B8D, #7F9D96 and #6DB0A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B56779 shade: #B667A3, #B6678E, #B66779, #B66A67 and #B67F67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B56779 shade: #894252, #A44F63, #B66779, #C38392 and #D09FAA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B56779 shade: #B56779, #B6B367 and #6799B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B56779 shade: #B56779, #79B667 and #6779B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B56779 shade: #B56779, #B6B367, #67B6A3 and #676AB6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B56779 shade: #B56779, #A1B667, #67B6A3 and #7C67B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 33 / 29

HEX #B56779

RGB 181 103 121

HSL 346.15, 0.35%, 0.56%

LAB 52.85, 33.38, 3.73

 

Complementary color

CMYK 51 / 0 / 12 / 40

HEX #4A9886

RGB 74 152 134

HSL 166.15, 0.35%, 0.44%

LAB 57.69, -28.61, 2.12

 

CMYK 0 / 45 / 38 / 27

HEX #BA6774

RGB 186 103 116

HSL 350.6, 0.38%, 0.57%

LAB 53.39, 34.62, 7.55

 

CMYK 0 / 40 / 33 / 20

HEX #CB7987

RGB 203 121 135

HSL 349.76, 0.44%, 0.64%

LAB 60, 33.65, 6.22

 

CMYK 0 / 37 / 30 / 14

HEX #DC8B9A

RGB 220 139 154

HSL 348.89, 0.54%, 0.7%

LAB 66.53, 32.75, 5.06

 

CMYK 0 / 34 / 27 / 7

HEX #ED9DAD

RGB 237 157 173

HSL 348, 0.69%, 0.77%

LAB 72.98, 31.91, 4.03

 

CMYK 0 / 31 / 24 / 0

HEX #FEAFC0

RGB 254 175 192

HSL 347.09, 0.98%, 0.84%

LAB 79.35, 31.14, 3.09

 

CMYK 0 / 43 / 33 / 29

HEX #B56779

RGB 181 103 121

HSL 346.15, 0.35%, 0.56%

LAB 52.85, 33.38, 3.73

 

CMYK 0 / 48 / 38 / 36

HEX #A45566

RGB 164 85 102

HSL 347.09, 0.32%, 0.49%

LAB 46.11, 34.35, 5.12

 

CMYK 0 / 54 / 44 / 42

HEX #934353

RGB 147 67 83

HSL 348, 0.37%, 0.42%

LAB 39.31, 35.35, 6.8

 

CMYK 0 / 62 / 51 / 49

HEX #823140

RGB 130 49 64

HSL 348.89, 0.45%, 0.35%

LAB 32.51, 36.26, 8.95

 

CMYK 0 / 73 / 60 / 56

HEX #711F2D

RGB 113 31 45

HSL 349.76, 0.57%, 0.28%

LAB 25.8, 36.85, 11.83

 

CMYK 0 / 43 / 34 / 29

HEX #B66779

RGB 182 103 121

HSL 346.33, 0.35%, 0.56%

LAB 52.98, 33.75, 3.94

 

CMYK 0 / 43 / 43 / 29

HEX #B66767

RGB 182 103 103

HSL 0, 0.35%, 0.56%

LAB 52.54, 31.6, 13.94

 

CMYK 0 / 43 / 34 / 29

HEX #B66779

RGB 182 103 121

HSL 346.33, 0.35%, 0.56%

LAB 52.98, 33.75, 3.94

 

CMYK 0 / 43 / 22 / 29

HEX #B6678E

RGB 182 103 142

HSL 330.38, 0.35%, 0.56%

LAB 53.6, 36.71, -7.53

 

CMYK 0 / 43 / 10 / 29

HEX #B667A4

RGB 182 103 164

HSL 313.67, 0.35%, 0.56%

LAB 54.37, 40.27, -19.24

 

CMYK 2 / 43 / 0 / 29

HEX #B267B6

RGB 178 103 182

HSL 296.96, 0.35%, 0.56%

LAB 54.6, 42.27, -29.36

 

CMYK 14 / 43 / 0 / 29

HEX #9D67B6

RGB 157 103 182

HSL 281.01, 0.35%, 0.56%

LAB 52.11, 35.89, -33.42

 

CMYK 0 / 43 / 34 / 29

HEX #B66779

RGB 182 103 121

HSL 346.33, 0.35%, 0.56%

LAB 52.98, 33.75, 3.94

 

CMYK 0 / 58 / 45 / 22

HEX #C8556F

RGB 200 85 111

HSL 346.43, 0.51%, 0.56%

LAB 51.75, 48.16, 8.47

 

CMYK 0 / 69 / 53 / 15

HEX #DA4366

RGB 218 67 102

HSL 346.09, 0.67%, 0.56%

LAB 51.7, 60.74, 14.24

 

CMYK 0 / 79 / 61 / 7

HEX #EC315C

RGB 236 49 92

HSL 346.2, 0.83%, 0.56%

LAB 52.73, 70.86, 22.2

 

CMYK 0 / 88 / 68 / 0

HEX #FE1E52

RGB 254 30 82

HSL 346.07, 0.99%, 0.56%

LAB 54.67, 78.82, 31.34

 

CMYK 0 / 43 / 34 / 29

HEX #B66779

RGB 182 103 121

HSL 346.33, 0.35%, 0.56%

LAB 52.98, 33.75, 3.94

 

CMYK 0 / 26 / 20 / 36

HEX #A37983

RGB 163 121 131

HSL 345.71, 0.19%, 0.56%

LAB 55.18, 17.95, 0.97

 

CMYK 0 / 4 / 3 / 43

HEX #918B8D

RGB 145 139 141

HSL 340, 0.03%, 0.56%

LAB 58.42, 2.61, -0.28

 

CMYK 19 / 0 / 4 / 38

HEX #7F9D96

RGB 127 157 150

HSL 166, 0.13%, 0.56%

LAB 62.36, -11.89, 0.2

 

CMYK 38 / 0 / 9 / 31

HEX #6DB0A0

RGB 109 176 160

HSL 165.67, 0.3%, 0.56%

LAB 67.16, -25.04, 1.48

 

CMYK 0 / 43 / 10 / 29

HEX #B667A3

RGB 182 103 163

HSL 314.43, 0.35%, 0.56%

LAB 54.33, 40.09, -18.72

 

CMYK 0 / 43 / 22 / 29

HEX #B6678E

RGB 182 103 142

HSL 330.38, 0.35%, 0.56%

LAB 53.6, 36.71, -7.53

 

CMYK 0 / 43 / 34 / 29

HEX #B66779

RGB 182 103 121

HSL 346.33, 0.35%, 0.56%

LAB 52.98, 33.75, 3.94

 

CMYK 0 / 42 / 43 / 29

HEX #B66A67

RGB 182 106 103

HSL 2.28, 0.35%, 0.56%

LAB 53.2, 29.96, 14.86

 

CMYK 0 / 30 / 43 / 29

HEX #B67F67

RGB 182 127 103

HSL 18.23, 0.35%, 0.56%

LAB 58.13, 18.33, 21.57

 

CMYK 0 / 52 / 40 / 46

HEX #894252

RGB 137 66 82

HSL 346.48, 0.35%, 0.4%

LAB 37.52, 32.01, 4.67

 

CMYK 0 / 52 / 40 / 36

HEX #A44F63

RGB 164 79 99

HSL 345.88, 0.35%, 0.48%

LAB 44.78, 37.17, 5.05

 

CMYK 0 / 43 / 34 / 29

HEX #B66779

RGB 182 103 121

HSL 346.33, 0.35%, 0.56%

LAB 52.98, 33.75, 3.94

 

CMYK 0 / 33 / 25 / 24

HEX #C38392

RGB 195 131 146

HSL 345.94, 0.35%, 0.64%

LAB 61.58, 26.75, 2.07

 

CMYK 0 / 24 / 18 / 18

HEX #D09FAA

RGB 208 159 170

HSL 346.53, 0.34%, 0.72%

LAB 70.25, 19.84, 1.34

 

CMYK 0 / 43 / 33 / 29

HEX #B56779

RGB 181 103 121

HSL 346.15, 0.35%, 0.56%

LAB 52.85, 33.38, 3.73

 

CMYK 0 / 2 / 43 / 29

HEX #B6B367

RGB 182 179 103

HSL 57.72, 0.35%, 0.56%

LAB 71.67, -9.98, 39.06

 

CMYK 43 / 16 / 0 / 29

HEX #6799B6

RGB 103 153 182

HSL 202.03, 0.35%, 0.56%

LAB 60.82, -8.94, -20.32

 

CMYK 0 / 43 / 33 / 29

HEX #B56779

RGB 181 103 121

HSL 346.15, 0.35%, 0.56%

LAB 52.85, 33.38, 3.73

 

CMYK 34 / 0 / 43 / 29

HEX #79B667

RGB 121 182 103

HSL 106.33, 0.35%, 0.56%

LAB 68.39, -34.81, 34.05

 

CMYK 43 / 34 / 0 / 29

HEX #6779B6

RGB 103 121 182

HSL 226.33, 0.35%, 0.56%

LAB 51.76, 9.58, -34.32

 

CMYK 0 / 43 / 33 / 29

HEX #B56779

RGB 181 103 121

HSL 346.15, 0.35%, 0.56%

LAB 52.85, 33.38, 3.73

 

CMYK 0 / 2 / 43 / 29

HEX #B6B367

RGB 182 179 103

HSL 57.72, 0.35%, 0.56%

LAB 71.67, -9.98, 39.06

 

CMYK 43 / 0 / 10 / 29

HEX #67B6A3

RGB 103 182 163

HSL 165.57, 0.35%, 0.56%

LAB 68.74, -28.91, 2.09

 

CMYK 43 / 42 / 0 / 29

HEX #676AB6

RGB 103 106 182

HSL 237.72, 0.35%, 0.56%

LAB 47.71, 18.71, -40.7

 

CMYK 0 / 43 / 33 / 29

HEX #B56779

RGB 181 103 121

HSL 346.15, 0.35%, 0.56%

LAB 52.85, 33.38, 3.73

 

CMYK 12 / 0 / 43 / 29

HEX #A1B667

RGB 161 182 103

HSL 75.95, 0.35%, 0.56%

LAB 70.88, -19.98, 37.73

 

CMYK 43 / 0 / 10 / 29

HEX #67B6A3

RGB 103 182 163

HSL 165.57, 0.35%, 0.56%

LAB 68.74, -28.91, 2.09

 

CMYK 32 / 43 / 0 / 29

HEX #7C67B6

RGB 124 103 182

HSL 255.95, 0.35%, 0.56%

LAB 48.71, 26.21, -39

 

Description

Color code: HEX #B56779 | qconv.com Color code: HEX #B56779 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 103 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 103 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 33 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 33% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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