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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9F3D3 it is the complementary color #260C2C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9F3D3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9F3D3 shade: #DEF3CE, #EFFFE1 and #FFFFF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9F3D3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9F3D3 shade: #D9F3D3, #C8E1C0, #B7CFAD, #A6BD9A and #95AB87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9F3D3 shade: #D8F2D2, #E1F2D2, #EAF2D2, #F2F2D2 and #F2EAD2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9F3D3 shade: #D8F2D2, #D2F2D5, #D2F2DE, #D2F2E6 and #D2F2EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9F3D3 shade matches the following richer shades: #D8F2D2, #D6F7CE and #D3FCC9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9F3D3 shade: #D8F2D2, #DBEED7, #DEE9DC, #E1E5E0 and #E4E0E5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9F3D3 shade: #EAF2D2, #E1F2D2, #D9F2D2, #D2F2D5 and #D2F2DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9F3D3 shade: #A0E192, #BCEAB2, #D8F2D2 and #F4FBF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9F3D3 shade: #D9F3D3, #D2F2F2 and #F2D2E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9F3D3 shade: #D9F3D3, #D2D9F2 and #F2D2D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9F3D3 shade: #D9F3D3, #D2F2F2, #ECD2F2 and #F2D2D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9F3D3 shade: #D9F3D3, #D2E9F2, #ECD2F2 and #F2DCD2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 13 / 5

HEX #D9F3D3

RGB 217 243 211

HSL 108.75, 0.57%, 0.89%

LAB 93.26, -14.25, 12.58

 

Complementary color

CMYK 14 / 73 / 0 / 83

HEX #260C2C

RGB 38 12 44

HSL 288.75, 0.57%, 0.11%

LAB 7.74, 19.81, -15.73

 

CMYK 9 / 0 / 15 / 5

HEX #DEF3CE

RGB 222 243 206

HSL 94.05, 0.61%, 0.88%

LAB 93.49, -13.38, 15.54

 

CMYK 6 / 0 / 12 / 0

HEX #EFFFE1

RGB 239 255 225

HSL 92, 1%, 0.94%

LAB 98.16, -10.43, 12.56

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF4

RGB 255 255 244

HSL 60, 1%, 0.98%

LAB 99.73, -1.88, 5.24

 

CMYK 11 / 0 / 13 / 5

HEX #D9F3D3

RGB 217 243 211

HSL 108.75, 0.57%, 0.89%

LAB 93.26, -14.25, 12.58

 

CMYK 11 / 0 / 15 / 12

HEX #C8E1C0

RGB 200 225 192

HSL 105.45, 0.35%, 0.82%

LAB 86.97, -14.28, 13.38

 

CMYK 12 / 0 / 16 / 19

HEX #B7CFAD

RGB 183 207 173

HSL 102.35, 0.26%, 0.75%

LAB 80.58, -14.32, 14.22

 

CMYK 12 / 0 / 19 / 26

HEX #A6BD9A

RGB 166 189 154

HSL 99.43, 0.21%, 0.67%

LAB 74.08, -14.36, 15.11

 

CMYK 13 / 0 / 21 / 33

HEX #95AB87

RGB 149 171 135

HSL 96.67, 0.18%, 0.6%

LAB 67.48, -14.41, 16.04

 

CMYK 11 / 0 / 13 / 5

HEX #D8F2D2

RGB 216 242 210

HSL 108.75, 0.55%, 0.89%

LAB 92.91, -14.26, 12.59

 

CMYK 7 / 0 / 13 / 5

HEX #E1F2D2

RGB 225 242 210

HSL 91.88, 0.55%, 0.89%

LAB 93.52, -11.2, 13.55

 

CMYK 3 / 0 / 13 / 5

HEX #EAF2D2

RGB 234 242 210

HSL 75, 0.55%, 0.89%

LAB 94.16, -8.09, 14.55

 

CMYK 0 / 0 / 13 / 5

HEX #F2F2D2

RGB 242 242 210

HSL 60, 0.55%, 0.89%

LAB 94.75, -5.29, 15.46

 

CMYK 0 / 3 / 13 / 5

HEX #F2EAD2

RGB 242 234 210

HSL 45, 0.55%, 0.89%

LAB 92.74, -1.25, 12.62

 

CMYK 11 / 0 / 13 / 5

HEX #D8F2D2

RGB 216 242 210

HSL 108.75, 0.55%, 0.89%

LAB 92.91, -14.26, 12.59

 

CMYK 13 / 0 / 12 / 5

HEX #D2F2D5

RGB 210 242 213

HSL 125.63, 0.55%, 0.89%

LAB 92.58, -15.75, 10.52

 

CMYK 13 / 0 / 8 / 5

HEX #D2F2DE

RGB 210 242 222

HSL 142.5, 0.55%, 0.89%

LAB 92.79, -14.14, 6.15

 

CMYK 13 / 0 / 5 / 5

HEX #D2F2E6

RGB 210 242 230

HSL 157.5, 0.55%, 0.89%

LAB 92.98, -12.65, 2.28

 

CMYK 13 / 0 / 1 / 5

HEX #D2F2EF

RGB 210 242 239

HSL 174.38, 0.55%, 0.89%

LAB 93.21, -10.93, -2.06

 

CMYK 11 / 0 / 13 / 5

HEX #D8F2D2

RGB 216 242 210

HSL 108.75, 0.55%, 0.89%

LAB 92.91, -14.26, 12.59

 

CMYK 13 / 0 / 17 / 3

HEX #D6F7CE

RGB 214 247 206

HSL 108.29, 0.72%, 0.89%

LAB 94, -18.07, 16.18

 

CMYK 16 / 0 / 20 / 1

HEX #D3FCC9

RGB 211 252 201

HSL 108.24, 0.89%, 0.89%

LAB 95.03, -22.32, 20.16

 

CMYK 11 / 0 / 13 / 5

HEX #D8F2D2

RGB 216 242 210

HSL 108.75, 0.55%, 0.89%

LAB 92.91, -14.26, 12.59

 

CMYK 8 / 0 / 10 / 7

HEX #DBEED7

RGB 219 238 215

HSL 109.57, 0.4%, 0.89%

LAB 92.18, -10.4, 9

 

CMYK 5 / 0 / 6 / 9

HEX #DEE9DC

RGB 222 233 220

HSL 110.77, 0.23%, 0.89%

LAB 91.22, -5.99, 5.04

 

CMYK 2 / 0 / 2 / 10

HEX #E1E5E0

RGB 225 229 224

HSL 108, 0.09%, 0.89%

LAB 90.52, -2.23, 1.95

 

CMYK 0 / 2 / 0 / 10

HEX #E4E0E5

RGB 228 224 229

HSL 288, 0.09%, 0.89%

LAB 89.61, 2.25, -1.97

 

CMYK 3 / 0 / 13 / 5

HEX #EAF2D2

RGB 234 242 210

HSL 75, 0.55%, 0.89%

LAB 94.16, -8.09, 14.55

 

CMYK 7 / 0 / 13 / 5

HEX #E1F2D2

RGB 225 242 210

HSL 91.88, 0.55%, 0.89%

LAB 93.52, -11.2, 13.55

 

CMYK 10 / 0 / 13 / 5

HEX #D9F2D2

RGB 217 242 210

HSL 106.88, 0.55%, 0.89%

LAB 92.97, -13.92, 12.7

 

CMYK 13 / 0 / 12 / 5

HEX #D2F2D5

RGB 210 242 213

HSL 125.63, 0.55%, 0.89%

LAB 92.58, -15.75, 10.52

 

CMYK 13 / 0 / 9 / 5

HEX #D2F2DD

RGB 210 242 221

HSL 140.63, 0.55%, 0.89%

LAB 92.76, -14.32, 6.64

 

CMYK 29 / 0 / 35 / 12

HEX #A0E192

RGB 160 225 146

HSL 109.37, 0.57%, 0.73%

LAB 83.65, -35.24, 32.28

 

CMYK 20 / 0 / 24 / 8

HEX #BCEAB2

RGB 188 234 178

HSL 109.29, 0.57%, 0.81%

LAB 88.33, -25.11, 22.46

 

CMYK 11 / 0 / 13 / 5

HEX #D8F2D2

RGB 216 242 210

HSL 108.75, 0.55%, 0.89%

LAB 92.91, -14.26, 12.59

 

CMYK 3 / 0 / 3 / 2

HEX #F4FBF3

RGB 244 251 243

HSL 112.5, 0.5%, 0.97%

LAB 97.91, -3.71, 3.01

 

CMYK 11 / 0 / 13 / 5

HEX #D9F3D3

RGB 217 243 211

HSL 108.75, 0.57%, 0.89%

LAB 93.26, -14.25, 12.58

 

CMYK 13 / 0 / 0 / 5

HEX #D2F2F2

RGB 210 242 242

HSL 180, 0.55%, 0.89%

LAB 93.28, -10.34, -3.51

 

CMYK 0 / 13 / 5 / 5

HEX #F2D2E6

RGB 242 210 230

HSL 322.5, 0.55%, 0.89%

LAB 87.33, 14.47, -5.71

 

CMYK 11 / 0 / 13 / 5

HEX #D9F3D3

RGB 217 243 211

HSL 108.75, 0.57%, 0.89%

LAB 93.26, -14.25, 12.58

 

CMYK 13 / 10 / 0 / 5

HEX #D2D9F2

RGB 210 217 242

HSL 226.88, 0.55%, 0.89%

LAB 86.87, 2.51, -13.02

 

CMYK 0 / 13 / 10 / 5

HEX #F2D2D9

RGB 242 210 217

HSL 346.88, 0.55%, 0.89%

LAB 86.99, 12.28, 0.66

 

CMYK 11 / 0 / 13 / 5

HEX #D9F3D3

RGB 217 243 211

HSL 108.75, 0.57%, 0.89%

LAB 93.26, -14.25, 12.58

 

CMYK 13 / 0 / 0 / 5

HEX #D2F2F2

RGB 210 242 242

HSL 180, 0.55%, 0.89%

LAB 93.28, -10.34, -3.51

 

CMYK 2 / 13 / 0 / 5

HEX #ECD2F2

RGB 236 210 242

HSL 288.75, 0.55%, 0.89%

LAB 87.16, 14.62, -12.37

 

CMYK 0 / 13 / 13 / 5

HEX #F2D2D2

RGB 242 210 210

HSL 0, 0.55%, 0.89%

LAB 86.81, 11.15, 4.11

 

CMYK 11 / 0 / 13 / 5

HEX #D9F3D3

RGB 217 243 211

HSL 108.75, 0.57%, 0.89%

LAB 93.26, -14.25, 12.58

 

CMYK 13 / 4 / 0 / 5

HEX #D2E9F2

RGB 210 233 242

HSL 196.88, 0.55%, 0.89%

LAB 90.96, -5.77, -6.94

 

CMYK 2 / 13 / 0 / 5

HEX #ECD2F2

RGB 236 210 242

HSL 288.75, 0.55%, 0.89%

LAB 87.16, 14.62, -12.37

 

CMYK 0 / 9 / 13 / 5

HEX #F2DCD2

RGB 242 220 210

HSL 18.75, 0.55%, 0.89%

LAB 89.26, 5.94, 7.64

 

Description

Color code: HEX #D9F3D3 | qconv.com Color code: HEX #D9F3D3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 243 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 243 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 13 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 13% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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