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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2F2DE it is the complementary color #2D0D21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2F2DE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2F2DE shade: #D7F2D9, #E8FFEC and #F9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2F2DE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2F2DE shade: #D2F2DE, #C1E0CB, #B0CEB8, #9FBCA5 and #8EAA92

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2F2DE shade: #D3F2DF, #D3F2D6, #D8F2D3, #E0F2D3 and #E9F2D3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2F2DE shade: #D3F2DF, #D3F2E7, #D3F2EF, #D3ECF2 and #D3E4F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2F2DE shade matches the following richer shades: #D3F2DF, #CEF6DD and #CAFBDC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2F2DE shade: #D3F2DF, #D8EDE0, #DCE9E1, #E1E4E2 and #E5E0E3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2F2DE shade: #D8F2D3, #D3F2D6, #D3F2DE, #D3F2E7 and #D3F2EF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2F2DE shade: #93DFB0, #B3E9C7, #D3F2DF and #F3FBF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2F2DE shade: #D2F2DE, #D3E0F2 and #F2D3D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2F2DE shade: #D2F2DE, #DED3F2 and #F2DED3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2F2DE shade: #D2F2DE, #D3E0F2, #F2D3E7 and #F2E5D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2F2DE shade: #D2F2DE, #D3D7F2, #F2D3E7 and #F2EED3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 8 / 5

HEX #D2F2DE

RGB 210 242 222

HSL 142.5, 0.55%, 0.89%

LAB 92.79, -14.14, 6.15

 

Complementary color

CMYK 0 / 71 / 27 / 82

HEX #2D0D21

RGB 45 13 33

HSL 322.5, 0.55%, 0.11%

LAB 8.62, 19.33, -5.97

 

CMYK 11 / 0 / 10 / 5

HEX #D7F2D9

RGB 215 242 217

HSL 124.44, 0.51%, 0.9%

LAB 93, -13.39, 9.09

 

CMYK 9 / 0 / 7 / 0

HEX #E8FFEC

RGB 232 255 236

HSL 130.43, 1%, 0.95%

LAB 97.93, -10.89, 6.53

 

CMYK 2 / 0 / 0 / 0

HEX #F9FFFF

RGB 249 255 255

HSL 180, 1%, 0.99%

LAB 99.57, -1.96, -0.7

 

CMYK 13 / 0 / 8 / 5

HEX #D2F2DE

RGB 210 242 222

HSL 142.5, 0.55%, 0.89%

LAB 92.79, -14.14, 6.15

 

CMYK 14 / 0 / 9 / 12

HEX #C1E0CB

RGB 193 224 203

HSL 139.35, 0.33%, 0.82%

LAB 86.48, -14.19, 6.86

 

CMYK 15 / 0 / 11 / 19

HEX #B0CEB8

RGB 176 206 184

HSL 136, 0.23%, 0.75%

LAB 80.09, -14.26, 7.6

 

CMYK 15 / 0 / 12 / 26

HEX #9FBCA5

RGB 159 188 165

HSL 132.41, 0.18%, 0.68%

LAB 73.58, -14.35, 8.37

 

CMYK 16 / 0 / 14 / 33

HEX #8EAA92

RGB 142 170 146

HSL 128.57, 0.14%, 0.61%

LAB 66.96, -14.45, 9.18

 

CMYK 13 / 0 / 8 / 5

HEX #D3F2DF

RGB 211 242 223

HSL 143.23, 0.54%, 0.89%

LAB 92.87, -13.63, 5.77

 

CMYK 13 / 0 / 12 / 5

HEX #D3F2D6

RGB 211 242 214

HSL 125.81, 0.54%, 0.89%

LAB 92.67, -15.24, 10.13

 

CMYK 11 / 0 / 13 / 5

HEX #D8F2D3

RGB 216 242 211

HSL 110.32, 0.54%, 0.89%

LAB 92.93, -14.09, 12.11

 

CMYK 7 / 0 / 13 / 5

HEX #E0F2D3

RGB 224 242 211

HSL 94.84, 0.54%, 0.89%

LAB 93.47, -11.38, 12.96

 

CMYK 4 / 0 / 13 / 5

HEX #E9F2D3

RGB 233 242 211

HSL 77.42, 0.54%, 0.89%

LAB 94.11, -8.28, 13.95

 

CMYK 13 / 0 / 8 / 5

HEX #D3F2DF

RGB 211 242 223

HSL 143.23, 0.54%, 0.89%

LAB 92.87, -13.63, 5.77

 

CMYK 13 / 0 / 5 / 5

HEX #D3F2E7

RGB 211 242 231

HSL 158.71, 0.54%, 0.89%

LAB 93.07, -12.14, 1.9

 

CMYK 13 / 0 / 1 / 5

HEX #D3F2EF

RGB 211 242 239

HSL 174.19, 0.54%, 0.89%

LAB 93.27, -10.61, -1.96

 

CMYK 13 / 2 / 0 / 5

HEX #D3ECF2

RGB 211 236 242

HSL 191.61, 0.54%, 0.89%

LAB 91.8, -6.99, -5.69

 

CMYK 13 / 6 / 0 / 5

HEX #D3E4F2

RGB 211 228 242

HSL 207.1, 0.54%, 0.89%

LAB 89.74, -2.89, -8.73

 

CMYK 13 / 0 / 8 / 5

HEX #D3F2DF

RGB 211 242 223

HSL 143.23, 0.54%, 0.89%

LAB 92.87, -13.63, 5.77

 

CMYK 16 / 0 / 10 / 4

HEX #CEF6DD

RGB 206 246 221

HSL 142.5, 0.69%, 0.89%

LAB 93.56, -17.59, 7.75

 

CMYK 20 / 0 / 12 / 2

HEX #CAFBDC

RGB 202 251 220

HSL 142.04, 0.86%, 0.89%

LAB 94.62, -21.49, 9.75

 

CMYK 13 / 0 / 8 / 5

HEX #D3F2DF

RGB 211 242 223

HSL 143.23, 0.54%, 0.89%

LAB 92.87, -13.63, 5.77

 

CMYK 9 / 0 / 5 / 7

HEX #D8EDE0

RGB 216 237 224

HSL 142.86, 0.37%, 0.89%

LAB 91.93, -9.3, 3.93

 

CMYK 6 / 0 / 3 / 9

HEX #DCE9E1

RGB 220 233 225

HSL 143.08, 0.23%, 0.89%

LAB 91.2, -5.77, 2.38

 

CMYK 1 / 0 / 1 / 11

HEX #E1E4E2

RGB 225 228 226

HSL 140, 0.05%, 0.89%

LAB 90.31, -1.36, 0.61

 

CMYK 0 / 2 / 1 / 10

HEX #E5E0E3

RGB 229 224 227

HSL 324, 0.09%, 0.89%

LAB 89.63, 2.23, -0.87

 

CMYK 11 / 0 / 13 / 5

HEX #D8F2D3

RGB 216 242 211

HSL 110.32, 0.54%, 0.89%

LAB 92.93, -14.09, 12.11

 

CMYK 13 / 0 / 12 / 5

HEX #D3F2D6

RGB 211 242 214

HSL 125.81, 0.54%, 0.89%

LAB 92.67, -15.24, 10.13

 

CMYK 13 / 0 / 8 / 5

HEX #D3F2DE

RGB 211 242 222

HSL 141.29, 0.54%, 0.89%

LAB 92.85, -13.81, 6.25

 

CMYK 13 / 0 / 5 / 5

HEX #D3F2E7

RGB 211 242 231

HSL 158.71, 0.54%, 0.89%

LAB 93.07, -12.14, 1.9

 

CMYK 13 / 0 / 1 / 5

HEX #D3F2EF

RGB 211 242 239

HSL 174.19, 0.54%, 0.89%

LAB 93.27, -10.61, -1.96

 

CMYK 34 / 0 / 21 / 13

HEX #93DFB0

RGB 147 223 176

HSL 142.89, 0.54%, 0.73%

LAB 82.97, -33.32, 15.7

 

CMYK 23 / 0 / 15 / 9

HEX #B3E9C7

RGB 179 233 199

HSL 142.22, 0.55%, 0.81%

LAB 87.96, -23.92, 10.96

 

CMYK 13 / 0 / 8 / 5

HEX #D3F2DF

RGB 211 242 223

HSL 143.23, 0.54%, 0.89%

LAB 92.87, -13.63, 5.77

 

CMYK 3 / 0 / 2 / 2

HEX #F3FBF6

RGB 243 251 246

HSL 142.5, 0.5%, 0.97%

LAB 97.91, -3.51, 1.46

 

CMYK 13 / 0 / 8 / 5

HEX #D2F2DE

RGB 210 242 222

HSL 142.5, 0.55%, 0.89%

LAB 92.79, -14.14, 6.15

 

CMYK 13 / 7 / 0 / 5

HEX #D3E0F2

RGB 211 224 242

HSL 214.84, 0.54%, 0.89%

LAB 88.72, -0.82, -10.25

 

CMYK 0 / 13 / 12 / 5

HEX #F2D3D4

RGB 242 211 212

HSL 358.06, 0.54%, 0.89%

LAB 87.1, 10.95, 3.48

 

CMYK 13 / 0 / 8 / 5

HEX #D2F2DE

RGB 210 242 222

HSL 142.5, 0.55%, 0.89%

LAB 92.79, -14.14, 6.15

 

CMYK 8 / 13 / 0 / 5

HEX #DED3F2

RGB 222 211 242

HSL 261.29, 0.54%, 0.89%

LAB 86.27, 9.52, -13.82

 

CMYK 0 / 8 / 13 / 5

HEX #F2DED3

RGB 242 222 211

HSL 21.29, 0.54%, 0.89%

LAB 89.78, 5.07, 7.86

 

CMYK 13 / 0 / 8 / 5

HEX #D2F2DE

RGB 210 242 222

HSL 142.5, 0.55%, 0.89%

LAB 92.79, -14.14, 6.15

 

CMYK 13 / 7 / 0 / 5

HEX #D3E0F2

RGB 211 224 242

HSL 214.84, 0.54%, 0.89%

LAB 88.72, -0.82, -10.25

 

CMYK 0 / 13 / 5 / 5

HEX #F2D3E7

RGB 242 211 231

HSL 321.29, 0.54%, 0.89%

LAB 87.6, 14.12, -5.85

 

CMYK 0 / 5 / 13 / 5

HEX #F2E5D3

RGB 242 229 211

HSL 34.84, 0.54%, 0.89%

LAB 91.51, 1.46, 10.35

 

CMYK 13 / 0 / 8 / 5

HEX #D2F2DE

RGB 210 242 222

HSL 142.5, 0.55%, 0.89%

LAB 92.79, -14.14, 6.15

 

CMYK 13 / 11 / 0 / 5

HEX #D3D7F2

RGB 211 215 242

HSL 232.26, 0.54%, 0.89%

LAB 86.43, 3.88, -13.66

 

CMYK 0 / 13 / 5 / 5

HEX #F2D3E7

RGB 242 211 231

HSL 321.29, 0.54%, 0.89%

LAB 87.6, 14.12, -5.85

 

CMYK 0 / 2 / 13 / 5

HEX #F2EED3

RGB 242 238 211

HSL 52.26, 0.54%, 0.89%

LAB 93.77, -3.12, 13.55

 

Description

Color code: HEX #D2F2DE | qconv.com Color code: HEX #D2F2DE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 242 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 242 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 8 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 8% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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