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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9ED75 it is the complementary color #26128A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9ED75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9ED75 shade: #DEED70, #EFFF83, #FFFF96, #FFFFA9 and #FFFFBC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9ED75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9ED75 shade: #D9ED75, #C8DB62, #B7C94F, #A6B73C and #95A529

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9ED75 shade: #D8EC73, #ECE073, #ECBF73, #EC9E73 and #EC7D73

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9ED75 shade: #D8EC73, #B7EC73, #96EC73, #76EC73 and #73EC90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9ED75 shade matches the following richer shades: #D8EC73 and #E1F966

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9ED75 shade: #D8EC73, #D0E07F, #C7D38C, #BEC699 and #B6B9A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9ED75 shade: #ECC073, #ECE073, #D8EC73, #B8EC73 and #97EC73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9ED75 shade: #C4E32A, #CEE84E, #D8EC73, #E2F197 and #ECF6BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9ED75 shade: #D9ED75, #73EC9F and #D073EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9ED75 shade: #D9ED75, #73D8EC and #EC73D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9ED75 shade: #D9ED75, #73EC9F, #8773EC and #EC73C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9ED75 shade: #D9ED75, #73ECC4, #8773EC and #EC739B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 51 / 7

HEX #D9ED75

RGB 217 237 117

HSL 70, 0.77%, 0.69%

LAB 90.14, -23.61, 55.3

 

Complementary color

CMYK 72 / 87 / 0 / 46

HEX #26128A

RGB 38 18 138

HSL 250, 0.77%, 0.31%

LAB 18.71, 44.97, -61.41

 

CMYK 6 / 0 / 53 / 7

HEX #DEED70

RGB 222 237 112

HSL 67.2, 0.78%, 0.68%

LAB 90.44, -22.1, 58.02

 

CMYK 6 / 0 / 49 / 0

HEX #EFFF83

RGB 239 255 131

HSL 67.74, 1%, 0.76%

LAB 96.62, -22.46, 56.96

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF96

RGB 255 255 150

HSL 60, 1%, 0.79%

LAB 98.03, -14.53, 50.05

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA9

RGB 255 255 169

HSL 60, 1%, 0.83%

LAB 98.29, -12.5, 41.16

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFBC

RGB 255 255 188

HSL 60, 1%, 0.87%

LAB 98.6, -10.2, 32.12

 

CMYK 8 / 0 / 51 / 7

HEX #D9ED75

RGB 217 237 117

HSL 70, 0.77%, 0.69%

LAB 90.14, -23.61, 55.3

 

CMYK 9 / 0 / 55 / 14

HEX #C8DB62

RGB 200 219 98

HSL 69.42, 0.63%, 0.62%

LAB 83.87, -23.25, 56.34

 

CMYK 9 / 0 / 61 / 21

HEX #B7C94F

RGB 183 201 79

HSL 68.85, 0.53%, 0.55%

LAB 77.52, -22.8, 57.25

 

CMYK 9 / 0 / 67 / 28

HEX #A6B73C

RGB 166 183 60

HSL 68.29, 0.51%, 0.48%

LAB 71.08, -22.23, 57.91

 

CMYK 10 / 0 / 75 / 35

HEX #95A529

RGB 149 165 41

HSL 67.74, 0.6%, 0.4%

LAB 64.53, -21.51, 58.07

 

CMYK 8 / 0 / 51 / 7

HEX #D8EC73

RGB 216 236 115

HSL 69.92, 0.76%, 0.69%

LAB 89.78, -23.7, 55.77

 

CMYK 0 / 5 / 51 / 7

HEX #ECE073

RGB 236 224 115

HSL 54.05, 0.76%, 0.69%

LAB 88.15, -9.91, 54.23

 

CMYK 0 / 19 / 51 / 7

HEX #ECBF73

RGB 236 191 115

HSL 37.69, 0.76%, 0.69%

LAB 79.8, 7.01, 44.16

 

CMYK 0 / 33 / 51 / 7

HEX #EC9E73

RGB 236 158 115

HSL 21.32, 0.76%, 0.69%

LAB 71.91, 24.47, 34.23

 

CMYK 0 / 47 / 51 / 7

HEX #EC7D73

RGB 236 125 115

HSL 4.96, 0.76%, 0.69%

LAB 64.75, 41.68, 24.87

 

CMYK 8 / 0 / 51 / 7

HEX #D8EC73

RGB 216 236 115

HSL 69.92, 0.76%, 0.69%

LAB 89.78, -23.7, 55.77

 

CMYK 22 / 0 / 51 / 7

HEX #B7EC73

RGB 183 236 115

HSL 86.28, 0.76%, 0.69%

LAB 87.63, -36.12, 52.7

 

CMYK 36 / 0 / 51 / 7

HEX #96EC73

RGB 150 236 115

HSL 102.64, 0.76%, 0.69%

LAB 85.86, -47.45, 50.16

 

CMYK 50 / 0 / 51 / 7

HEX #76EC73

RGB 118 236 115

HSL 118.51, 0.76%, 0.69%

LAB 84.53, -56.86, 48.22

 

CMYK 51 / 0 / 39 / 7

HEX #73EC90

RGB 115 236 144

HSL 134.38, 0.76%, 0.69%

LAB 84.82, -53.42, 34.46

 

CMYK 8 / 0 / 51 / 7

HEX #D8EC73

RGB 216 236 115

HSL 69.92, 0.76%, 0.69%

LAB 89.78, -23.7, 55.77

 

CMYK 10 / 0 / 59 / 2

HEX #E1F966

RGB 225 249 102

HSL 69.8, 0.92%, 0.69%

LAB 93.76, -27.4, 66.17

 

CMYK 8 / 0 / 51 / 7

HEX #D8EC73

RGB 216 236 115

HSL 69.92, 0.76%, 0.69%

LAB 89.78, -23.7, 55.77

 

CMYK 7 / 0 / 43 / 12

HEX #D0E07F

RGB 208 224 127

HSL 69.9, 0.61%, 0.69%

LAB 86.13, -19.82, 45.55

 

CMYK 6 / 0 / 34 / 17

HEX #C7D38C

RGB 199 211 140

HSL 70.14, 0.45%, 0.69%

LAB 82.18, -15.34, 33.86

 

CMYK 4 / 0 / 23 / 22

HEX #BEC699

RGB 190 198 153

HSL 70.67, 0.28%, 0.69%

LAB 78.25, -10.35, 21.68

 

CMYK 2 / 0 / 10 / 27

HEX #B6B9A6

RGB 182 185 166

HSL 69.47, 0.12%, 0.69%

LAB 74.44, -4.45, 9.28

 

CMYK 0 / 19 / 51 / 7

HEX #ECC073

RGB 236 192 115

HSL 38.18, 0.76%, 0.69%

LAB 80.05, 6.49, 44.46

 

CMYK 0 / 5 / 51 / 7

HEX #ECE073

RGB 236 224 115

HSL 54.05, 0.76%, 0.69%

LAB 88.15, -9.91, 54.23

 

CMYK 8 / 0 / 51 / 7

HEX #D8EC73

RGB 216 236 115

HSL 69.92, 0.76%, 0.69%

LAB 89.78, -23.7, 55.77

 

CMYK 22 / 0 / 51 / 7

HEX #B8EC73

RGB 184 236 115

HSL 85.79, 0.76%, 0.69%

LAB 87.69, -35.76, 52.78

 

CMYK 36 / 0 / 51 / 7

HEX #97EC73

RGB 151 236 115

HSL 102.15, 0.76%, 0.69%

LAB 85.91, -47.13, 50.23

 

CMYK 14 / 0 / 81 / 11

HEX #C4E32A

RGB 196 227 42

HSL 70.05, 0.77%, 0.53%

LAB 85.42, -31.8, 77.87

 

CMYK 11 / 0 / 66 / 9

HEX #CEE84E

RGB 206 232 78

HSL 70.13, 0.77%, 0.61%

LAB 87.67, -28.48, 68.87

 

CMYK 8 / 0 / 51 / 7

HEX #D8EC73

RGB 216 236 115

HSL 69.92, 0.76%, 0.69%

LAB 89.78, -23.7, 55.77

 

CMYK 6 / 0 / 37 / 5

HEX #E2F197

RGB 226 241 151

HSL 70, 0.76%, 0.77%

LAB 92.27, -18.61, 41.82

 

CMYK 4 / 0 / 24 / 4

HEX #ECF6BC

RGB 236 246 188

HSL 70.34, 0.76%, 0.85%

LAB 94.9, -12.65, 26.87

 

CMYK 8 / 0 / 51 / 7

HEX #D9ED75

RGB 217 237 117

HSL 70, 0.77%, 0.69%

LAB 90.14, -23.61, 55.3

 

CMYK 51 / 0 / 33 / 7

HEX #73EC9F

RGB 115 236 159

HSL 141.82, 0.76%, 0.69%

LAB 85.07, -50.84, 27.2

 

CMYK 12 / 51 / 0 / 7

HEX #D073EC

RGB 208 115 236

HSL 286.12, 0.76%, 0.69%

LAB 63.12, 55.16, -46.28

 

CMYK 8 / 0 / 51 / 7

HEX #D9ED75

RGB 217 237 117

HSL 70, 0.77%, 0.69%

LAB 90.14, -23.61, 55.3

 

CMYK 51 / 8 / 0 / 7

HEX #73D8EC

RGB 115 216 236

HSL 189.92, 0.76%, 0.69%

LAB 81.19, -24.18, -18.9

 

CMYK 0 / 51 / 8 / 7

HEX #EC73D8

RGB 236 115 216

HSL 309.92, 0.76%, 0.69%

LAB 65.79, 59.31, -30.72

 

CMYK 8 / 0 / 51 / 7

HEX #D9ED75

RGB 217 237 117

HSL 70, 0.77%, 0.69%

LAB 90.14, -23.61, 55.3

 

CMYK 51 / 0 / 33 / 7

HEX #73EC9F

RGB 115 236 159

HSL 141.82, 0.76%, 0.69%

LAB 85.07, -50.84, 27.2

 

CMYK 43 / 51 / 0 / 7

HEX #8773EC

RGB 135 115 236

HSL 249.92, 0.76%, 0.69%

LAB 55.55, 36.73, -58.77

 

CMYK 0 / 51 / 19 / 7

HEX #EC73C0

RGB 236 115 192

HSL 321.82, 0.76%, 0.69%

LAB 64.88, 55.63, -18.63

 

CMYK 8 / 0 / 51 / 7

HEX #D9ED75

RGB 217 237 117

HSL 70, 0.77%, 0.69%

LAB 90.14, -23.61, 55.3

 

CMYK 51 / 0 / 17 / 7

HEX #73ECC4

RGB 115 236 196

HSL 160.17, 0.76%, 0.69%

LAB 85.82, -43.39, 9.07

 

CMYK 43 / 51 / 0 / 7

HEX #8773EC

RGB 135 115 236

HSL 249.92, 0.76%, 0.69%

LAB 55.55, 36.73, -58.77

 

CMYK 0 / 51 / 34 / 7

HEX #EC739B

RGB 236 115 155

HSL 340.17, 0.76%, 0.69%

LAB 63.72, 50.74, 0.69

 

Description

Color code: HEX #D9ED75 | qconv.com Color code: HEX #D9ED75 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 237 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 237 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 51 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 51% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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