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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8DB62 it is the complementary color #37249D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8DB62. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8DB62 shade: #CDDB5D, #DEED70, #EFFF83, #FFFF96 and #FFFFA9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8DB62. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8DB62 shade: #C8DB62, #B7C94F, #A6B73C, #95A529 and #849316

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8DB62 shade: #C7DB61, #DBCD61, #DBAC61, #DB8B61 and #DB6A61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8DB62 shade: #C7DB61, #A7DB61, #86DB61, #65DB61 and #61DB7D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8DB62 shade matches the following richer shades: #C7DB61, #D2EA51 and #DDFA41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8DB62 shade: #C7DB61, #BDCB70, #B2BB80, #A7AC90 and #9C9C9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8DB62 shade: #DBAC61, #DBCC61, #C8DB61, #A8DB61 and #87DB61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8DB62 shade: #A7BE2B, #BCD33F, #C7DB61, #D3E282 and #DFEAA4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8DB62 shade: #C8DB62, #61DB8B and #BC61DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8DB62 shade: #C8DB62, #61C8DB and #DB61C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8DB62 shade: #C8DB62, #61DB8B, #7361DB and #DB61B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8DB62 shade: #C8DB62, #61DBB0, #7361DB and #DB618B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 55 / 14

HEX #C8DB62

RGB 200 219 98

HSL 69.42, 0.63%, 0.62%

LAB 83.87, -23.25, 56.34

 

Complementary color

CMYK 65 / 77 / 0 / 38

HEX #37249D

RGB 55 36 157

HSL 249.42, 0.63%, 0.38%

LAB 25.29, 43.8, -62.25

 

CMYK 6 / 0 / 58 / 14

HEX #CDDB5D

RGB 205 219 93

HSL 66.67, 0.64%, 0.61%

LAB 84.19, -21.65, 59

 

CMYK 6 / 0 / 53 / 7

HEX #DEED70

RGB 222 237 112

HSL 67.2, 0.78%, 0.68%

LAB 90.44, -22.1, 58.02

 

CMYK 6 / 0 / 49 / 0

HEX #EFFF83

RGB 239 255 131

HSL 67.74, 1%, 0.76%

LAB 96.62, -22.46, 56.96

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF96

RGB 255 255 150

HSL 60, 1%, 0.79%

LAB 98.03, -14.53, 50.05

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA9

RGB 255 255 169

HSL 60, 1%, 0.83%

LAB 98.29, -12.5, 41.16

 

CMYK 9 / 0 / 55 / 14

HEX #C8DB62

RGB 200 219 98

HSL 69.42, 0.63%, 0.62%

LAB 83.87, -23.25, 56.34

 

CMYK 9 / 0 / 61 / 21

HEX #B7C94F

RGB 183 201 79

HSL 68.85, 0.53%, 0.55%

LAB 77.52, -22.8, 57.25

 

CMYK 9 / 0 / 67 / 28

HEX #A6B73C

RGB 166 183 60

HSL 68.29, 0.51%, 0.48%

LAB 71.08, -22.23, 57.91

 

CMYK 10 / 0 / 75 / 35

HEX #95A529

RGB 149 165 41

HSL 67.74, 0.6%, 0.4%

LAB 64.53, -21.51, 58.07

 

CMYK 10 / 0 / 85 / 42

HEX #849316

RGB 132 147 22

HSL 67.2, 0.74%, 0.33%

LAB 57.88, -20.57, 57.29

 

CMYK 9 / 0 / 56 / 14

HEX #C7DB61

RGB 199 219 97

HSL 69.84, 0.63%, 0.62%

LAB 83.79, -23.73, 56.67

 

CMYK 0 / 6 / 56 / 14

HEX #DBCD61

RGB 219 205 97

HSL 53.11, 0.63%, 0.62%

LAB 81.61, -8.68, 54.6

 

CMYK 0 / 21 / 56 / 14

HEX #DBAC61

RGB 219 172 97

HSL 36.89, 0.63%, 0.62%

LAB 73.17, 8.55, 44.7

 

CMYK 0 / 37 / 56 / 14

HEX #DB8B61

RGB 219 139 97

HSL 20.66, 0.63%, 0.62%

LAB 65.27, 26.27, 35.01

 

CMYK 0 / 52 / 56 / 14

HEX #DB6A61

RGB 219 106 97

HSL 4.43, 0.63%, 0.62%

LAB 58.26, 43.45, 26.02

 

CMYK 9 / 0 / 56 / 14

HEX #C7DB61

RGB 199 219 97

HSL 69.84, 0.63%, 0.62%

LAB 83.79, -23.73, 56.67

 

CMYK 24 / 0 / 56 / 14

HEX #A7DB61

RGB 167 219 97

HSL 85.57, 0.63%, 0.62%

LAB 81.7, -36.01, 53.72

 

CMYK 39 / 0 / 56 / 14

HEX #86DB61

RGB 134 219 97

HSL 101.8, 0.63%, 0.62%

LAB 79.95, -47.45, 51.24

 

CMYK 54 / 0 / 56 / 14

HEX #65DB61

RGB 101 219 97

HSL 118.03, 0.63%, 0.62%

LAB 78.63, -56.99, 49.36

 

CMYK 56 / 0 / 43 / 14

HEX #61DB7D

RGB 97 219 125

HSL 133.77, 0.63%, 0.62%

LAB 78.86, -54.07, 36.12

 

CMYK 9 / 0 / 56 / 14

HEX #C7DB61

RGB 199 219 97

HSL 69.84, 0.63%, 0.62%

LAB 83.79, -23.73, 56.67

 

CMYK 10 / 0 / 65 / 8

HEX #D2EA51

RGB 210 234 81

HSL 69.41, 0.78%, 0.62%

LAB 88.52, -27.65, 68.69

 

CMYK 12 / 0 / 74 / 2

HEX #DDFA41

RGB 221 250 65

HSL 69.41, 0.95%, 0.62%

LAB 93.5, -31.58, 79.41

 

CMYK 9 / 0 / 56 / 14

HEX #C7DB61

RGB 199 219 97

HSL 69.84, 0.63%, 0.62%

LAB 83.79, -23.73, 56.67

 

CMYK 7 / 0 / 45 / 20

HEX #BDCB70

RGB 189 203 112

HSL 69.23, 0.47%, 0.62%

LAB 78.87, -18.45, 43.6

 

CMYK 5 / 0 / 32 / 27

HEX #B2BB80

RGB 178 187 128

HSL 69.15, 0.3%, 0.62%

LAB 73.91, -12.77, 28.9

 

CMYK 3 / 0 / 16 / 33

HEX #A7AC90

RGB 167 172 144

HSL 70.71, 0.14%, 0.62%

LAB 69.28, -6.75, 13.82

 

CMYK 2 / 2 / 0 / 38

HEX #9C9C9F

RGB 156 156 159

HSL 240, 0.02%, 0.62%

LAB 64.44, 0.58, -1.57

 

CMYK 0 / 21 / 56 / 14

HEX #DBAC61

RGB 219 172 97

HSL 36.89, 0.63%, 0.62%

LAB 73.17, 8.55, 44.7

 

CMYK 0 / 7 / 56 / 14

HEX #DBCC61

RGB 219 204 97

HSL 52.62, 0.63%, 0.62%

LAB 81.35, -8.17, 54.3

 

CMYK 9 / 0 / 56 / 14

HEX #C8DB61

RGB 200 219 97

HSL 69.34, 0.63%, 0.62%

LAB 83.86, -23.33, 56.77

 

CMYK 23 / 0 / 56 / 14

HEX #A8DB61

RGB 168 219 97

HSL 85.08, 0.63%, 0.62%

LAB 81.76, -35.64, 53.8

 

CMYK 38 / 0 / 56 / 14

HEX #87DB61

RGB 135 219 97

HSL 101.31, 0.63%, 0.62%

LAB 80, -47.13, 51.31

 

CMYK 12 / 0 / 77 / 25

HEX #A7BE2B

RGB 167 190 43

HSL 69.39, 0.63%, 0.46%

LAB 73.03, -26.12, 65.81

 

CMYK 11 / 0 / 70 / 17

HEX #BCD33F

RGB 188 211 63

HSL 69.32, 0.63%, 0.54%

LAB 80.54, -26.61, 66.81

 

CMYK 9 / 0 / 56 / 14

HEX #C7DB61

RGB 199 219 97

HSL 69.84, 0.63%, 0.62%

LAB 83.79, -23.73, 56.67

 

CMYK 7 / 0 / 42 / 11

HEX #D3E282

RGB 211 226 130

HSL 69.38, 0.62%, 0.7%

LAB 86.92, -19.33, 45.12

 

CMYK 5 / 0 / 30 / 8

HEX #DFEAA4

RGB 223 234 164

HSL 69.43, 0.63%, 0.78%

LAB 90.42, -14.71, 32.85

 

CMYK 9 / 0 / 55 / 14

HEX #C8DB62

RGB 200 219 98

HSL 69.42, 0.63%, 0.62%

LAB 83.87, -23.25, 56.34

 

CMYK 56 / 0 / 37 / 14

HEX #61DB8B

RGB 97 219 139

HSL 140.66, 0.63%, 0.62%

LAB 79.08, -51.72, 29.3

 

CMYK 14 / 56 / 0 / 14

HEX #BC61DB

RGB 188 97 219

HSL 284.75, 0.63%, 0.62%

LAB 56.44, 55.45, -47.49

 

CMYK 9 / 0 / 55 / 14

HEX #C8DB62

RGB 200 219 98

HSL 69.42, 0.63%, 0.62%

LAB 83.87, -23.25, 56.34

 

CMYK 56 / 9 / 0 / 14

HEX #61C8DB

RGB 97 200 219

HSL 189.34, 0.63%, 0.62%

LAB 75.43, -24.56, -18.56

 

CMYK 0 / 56 / 9 / 14

HEX #DB61C8

RGB 219 97 200

HSL 309.34, 0.63%, 0.62%

LAB 59.69, 60.29, -31.34

 

CMYK 9 / 0 / 55 / 14

HEX #C8DB62

RGB 200 219 98

HSL 69.42, 0.63%, 0.62%

LAB 83.87, -23.25, 56.34

 

CMYK 56 / 0 / 37 / 14

HEX #61DB8B

RGB 97 219 139

HSL 140.66, 0.63%, 0.62%

LAB 79.08, -51.72, 29.3

 

CMYK 47 / 56 / 0 / 14

HEX #7361DB

RGB 115 97 219

HSL 248.85, 0.63%, 0.62%

LAB 48.65, 37.95, -60.4

 

CMYK 0 / 56 / 20 / 14

HEX #DB61B0

RGB 219 97 176

HSL 321.15, 0.63%, 0.62%

LAB 58.74, 56.64, -19.07

 

CMYK 9 / 0 / 55 / 14

HEX #C8DB62

RGB 200 219 98

HSL 69.42, 0.63%, 0.62%

LAB 83.87, -23.25, 56.34

 

CMYK 56 / 0 / 20 / 14

HEX #61DBB0

RGB 97 219 176

HSL 158.85, 0.63%, 0.62%

LAB 79.81, -44.3, 10.94

 

CMYK 47 / 56 / 0 / 14

HEX #7361DB

RGB 115 97 219

HSL 248.85, 0.63%, 0.62%

LAB 48.65, 37.95, -60.4

 

CMYK 0 / 56 / 37 / 14

HEX #DB618B

RGB 219 97 139

HSL 339.34, 0.63%, 0.62%

LAB 57.53, 51.86, 0.62

 

Description

Color code: HEX #C8DB62 | qconv.com Color code: HEX #C8DB62 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 219 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 219 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 55 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 55% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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