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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D8E76C it is the complementary color #271893. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D8E76C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D8E76C shade: #DDE767, #EEF97A, #FFFF8D, #FFFFA0 and #FFFFB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D8E76C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D8E76C shade: #D8E76C, #C7D559, #B6C346, #A5B133 and #949F20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D8E76C shade: #D7E669, #E6D469, #E6B269, #E69069 and #E66F69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D8E76C shade: #D7E669, #B5E669, #94E669, #72E669 and #69E682

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D8E76C shade matches the following richer shades: #D7E669 and #E2F45B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D8E76C shade: #D7E669, #CCD877, #C2CA85, #B7BC93 and #ADAEA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D8E76C shade: #E6B269, #E6D369, #D8E669, #B6E669 and #95E669

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D8E76C shade: #C4DA23, #CEE046, #D7E669, #E0EC8D and #EAF2B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D8E76C shade: #D8E76C, #69E691 and #C369E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D8E76C shade: #D8E76C, #69D8E6 and #E669D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D8E76C shade: #D8E76C, #69E691, #7869E6 and #E669BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D8E76C shade: #D8E76C, #69E6B6, #7869E6 and #E66999

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 53 / 9

HEX #D8E76C

RGB 216 231 108

HSL 67.32, 0.72%, 0.66%

LAB 88.37, -21.9, 57.31

 

Complementary color

CMYK 73 / 84 / 0 / 42

HEX #271893

RGB 39 24 147

HSL 247.32, 0.72%, 0.34%

LAB 20.79, 45.14, -63.56

 

CMYK 4 / 0 / 55 / 9

HEX #DDE767

RGB 221 231 103

HSL 64.69, 0.73%, 0.65%

LAB 88.69, -20.32, 60

 

CMYK 4 / 0 / 51 / 2

HEX #EEF97A

RGB 238 249 122

HSL 65.2, 0.91%, 0.73%

LAB 94.88, -20.77, 58.98

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8D

RGB 255 255 141

HSL 60, 1%, 0.78%

LAB 97.91, -15.4, 54.17

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA0

RGB 255 255 160

HSL 60, 1%, 0.81%

LAB 98.16, -13.5, 45.4

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB3

RGB 255 255 179

HSL 60, 1%, 0.85%

LAB 98.45, -11.32, 36.42

 

CMYK 6 / 0 / 53 / 9

HEX #D8E76C

RGB 216 231 108

HSL 67.32, 0.72%, 0.66%

LAB 88.37, -21.9, 57.31

 

CMYK 7 / 0 / 58 / 16

HEX #C7D559

RGB 199 213 89

HSL 66.77, 0.6%, 0.59%

LAB 82.08, -21.44, 58.28

 

CMYK 7 / 0 / 64 / 24

HEX #B6C346

RGB 182 195 70

HSL 66.24, 0.51%, 0.52%

LAB 75.71, -20.88, 59.06

 

CMYK 7 / 0 / 71 / 31

HEX #A5B133

RGB 165 177 51

HSL 65.71, 0.55%, 0.45%

LAB 69.24, -20.18, 59.48

 

CMYK 7 / 0 / 80 / 38

HEX #949F20

RGB 148 159 32

HSL 65.2, 0.66%, 0.37%

LAB 62.67, -19.3, 59.21

 

CMYK 7 / 0 / 54 / 10

HEX #D7E669

RGB 215 230 105

HSL 67.2, 0.71%, 0.66%

LAB 88, -22.06, 58.21

 

CMYK 0 / 8 / 54 / 10

HEX #E6D469

RGB 230 212 105

HSL 51.36, 0.71%, 0.66%

LAB 84.45, -7.1, 54.42

 

CMYK 0 / 23 / 54 / 10

HEX #E6B269

RGB 230 178 105

HSL 35.04, 0.71%, 0.66%

LAB 75.87, 10.56, 44.22

 

CMYK 0 / 37 / 54 / 10

HEX #E69069

RGB 230 144 105

HSL 18.72, 0.71%, 0.66%

LAB 67.87, 28.66, 34.27

 

CMYK 0 / 52 / 54 / 10

HEX #E66F69

RGB 230 111 105

HSL 2.88, 0.71%, 0.66%

LAB 60.97, 45.62, 25.33

 

CMYK 7 / 0 / 54 / 10

HEX #D7E669

RGB 215 230 105

HSL 67.2, 0.71%, 0.66%

LAB 88, -22.06, 58.21

 

CMYK 21 / 0 / 54 / 10

HEX #B5E669

RGB 181 230 105

HSL 83.52, 0.71%, 0.66%

LAB 85.72, -35.1, 54.99

 

CMYK 36 / 0 / 54 / 10

HEX #94E669

RGB 148 230 105

HSL 99.36, 0.71%, 0.66%

LAB 83.92, -46.67, 52.42

 

CMYK 50 / 0 / 54 / 10

HEX #72E669

RGB 114 230 105

HSL 115.68, 0.71%, 0.66%

LAB 82.48, -56.84, 50.37

 

CMYK 54 / 0 / 43 / 10

HEX #69E682

RGB 105 230 130

HSL 132, 0.71%, 0.66%

LAB 82.49, -55.7, 38.35

 

CMYK 7 / 0 / 54 / 10

HEX #D7E669

RGB 215 230 105

HSL 67.2, 0.71%, 0.66%

LAB 88, -22.06, 58.21

 

CMYK 7 / 0 / 63 / 4

HEX #E2F45B

RGB 226 244 91

HSL 67.06, 0.87%, 0.66%

LAB 92.41, -25.41, 69.21

 

CMYK 7 / 0 / 54 / 10

HEX #D7E669

RGB 215 230 105

HSL 67.2, 0.71%, 0.66%

LAB 88, -22.06, 58.21

 

CMYK 6 / 0 / 45 / 15

HEX #CCD877

RGB 204 216 119

HSL 67.42, 0.55%, 0.66%

LAB 83.59, -18.27, 46.23

 

CMYK 4 / 0 / 34 / 21

HEX #C2CA85

RGB 194 202 133

HSL 66.96, 0.39%, 0.66%

LAB 79.27, -13.59, 33.58

 

CMYK 3 / 0 / 22 / 26

HEX #B7BC93

RGB 183 188 147

HSL 67.32, 0.23%, 0.66%

LAB 74.91, -8.69, 20.21

 

CMYK 1 / 0 / 7 / 32

HEX #ADAEA1

RGB 173 174 161

HSL 64.62, 0.07%, 0.66%

LAB 70.68, -2.72, 6.54

 

CMYK 0 / 23 / 54 / 10

HEX #E6B269

RGB 230 178 105

HSL 35.04, 0.71%, 0.66%

LAB 75.87, 10.56, 44.22

 

CMYK 0 / 8 / 54 / 10

HEX #E6D369

RGB 230 211 105

HSL 50.88, 0.71%, 0.66%

LAB 84.19, -6.59, 54.12

 

CMYK 6 / 0 / 54 / 10

HEX #D8E669

RGB 216 230 105

HSL 66.72, 0.71%, 0.66%

LAB 88.07, -21.66, 58.31

 

CMYK 21 / 0 / 54 / 10

HEX #B6E669

RGB 182 230 105

HSL 83.04, 0.71%, 0.66%

LAB 85.79, -34.73, 55.08

 

CMYK 35 / 0 / 54 / 10

HEX #95E669

RGB 149 230 105

HSL 98.88, 0.71%, 0.66%

LAB 83.97, -46.34, 52.49

 

CMYK 10 / 0 / 84 / 15

HEX #C4DA23

RGB 196 218 35

HSL 67.21, 0.72%, 0.5%

LAB 82.91, -27.79, 77.34

 

CMYK 8 / 0 / 69 / 12

HEX #CEE046

RGB 206 224 70

HSL 67.01, 0.71%, 0.58%

LAB 85.44, -25.15, 69.58

 

CMYK 7 / 0 / 54 / 10

HEX #D7E669

RGB 215 230 105

HSL 67.2, 0.71%, 0.66%

LAB 88, -22.06, 58.21

 

CMYK 5 / 0 / 40 / 7

HEX #E0EC8D

RGB 224 236 141

HSL 67.58, 0.71%, 0.74%

LAB 90.67, -18.05, 44.66

 

CMYK 3 / 0 / 27 / 5

HEX #EAF2B0

RGB 234 242 176

HSL 67.27, 0.72%, 0.82%

LAB 93.51, -13.04, 31.05

 

CMYK 6 / 0 / 53 / 9

HEX #D8E76C

RGB 216 231 108

HSL 67.32, 0.72%, 0.66%

LAB 88.37, -21.9, 57.31

 

CMYK 54 / 0 / 37 / 10

HEX #69E691

RGB 105 230 145

HSL 139.2, 0.71%, 0.66%

LAB 82.72, -53.24, 31.13

 

CMYK 15 / 54 / 0 / 10

HEX #C369E6

RGB 195 105 230

HSL 283.2, 0.71%, 0.66%

LAB 59.36, 55.53, -48.99

 

CMYK 6 / 0 / 53 / 9

HEX #D8E76C

RGB 216 231 108

HSL 67.32, 0.72%, 0.66%

LAB 88.37, -21.9, 57.31

 

CMYK 54 / 6 / 0 / 10

HEX #69D8E6

RGB 105 216 230

HSL 186.72, 0.71%, 0.66%

LAB 80.64, -27.84, -16.56

 

CMYK 0 / 54 / 6 / 10

HEX #E669D8

RGB 230 105 216

HSL 306.72, 0.71%, 0.66%

LAB 63.25, 62.26, -34.72

 

CMYK 6 / 0 / 53 / 9

HEX #D8E76C

RGB 216 231 108

HSL 67.32, 0.72%, 0.66%

LAB 88.37, -21.9, 57.31

 

CMYK 54 / 0 / 37 / 10

HEX #69E691

RGB 105 230 145

HSL 139.2, 0.71%, 0.66%

LAB 82.72, -53.24, 31.13

 

CMYK 48 / 54 / 0 / 10

HEX #7869E6

RGB 120 105 230

HSL 247.2, 0.71%, 0.66%

LAB 51.62, 37.54, -61.8

 

CMYK 0 / 54 / 17 / 10

HEX #E669BF

RGB 230 105 191

HSL 318.72, 0.71%, 0.66%

LAB 62.24, 58.38, -22.16

 

CMYK 6 / 0 / 53 / 9

HEX #D8E76C

RGB 216 231 108

HSL 67.32, 0.72%, 0.66%

LAB 88.37, -21.9, 57.31

 

CMYK 54 / 0 / 21 / 10

HEX #69E6B6

RGB 105 230 182

HSL 156.96, 0.71%, 0.66%

LAB 83.43, -46.03, 12.96

 

CMYK 48 / 54 / 0 / 10

HEX #7869E6

RGB 120 105 230

HSL 247.2, 0.71%, 0.66%

LAB 51.62, 37.54, -61.8

 

CMYK 0 / 54 / 33 / 10

HEX #E66999

RGB 230 105 153

HSL 336.96, 0.71%, 0.66%

LAB 60.98, 53.31, -2.28

 

Description

Color code: HEX #D8E76C | qconv.com Color code: HEX #D8E76C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 231 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 231 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 53 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 53% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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