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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A5B133 it is the complementary color #5A4ECC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A5B133. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A5B133 shade: #AAB12E, #BBC341, #CCD554, #DDE767 and #EEF97A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A5B133. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A5B133 shade: #A5B133, #949F20, #838D0D, #727B00 and #616900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A5B133 shade: #A5B133, #B19B33, #B17933, #B15733 and #B13533

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A5B133 shade: #A5B133, #83B133, #61B133, #3FB133 and #33B149

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A5B133 shade matches the following richer shades: #A5B133, #B4C421 and #C3D60E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A5B133 shade: #A5B133, #969F46, #878C58, #787A6B and #69677D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A5B133 shade: #B17933, #B19A33, #A7B133, #85B133 and #64B133

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A5B133 shade: #6A7121, #88912A, #A5B133, #BCC945 and #C8D265

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A5B133 shade: #A5B133, #33B157 and #8933B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A5B133 shade: #A5B133, #33A7B1 and #B133A7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A5B133 shade: #A5B133, #33B157, #3E33B1 and #B1338E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A5B133 shade: #A5B133, #33B17D, #3E33B1 and #B13368

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 71 / 31

HEX #A5B133

RGB 165 177 51

HSL 65.71, 0.55%, 0.45%

LAB 69.24, -20.18, 59.48

 

Complementary color

CMYK 56 / 62 / 0 / 20

HEX #5A4ECC

RGB 90 78 204

HSL 245.71, 0.55%, 0.55%

LAB 41.19, 39.78, -63.99

 

CMYK 4 / 0 / 74 / 31

HEX #AAB12E

RGB 170 177 46

HSL 63.21, 0.59%, 0.44%

LAB 69.6, -18.29, 61.74

 

CMYK 4 / 0 / 67 / 24

HEX #BBC341

RGB 187 195 65

HSL 63.69, 0.52%, 0.51%

LAB 76.05, -19.11, 61.54

 

CMYK 4 / 0 / 61 / 16

HEX #CCD554

RGB 204 213 84

HSL 64.19, 0.61%, 0.58%

LAB 82.41, -19.78, 60.89

 

CMYK 4 / 0 / 55 / 9

HEX #DDE767

RGB 221 231 103

HSL 64.69, 0.73%, 0.65%

LAB 88.69, -20.32, 60

 

CMYK 4 / 0 / 51 / 2

HEX #EEF97A

RGB 238 249 122

HSL 65.2, 0.91%, 0.73%

LAB 94.88, -20.77, 58.98

 

CMYK 7 / 0 / 71 / 31

HEX #A5B133

RGB 165 177 51

HSL 65.71, 0.55%, 0.45%

LAB 69.24, -20.18, 59.48

 

CMYK 7 / 0 / 80 / 38

HEX #949F20

RGB 148 159 32

HSL 65.2, 0.66%, 0.37%

LAB 62.67, -19.3, 59.21

 

CMYK 7 / 0 / 91 / 45

HEX #838D0D

RGB 131 141 13

HSL 64.69, 0.83%, 0.3%

LAB 55.99, -18.17, 57.66

 

CMYK 7 / 0 / 100 / 52

HEX #727B00

RGB 114 123 0

HSL 64.39, 1%, 0.24%

LAB 49.18, -16.76, 54.17

 

CMYK 8 / 0 / 100 / 59

HEX #616900

RGB 97 105 0

HSL 64.57, 1%, 0.21%

LAB 42.22, -15.06, 48.38

 

CMYK 7 / 0 / 71 / 31

HEX #A5B133

RGB 165 177 51

HSL 65.71, 0.55%, 0.45%

LAB 69.24, -20.18, 59.48

 

CMYK 0 / 12 / 71 / 31

HEX #B19B33

RGB 177 155 51

HSL 49.52, 0.55%, 0.45%

LAB 64.18, -3.49, 54.82

 

CMYK 0 / 32 / 71 / 31

HEX #B17933

RGB 177 121 51

HSL 33.33, 0.55%, 0.45%

LAB 55.34, 15.26, 45.75

 

CMYK 0 / 51 / 71 / 31

HEX #B15733

RGB 177 87 51

HSL 17.14, 0.55%, 0.45%

LAB 47.5, 33.93, 37.24

 

CMYK 0 / 70 / 71 / 31

HEX #B13533

RGB 177 53 51

HSL 0.95, 0.55%, 0.45%

LAB 41.43, 49.88, 30.28

 

CMYK 7 / 0 / 71 / 31

HEX #A5B133

RGB 165 177 51

HSL 65.71, 0.55%, 0.45%

LAB 69.24, -20.18, 59.48

 

CMYK 26 / 0 / 71 / 31

HEX #83B133

RGB 131 177 51

HSL 81.9, 0.55%, 0.45%

LAB 66.91, -34.12, 56.39

 

CMYK 45 / 0 / 71 / 31

HEX #61B133

RGB 97 177 51

HSL 98.1, 0.55%, 0.45%

LAB 65.14, -46.28, 54.03

 

CMYK 64 / 0 / 71 / 31

HEX #3FB133

RGB 63 177 51

HSL 114.29, 0.55%, 0.45%

LAB 63.95, -55.53, 52.42

 

CMYK 71 / 0 / 59 / 31

HEX #33B149

RGB 51 177 73

HSL 130.48, 0.55%, 0.45%

LAB 63.86, -55.56, 42.78

 

CMYK 7 / 0 / 71 / 31

HEX #A5B133

RGB 165 177 51

HSL 65.71, 0.55%, 0.45%

LAB 69.24, -20.18, 59.48

 

CMYK 8 / 0 / 83 / 23

HEX #B4C421

RGB 180 196 33

HSL 65.89, 0.71%, 0.45%

LAB 75.63, -23.94, 71.17

 

CMYK 9 / 0 / 93 / 16

HEX #C3D60E

RGB 195 214 14

HSL 65.7, 0.88%, 0.45%

LAB 81.69, -26.72, 79.77

 

CMYK 7 / 0 / 71 / 31

HEX #A5B133

RGB 165 177 51

HSL 65.71, 0.55%, 0.45%

LAB 69.24, -20.18, 59.48

 

CMYK 6 / 0 / 56 / 38

HEX #969F46

RGB 150 159 70

HSL 66.07, 0.39%, 0.45%

LAB 63.11, -16.09, 44.56

 

CMYK 4 / 0 / 37 / 45

HEX #878C58

RGB 135 140 88

HSL 65.77, 0.23%, 0.45%

LAB 56.7, -10.44, 27.19

 

CMYK 2 / 0 / 12 / 52

HEX #787A6B

RGB 120 122 107

HSL 68, 0.07%, 0.45%

LAB 50.66, -3.63, 7.96

 

CMYK 16 / 18 / 0 / 51

HEX #69677D

RGB 105 103 125

HSL 245.45, 0.1%, 0.45%

LAB 44.5, 5.65, -11.95

 

CMYK 0 / 32 / 71 / 31

HEX #B17933

RGB 177 121 51

HSL 33.33, 0.55%, 0.45%

LAB 55.34, 15.26, 45.75

 

CMYK 0 / 13 / 71 / 31

HEX #B19A33

RGB 177 154 51

HSL 49.05, 0.55%, 0.45%

LAB 63.92, -2.96, 54.55

 

CMYK 6 / 0 / 71 / 31

HEX #A7B133

RGB 167 177 51

HSL 64.76, 0.55%, 0.45%

LAB 69.4, -19.33, 59.69

 

CMYK 25 / 0 / 71 / 31

HEX #85B133

RGB 133 177 51

HSL 80.95, 0.55%, 0.45%

LAB 67.03, -33.34, 56.55

 

CMYK 44 / 0 / 71 / 31

HEX #64B133

RGB 100 177 51

HSL 96.67, 0.55%, 0.45%

LAB 65.27, -45.31, 54.2

 

CMYK 6 / 0 / 71 / 56

HEX #6A7121

RGB 106 113 33

HSL 65.25, 0.55%, 0.29%

LAB 45.61, -13.88, 41.49

 

CMYK 6 / 0 / 71 / 43

HEX #88912A

RGB 136 145 42

HSL 65.24, 0.55%, 0.37%

LAB 57.71, -16.89, 50.76

 

CMYK 7 / 0 / 71 / 31

HEX #A5B133

RGB 165 177 51

HSL 65.71, 0.55%, 0.45%

LAB 69.24, -20.18, 59.48

 

CMYK 6 / 0 / 66 / 21

HEX #BCC945

RGB 188 201 69

HSL 65.91, 0.55%, 0.53%

LAB 77.81, -21.42, 61.8

 

CMYK 5 / 0 / 52 / 18

HEX #C8D265

RGB 200 210 101

HSL 65.5, 0.55%, 0.61%

LAB 81.46, -18.59, 52.18

 

CMYK 7 / 0 / 71 / 31

HEX #A5B133

RGB 165 177 51

HSL 65.71, 0.55%, 0.45%

LAB 69.24, -20.18, 59.48

 

CMYK 71 / 0 / 51 / 31

HEX #33B157

RGB 51 177 87

HSL 137.14, 0.55%, 0.45%

LAB 64.03, -53.58, 36.17

 

CMYK 23 / 71 / 0 / 31

HEX #8933B1

RGB 137 51 177

HSL 280.95, 0.55%, 0.45%

LAB 39.34, 56.02, -50.93

 

CMYK 7 / 0 / 71 / 31

HEX #A5B133

RGB 165 177 51

HSL 65.71, 0.55%, 0.45%

LAB 69.24, -20.18, 59.48

 

CMYK 71 / 6 / 0 / 31

HEX #33A7B1

RGB 51 167 177

HSL 184.76, 0.55%, 0.45%

LAB 62.94, -28.14, -14.46

 

CMYK 0 / 71 / 6 / 31

HEX #B133A7

RGB 177 51 167

HSL 304.76, 0.55%, 0.45%

LAB 44.95, 63.07, -35.7

 

CMYK 7 / 0 / 71 / 31

HEX #A5B133

RGB 165 177 51

HSL 65.71, 0.55%, 0.45%

LAB 69.24, -20.18, 59.48

 

CMYK 71 / 0 / 51 / 31

HEX #33B157

RGB 51 177 87

HSL 137.14, 0.55%, 0.45%

LAB 64.03, -53.58, 36.17

 

CMYK 65 / 71 / 0 / 31

HEX #3E33B1

RGB 62 51 177

HSL 245.24, 0.55%, 0.45%

LAB 30.8, 42.73, -65.22

 

CMYK 0 / 71 / 20 / 31

HEX #B1338E

RGB 177 51 142

HSL 316.67, 0.55%, 0.45%

LAB 43.75, 59.34, -22.56

 

CMYK 7 / 0 / 71 / 31

HEX #A5B133

RGB 165 177 51

HSL 65.71, 0.55%, 0.45%

LAB 69.24, -20.18, 59.48

 

CMYK 71 / 0 / 29 / 31

HEX #33B17D

RGB 51 177 125

HSL 155.24, 0.55%, 0.45%

LAB 64.67, -46.45, 16.94

 

CMYK 65 / 71 / 0 / 31

HEX #3E33B1

RGB 62 51 177

HSL 245.24, 0.55%, 0.45%

LAB 30.8, 42.73, -65.22

 

CMYK 0 / 71 / 41 / 31

HEX #B13368

RGB 177 51 104

HSL 334.76, 0.55%, 0.45%

LAB 42.33, 54.71, -1.33

 

Description

Color code: HEX #A5B133 | qconv.com Color code: HEX #A5B133 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 177 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 177 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 71 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 71% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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