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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D80D86 it is the complementary color #27F279. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D80D86. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D80D86 shade: #DD0D81, #EE1F94, #FF31A7, #FF43BA and #FF55CD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D80D86. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D80D86 shade: #D80D86, #C70073, #B60060, #A5004D and #94003A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D80D86 shade: #D80C86, #D80C4F, #D80C18 and #D80C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D80D86 shade: #D80C86, #D80CBD, #BD0CD8, #860CD8 and #4F0CD8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D80D86 shade matches the following richer shades: #D80C86

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D80D86 shade: #D80C86, #C61F82, #B3317F, #A1447B and #8E5678

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D80D86 shade: #BD0CD8, #D80CBD, #D80C87, #D80C50 and #D80C1A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D80D86 shade: #8A0856, #B10A6E, #D80C86, #F11C9B and #F443AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D80D86 shade: #D80D86, #D8870C and #0CD8D8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D80D86 shade: #D80D86, #87D80C and #0C87D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D80D86 shade: #D80D86, #D8870C, #0CD85E and #0C5ED8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D80D86 shade: #D80D86, #D8C40C, #0CD85E and #0C21D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 38 / 15

HEX #D80D86

RGB 216 13 134

HSL 324.24, 0.89%, 0.45%

LAB 47.76, 75.75, -10.93

 

Complementary color

CMYK 84 / 0 / 50 / 5

HEX #27F279

RGB 39 242 121

HSL 144.24, 0.89%, 0.55%

LAB 84.65, -71.92, 45.15

 

CMYK 0 / 94 / 42 / 13

HEX #DD0D81

RGB 221 13 129

HSL 326.54, 0.89%, 0.46%

LAB 48.57, 76.37, -6.58

 

CMYK 0 / 87 / 38 / 7

HEX #EE1F94

RGB 238 31 148

HSL 326.09, 0.86%, 0.53%

LAB 53.27, 79.5, -10.65

 

CMYK 0 / 81 / 35 / 0

HEX #FF31A7

RGB 255 49 167

HSL 325.63, 1%, 0.6%

LAB 58.27, 81.64, -14.02

 

CMYK 0 / 74 / 27 / 0

HEX #FF43BA

RGB 255 67 186

HSL 322.02, 1%, 0.63%

LAB 60.62, 78.96, -21.44

 

CMYK 0 / 67 / 20 / 0

HEX #FF55CD

RGB 255 85 205

HSL 317.65, 1%, 0.67%

LAB 63.48, 75.35, -27.88

 

CMYK 0 / 94 / 38 / 15

HEX #D80D86

RGB 216 13 134

HSL 324.24, 0.89%, 0.45%

LAB 47.76, 75.75, -10.93

 

CMYK 0 / 100 / 42 / 22

HEX #C70073

RGB 199 0 115

HSL 325.33, 1%, 0.39%

LAB 43.33, 71.51, -6.23

 

CMYK 0 / 100 / 47 / 29

HEX #B60060

RGB 182 0 96

HSL 328.35, 1%, 0.36%

LAB 39.22, 66.16, -0.73

 

CMYK 0 / 100 / 53 / 35

HEX #A5004D

RGB 165 0 77

HSL 332, 1%, 0.32%

LAB 35.07, 60.77, 5.06

 

CMYK 0 / 100 / 61 / 42

HEX #94003A

RGB 148 0 58

HSL 336.49, 1%, 0.29%

LAB 30.88, 55.38, 11.21

 

CMYK 0 / 94 / 38 / 15

HEX #D80C86

RGB 216 12 134

HSL 324.12, 0.89%, 0.45%

LAB 47.73, 75.84, -10.98

 

CMYK 0 / 94 / 63 / 15

HEX #D80C4F

RGB 216 12 79

HSL 340.29, 0.89%, 0.45%

LAB 46.21, 71.75, 20.79

 

CMYK 0 / 94 / 89 / 15

HEX #D80C18

RGB 216 12 24

HSL 356.47, 0.89%, 0.45%

LAB 45.54, 69.87, 51.32

 

CMYK 0 / 94 / 94 / 15

HEX #D80C0C

RGB 216 12 12

HSL 0, 0.89%, 0.45%

LAB 45.48, 69.72, 55.83

 

CMYK 0 / 94 / 38 / 15

HEX #D80C86

RGB 216 12 134

HSL 324.12, 0.89%, 0.45%

LAB 47.73, 75.84, -10.98

 

CMYK 0 / 94 / 13 / 15

HEX #D80CBD

RGB 216 12 189

HSL 307.94, 0.89%, 0.45%

LAB 50.14, 82.08, -40

 

CMYK 13 / 94 / 0 / 15

HEX #BD0CD8

RGB 189 12 216

HSL 292.06, 0.89%, 0.45%

LAB 47.03, 81.57, -60.85

 

CMYK 38 / 94 / 0 / 15

HEX #860CD8

RGB 134 12 216

HSL 275.88, 0.89%, 0.45%

LAB 38.36, 74.35, -75.35

 

CMYK 63 / 94 / 0 / 15

HEX #4F0CD8

RGB 79 12 216

HSL 259.71, 0.89%, 0.45%

LAB 31.54, 69.72, -86.84

 

CMYK 0 / 94 / 38 / 15

HEX #D80C86

RGB 216 12 134

HSL 324.12, 0.89%, 0.45%

LAB 47.73, 75.84, -10.98

 

CMYK 0 / 94 / 38 / 15

HEX #D80C86

RGB 216 12 134

HSL 324.12, 0.89%, 0.45%

LAB 47.73, 75.84, -10.98

 

CMYK 0 / 84 / 34 / 22

HEX #C61F82

RGB 198 31 130

HSL 324.43, 0.73%, 0.45%

LAB 45.08, 68.66, -12.88

 

CMYK 0 / 73 / 29 / 30

HEX #B3317F

RGB 179 49 127

HSL 324, 0.57%, 0.45%

LAB 43.23, 58.6, -14.18

 

CMYK 0 / 58 / 24 / 37

HEX #A1447B

RGB 161 68 123

HSL 324.52, 0.41%, 0.45%

LAB 42.98, 44.87, -12.39

 

CMYK 0 / 39 / 15 / 44

HEX #8E5678

RGB 142 86 120

HSL 323.57, 0.25%, 0.45%

LAB 43.89, 28.31, -9.44

 

CMYK 13 / 94 / 0 / 15

HEX #BD0CD8

RGB 189 12 216

HSL 292.06, 0.89%, 0.45%

LAB 47.03, 81.57, -60.85

 

CMYK 0 / 94 / 13 / 15

HEX #D80CBD

RGB 216 12 189

HSL 307.94, 0.89%, 0.45%

LAB 50.14, 82.08, -40

 

CMYK 0 / 94 / 38 / 15

HEX #D80C87

RGB 216 12 135

HSL 323.82, 0.89%, 0.45%

LAB 47.77, 75.94, -11.54

 

CMYK 0 / 94 / 63 / 15

HEX #D80C50

RGB 216 12 80

HSL 340, 0.89%, 0.45%

LAB 46.23, 71.8, 20.2

 

CMYK 0 / 94 / 88 / 15

HEX #D80C1A

RGB 216 12 26

HSL 355.88, 0.89%, 0.45%

LAB 45.55, 69.91, 50.42

 

CMYK 0 / 94 / 38 / 46

HEX #8A0856

RGB 138 8 86

HSL 324, 0.89%, 0.29%

LAB 30.03, 54.13, -8.92

 

CMYK 0 / 94 / 38 / 31

HEX #B10A6E

RGB 177 10 110

HSL 324.07, 0.89%, 0.37%

LAB 39.05, 65.23, -9.97

 

CMYK 0 / 94 / 38 / 15

HEX #D80C86

RGB 216 12 134

HSL 324.12, 0.89%, 0.45%

LAB 47.73, 75.84, -10.98

 

CMYK 0 / 88 / 36 / 5

HEX #F11C9B

RGB 241 28 155

HSL 324.23, 0.88%, 0.53%

LAB 53.92, 81.29, -13.78

 

CMYK 0 / 73 / 30 / 4

HEX #F443AC

RGB 244 67 172

HSL 324.41, 0.89%, 0.61%

LAB 58.25, 74.67, -17.14

 

CMYK 0 / 94 / 38 / 15

HEX #D80D86

RGB 216 13 134

HSL 324.24, 0.89%, 0.45%

LAB 47.76, 75.75, -10.93

 

CMYK 0 / 38 / 94 / 15

HEX #D8870C

RGB 216 135 12

HSL 36.18, 0.89%, 0.45%

LAB 63.3, 23.42, 67.26

 

CMYK 94 / 0 / 0 / 15

HEX #0CD8D8

RGB 12 216 216

HSL 180, 0.89%, 0.45%

LAB 78.55, -42.12, -12.4

 

CMYK 0 / 94 / 38 / 15

HEX #D80D86

RGB 216 13 134

HSL 324.24, 0.89%, 0.45%

LAB 47.76, 75.75, -10.93

 

CMYK 38 / 0 / 94 / 15

HEX #87D80C

RGB 135 216 12

HSL 83.82, 0.89%, 0.45%

LAB 78.63, -50.83, 76.03

 

CMYK 94 / 38 / 0 / 15

HEX #0C87D8

RGB 12 135 216

HSL 203.82, 0.89%, 0.45%

LAB 54.41, -0.22, -49.69

 

CMYK 0 / 94 / 38 / 15

HEX #D80D86

RGB 216 13 134

HSL 324.24, 0.89%, 0.45%

LAB 47.76, 75.75, -10.93

 

CMYK 0 / 38 / 94 / 15

HEX #D8870C

RGB 216 135 12

HSL 36.18, 0.89%, 0.45%

LAB 63.3, 23.42, 67.26

 

CMYK 94 / 0 / 56 / 15

HEX #0CD85E

RGB 12 216 94

HSL 144.12, 0.89%, 0.45%

LAB 76.07, -69.27, 47.31

 

CMYK 94 / 56 / 0 / 15

HEX #0C5ED8

RGB 12 94 216

HSL 215.88, 0.89%, 0.45%

LAB 42.83, 25.64, -68.36

 

CMYK 0 / 94 / 38 / 15

HEX #D80D86

RGB 216 13 134

HSL 324.24, 0.89%, 0.45%

LAB 47.76, 75.75, -10.93

 

CMYK 0 / 9 / 94 / 15

HEX #D8C40C

RGB 216 196 12

HSL 54.12, 0.89%, 0.45%

LAB 78.52, -8.91, 78.32

 

CMYK 94 / 0 / 56 / 15

HEX #0CD85E

RGB 12 216 94

HSL 144.12, 0.89%, 0.45%

LAB 76.07, -69.27, 47.31

 

CMYK 94 / 85 / 0 / 15

HEX #0C21D8

RGB 12 33 216

HSL 233.82, 0.89%, 0.45%

LAB 29.72, 61.13, -89.96

 

Description

Color code: HEX #D80D86 | qconv.com Color code: HEX #D80D86 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 13 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 13 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 38 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 38% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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