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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C61F82 it is the complementary color #39E07D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C61F82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C61F82 shade: #CB1F7D, #DC3190, #ED43A3, #FE55B6 and #FF67C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C61F82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C61F82 shade: #C61F82, #B50D6F, #A4005C, #930049 and #820036

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C61F82 shade: #C61E82, #C61E55, #C61E27 and #C61E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C61F82 shade: #C61E82, #C61EAF, #B01EC6, #831EC6 and #561EC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C61F82 shade matches the following richer shades: #C61E82 and #D90C85

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C61F82 shade: #C61E82, #B3317E, #A1447B, #8E5677 and #7C6974

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C61F82 shade: #B01EC6, #C61EB0, #C61E83, #C61E56 and #C61E2A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C61F82 shade: #7F1353, #A2196A, #C61E82, #DE3097 and #E453A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C61F82 shade: #C61F82, #C6831E and #1EC6C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C61F82 shade: #C61F82, #83C61E and #1E83C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C61F82 shade: #C61F82, #C6831E, #1EC661 and #1E61C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C61F82 shade: #C61F82, #C6B51E, #1EC661 and #1E2FC6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 34 / 22

HEX #C61F82

RGB 198 31 130

HSL 324.43, 0.73%, 0.45%

LAB 45.08, 68.66, -12.88

 

Complementary color

CMYK 75 / 0 / 44 / 12

HEX #39E07D

RGB 57 224 125

HSL 144.43, 0.73%, 0.55%

LAB 79.42, -63.3, 36.65

 

CMYK 0 / 85 / 38 / 20

HEX #CB1F7D

RGB 203 31 125

HSL 327.21, 0.74%, 0.46%

LAB 45.85, 69.32, -8.57

 

CMYK 0 / 78 / 35 / 14

HEX #DC3190

RGB 220 49 144

HSL 326.67, 0.71%, 0.53%

LAB 51.18, 71, -11.74

 

CMYK 0 / 72 / 31 / 7

HEX #ED43A3

RGB 237 67 163

HSL 326.12, 0.83%, 0.6%

LAB 56.75, 71.89, -14.29

 

CMYK 0 / 67 / 28 / 0

HEX #FE55B6

RGB 254 85 182

HSL 325.56, 0.99%, 0.66%

LAB 62.46, 72.22, -16.36

 

CMYK 0 / 60 / 21 / 0

HEX #FF67C9

RGB 255 103 201

HSL 321.32, 1%, 0.7%

LAB 65.89, 67.78, -21.93

 

CMYK 0 / 84 / 34 / 22

HEX #C61F82

RGB 198 31 130

HSL 324.43, 0.73%, 0.45%

LAB 45.08, 68.66, -12.88

 

CMYK 0 / 93 / 39 / 29

HEX #B50D6F

RGB 181 13 111

HSL 325, 0.87%, 0.38%

LAB 40.01, 65.88, -9.07

 

CMYK 0 / 100 / 44 / 36

HEX #A4005C

RGB 164 0 92

HSL 326.34, 1%, 0.32%

LAB 35.33, 61.78, -4.33

 

CMYK 0 / 100 / 50 / 42

HEX #930049

RGB 147 0 73

HSL 330.2, 1%, 0.29%

LAB 31.08, 56.24, 1.45

 

CMYK 0 / 100 / 58 / 49

HEX #820036

RGB 130 0 54

HSL 335.08, 1%, 0.25%

LAB 26.77, 50.68, 7.6

 

CMYK 0 / 85 / 34 / 22

HEX #C61E82

RGB 198 30 130

HSL 324.29, 0.74%, 0.45%

LAB 45.01, 68.87, -12.99

 

CMYK 0 / 85 / 57 / 22

HEX #C61E55

RGB 198 30 85

HSL 340.36, 0.74%, 0.45%

LAB 43.64, 64.96, 12.96

 

CMYK 0 / 85 / 80 / 22

HEX #C61E27

RGB 198 30 39

HSL 356.79, 0.74%, 0.45%

LAB 42.88, 62.74, 39.98

 

CMYK 0 / 85 / 85 / 22

HEX #C61E1E

RGB 198 30 30

HSL 0, 0.74%, 0.45%

LAB 42.81, 62.5, 44.71

 

CMYK 0 / 85 / 34 / 22

HEX #C61E82

RGB 198 30 130

HSL 324.29, 0.74%, 0.45%

LAB 45.01, 68.87, -12.99

 

CMYK 0 / 85 / 12 / 22

HEX #C61EAF

RGB 198 30 175

HSL 308.21, 0.74%, 0.45%

LAB 47.01, 74.37, -36.94

 

CMYK 11 / 85 / 0 / 22

HEX #B01EC6

RGB 176 30 198

HSL 292.14, 0.74%, 0.45%

LAB 44.57, 73.83, -54.53

 

CMYK 34 / 85 / 0 / 22

HEX #831EC6

RGB 131 30 198

HSL 276.07, 0.74%, 0.45%

LAB 37.54, 66.72, -66.27

 

CMYK 57 / 85 / 0 / 22

HEX #561EC6

RGB 86 30 198

HSL 260, 0.74%, 0.45%

LAB 31.77, 61.23, -75.96

 

CMYK 0 / 85 / 34 / 22

HEX #C61E82

RGB 198 30 130

HSL 324.29, 0.74%, 0.45%

LAB 45.01, 68.87, -12.99

 

CMYK 0 / 94 / 39 / 15

HEX #D90C85

RGB 217 12 133

HSL 324.59, 0.9%, 0.45%

LAB 47.89, 75.96, -10.11

 

CMYK 0 / 85 / 34 / 22

HEX #C61E82

RGB 198 30 130

HSL 324.29, 0.74%, 0.45%

LAB 45.01, 68.87, -12.99

 

CMYK 0 / 73 / 30 / 30

HEX #B3317E

RGB 179 49 126

HSL 324.46, 0.57%, 0.45%

LAB 43.19, 58.48, -13.62

 

CMYK 0 / 58 / 24 / 37

HEX #A1447B

RGB 161 68 123

HSL 324.52, 0.41%, 0.45%

LAB 42.98, 44.87, -12.39

 

CMYK 0 / 39 / 16 / 44

HEX #8E5677

RGB 142 86 119

HSL 324.64, 0.25%, 0.45%

LAB 43.86, 28.14, -8.89

 

CMYK 0 / 15 / 6 / 51

HEX #7C6974

RGB 124 105 116

HSL 325.26, 0.08%, 0.45%

LAB 46.51, 9.57, -3.34

 

CMYK 11 / 85 / 0 / 22

HEX #B01EC6

RGB 176 30 198

HSL 292.14, 0.74%, 0.45%

LAB 44.57, 73.83, -54.53

 

CMYK 0 / 85 / 11 / 22

HEX #C61EB0

RGB 198 30 176

HSL 307.86, 0.74%, 0.45%

LAB 47.06, 74.51, -37.44

 

CMYK 0 / 85 / 34 / 22

HEX #C61E83

RGB 198 30 131

HSL 323.93, 0.74%, 0.45%

LAB 45.04, 68.98, -13.55

 

CMYK 0 / 85 / 57 / 22

HEX #C61E56

RGB 198 30 86

HSL 340, 0.74%, 0.45%

LAB 43.66, 65.03, 12.36

 

CMYK 0 / 85 / 79 / 22

HEX #C61E2A

RGB 198 30 42

HSL 355.71, 0.74%, 0.45%

LAB 42.92, 62.83, 38.32

 

CMYK 0 / 85 / 35 / 50

HEX #7F1353

RGB 127 19 83

HSL 324.44, 0.74%, 0.29%

LAB 28.39, 48.95, -9.64

 

CMYK 0 / 85 / 35 / 36

HEX #A2196A

RGB 162 25 106

HSL 324.53, 0.73%, 0.37%

LAB 36.78, 58.85, -11.17

 

CMYK 0 / 85 / 34 / 22

HEX #C61E82

RGB 198 30 130

HSL 324.29, 0.74%, 0.45%

LAB 45.01, 68.87, -12.99

 

CMYK 0 / 78 / 32 / 13

HEX #DE3097

RGB 222 48 151

HSL 324.48, 0.73%, 0.53%

LAB 51.7, 72.51, -15.1

 

CMYK 0 / 64 / 26 / 11

HEX #E453A9

RGB 228 83 169

HSL 324.41, 0.73%, 0.61%

LAB 57.6, 64.34, -16.62

 

CMYK 0 / 84 / 34 / 22

HEX #C61F82

RGB 198 31 130

HSL 324.43, 0.73%, 0.45%

LAB 45.08, 68.66, -12.88

 

CMYK 0 / 34 / 85 / 22

HEX #C6831E

RGB 198 131 30

HSL 36.07, 0.74%, 0.45%

LAB 60.19, 18.13, 59.6

 

CMYK 85 / 0 / 0 / 22

HEX #1EC6C6

RGB 30 198 198

HSL 180, 0.74%, 0.45%

LAB 72.72, -38.53, -11.39

 

CMYK 0 / 84 / 34 / 22

HEX #C61F82

RGB 198 31 130

HSL 324.43, 0.73%, 0.45%

LAB 45.08, 68.66, -12.88

 

CMYK 34 / 0 / 85 / 22

HEX #83C61E

RGB 131 198 30

HSL 83.93, 0.74%, 0.45%

LAB 73.09, -44.39, 68.46

 

CMYK 85 / 34 / 0 / 22

HEX #1E83C6

RGB 30 131 198

HSL 203.93, 0.74%, 0.45%

LAB 52.49, -3.67, -42.54

 

CMYK 0 / 84 / 34 / 22

HEX #C61F82

RGB 198 31 130

HSL 324.43, 0.73%, 0.45%

LAB 45.08, 68.66, -12.88

 

CMYK 0 / 34 / 85 / 22

HEX #C6831E

RGB 198 131 30

HSL 36.07, 0.74%, 0.45%

LAB 60.19, 18.13, 59.6

 

CMYK 85 / 0 / 51 / 22

HEX #1EC661

RGB 30 198 97

HSL 143.93, 0.74%, 0.45%

LAB 70.54, -61.97, 39.21

 

CMYK 85 / 51 / 0 / 22

HEX #1E61C6

RGB 30 97 198

HSL 216.07, 0.74%, 0.45%

LAB 42.62, 17.56, -58.34

 

CMYK 0 / 84 / 34 / 22

HEX #C61F82

RGB 198 31 130

HSL 324.43, 0.73%, 0.45%

LAB 45.08, 68.66, -12.88

 

CMYK 0 / 9 / 85 / 22

HEX #C6B51E

RGB 198 181 30

HSL 53.93, 0.74%, 0.45%

LAB 72.99, -8.73, 70.25

 

CMYK 85 / 0 / 51 / 22

HEX #1EC661

RGB 30 198 97

HSL 143.93, 0.74%, 0.45%

LAB 70.54, -61.97, 39.21

 

CMYK 85 / 76 / 0 / 22

HEX #1E2FC6

RGB 30 47 198

HSL 233.93, 0.74%, 0.45%

LAB 30.37, 49.19, -78.41

 

Description

Color code: HEX #C61F82 | qconv.com Color code: HEX #C61F82 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 31 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 31 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 34 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 34% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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