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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D76F99 it is the complementary color #289066. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D76F99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D76F99 shade: #DC6F94, #ED81A7, #FE93BA, #FFA5CD and #FFB7E0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D76F99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D76F99 shade: #D76F99, #C65D86, #B54B73, #A43960 and #93274D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D76F99 shade: #D76E99, #D76E7C and #D76E6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D76F99 shade: #D76E99, #D76EB5, #D76ED1, #C16ED7 and #A56ED7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D76F99 shade matches the following richer shades: #D76E99, #E66096 and #F55193

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D76F99 shade: #D76E99, #C87D9B, #B98C9E, #AA9BA1 and #9CAAA4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D76F99 shade: #D76ED2, #D76EB6, #D76E9A, #D76E7E and #D77B6E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D76F99 shade: #BF346C, #CE4E82, #D76E99, #E08FB0 and #E9AFC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D76F99 shade: #D76F99, #D7C06E and #6EC4D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D76F99 shade: #D76F99, #9AD76E and #6E9AD7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D76F99 shade: #D76F99, #D7C06E, #6ED7AB and #6E85D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D76F99 shade: #D76F99, #CED76E, #6ED7AB and #776ED7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 29 / 16

HEX #D76F99

RGB 215 111 153

HSL 335.77, 0.57%, 0.64%

LAB 59.99, 45.44, -3.97

 

Complementary color

CMYK 72 / 0 / 29 / 44

HEX #289066

RGB 40 144 102

HSL 155.77, 0.57%, 0.36%

LAB 53.34, -39.64, 14.02

 

CMYK 0 / 50 / 33 / 14

HEX #DC6F94

RGB 220 111 148

HSL 339.63, 0.61%, 0.65%

LAB 60.54, 46.49, -0.21

 

CMYK 0 / 46 / 30 / 7

HEX #ED81A7

RGB 237 129 167

HSL 338.89, 0.75%, 0.72%

LAB 66.9, 45.64, -1.48

 

CMYK 0 / 42 / 27 / 0

HEX #FE93BA

RGB 254 147 186

HSL 338.13, 0.98%, 0.79%

LAB 73.21, 44.8, -2.58

 

CMYK 0 / 35 / 20 / 0

HEX #FFA5CD

RGB 255 165 205

HSL 333.33, 1%, 0.82%

LAB 77.63, 38.57, -6.5

 

CMYK 0 / 28 / 12 / 0

HEX #FFB7E0

RGB 255 183 224

HSL 325.83, 1%, 0.86%

LAB 82.11, 32.1, -10.12

 

CMYK 0 / 48 / 29 / 16

HEX #D76F99

RGB 215 111 153

HSL 335.77, 0.57%, 0.64%

LAB 59.99, 45.44, -3.97

 

CMYK 0 / 53 / 32 / 22

HEX #C65D86

RGB 198 93 134

HSL 336.57, 0.48%, 0.57%

LAB 53.55, 46.24, -2.64

 

CMYK 0 / 59 / 36 / 29

HEX #B54B73

RGB 181 75 115

HSL 337.36, 0.42%, 0.5%

LAB 47.1, 46.96, -1.03

 

CMYK 0 / 65 / 41 / 36

HEX #A43960

RGB 164 57 96

HSL 338.13, 0.48%, 0.43%

LAB 40.68, 47.47, 0.98

 

CMYK 0 / 73 / 48 / 42

HEX #93274D

RGB 147 39 77

HSL 338.89, 0.58%, 0.36%

LAB 34.38, 47.54, 3.58

 

CMYK 0 / 49 / 29 / 16

HEX #D76E99

RGB 215 110 153

HSL 335.43, 0.57%, 0.64%

LAB 59.8, 45.94, -4.26

 

CMYK 0 / 49 / 42 / 16

HEX #D76E7C

RGB 215 110 124

HSL 352, 0.57%, 0.64%

LAB 59.02, 42.48, 11.41

 

CMYK 0 / 49 / 49 / 16

HEX #D76E6E

RGB 215 110 110

HSL 0, 0.57%, 0.64%

LAB 58.72, 41.08, 19.08

 

CMYK 0 / 49 / 29 / 16

HEX #D76E99

RGB 215 110 153

HSL 335.43, 0.57%, 0.64%

LAB 59.8, 45.94, -4.26

 

CMYK 0 / 49 / 16 / 16

HEX #D76EB5

RGB 215 110 181

HSL 319.43, 0.57%, 0.64%

LAB 60.72, 49.95, -18.96

 

CMYK 0 / 49 / 3 / 16

HEX #D76ED1

RGB 215 110 209

HSL 303.43, 0.57%, 0.64%

LAB 61.83, 54.54, -33.15

 

CMYK 10 / 49 / 0 / 16

HEX #C16ED7

RGB 193 110 215

HSL 287.43, 0.57%, 0.64%

LAB 59.34, 49.44, -40.62

 

CMYK 23 / 49 / 0 / 16

HEX #A56ED7

RGB 165 110 215

HSL 271.43, 0.57%, 0.64%

LAB 56.15, 41.72, -45.87

 

CMYK 0 / 49 / 29 / 16

HEX #D76E99

RGB 215 110 153

HSL 335.43, 0.57%, 0.64%

LAB 59.8, 45.94, -4.26

 

CMYK 0 / 58 / 35 / 10

HEX #E66096

RGB 230 96 150

HSL 335.82, 0.73%, 0.64%

LAB 59.33, 57.09, -2.96

 

CMYK 0 / 67 / 40 / 4

HEX #F55193

RGB 245 81 147

HSL 335.85, 0.89%, 0.64%

LAB 59.35, 67.41, -0.92

 

CMYK 0 / 49 / 29 / 16

HEX #D76E99

RGB 215 110 153

HSL 335.43, 0.57%, 0.64%

LAB 59.8, 45.94, -4.26

 

CMYK 0 / 38 / 23 / 22

HEX #C87D9B

RGB 200 125 155

HSL 336, 0.41%, 0.64%

LAB 61.06, 33.17, -3.77

 

CMYK 0 / 24 / 15 / 27

HEX #B98C9E

RGB 185 140 158

HSL 336, 0.24%, 0.64%

LAB 62.96, 19.93, -2.87

 

CMYK 0 / 9 / 5 / 33

HEX #AA9BA1

RGB 170 155 161

HSL 336, 0.08%, 0.64%

LAB 65.41, 6.58, -1.14

 

CMYK 8 / 0 / 4 / 33

HEX #9CAAA4

RGB 156 170 164

HSL 154.29, 0.08%, 0.64%

LAB 68.39, -6.08, 1.4

 

CMYK 0 / 49 / 2 / 16

HEX #D76ED2

RGB 215 110 210

HSL 302.86, 0.57%, 0.64%

LAB 61.87, 54.72, -33.65

 

CMYK 0 / 49 / 15 / 16

HEX #D76EB6

RGB 215 110 182

HSL 318.86, 0.57%, 0.64%

LAB 60.76, 50.1, -19.48

 

CMYK 0 / 49 / 28 / 16

HEX #D76E9A

RGB 215 110 154

HSL 334.86, 0.57%, 0.64%

LAB 59.83, 46.07, -4.8

 

CMYK 0 / 49 / 41 / 16

HEX #D76E7E

RGB 215 110 126

HSL 350.86, 0.57%, 0.64%

LAB 59.07, 42.7, 10.32

 

CMYK 0 / 43 / 49 / 16

HEX #D77B6E

RGB 215 123 110

HSL 7.43, 0.57%, 0.64%

LAB 61.43, 34.35, 22.74

 

CMYK 0 / 73 / 43 / 25

HEX #BF346C

RGB 191 52 108

HSL 335.83, 0.57%, 0.48%

LAB 45.1, 58.77, 0.54

 

CMYK 0 / 62 / 37 / 19

HEX #CE4E82

RGB 206 78 130

HSL 335.63, 0.57%, 0.56%

LAB 52.04, 55.3, -2.34

 

CMYK 0 / 49 / 29 / 16

HEX #D76E99

RGB 215 110 153

HSL 335.43, 0.57%, 0.64%

LAB 59.8, 45.94, -4.26

 

CMYK 0 / 36 / 21 / 12

HEX #E08FB0

RGB 224 143 176

HSL 335.56, 0.57%, 0.72%

LAB 68.48, 35.14, -4.39

 

CMYK 0 / 25 / 15 / 9

HEX #E9AFC6

RGB 233 175 198

HSL 336.21, 0.57%, 0.8%

LAB 77.32, 24.6, -3.4

 

CMYK 0 / 48 / 29 / 16

HEX #D76F99

RGB 215 111 153

HSL 335.77, 0.57%, 0.64%

LAB 59.99, 45.44, -3.97

 

CMYK 0 / 11 / 49 / 16

HEX #D7C06E

RGB 215 192 110

HSL 46.86, 0.57%, 0.64%

LAB 78.04, -2.54, 44.04

 

CMYK 49 / 9 / 0 / 16

HEX #6EC4D7

RGB 110 196 215

HSL 190.86, 0.57%, 0.64%

LAB 74.64, -20.93, -17.55

 

CMYK 0 / 48 / 29 / 16

HEX #D76F99

RGB 215 111 153

HSL 335.77, 0.57%, 0.64%

LAB 59.99, 45.44, -3.97

 

CMYK 28 / 0 / 49 / 16

HEX #9AD76E

RGB 154 215 110

HSL 94.86, 0.57%, 0.64%

LAB 79.95, -37.52, 45.39

 

CMYK 49 / 28 / 0 / 16

HEX #6E9AD7

RGB 110 154 215

HSL 214.86, 0.57%, 0.64%

LAB 62.79, 1.78, -35.73

 

CMYK 0 / 48 / 29 / 16

HEX #D76F99

RGB 215 111 153

HSL 335.77, 0.57%, 0.64%

LAB 59.99, 45.44, -3.97

 

CMYK 0 / 11 / 49 / 16

HEX #D7C06E

RGB 215 192 110

HSL 46.86, 0.57%, 0.64%

LAB 78.04, -2.54, 44.04

 

CMYK 49 / 0 / 20 / 16

HEX #6ED7AB

RGB 110 215 171

HSL 154.86, 0.57%, 0.64%

LAB 78.96, -40.7, 12.45

 

CMYK 49 / 38 / 0 / 16

HEX #6E85D7

RGB 110 133 215

HSL 226.86, 0.57%, 0.64%

LAB 57.07, 14.06, -44.71

 

CMYK 0 / 48 / 29 / 16

HEX #D76F99

RGB 215 111 153

HSL 335.77, 0.57%, 0.64%

LAB 59.99, 45.44, -3.97

 

CMYK 4 / 0 / 49 / 16

HEX #CED76E

RGB 206 215 110

HSL 65.14, 0.57%, 0.64%

LAB 83.36, -17.86, 50.31

 

CMYK 49 / 0 / 20 / 16

HEX #6ED7AB

RGB 110 215 171

HSL 154.86, 0.57%, 0.64%

LAB 78.96, -40.7, 12.45

 

CMYK 45 / 49 / 0 / 16

HEX #776ED7

RGB 119 110 215

HSL 245.14, 0.57%, 0.64%

LAB 51.81, 29.96, -53.03

 

Description

Color code: HEX #D76F99 | qconv.com Color code: HEX #D76F99 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 111 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 111 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 29 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 29% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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