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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 215 110 124 it is the complementary color RGB 40 145 131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 215 110 124. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 215 110 124 shade: RGB 220 110 119, RGB 237 128 138, RGB 254 146 157, RGB 255 164 176 and RGB 255 182 195

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 215 110 124. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 215 110 124 shade: RGB 215 110 124, RGB 198 92 105, RGB 181 74 86, RGB 164 56 67 and RGB 147 38 48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 215 110 124 shade: RGB 215 110 124 and RGB 215 110 110

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 215 110 124 shade: RGB 215 110 124, RGB 215 110 153, RGB 215 110 181, RGB 215 110 209 and RGB 193 110 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 215 110 124 shade matches the following richer shades: RGB 215 110 124, RGB 230 96 113 and RGB 245 81 103

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 215 110 124 shade: RGB 215 110 124, RGB 200 125 135, RGB 185 140 146, RGB 170 155 157 and RGB 156 170 168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 215 110 124 shade: RGB 215 110 180, RGB 215 110 152, RGB 215 110 124, RGB 215 124 110 and RGB 215 152 110

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 215 110 124 shade: RGB 191 52 70, RGB 206 78 95, RGB 215 110 124, RGB 224 143 154 and RGB 233 175 183

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 215 110 124 shade: RGB 215 110 124, RGB 208 215 110 and RGB 110 166 215

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 215 110 124 shade: RGB 215 110 124, RGB 124 215 110 and RGB 110 124 215

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 215 110 124 shade: RGB 215 110 124, RGB 208 215 110, RGB 110 215 201 and RGB 117 110 215

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 215 110 124 shade: RGB 215 110 124, RGB 177 215 110, RGB 110 215 201 and RGB 149 110 215

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 42 / 16

HEX #D76E7C

RGB 215 110 124

HSL 352, 0.57%, 0.64%

LAB 59.02, 42.48, 11.41

 

Complementary color

CMYK 72 / 0 / 10 / 43

HEX #289183

RGB 40 145 131

HSL 172, 0.57%, 0.36%

LAB 54.39, -32.61, -1.09

 

CMYK 0 / 50 / 46 / 14

HEX #DC6E77

RGB 220 110 119

HSL 355.09, 0.61%, 0.65%

LAB 59.62, 43.77, 15.23

 

CMYK 0 / 46 / 42 / 7

HEX #ED808A

RGB 237 128 138

HSL 354.5, 0.75%, 0.72%

LAB 65.96, 42.74, 13.59

 

CMYK 0 / 43 / 38 / 0

HEX #FE929D

RGB 254 146 157

HSL 353.89, 0.98%, 0.78%

LAB 72.27, 41.76, 12.14

 

CMYK 0 / 36 / 31 / 0

HEX #FFA4B0

RGB 255 164 176

HSL 352.09, 1%, 0.82%

LAB 76.65, 35.11, 7.92

 

CMYK 0 / 29 / 24 / 0

HEX #FFB6C3

RGB 255 182 195

HSL 349.32, 1%, 0.86%

LAB 81.1, 28.25, 4.02

 

CMYK 0 / 49 / 42 / 16

HEX #D76E7C

RGB 215 110 124

HSL 352, 0.57%, 0.64%

LAB 59.02, 42.48, 11.41

 

CMYK 0 / 54 / 47 / 22

HEX #C65C69

RGB 198 92 105

HSL 352.64, 0.48%, 0.57%

LAB 52.6, 43.48, 13.19

 

CMYK 0 / 59 / 52 / 29

HEX #B54A56

RGB 181 74 86

HSL 353.27, 0.42%, 0.5%

LAB 46.17, 44.44, 15.32

 

CMYK 0 / 66 / 59 / 36

HEX #A43843

RGB 164 56 67

HSL 353.89, 0.49%, 0.43%

LAB 39.79, 45.24, 17.94

 

CMYK 0 / 74 / 67 / 42

HEX #932630

RGB 147 38 48

HSL 354.5, 0.59%, 0.36%

LAB 33.57, 45.66, 21.25

 

CMYK 0 / 49 / 42 / 16

HEX #D76E7C

RGB 215 110 124

HSL 352, 0.57%, 0.64%

LAB 59.02, 42.48, 11.41

 

CMYK 0 / 49 / 49 / 16

HEX #D76E6E

RGB 215 110 110

HSL 0, 0.57%, 0.64%

LAB 58.72, 41.08, 19.08

 

CMYK 0 / 49 / 42 / 16

HEX #D76E7C

RGB 215 110 124

HSL 352, 0.57%, 0.64%

LAB 59.02, 42.48, 11.41

 

CMYK 0 / 49 / 29 / 16

HEX #D76E99

RGB 215 110 153

HSL 335.43, 0.57%, 0.64%

LAB 59.8, 45.94, -4.26

 

CMYK 0 / 49 / 16 / 16

HEX #D76EB5

RGB 215 110 181

HSL 319.43, 0.57%, 0.64%

LAB 60.72, 49.95, -18.96

 

CMYK 0 / 49 / 3 / 16

HEX #D76ED1

RGB 215 110 209

HSL 303.43, 0.57%, 0.64%

LAB 61.83, 54.54, -33.15

 

CMYK 10 / 49 / 0 / 16

HEX #C16ED7

RGB 193 110 215

HSL 287.43, 0.57%, 0.64%

LAB 59.34, 49.44, -40.62

 

CMYK 0 / 49 / 42 / 16

HEX #D76E7C

RGB 215 110 124

HSL 352, 0.57%, 0.64%

LAB 59.02, 42.48, 11.41

 

CMYK 0 / 58 / 51 / 10

HEX #E66071

RGB 230 96 113

HSL 352.39, 0.73%, 0.64%

LAB 58.4, 53.38, 17.26

 

CMYK 0 / 67 / 58 / 4

HEX #F55167

RGB 245 81 103

HSL 351.95, 0.89%, 0.64%

LAB 58.3, 63.72, 23.37

 

CMYK 0 / 49 / 42 / 16

HEX #D76E7C

RGB 215 110 124

HSL 352, 0.57%, 0.64%

LAB 59.02, 42.48, 11.41

 

CMYK 0 / 38 / 33 / 22

HEX #C87D87

RGB 200 125 135

HSL 352, 0.41%, 0.64%

LAB 60.51, 30.38, 6.91

 

CMYK 0 / 24 / 21 / 27

HEX #B98C92

RGB 185 140 146

HSL 352, 0.24%, 0.64%

LAB 62.63, 18, 3.46

 

CMYK 0 / 9 / 8 / 33

HEX #AA9B9D

RGB 170 155 157

HSL 352, 0.08%, 0.64%

LAB 65.3, 5.85, 0.94

 

CMYK 8 / 0 / 1 / 33

HEX #9CAAA8

RGB 156 170 168

HSL 171.43, 0.08%, 0.64%

LAB 68.49, -5.29, -0.66

 

CMYK 0 / 49 / 16 / 16

HEX #D76EB4

RGB 215 110 180

HSL 320, 0.57%, 0.64%

LAB 60.69, 49.8, -18.45

 

CMYK 0 / 49 / 29 / 16

HEX #D76E98

RGB 215 110 152

HSL 336, 0.57%, 0.64%

LAB 59.77, 45.81, -3.73

 

CMYK 0 / 49 / 42 / 16

HEX #D76E7C

RGB 215 110 124

HSL 352, 0.57%, 0.64%

LAB 59.02, 42.48, 11.41

 

CMYK 0 / 42 / 49 / 16

HEX #D77C6E

RGB 215 124 110

HSL 8, 0.57%, 0.64%

LAB 61.64, 33.82, 23.03

 

CMYK 0 / 29 / 49 / 16

HEX #D7986E

RGB 215 152 110

HSL 24, 0.57%, 0.64%

LAB 68.04, 18.79, 31.45

 

CMYK 0 / 73 / 63 / 25

HEX #BF3446

RGB 191 52 70

HSL 352.23, 0.57%, 0.48%

LAB 44.2, 55.77, 22.78

 

CMYK 0 / 62 / 54 / 19

HEX #CE4E5F

RGB 206 78 95

HSL 352.03, 0.57%, 0.56%

LAB 51.15, 51.92, 17.35

 

CMYK 0 / 49 / 42 / 16

HEX #D76E7C

RGB 215 110 124

HSL 352, 0.57%, 0.64%

LAB 59.02, 42.48, 11.41

 

CMYK 0 / 36 / 31 / 12

HEX #E08F9A

RGB 224 143 154

HSL 351.85, 0.57%, 0.72%

LAB 67.89, 32.08, 7.08

 

CMYK 0 / 25 / 21 / 9

HEX #E9AFB7

RGB 233 175 183

HSL 351.72, 0.57%, 0.8%

LAB 76.92, 22.3, 4.19

 

CMYK 0 / 49 / 42 / 16

HEX #D76E7C

RGB 215 110 124

HSL 352, 0.57%, 0.64%

LAB 59.02, 42.48, 11.41

 

CMYK 3 / 0 / 49 / 16

HEX #D0D76E

RGB 208 215 110

HSL 64, 0.57%, 0.64%

LAB 83.51, -17.07, 50.53

 

CMYK 49 / 23 / 0 / 16

HEX #6EA6D7

RGB 110 166 215

HSL 208, 0.57%, 0.64%

LAB 66.13, -4.98, -30.54

 

CMYK 0 / 49 / 42 / 16

HEX #D76E7C

RGB 215 110 124

HSL 352, 0.57%, 0.64%

LAB 59.02, 42.48, 11.41

 

CMYK 42 / 0 / 49 / 16

HEX #7CD76E

RGB 124 215 110

HSL 112, 0.57%, 0.64%

LAB 78.47, -47.36, 43.23

 

CMYK 49 / 42 / 0 / 16

HEX #6E7CD7

RGB 110 124 215

HSL 232, 0.57%, 0.64%

LAB 54.7, 19.45, -48.47

 

CMYK 0 / 49 / 42 / 16

HEX #D76E7C

RGB 215 110 124

HSL 352, 0.57%, 0.64%

LAB 59.02, 42.48, 11.41

 

CMYK 3 / 0 / 49 / 16

HEX #D0D76E

RGB 208 215 110

HSL 64, 0.57%, 0.64%

LAB 83.51, -17.07, 50.53

 

CMYK 49 / 0 / 7 / 16

HEX #6ED7C9

RGB 110 215 201

HSL 172, 0.57%, 0.64%

LAB 79.69, -33.83, -2.48

 

CMYK 46 / 49 / 0 / 16

HEX #756ED7

RGB 117 110 215

HSL 244, 0.57%, 0.64%

LAB 51.66, 29.5, -53.29

 

CMYK 0 / 49 / 42 / 16

HEX #D76E7C

RGB 215 110 124

HSL 352, 0.57%, 0.64%

LAB 59.02, 42.48, 11.41

 

CMYK 18 / 0 / 49 / 16

HEX #B1D76E

RGB 177 215 110

HSL 81.71, 0.57%, 0.64%

LAB 81.33, -29.13, 47.39

 

CMYK 49 / 0 / 7 / 16

HEX #6ED7C9

RGB 110 215 201

HSL 172, 0.57%, 0.64%

LAB 79.69, -33.83, -2.48

 

CMYK 31 / 49 / 0 / 16

HEX #956ED7

RGB 149 110 215

HSL 262.29, 0.57%, 0.64%

LAB 54.5, 37.45, -48.59

 

Description

Color code: RGB 215 110 124 | qconv.com Color code: RGB 215 110 124 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 110 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 110 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 42 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 42% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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