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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D71D7E it is the complementary color #28E281. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D71D7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D71D7E shade: #DC1D79, #ED2F8C, #FE419F, #FF53B2 and #FF65C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D71D7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D71D7E shade: #D71D7E, #C60B6B, #B50058, #A40045 and #930032

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D71D7E shade: #D71D7E, #D71D4C and #D71D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D71D7E shade: #D71D7E, #D71DB0, #CC1DD7, #991DD7 and #671DD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D71D7E shade matches the following richer shades: #D71D7E and #EB097F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D71D7E shade: #D71D7E, #C3317D, #AF447C, #9C587B and #886C7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D71D7E shade: #CB1DD7, #D71DB2, #D71D80, #D71D4E and #D71D1D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D71D7E shade: #8E1353, #B31869, #D71D7E, #E43992 and #E95EA6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D71D7E shade: #D71D7E, #D7991D and #1DCBD7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D71D7E shade: #D71D7E, #80D71D and #1D80D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D71D7E shade: #D71D7E, #D7991D, #1DD774 and #1D5BD7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D71D7E shade: #D71D7E, #D7D11D, #1DD774 and #1D23D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 41 / 16

HEX #D71D7E

RGB 215 29 126

HSL 328.71, 0.76%, 0.48%

LAB 48.05, 72.6, -5.65

 

Complementary color

CMYK 82 / 0 / 43 / 11

HEX #28E281

RGB 40 226 129

HSL 148.71, 0.76%, 0.52%

LAB 79.86, -65.22, 35.17

 

CMYK 0 / 87 / 45 / 14

HEX #DC1D79

RGB 220 29 121

HSL 331.1, 0.77%, 0.49%

LAB 48.85, 73.32, -1.31

 

CMYK 0 / 80 / 41 / 7

HEX #ED2F8C

RGB 237 47 140

HSL 330.63, 0.84%, 0.56%

LAB 53.95, 75.27, -4.89

 

CMYK 0 / 74 / 37 / 0

HEX #FE419F

RGB 254 65 159

HSL 330.16, 0.99%, 0.63%

LAB 59.3, 76.4, -7.82

 

CMYK 0 / 67 / 30 / 0

HEX #FF53B2

RGB 255 83 178

HSL 326.86, 1%, 0.66%

LAB 62.22, 72.75, -14.42

 

CMYK 0 / 60 / 23 / 0

HEX #FF65C5

RGB 255 101 197

HSL 322.6, 1%, 0.7%

LAB 65.43, 68.08, -20.36

 

CMYK 0 / 87 / 41 / 16

HEX #D71D7E

RGB 215 29 126

HSL 328.71, 0.76%, 0.48%

LAB 48.05, 72.6, -5.65

 

CMYK 0 / 94 / 46 / 22

HEX #C60B6B

RGB 198 11 107

HSL 329.2, 0.89%, 0.41%

LAB 43.22, 69.57, -1.43

 

CMYK 0 / 100 / 51 / 29

HEX #B50058

RGB 181 0 88

HSL 330.83, 1%, 0.35%

LAB 38.77, 65.3, 3.7

 

CMYK 0 / 100 / 58 / 36

HEX #A40045

RGB 164 0 69

HSL 334.76, 1%, 0.32%

LAB 34.65, 59.97, 9.67

 

CMYK 0 / 100 / 66 / 42

HEX #930032

RGB 147 0 50

HSL 339.59, 1%, 0.29%

LAB 30.48, 54.66, 15.98

 

CMYK 0 / 87 / 41 / 16

HEX #D71D7E

RGB 215 29 126

HSL 328.71, 0.76%, 0.48%

LAB 48.05, 72.6, -5.65

 

CMYK 0 / 87 / 65 / 16

HEX #D71D4C

RGB 215 29 76

HSL 344.84, 0.76%, 0.48%

LAB 46.77, 68.98, 23.34

 

CMYK 0 / 87 / 87 / 16

HEX #D71D1D

RGB 215 29 29

HSL 0, 0.76%, 0.48%

LAB 46.2, 67.3, 49.45

 

CMYK 0 / 87 / 41 / 16

HEX #D71D7E

RGB 215 29 126

HSL 328.71, 0.76%, 0.48%

LAB 48.05, 72.6, -5.65

 

CMYK 0 / 87 / 18 / 16

HEX #D71DB0

RGB 215 29 176

HSL 312.58, 0.76%, 0.48%

LAB 50.05, 78.07, -32.54

 

CMYK 5 / 87 / 0 / 16

HEX #CC1DD7

RGB 204 29 215

HSL 296.45, 0.76%, 0.48%

LAB 50.24, 81.54, -54.97

 

CMYK 29 / 87 / 0 / 16

HEX #991DD7

RGB 153 29 215

HSL 280, 0.76%, 0.48%

LAB 42.09, 73.53, -68.55

 

CMYK 52 / 87 / 0 / 16

HEX #671DD7

RGB 103 29 215

HSL 263.87, 0.76%, 0.48%

LAB 35.34, 67.43, -79.89

 

CMYK 0 / 87 / 41 / 16

HEX #D71D7E

RGB 215 29 126

HSL 328.71, 0.76%, 0.48%

LAB 48.05, 72.6, -5.65

 

CMYK 0 / 96 / 46 / 8

HEX #EB097F

RGB 235 9 127

HSL 328.67, 0.93%, 0.48%

LAB 51.14, 79.56, -1.26

 

CMYK 0 / 87 / 41 / 16

HEX #D71D7E

RGB 215 29 126

HSL 328.71, 0.76%, 0.48%

LAB 48.05, 72.6, -5.65

 

CMYK 0 / 75 / 36 / 24

HEX #C3317D

RGB 195 49 125

HSL 328.77, 0.6%, 0.48%

LAB 46.01, 62.62, -8.47

 

CMYK 0 / 61 / 29 / 31

HEX #AF447C

RGB 175 68 124

HSL 328.6, 0.44%, 0.48%

LAB 45.23, 49.4, -9.39

 

CMYK 0 / 44 / 21 / 39

HEX #9C587B

RGB 156 88 123

HSL 329.12, 0.28%, 0.48%

LAB 46.28, 32.73, -7.49

 

CMYK 0 / 21 / 10 / 47

HEX #886C7A

RGB 136 108 122

HSL 330, 0.11%, 0.48%

LAB 48.72, 13.55, -3.53

 

CMYK 6 / 87 / 0 / 16

HEX #CB1DD7

RGB 203 29 215

HSL 296.13, 0.76%, 0.48%

LAB 50.08, 81.37, -55.24

 

CMYK 0 / 87 / 17 / 16

HEX #D71DB2

RGB 215 29 178

HSL 311.94, 0.76%, 0.48%

LAB 50.14, 78.32, -33.57

 

CMYK 0 / 87 / 40 / 16

HEX #D71D80

RGB 215 29 128

HSL 328.06, 0.76%, 0.48%

LAB 48.11, 72.78, -6.77

 

CMYK 0 / 87 / 64 / 16

HEX #D71D4E

RGB 215 29 78

HSL 344.19, 0.76%, 0.48%

LAB 46.81, 69.08, 22.15

 

CMYK 0 / 87 / 87 / 16

HEX #D71D1D

RGB 215 29 29

HSL 0, 0.76%, 0.48%

LAB 46.2, 67.3, 49.45

 

CMYK 0 / 87 / 42 / 44

HEX #8E1353

RGB 142 19 83

HSL 328.78, 0.76%, 0.32%

LAB 31.44, 52.79, -4.74

 

CMYK 0 / 87 / 41 / 30

HEX #B31869

RGB 179 24 105

HSL 328.65, 0.76%, 0.4%

LAB 40.01, 63.07, -5.34

 

CMYK 0 / 87 / 41 / 16

HEX #D71D7E

RGB 215 29 126

HSL 328.71, 0.76%, 0.48%

LAB 48.05, 72.6, -5.65

 

CMYK 0 / 75 / 36 / 11

HEX #E43992

RGB 228 57 146

HSL 328.77, 0.76%, 0.56%

LAB 53.49, 70.9, -9.32

 

CMYK 0 / 60 / 29 / 9

HEX #E95EA6

RGB 233 94 166

HSL 328.92, 0.76%, 0.64%

LAB 59.96, 60.79, -11.25

 

CMYK 0 / 87 / 41 / 16

HEX #D71D7E

RGB 215 29 126

HSL 328.71, 0.76%, 0.48%

LAB 48.05, 72.6, -5.65

 

CMYK 0 / 29 / 87 / 16

HEX #D7991D

RGB 215 153 29

HSL 40, 0.76%, 0.48%

LAB 67.52, 13.58, 66.73

 

CMYK 87 / 6 / 0 / 16

HEX #1DCBD7

RGB 29 203 215

HSL 183.87, 0.76%, 0.48%

LAB 74.75, -35.78, -17.56

 

CMYK 0 / 87 / 41 / 16

HEX #D71D7E

RGB 215 29 126

HSL 328.71, 0.76%, 0.48%

LAB 48.05, 72.6, -5.65

 

CMYK 40 / 0 / 87 / 16

HEX #80D71D

RGB 128 215 29

HSL 88.06, 0.76%, 0.48%

LAB 78.04, -52.42, 72.86

 

CMYK 87 / 40 / 0 / 16

HEX #1D80D7

RGB 29 128 215

HSL 208.06, 0.76%, 0.48%

LAB 52.52, 4.49, -52.14

 

CMYK 0 / 87 / 41 / 16

HEX #D71D7E

RGB 215 29 126

HSL 328.71, 0.76%, 0.48%

LAB 48.05, 72.6, -5.65

 

CMYK 0 / 29 / 87 / 16

HEX #D7991D

RGB 215 153 29

HSL 40, 0.76%, 0.48%

LAB 67.52, 13.58, 66.73

 

CMYK 87 / 0 / 46 / 16

HEX #1DD774

RGB 29 215 116

HSL 148.06, 0.76%, 0.48%

LAB 76.14, -64.64, 36.85

 

CMYK 87 / 58 / 0 / 16

HEX #1D5BD7

RGB 29 91 215

HSL 220, 0.76%, 0.48%

LAB 42.23, 28.01, -68.75

 

CMYK 0 / 87 / 41 / 16

HEX #D71D7E

RGB 215 29 126

HSL 328.71, 0.76%, 0.48%

LAB 48.05, 72.6, -5.65

 

CMYK 0 / 3 / 87 / 16

HEX #D7D11D

RGB 215 209 29

HSL 58.06, 0.76%, 0.48%

LAB 81.91, -15.61, 78.34

 

CMYK 87 / 0 / 46 / 16

HEX #1DD774

RGB 29 215 116

HSL 148.06, 0.76%, 0.48%

LAB 76.14, -64.64, 36.85

 

CMYK 87 / 84 / 0 / 16

HEX #1D23D7

RGB 29 35 215

HSL 238.06, 0.76%, 0.48%

LAB 30.33, 60.38, -88.37

 

Description

Color code: HEX #D71D7E | qconv.com Color code: HEX #D71D7E | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 29 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 29 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 41 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 41% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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