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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D71DB2 it is the complementary color #28E24D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D71DB2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D71DB2 shade: #DC1DAD, #ED2FC0, #FE41D3, #FF53E6 and #FF65F9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D71DB2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D71DB2 shade: #D71DB2, #C60B9F, #B5008C, #A40079 and #930066

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D71DB2 shade: #D71DB2, #D71D80, #D71D4E and #D71D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D71DB2 shade: #D71DB2, #CA1DD7, #981DD7, #651DD7 and #331DD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D71DB2 shade matches the following richer shades: #D71DB2 and #EB09BE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D71DB2 shade: #D71DB2, #C331A6, #AF449A, #9C588E and #886C82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D71DB2 shade: #961DD7, #C71DD7, #D71DB5, #D71D83 and #D71D52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D71DB2 shade: #8E1376, #B31894, #D71DB2, #E439C2 and #E95ECD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D71DB2 shade: #D71DB2, #D7641D and #1DD7AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D71DB2 shade: #D71DB2, #B5D71D and #1DB5D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D71DB2 shade: #D71DB2, #D7641D, #1DD73F and #1D90D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D71DB2 shade: #D71DB2, #D79C1D, #1DD73F and #1D58D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 17 / 16

HEX #D71DB2

RGB 215 29 178

HSL 311.94, 0.76%, 0.48%

LAB 50.14, 78.32, -33.57

 

Complementary color

CMYK 82 / 0 / 66 / 11

HEX #28E24D

RGB 40 226 77

HSL 131.94, 0.76%, 0.52%

LAB 79.26, -72.41, 58.35

 

CMYK 0 / 87 / 21 / 14

HEX #DC1DAD

RGB 220 29 173

HSL 314.76, 0.77%, 0.49%

LAB 50.82, 78.71, -29.51

 

CMYK 0 / 80 / 19 / 7

HEX #ED2FC0

RGB 237 47 192

HSL 314.21, 0.84%, 0.56%

LAB 55.93, 80.96, -32.39

 

CMYK 0 / 74 / 17 / 0

HEX #FE41D3

RGB 254 65 211

HSL 313.65, 0.99%, 0.63%

LAB 61.27, 82.39, -34.71

 

CMYK 0 / 67 / 10 / 0

HEX #FF53E6

RGB 255 83 230

HSL 308.72, 1%, 0.66%

LAB 64.29, 79.52, -40.66

 

CMYK 0 / 60 / 2 / 0

HEX #FF65F9

RGB 255 101 249

HSL 302.34, 1%, 0.7%

LAB 67.58, 75.67, -46.01

 

CMYK 0 / 87 / 17 / 16

HEX #D71DB2

RGB 215 29 178

HSL 311.94, 0.76%, 0.48%

LAB 50.14, 78.32, -33.57

 

CMYK 0 / 94 / 20 / 22

HEX #C60B9F

RGB 198 11 159

HSL 312.51, 0.89%, 0.41%

LAB 45.29, 75, -30.13

 

CMYK 0 / 100 / 23 / 29

HEX #B5008C

RGB 181 0 140

HSL 313.59, 1%, 0.35%

LAB 40.76, 70.44, -25.92

 

CMYK 0 / 100 / 26 / 36

HEX #A40079

RGB 164 0 121

HSL 315.73, 1%, 0.32%

LAB 36.5, 64.81, -21.02

 

CMYK 0 / 100 / 31 / 42

HEX #930066

RGB 147 0 102

HSL 318.37, 1%, 0.29%

LAB 32.17, 59.09, -15.91

 

CMYK 0 / 87 / 17 / 16

HEX #D71DB2

RGB 215 29 178

HSL 311.94, 0.76%, 0.48%

LAB 50.14, 78.32, -33.57

 

CMYK 0 / 87 / 40 / 16

HEX #D71D80

RGB 215 29 128

HSL 328.06, 0.76%, 0.48%

LAB 48.11, 72.78, -6.77

 

CMYK 0 / 87 / 64 / 16

HEX #D71D4E

RGB 215 29 78

HSL 344.19, 0.76%, 0.48%

LAB 46.81, 69.08, 22.15

 

CMYK 0 / 87 / 87 / 16

HEX #D71D1D

RGB 215 29 29

HSL 0, 0.76%, 0.48%

LAB 46.2, 67.3, 49.45

 

CMYK 0 / 87 / 17 / 16

HEX #D71DB2

RGB 215 29 178

HSL 311.94, 0.76%, 0.48%

LAB 50.14, 78.32, -33.57

 

CMYK 6 / 87 / 0 / 16

HEX #CA1DD7

RGB 202 29 215

HSL 295.81, 0.76%, 0.48%

LAB 49.91, 81.2, -55.52

 

CMYK 29 / 87 / 0 / 16

HEX #981DD7

RGB 152 29 215

HSL 279.68, 0.76%, 0.48%

LAB 41.94, 73.39, -68.8

 

CMYK 53 / 87 / 0 / 16

HEX #651DD7

RGB 101 29 215

HSL 263.23, 0.76%, 0.48%

LAB 35.11, 67.23, -80.28

 

CMYK 76 / 87 / 0 / 16

HEX #331DD7

RGB 51 29 215

HSL 247.1, 0.76%, 0.48%

LAB 30.61, 63.58, -87.86

 

CMYK 0 / 87 / 17 / 16

HEX #D71DB2

RGB 215 29 178

HSL 311.94, 0.76%, 0.48%

LAB 50.14, 78.32, -33.57

 

CMYK 0 / 96 / 19 / 8

HEX #EB09BE

RGB 235 9 190

HSL 311.95, 0.93%, 0.48%

LAB 53.57, 85.88, -34.94

 

CMYK 0 / 87 / 17 / 16

HEX #D71DB2

RGB 215 29 178

HSL 311.94, 0.76%, 0.48%

LAB 50.14, 78.32, -33.57

 

CMYK 0 / 75 / 15 / 24

HEX #C331A6

RGB 195 49 166

HSL 311.92, 0.6%, 0.48%

LAB 47.69, 67.74, -30.58

 

CMYK 0 / 61 / 12 / 31

HEX #AF449A

RGB 175 68 154

HSL 311.78, 0.44%, 0.48%

LAB 46.42, 53.76, -25.67

 

CMYK 0 / 44 / 9 / 39

HEX #9C588E

RGB 156 88 142

HSL 312.35, 0.28%, 0.48%

LAB 46.97, 35.93, -17.87

 

CMYK 0 / 21 / 4 / 47

HEX #886C82

RGB 136 108 130

HSL 312.86, 0.11%, 0.48%

LAB 48.97, 15.07, -7.91

 

CMYK 30 / 87 / 0 / 16

HEX #961DD7

RGB 150 29 215

HSL 279.03, 0.76%, 0.48%

LAB 41.64, 73.11, -69.3

 

CMYK 7 / 87 / 0 / 16

HEX #C71DD7

RGB 199 29 215

HSL 294.84, 0.76%, 0.48%

LAB 49.41, 80.7, -56.35

 

CMYK 0 / 87 / 16 / 16

HEX #D71DB5

RGB 215 29 181

HSL 310.97, 0.76%, 0.48%

LAB 50.29, 78.71, -35.1

 

CMYK 0 / 87 / 39 / 16

HEX #D71D83

RGB 215 29 131

HSL 327.1, 0.76%, 0.48%

LAB 48.22, 73.06, -8.45

 

CMYK 0 / 87 / 62 / 16

HEX #D71D52

RGB 215 29 82

HSL 342.9, 0.76%, 0.48%

LAB 46.89, 69.31, 19.79

 

CMYK 0 / 87 / 17 / 44

HEX #8E1376

RGB 142 19 118

HSL 311.71, 0.76%, 0.32%

LAB 32.97, 57.05, -24.96

 

CMYK 0 / 87 / 17 / 30

HEX #B31894

RGB 179 24 148

HSL 312, 0.76%, 0.4%

LAB 41.81, 68.01, -29.2

 

CMYK 0 / 87 / 17 / 16

HEX #D71DB2

RGB 215 29 178

HSL 311.94, 0.76%, 0.48%

LAB 50.14, 78.32, -33.57

 

CMYK 0 / 75 / 15 / 11

HEX #E439C2

RGB 228 57 194

HSL 311.93, 0.76%, 0.56%

LAB 55.4, 76.68, -34.49

 

CMYK 0 / 60 / 12 / 9

HEX #E95ECD

RGB 233 94 205

HSL 312.09, 0.76%, 0.64%

LAB 61.43, 66.16, -31.32

 

CMYK 0 / 87 / 17 / 16

HEX #D71DB2

RGB 215 29 178

HSL 311.94, 0.76%, 0.48%

LAB 50.14, 78.32, -33.57

 

CMYK 0 / 53 / 87 / 16

HEX #D7641D

RGB 215 100 29

HSL 22.9, 0.76%, 0.48%

LAB 55.74, 41.52, 57.21

 

CMYK 87 / 0 / 19 / 16

HEX #1DD7AF

RGB 29 215 175

HSL 167.1, 0.76%, 0.48%

LAB 77.26, -52.16, 7.66

 

CMYK 0 / 87 / 17 / 16

HEX #D71DB2

RGB 215 29 178

HSL 311.94, 0.76%, 0.48%

LAB 50.14, 78.32, -33.57

 

CMYK 16 / 0 / 87 / 16

HEX #B5D71D

RGB 181 215 29

HSL 70.97, 0.76%, 0.48%

LAB 81.02, -32.65, 76.57

 

CMYK 87 / 16 / 0 / 16

HEX #1DB5D7

RGB 29 181 215

HSL 190.97, 0.76%, 0.48%

LAB 68.18, -25.09, -27.58

 

CMYK 0 / 87 / 17 / 16

HEX #D71DB2

RGB 215 29 178

HSL 311.94, 0.76%, 0.48%

LAB 50.14, 78.32, -33.57

 

CMYK 0 / 53 / 87 / 16

HEX #D7641D

RGB 215 100 29

HSL 22.9, 0.76%, 0.48%

LAB 55.74, 41.52, 57.21

 

CMYK 87 / 0 / 71 / 16

HEX #1DD73F

RGB 29 215 63

HSL 130.97, 0.76%, 0.48%

LAB 75.59, -71.44, 59.81

 

CMYK 87 / 33 / 0 / 16

HEX #1D90D7

RGB 29 144 215

HSL 202.9, 0.76%, 0.48%

LAB 57.19, -5.03, -44.72

 

CMYK 0 / 87 / 17 / 16

HEX #D71DB2

RGB 215 29 178

HSL 311.94, 0.76%, 0.48%

LAB 50.14, 78.32, -33.57

 

CMYK 0 / 27 / 87 / 16

HEX #D79C1D

RGB 215 156 29

HSL 40.97, 0.76%, 0.48%

LAB 68.25, 11.97, 67.33

 

CMYK 87 / 0 / 71 / 16

HEX #1DD73F

RGB 29 215 63

HSL 130.97, 0.76%, 0.48%

LAB 75.59, -71.44, 59.81

 

CMYK 87 / 59 / 0 / 16

HEX #1D58D7

RGB 29 88 215

HSL 220.97, 0.76%, 0.48%

LAB 41.45, 29.95, -70.02

 

Description

Color code: HEX #D71DB2 | qconv.com Color code: HEX #D71DB2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 29 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 29 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 17 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 17% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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