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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D6C97B it is the complementary color #293684. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D6C97B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D6C97B shade: #DBC976, #ECDB89, #FDED9C, #FFFFAF and #FFFFC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D6C97B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D6C97B shade: #D6C97B, #C5B768, #B4A555, #A39342 and #92812F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D6C97B shade: #D6C97A, #D6B07A, #D6977A, #D67E7A and #D67A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D6C97B shade: #D6C97A, #CAD67A, #B1D67A, #99D67A and #80D67A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D6C97B shade matches the following richer shades: #D6C97A, #E4D36C and #F2DD5E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D6C97B shade: #D6C97A, #C8BF88, #BAB596, #ACABA4 and #9EA1B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D6C97B shade: #D6977A, #D6AF7A, #D6C87A, #CBD67A and #B3D67A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D6C97B shade: #C2AF3B, #CCBC5A, #D6C97A, #DFD599 and #E9E2B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D6C97B shade: #D6C97B, #7AD67E and #A37AD6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D6C97B shade: #D6C97B, #7AD6C8 and #C87AD6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D6C97B shade: #D6C97B, #7AD67E, #7A88D6 and #D67AD1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D6C97B shade: #D6C97B, #7AD69A, #7A88D6 and #D67AB6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 43 / 16

HEX #D6C97B

RGB 214 201 123

HSL 51.43, 0.53%, 0.66%

LAB 80.46, -6.33, 40.53

 

Complementary color

CMYK 69 / 59 / 0 / 48

HEX #293684

RGB 41 54 132

HSL 231.43, 0.53%, 0.34%

LAB 26.09, 21.99, -45.53

 

CMYK 0 / 8 / 46 / 14

HEX #DBC976

RGB 219 201 118

HSL 49.31, 0.58%, 0.66%

LAB 80.82, -4.82, 43.57

 

CMYK 0 / 7 / 42 / 7

HEX #ECDB89

RGB 236 219 137

HSL 49.7, 0.72%, 0.73%

LAB 87.14, -5.34, 42.36

 

CMYK 0 / 6 / 38 / 1

HEX #FDED9C

RGB 253 237 156

HSL 50.1, 0.96%, 0.8%

LAB 93.39, -5.8, 41.19

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFAF

RGB 255 255 175

HSL 60, 1%, 0.84%

LAB 98.38, -11.8, 38.32

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC2

RGB 255 255 194

HSL 60, 1%, 0.88%

LAB 98.7, -9.41, 29.25

 

CMYK 0 / 6 / 43 / 16

HEX #D6C97B

RGB 214 201 123

HSL 51.43, 0.53%, 0.66%

LAB 80.46, -6.33, 40.53

 

CMYK 0 / 7 / 47 / 23

HEX #C5B768

RGB 197 183 104

HSL 50.97, 0.44%, 0.59%

LAB 74.02, -5.8, 41.75

 

CMYK 0 / 8 / 53 / 29

HEX #B4A555

RGB 180 165 85

HSL 50.53, 0.39%, 0.52%

LAB 67.48, -5.17, 42.98

 

CMYK 0 / 10 / 60 / 36

HEX #A39342

RGB 163 147 66

HSL 50.1, 0.42%, 0.45%

LAB 60.82, -4.41, 44.18

 

CMYK 0 / 12 / 68 / 43

HEX #92812F

RGB 146 129 47

HSL 49.7, 0.51%, 0.38%

LAB 54.04, -3.45, 45.2

 

CMYK 0 / 6 / 43 / 16

HEX #D6C97A

RGB 214 201 122

HSL 51.52, 0.53%, 0.66%

LAB 80.45, -6.43, 41.01

 

CMYK 0 / 18 / 43 / 16

HEX #D6B07A

RGB 214 176 122

HSL 35.22, 0.53%, 0.66%

LAB 74.03, 6.68, 32.8

 

CMYK 0 / 29 / 43 / 16

HEX #D6977A

RGB 214 151 122

HSL 18.91, 0.53%, 0.66%

LAB 67.9, 20.14, 24.71

 

CMYK 0 / 41 / 43 / 16

HEX #D67E7A

RGB 214 126 122

HSL 2.61, 0.53%, 0.66%

LAB 62.19, 33.59, 16.95

 

CMYK 0 / 43 / 43 / 16

HEX #D67A7A

RGB 214 122 122

HSL 0, 0.53%, 0.66%

LAB 61.33, 35.7, 15.75

 

CMYK 0 / 6 / 43 / 16

HEX #D6C97A

RGB 214 201 122

HSL 51.52, 0.53%, 0.66%

LAB 80.45, -6.43, 41.01

 

CMYK 6 / 0 / 43 / 16

HEX #CAD67A

RGB 202 214 122

HSL 67.83, 0.53%, 0.66%

LAB 82.94, -17.76, 43.93

 

CMYK 17 / 0 / 43 / 16

HEX #B1D67A

RGB 177 214 122

HSL 84.13, 0.53%, 0.66%

LAB 81.21, -27.31, 41.39

 

CMYK 29 / 0 / 43 / 16

HEX #99D67A

RGB 153 214 122

HSL 99.78, 0.53%, 0.66%

LAB 79.77, -35.94, 39.27

 

CMYK 40 / 0 / 43 / 16

HEX #80D67A

RGB 128 214 122

HSL 116.09, 0.53%, 0.66%

LAB 78.51, -44.08, 37.41

 

CMYK 0 / 6 / 43 / 16

HEX #D6C97A

RGB 214 201 122

HSL 51.52, 0.53%, 0.66%

LAB 80.45, -6.43, 41.01

 

CMYK 0 / 7 / 53 / 11

HEX #E4D36C

RGB 228 211 108

HSL 51.5, 0.69%, 0.66%

LAB 84.05, -7.17, 52.51

 

CMYK 0 / 9 / 61 / 5

HEX #F2DD5E

RGB 242 221 94

HSL 51.49, 0.85%, 0.66%

LAB 87.68, -7.52, 63.25

 

CMYK 0 / 6 / 43 / 16

HEX #D6C97A

RGB 214 201 122

HSL 51.52, 0.53%, 0.66%

LAB 80.45, -6.43, 41.01

 

CMYK 0 / 5 / 32 / 22

HEX #C8BF88

RGB 200 191 136

HSL 51.56, 0.37%, 0.66%

LAB 76.87, -5.22, 28.94

 

CMYK 0 / 3 / 19 / 27

HEX #BAB596

RGB 186 181 150

HSL 51.67, 0.21%, 0.66%

LAB 73.34, -3.42, 16.46

 

CMYK 0 / 1 / 5 / 33

HEX #ACABA4

RGB 172 171 164

HSL 52.5, 0.05%, 0.66%

LAB 69.88, -0.93, 3.72

 

CMYK 11 / 10 / 0 / 30

HEX #9EA1B2

RGB 158 161 178

HSL 231, 0.11%, 0.66%

LAB 66.5, 2.38, -9.15

 

CMYK 0 / 29 / 43 / 16

HEX #D6977A

RGB 214 151 122

HSL 18.91, 0.53%, 0.66%

LAB 67.9, 20.14, 24.71

 

CMYK 0 / 18 / 43 / 16

HEX #D6AF7A

RGB 214 175 122

HSL 34.57, 0.53%, 0.66%

LAB 73.78, 7.21, 32.48

 

CMYK 0 / 7 / 43 / 16

HEX #D6C87A

RGB 214 200 122

HSL 50.87, 0.53%, 0.66%

LAB 80.19, -5.92, 40.68

 

CMYK 5 / 0 / 43 / 16

HEX #CBD67A

RGB 203 214 122

HSL 67.17, 0.53%, 0.66%

LAB 83.02, -17.37, 44.04

 

CMYK 16 / 0 / 43 / 16

HEX #B3D67A

RGB 179 214 122

HSL 82.83, 0.53%, 0.66%

LAB 81.34, -26.57, 41.58

 

CMYK 0 / 10 / 70 / 24

HEX #C2AF3B

RGB 194 175 59

HSL 51.56, 0.53%, 0.5%

LAB 71.18, -6.24, 59.15

 

CMYK 0 / 8 / 56 / 20

HEX #CCBC5A

RGB 204 188 90

HSL 51.58, 0.53%, 0.58%

LAB 75.79, -6.72, 50.82

 

CMYK 0 / 6 / 43 / 16

HEX #D6C97A

RGB 214 201 122

HSL 51.52, 0.53%, 0.66%

LAB 80.45, -6.43, 41.01

 

CMYK 0 / 4 / 31 / 13

HEX #DFD599

RGB 223 213 153

HSL 51.43, 0.52%, 0.74%

LAB 84.78, -5.54, 30.96

 

CMYK 0 / 3 / 21 / 9

HEX #E9E2B9

RGB 233 226 185

HSL 51.25, 0.52%, 0.82%

LAB 89.5, -4.14, 20.93

 

CMYK 0 / 6 / 43 / 16

HEX #D6C97B

RGB 214 201 123

HSL 51.43, 0.53%, 0.66%

LAB 80.46, -6.33, 40.53

 

CMYK 43 / 0 / 41 / 16

HEX #7AD67E

RGB 122 214 126

HSL 122.61, 0.53%, 0.66%

LAB 78.31, -45.28, 35.08

 

CMYK 24 / 43 / 0 / 16

HEX #A37AD6

RGB 163 122 214

HSL 266.74, 0.53%, 0.66%

LAB 58.57, 34.23, -41.5

 

CMYK 0 / 6 / 43 / 16

HEX #D6C97B

RGB 214 201 123

HSL 51.43, 0.53%, 0.66%

LAB 80.46, -6.33, 40.53

 

CMYK 43 / 0 / 7 / 16

HEX #7AD6C8

RGB 122 214 200

HSL 170.87, 0.53%, 0.66%

LAB 79.84, -30.77, -1.67

 

CMYK 7 / 43 / 0 / 16

HEX #C87AD6

RGB 200 122 214

HSL 290.87, 0.53%, 0.66%

LAB 62.55, 45, -34.97

 

CMYK 0 / 6 / 43 / 16

HEX #D6C97B

RGB 214 201 123

HSL 51.43, 0.53%, 0.66%

LAB 80.46, -6.33, 40.53

 

CMYK 43 / 0 / 41 / 16

HEX #7AD67E

RGB 122 214 126

HSL 122.61, 0.53%, 0.66%

LAB 78.31, -45.28, 35.08

 

CMYK 43 / 36 / 0 / 16

HEX #7A88D6

RGB 122 136 214

HSL 230.87, 0.53%, 0.66%

LAB 58.6, 14.92, -41.68

 

CMYK 0 / 43 / 2 / 16

HEX #D67AD1

RGB 214 122 209

HSL 303.26, 0.53%, 0.66%

LAB 64.01, 48.24, -29.77

 

CMYK 0 / 6 / 43 / 16

HEX #D6C97B

RGB 214 201 123

HSL 51.43, 0.53%, 0.66%

LAB 80.46, -6.33, 40.53

 

CMYK 43 / 0 / 28 / 16

HEX #7AD69A

RGB 122 214 154

HSL 140.87, 0.53%, 0.66%

LAB 78.79, -40.54, 21.27

 

CMYK 43 / 36 / 0 / 16

HEX #7A88D6

RGB 122 136 214

HSL 230.87, 0.53%, 0.66%

LAB 58.6, 14.92, -41.68

 

CMYK 0 / 43 / 15 / 16

HEX #D67AB6

RGB 214 122 182

HSL 320.87, 0.53%, 0.66%

LAB 63, 43.7, -16.08

 

Description

Color code: HEX #D6C97B | qconv.com Color code: HEX #D6C97B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 201 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 201 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 43 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 43% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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