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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCBC5A it is the complementary color #3343A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCBC5A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCBC5A shade: #D1BC55, #E2CE68, #F3E07B, #FFF28E and #FFFFA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCBC5A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCBC5A shade: #CCBC5A, #BBAA47, #AA9834, #998621 and #88740E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCBC5A shade: #CCBC5B, #CC9E5B, #CC7F5B, #CC605B and #CC5B5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCBC5A shade: #CCBC5B, #BDCC5B, #9FCC5B, #80CC5B and #62CC5B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCBC5A shade matches the following richer shades: #CCBC5B, #DDC949 and #EFD538

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCBC5A shade: #CCBC5B, #BBB06C, #AAA37D, #98978F and #878AA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCBC5A shade: #CC7F5B, #CC9D5B, #CCBB5B, #BFCC5B and #A1CC5B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCBC5A shade: #A39332, #C2AF3B, #CCBC5B, #D6C97A and #E0D69A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCBC5A shade: #CCBC5A, #5BCC60 and #8E5BCC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCBC5A shade: #CCBC5A, #5BCCBB and #BB5BCC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCBC5A shade: #CCBC5A, #5BCC60, #5B6CCC and #CC5BC6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCBC5A shade: #CCBC5A, #5BCC82, #5B6CCC and #CC5BA4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 56 / 20

HEX #CCBC5A

RGB 204 188 90

HSL 51.58, 0.53%, 0.58%

LAB 75.79, -6.72, 50.82

 

Complementary color

CMYK 69 / 59 / 0 / 35

HEX #3343A5

RGB 51 67 165

HSL 231.58, 0.53%, 0.42%

LAB 32.78, 27.08, -54.83

 

CMYK 0 / 10 / 59 / 18

HEX #D1BC55

RGB 209 188 85

HSL 49.84, 0.57%, 0.58%

LAB 76.18, -4.99, 53.7

 

CMYK 0 / 9 / 54 / 11

HEX #E2CE68

RGB 226 206 104

HSL 50.16, 0.68%, 0.65%

LAB 82.55, -5.76, 52.58

 

CMYK 0 / 8 / 49 / 5

HEX #F3E07B

RGB 243 224 123

HSL 50.5, 0.83%, 0.72%

LAB 88.83, -6.42, 51.41

 

CMYK 0 / 5 / 44 / 0

HEX #FFF28E

RGB 255 242 142

HSL 53.1, 1%, 0.78%

LAB 94.62, -8.94, 49.63

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA1

RGB 255 255 161

HSL 60, 1%, 0.82%

LAB 98.17, -13.39, 44.93

 

CMYK 0 / 8 / 56 / 20

HEX #CCBC5A

RGB 204 188 90

HSL 51.58, 0.53%, 0.58%

LAB 75.79, -6.72, 50.82

 

CMYK 0 / 9 / 62 / 27

HEX #BBAA47

RGB 187 170 71

HSL 51.21, 0.46%, 0.51%

LAB 69.3, -5.91, 51.89

 

CMYK 0 / 11 / 69 / 33

HEX #AA9834

RGB 170 152 52

HSL 50.85, 0.53%, 0.44%

LAB 62.72, -4.93, 52.72

 

CMYK 0 / 12 / 78 / 40

HEX #998621

RGB 153 134 33

HSL 50.5, 0.65%, 0.36%

LAB 56.02, -3.73, 53.02

 

CMYK 0 / 15 / 90 / 47

HEX #88740E

RGB 136 116 14

HSL 50.16, 0.81%, 0.29%

LAB 49.2, -2.23, 52.18

 

CMYK 0 / 8 / 55 / 20

HEX #CCBC5B

RGB 204 188 91

HSL 51.5, 0.53%, 0.58%

LAB 75.8, -6.64, 50.36

 

CMYK 0 / 23 / 55 / 20

HEX #CC9E5B

RGB 204 158 91

HSL 35.58, 0.53%, 0.58%

LAB 68.05, 9.29, 41.21

 

CMYK 0 / 38 / 55 / 20

HEX #CC7F5B

RGB 204 127 91

HSL 19.12, 0.53%, 0.58%

LAB 60.58, 26.17, 31.96

 

CMYK 0 / 53 / 55 / 20

HEX #CC605B

RGB 204 96 91

HSL 2.65, 0.53%, 0.58%

LAB 53.98, 42.42, 23.45

 

CMYK 0 / 55 / 55 / 20

HEX #CC5B5B

RGB 204 91 91

HSL 0, 0.53%, 0.58%

LAB 53.03, 44.88, 22.19

 

CMYK 0 / 8 / 55 / 20

HEX #CCBC5B

RGB 204 188 91

HSL 51.5, 0.53%, 0.58%

LAB 75.8, -6.64, 50.36

 

CMYK 7 / 0 / 55 / 20

HEX #BDCC5B

RGB 189 204 91

HSL 67.96, 0.53%, 0.58%

LAB 78.9, -20.91, 53.61

 

CMYK 22 / 0 / 55 / 20

HEX #9FCC5B

RGB 159 204 91

HSL 83.89, 0.53%, 0.58%

LAB 76.87, -32.66, 50.74

 

CMYK 37 / 0 / 55 / 20

HEX #80CC5B

RGB 128 204 91

HSL 100.35, 0.53%, 0.58%

LAB 75.16, -43.7, 48.31

 

CMYK 52 / 0 / 55 / 20

HEX #62CC5B

RGB 98 204 91

HSL 116.28, 0.53%, 0.58%

LAB 73.89, -52.74, 46.5

 

CMYK 0 / 8 / 55 / 20

HEX #CCBC5B

RGB 204 188 91

HSL 51.5, 0.53%, 0.58%

LAB 75.8, -6.64, 50.36

 

CMYK 0 / 9 / 67 / 13

HEX #DDC949

RGB 221 201 73

HSL 51.89, 0.69%, 0.58%

LAB 80.53, -7.38, 63.85

 

CMYK 0 / 11 / 77 / 6

HEX #EFD538

RGB 239 213 56

HSL 51.48, 0.85%, 0.58%

LAB 85.11, -6.66, 74.96

 

CMYK 0 / 8 / 55 / 20

HEX #CCBC5B

RGB 204 188 91

HSL 51.5, 0.53%, 0.58%

LAB 75.8, -6.64, 50.36

 

CMYK 0 / 6 / 42 / 27

HEX #BBB06C

RGB 187 176 108

HSL 51.65, 0.37%, 0.58%

LAB 71.35, -5.83, 36.18

 

CMYK 0 / 4 / 26 / 33

HEX #AAA37D

RGB 170 163 125

HSL 50.67, 0.21%, 0.58%

LAB 66.69, -3.66, 20.7

 

CMYK 0 / 1 / 6 / 40

HEX #98978F

RGB 152 151 143

HSL 53.33, 0.04%, 0.58%

LAB 62.33, -1.13, 4.33

 

CMYK 16 / 14 / 0 / 37

HEX #878AA0

RGB 135 138 160

HSL 232.8, 0.12%, 0.58%

LAB 57.91, 3.59, -12.02

 

CMYK 0 / 38 / 55 / 20

HEX #CC7F5B

RGB 204 127 91

HSL 19.12, 0.53%, 0.58%

LAB 60.58, 26.17, 31.96

 

CMYK 0 / 23 / 55 / 20

HEX #CC9D5B

RGB 204 157 91

HSL 35.04, 0.53%, 0.58%

LAB 67.8, 9.84, 40.9

 

CMYK 0 / 8 / 55 / 20

HEX #CCBB5B

RGB 204 187 91

HSL 50.97, 0.53%, 0.58%

LAB 75.53, -6.12, 50.05

 

CMYK 6 / 0 / 55 / 20

HEX #BFCC5B

RGB 191 204 91

HSL 66.9, 0.53%, 0.58%

LAB 79.05, -20.1, 53.82

 

CMYK 21 / 0 / 55 / 20

HEX #A1CC5B

RGB 161 204 91

HSL 82.83, 0.53%, 0.58%

LAB 76.99, -31.91, 50.91

 

CMYK 0 / 10 / 69 / 36

HEX #A39332

RGB 163 147 50

HSL 51.5, 0.53%, 0.42%

LAB 60.68, -5.47, 51.27

 

CMYK 0 / 10 / 70 / 24

HEX #C2AF3B

RGB 194 175 59

HSL 51.56, 0.53%, 0.5%

LAB 71.18, -6.24, 59.15

 

CMYK 0 / 8 / 55 / 20

HEX #CCBC5B

RGB 204 188 91

HSL 51.5, 0.53%, 0.58%

LAB 75.8, -6.64, 50.36

 

CMYK 0 / 6 / 43 / 16

HEX #D6C97A

RGB 214 201 122

HSL 51.52, 0.53%, 0.66%

LAB 80.45, -6.43, 41.01

 

CMYK 0 / 4 / 31 / 12

HEX #E0D69A

RGB 224 214 154

HSL 51.43, 0.53%, 0.74%

LAB 85.14, -5.54, 30.93

 

CMYK 0 / 8 / 56 / 20

HEX #CCBC5A

RGB 204 188 90

HSL 51.58, 0.53%, 0.58%

LAB 75.79, -6.72, 50.82

 

CMYK 55 / 0 / 53 / 20

HEX #5BCC60

RGB 91 204 96

HSL 122.65, 0.53%, 0.58%

LAB 73.71, -53.92, 43.86

 

CMYK 30 / 55 / 0 / 20

HEX #8E5BCC

RGB 142 91 204

HSL 267.08, 0.53%, 0.58%

LAB 49, 43.56, -51.14

 

CMYK 0 / 8 / 56 / 20

HEX #CCBC5A

RGB 204 188 90

HSL 51.58, 0.53%, 0.58%

LAB 75.79, -6.72, 50.82

 

CMYK 55 / 0 / 8 / 20

HEX #5BCCBB

RGB 91 204 187

HSL 170.97, 0.53%, 0.58%

LAB 75.45, -36.22, -1.25

 

CMYK 8 / 55 / 0 / 20

HEX #BB5BCC

RGB 187 91 204

HSL 290.97, 0.53%, 0.58%

LAB 54.46, 55.15, -42.13

 

CMYK 0 / 8 / 56 / 20

HEX #CCBC5A

RGB 204 188 90

HSL 51.58, 0.53%, 0.58%

LAB 75.79, -6.72, 50.82

 

CMYK 55 / 0 / 53 / 20

HEX #5BCC60

RGB 91 204 96

HSL 122.65, 0.53%, 0.58%

LAB 73.71, -53.92, 43.86

 

CMYK 55 / 47 / 0 / 20

HEX #5B6CCC

RGB 91 108 204

HSL 230.97, 0.53%, 0.58%

LAB 48.65, 21.57, -51.94

 

CMYK 0 / 55 / 3 / 20

HEX #CC5BC6

RGB 204 91 198

HSL 303.19, 0.53%, 0.58%

LAB 56.48, 58.6, -35.35

 

CMYK 0 / 8 / 56 / 20

HEX #CCBC5A

RGB 204 188 90

HSL 51.58, 0.53%, 0.58%

LAB 75.79, -6.72, 50.82

 

CMYK 55 / 0 / 36 / 20

HEX #5BCC82

RGB 91 204 130

HSL 140.71, 0.53%, 0.58%

LAB 74.2, -48.62, 27.41

 

CMYK 55 / 47 / 0 / 20

HEX #5B6CCC

RGB 91 108 204

HSL 230.97, 0.53%, 0.58%

LAB 48.65, 21.57, -51.94

 

CMYK 0 / 55 / 20 / 20

HEX #CC5BA4

RGB 204 91 164

HSL 321.24, 0.53%, 0.58%

LAB 55.07, 53.21, -17.9

 

Description

Color code: HEX #CCBC5A | qconv.com Color code: HEX #CCBC5A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 188 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 188 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 56 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 56% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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