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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D6BB32 it is the complementary color #2944CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D6BB32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D6BB32 shade: #DBBB2D, #ECCD40, #FDDF53, #FFF166 and #FFFF79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D6BB32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D6BB32 shade: #D6BB32, #C5A91F, #B4970C, #A38500 and #927300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D6BB32 shade: #D6BB32, #D68F32, #D66332, #D63632 and #D63232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D6BB32 shade: #D6BB32, #C5D632, #99D632, #6CD632 and #40D632

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D6BB32 shade matches the following richer shades: #D6BB32, #EAC81E and #FED60A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D6BB32 shade: #D6BB32, #C2AE46, #AEA15A, #9B936E and #878681

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D6BB32 shade: #D66332, #D68F32, #D6BB32, #C6D632 and #9AD632

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D6BB32 shade: #98841E, #BAA224, #D6BB32, #DDC655 and #E4D277

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D6BB32 shade: #D6BB32, #32D638 and #7932D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D6BB32 shade: #D6BB32, #32D6BB and #BB32D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D6BB32 shade: #D6BB32, #32D638, #324DD6 and #D632D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D6BB32 shade: #D6BB32, #32D669, #324DD6 and #D6329F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 77 / 16

HEX #D6BB32

RGB 214 187 50

HSL 50.12, 0.67%, 0.52%

LAB 76.11, -4.24, 67.82

 

Complementary color

CMYK 80 / 67 / 0 / 20

HEX #2944CD

RGB 41 68 205

HSL 230.12, 0.67%, 0.48%

LAB 36.01, 39.88, -73.16

 

CMYK 0 / 15 / 79 / 14

HEX #DBBB2D

RGB 219 187 45

HSL 48.97, 0.71%, 0.52%

LAB 76.55, -2.26, 69.99

 

CMYK 0 / 13 / 73 / 7

HEX #ECCD40

RGB 236 205 64

HSL 49.19, 0.82%, 0.59%

LAB 82.84, -3.54, 70.03

 

CMYK 0 / 12 / 67 / 1

HEX #FDDF53

RGB 253 223 83

HSL 49.41, 0.98%, 0.66%

LAB 89.06, -4.64, 69.54

 

CMYK 0 / 5 / 60 / 0

HEX #FFF166

RGB 255 241 102

HSL 54.51, 1%, 0.7%

LAB 93.94, -11.65, 67.01

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF79

RGB 255 255 121

HSL 60, 1%, 0.74%

LAB 97.7, -17.1, 63.02

 

CMYK 0 / 13 / 77 / 16

HEX #D6BB32

RGB 214 187 50

HSL 50.12, 0.67%, 0.52%

LAB 76.11, -4.24, 67.82

 

CMYK 0 / 14 / 84 / 23

HEX #C5A91F

RGB 197 169 31

HSL 49.88, 0.73%, 0.45%

LAB 69.71, -2.87, 67.25

 

CMYK 0 / 16 / 93 / 29

HEX #B4970C

RGB 180 151 12

HSL 49.64, 0.88%, 0.38%

LAB 63.23, -1.24, 65.37

 

CMYK 0 / 18 / 100 / 36

HEX #A38500

RGB 163 133 0

HSL 48.96, 1%, 0.32%

LAB 56.65, 0.65, 61.64

 

CMYK 0 / 21 / 100 / 43

HEX #927300

RGB 146 115 0

HSL 47.26, 1%, 0.29%

LAB 49.94, 2.81, 56.12

 

CMYK 0 / 13 / 77 / 16

HEX #D6BB32

RGB 214 187 50

HSL 50.12, 0.67%, 0.52%

LAB 76.11, -4.24, 67.82

 

CMYK 0 / 33 / 77 / 16

HEX #D68F32

RGB 214 143 50

HSL 34.02, 0.67%, 0.52%

LAB 65.1, 19.2, 57.46

 

CMYK 0 / 54 / 77 / 16

HEX #D66332

RGB 214 99 50

HSL 17.93, 0.67%, 0.52%

LAB 55.53, 42.27, 48.01

 

CMYK 0 / 75 / 77 / 16

HEX #D63632

RGB 214 54 50

HSL 1.46, 0.67%, 0.52%

LAB 48.47, 61.14, 40.65

 

CMYK 0 / 77 / 77 / 16

HEX #D63232

RGB 214 50 50

HSL 0, 0.67%, 0.52%

LAB 48.02, 62.4, 40.17

 

CMYK 0 / 13 / 77 / 16

HEX #D6BB32

RGB 214 187 50

HSL 50.12, 0.67%, 0.52%

LAB 76.11, -4.24, 67.82

 

CMYK 8 / 0 / 77 / 16

HEX #C5D632

RGB 197 214 50

HSL 66.22, 0.67%, 0.52%

LAB 81.94, -24.97, 72.65

 

CMYK 29 / 0 / 77 / 16

HEX #99D632

RGB 153 214 50

HSL 82.32, 0.67%, 0.52%

LAB 79.1, -42.34, 68.98

 

CMYK 50 / 0 / 77 / 16

HEX #6CD632

RGB 108 214 50

HSL 98.78, 0.67%, 0.52%

LAB 76.99, -57.35, 66.23

 

CMYK 70 / 0 / 77 / 16

HEX #40D632

RGB 64 214 50

HSL 114.88, 0.67%, 0.52%

LAB 75.71, -67.68, 64.56

 

CMYK 0 / 13 / 77 / 16

HEX #D6BB32

RGB 214 187 50

HSL 50.12, 0.67%, 0.52%

LAB 76.11, -4.24, 67.82

 

CMYK 0 / 15 / 87 / 8

HEX #EAC81E

RGB 234 200 30

HSL 50, 0.83%, 0.52%

LAB 81.23, -2.91, 78.3

 

CMYK 0 / 16 / 96 / 0

HEX #FED60A

RGB 254 214 10

HSL 50.16, 0.99%, 0.52%

LAB 86.6, -1.77, 86.01

 

CMYK 0 / 13 / 77 / 16

HEX #D6BB32

RGB 214 187 50

HSL 50.12, 0.67%, 0.52%

LAB 76.11, -4.24, 67.82

 

CMYK 0 / 10 / 64 / 24

HEX #C2AE46

RGB 194 174 70

HSL 50.32, 0.5%, 0.52%

LAB 71, -5.07, 54.35

 

CMYK 0 / 7 / 48 / 32

HEX #AEA15A

RGB 174 161 90

HSL 50.71, 0.34%, 0.52%

LAB 65.92, -5.12, 38.46

 

CMYK 0 / 5 / 29 / 39

HEX #9B936E

RGB 155 147 110

HSL 49.33, 0.18%, 0.52%

LAB 60.75, -3.08, 20.7

 

CMYK 0 / 1 / 4 / 47

HEX #878681

RGB 135 134 129

HSL 50, 0.02%, 0.52%

LAB 55.87, -0.59, 2.81

 

CMYK 0 / 54 / 77 / 16

HEX #D66332

RGB 214 99 50

HSL 17.93, 0.67%, 0.52%

LAB 55.53, 42.27, 48.01

 

CMYK 0 / 33 / 77 / 16

HEX #D68F32

RGB 214 143 50

HSL 34.02, 0.67%, 0.52%

LAB 65.1, 19.2, 57.46

 

CMYK 0 / 13 / 77 / 16

HEX #D6BB32

RGB 214 187 50

HSL 50.12, 0.67%, 0.52%

LAB 76.11, -4.24, 67.82

 

CMYK 7 / 0 / 77 / 16

HEX #C6D632

RGB 198 214 50

HSL 65.85, 0.67%, 0.52%

LAB 82.02, -24.56, 72.74

 

CMYK 28 / 0 / 77 / 16

HEX #9AD632

RGB 154 214 50

HSL 81.95, 0.67%, 0.52%

LAB 79.15, -41.96, 69.05

 

CMYK 0 / 13 / 80 / 40

HEX #98841E

RGB 152 132 30

HSL 50.16, 0.67%, 0.36%

LAB 55.35, -3.21, 53.41

 

CMYK 0 / 13 / 81 / 27

HEX #BAA224

RGB 186 162 36

HSL 50.4, 0.68%, 0.44%

LAB 66.83, -3.88, 62.95

 

CMYK 0 / 13 / 77 / 16

HEX #D6BB32

RGB 214 187 50

HSL 50.12, 0.67%, 0.52%

LAB 76.11, -4.24, 67.82

 

CMYK 0 / 10 / 62 / 13

HEX #DDC655

RGB 221 198 85

HSL 49.85, 0.67%, 0.6%

LAB 79.85, -5.12, 58.07

 

CMYK 0 / 8 / 48 / 11

HEX #E4D277

RGB 228 210 119

HSL 50.09, 0.67%, 0.68%

LAB 83.92, -5.7, 47.08

 

CMYK 0 / 13 / 77 / 16

HEX #D6BB32

RGB 214 187 50

HSL 50.12, 0.67%, 0.52%

LAB 76.11, -4.24, 67.82

 

CMYK 77 / 0 / 74 / 16

HEX #32D638

RGB 50 214 56

HSL 122.2, 0.67%, 0.52%

LAB 75.49, -69.45, 62.29

 

CMYK 43 / 77 / 0 / 16

HEX #7932D6

RGB 121 50 214

HSL 265.98, 0.67%, 0.52%

LAB 39.92, 62.03, -71.7

 

CMYK 0 / 13 / 77 / 16

HEX #D6BB32

RGB 214 187 50

HSL 50.12, 0.67%, 0.52%

LAB 76.11, -4.24, 67.82

 

CMYK 77 / 0 / 13 / 16

HEX #32D6BB

RGB 50 214 187

HSL 170.12, 0.67%, 0.52%

LAB 77.5, -46.91, 1.62

 

CMYK 13 / 77 / 0 / 16

HEX #BB32D6

RGB 187 50 214

HSL 290.12, 0.67%, 0.52%

LAB 49.13, 73.4, -56.33

 

CMYK 0 / 13 / 77 / 16

HEX #D6BB32

RGB 214 187 50

HSL 50.12, 0.67%, 0.52%

LAB 76.11, -4.24, 67.82

 

CMYK 77 / 0 / 74 / 16

HEX #32D638

RGB 50 214 56

HSL 122.2, 0.67%, 0.52%

LAB 75.49, -69.45, 62.29

 

CMYK 77 / 64 / 0 / 16

HEX #324DD6

RGB 50 77 214

HSL 230.12, 0.67%, 0.52%

LAB 39.31, 38.28, -72.92

 

CMYK 0 / 77 / 2 / 16

HEX #D632D1

RGB 214 50 209

HSL 301.83, 0.67%, 0.52%

LAB 53.15, 77.83, -46.8

 

CMYK 0 / 13 / 77 / 16

HEX #D6BB32

RGB 214 187 50

HSL 50.12, 0.67%, 0.52%

LAB 76.11, -4.24, 67.82

 

CMYK 77 / 0 / 51 / 16

HEX #32D669

RGB 50 214 105

HSL 140.12, 0.67%, 0.52%

LAB 75.94, -63.95, 42.05

 

CMYK 77 / 64 / 0 / 16

HEX #324DD6

RGB 50 77 214

HSL 230.12, 0.67%, 0.52%

LAB 39.31, 38.28, -72.92

 

CMYK 0 / 77 / 26 / 16

HEX #D6329F

RGB 214 50 159

HSL 320.12, 0.67%, 0.52%

LAB 50.78, 70.98, -21.38

 

Description

Color code: HEX #D6BB32 | qconv.com Color code: HEX #D6BB32 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 187 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 187 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 77 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 77% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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