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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D561EA it is the complementary color #2A9E15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D561EA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D561EA shade: #DA61E5, #EB73F8, #FC85FF, #FF97FF and #FFA9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D561EA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D561EA shade: #D561EA, #C44FD7, #B33DC4, #A22BB1 and #91199E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D561EA shade: #D561EA, #EA61DA, #EA61B5, #EA6190 and #EA616B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D561EA shade: #D561EA, #B061EA, #8B61EA, #6661EA and #6161EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D561EA shade matches the following richer shades: #D561EA and #DF52F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D561EA shade: #D561EA, #CB6FDC, #C17DCD, #B78CBF and #AD9AB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D561EA shade: #8A61EA, #AE61EA, #D361EA, #EA61DC and #EA61B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D561EA shade: #BE1CDC, #CB3CE5, #D561EA, #DF85EF and #E8AAF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D561EA shade: #D561EA, #EA6561 and #61EA9C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D561EA shade: #D561EA, #EAD361 and #61EAD3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D561EA shade: #D561EA, #EA6561, #77EA61 and #61E5EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D561EA shade: #D561EA, #EA8E61, #77EA61 and #61BCEA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 59 / 0 / 8

HEX #D561EA

RGB 213 97 234

HSL 290.8, 0.77%, 0.65%

LAB 60.46, 64.6, -49.33

 

Complementary color

CMYK 73 / 0 / 87 / 38

HEX #2A9E15

RGB 42 158 21

HSL 110.8, 0.77%, 0.35%

LAB 57.08, -55.29, 55.18

 

CMYK 5 / 58 / 0 / 10

HEX #DA61E5

RGB 218 97 229

HSL 295, 0.72%, 0.64%

LAB 60.88, 64.93, -45.83

 

CMYK 5 / 54 / 0 / 3

HEX #EB73F8

RGB 235 115 248

HSL 294.14, 0.9%, 0.71%

LAB 67.05, 64.49, -46.48

 

CMYK 1 / 48 / 0 / 0

HEX #FC85FF

RGB 252 133 255

HSL 298.52, 1%, 0.76%

LAB 72.69, 61.79, -41.32

 

CMYK 0 / 41 / 0 / 0

HEX #FF97FF

RGB 255 151 255

HSL 300, 1%, 0.8%

LAB 76.44, 53.83, -35.45

 

CMYK 0 / 34 / 0 / 0

HEX #FFA9FF

RGB 255 169 255

HSL 300, 1%, 0.83%

LAB 80.1, 44.67, -29.82

 

CMYK 9 / 59 / 0 / 8

HEX #D561EA

RGB 213 97 234

HSL 290.8, 0.77%, 0.65%

LAB 60.46, 64.6, -49.33

 

CMYK 9 / 63 / 0 / 16

HEX #C44FD7

RGB 196 79 215

HSL 291.62, 0.63%, 0.58%

LAB 54.27, 64.87, -48.6

 

CMYK 9 / 69 / 0 / 23

HEX #B33DC4

RGB 179 61 196

HSL 292.44, 0.53%, 0.5%

LAB 48.14, 64.8, -47.62

 

CMYK 8 / 76 / 0 / 31

HEX #A22BB1

RGB 162 43 177

HSL 293.28, 0.61%, 0.43%

LAB 42.13, 64.15, -46.26

 

CMYK 8 / 84 / 0 / 38

HEX #91199E

RGB 145 25 158

HSL 294.14, 0.73%, 0.36%

LAB 36.34, 62.59, -44.33

 

CMYK 9 / 59 / 0 / 8

HEX #D561EA

RGB 213 97 234

HSL 290.8, 0.77%, 0.65%

LAB 60.46, 64.6, -49.33

 

CMYK 0 / 59 / 7 / 8

HEX #EA61DA

RGB 234 97 218

HSL 307.01, 0.77%, 0.65%

LAB 62.6, 67.16, -36.82

 

CMYK 0 / 59 / 23 / 8

HEX #EA61B5

RGB 234 97 181

HSL 323.21, 0.77%, 0.65%

LAB 61.11, 61.73, -18.12

 

CMYK 0 / 59 / 38 / 8

HEX #EA6190

RGB 234 97 144

HSL 339.42, 0.77%, 0.65%

LAB 59.94, 57.23, 1.48

 

CMYK 0 / 59 / 54 / 8

HEX #EA616B

RGB 234 97 107

HSL 355.62, 0.77%, 0.65%

LAB 59.07, 53.78, 21.76

 

CMYK 9 / 59 / 0 / 8

HEX #D561EA

RGB 213 97 234

HSL 290.8, 0.77%, 0.65%

LAB 60.46, 64.6, -49.33

 

CMYK 25 / 59 / 0 / 8

HEX #B061EA

RGB 176 97 234

HSL 274.6, 0.77%, 0.65%

LAB 55.81, 55.67, -57.02

 

CMYK 41 / 59 / 0 / 8

HEX #8B61EA

RGB 139 97 234

HSL 258.39, 0.77%, 0.65%

LAB 51.81, 47.27, -63.65

 

CMYK 56 / 59 / 0 / 8

HEX #6661EA

RGB 102 97 234

HSL 242.19, 0.77%, 0.65%

LAB 48.65, 39.98, -68.91

 

CMYK 59 / 59 / 0 / 8

HEX #6161EA

RGB 97 97 234

HSL 240, 0.77%, 0.65%

LAB 48.3, 39.12, -69.51

 

CMYK 9 / 59 / 0 / 8

HEX #D561EA

RGB 213 97 234

HSL 290.8, 0.77%, 0.65%

LAB 60.46, 64.6, -49.33

 

CMYK 10 / 67 / 0 / 3

HEX #DF52F8

RGB 223 82 248

HSL 290.96, 0.92%, 0.65%

LAB 60.34, 75.64, -57.22

 

CMYK 9 / 59 / 0 / 8

HEX #D561EA

RGB 213 97 234

HSL 290.8, 0.77%, 0.65%

LAB 60.46, 64.6, -49.33

 

CMYK 8 / 50 / 0 / 14

HEX #CB6FDC

RGB 203 111 220

HSL 290.64, 0.61%, 0.65%

LAB 60.99, 52.69, -40.76

 

CMYK 6 / 39 / 0 / 20

HEX #C17DCD

RGB 193 125 205

HSL 291, 0.44%, 0.65%

LAB 62.01, 39.53, -30.83

 

CMYK 4 / 27 / 0 / 25

HEX #B78CBF

RGB 183 140 191

HSL 290.59, 0.28%, 0.65%

LAB 63.82, 25.28, -20.25

 

CMYK 2 / 13 / 0 / 31

HEX #AD9AB0

RGB 173 154 176

HSL 291.82, 0.12%, 0.65%

LAB 65.85, 11.05, -8.87

 

CMYK 41 / 59 / 0 / 8

HEX #8A61EA

RGB 138 97 234

HSL 257.96, 0.77%, 0.65%

LAB 51.72, 47.06, -63.81

 

CMYK 26 / 59 / 0 / 8

HEX #AE61EA

RGB 174 97 234

HSL 273.72, 0.77%, 0.65%

LAB 55.57, 55.2, -57.41

 

CMYK 10 / 59 / 0 / 8

HEX #D361EA

RGB 211 97 234

HSL 289.93, 0.77%, 0.65%

LAB 60.19, 64.11, -49.77

 

CMYK 0 / 59 / 6 / 8

HEX #EA61DC

RGB 234 97 220

HSL 306.13, 0.77%, 0.65%

LAB 62.68, 67.48, -37.8

 

CMYK 0 / 59 / 21 / 8

HEX #EA61B8

RGB 234 97 184

HSL 321.9, 0.77%, 0.65%

LAB 61.22, 62.13, -19.68

 

CMYK 14 / 87 / 0 / 14

HEX #BE1CDC

RGB 190 28 220

HSL 290.63, 0.77%, 0.49%

LAB 48.19, 80.22, -61.25

 

CMYK 11 / 74 / 0 / 10

HEX #CB3CE5

RGB 203 60 229

HSL 290.77, 0.76%, 0.57%

LAB 53.58, 75.97, -57.57

 

CMYK 9 / 59 / 0 / 8

HEX #D561EA

RGB 213 97 234

HSL 290.8, 0.77%, 0.65%

LAB 60.46, 64.6, -49.33

 

CMYK 7 / 44 / 0 / 6

HEX #DF85EF

RGB 223 133 239

HSL 290.94, 0.77%, 0.73%

LAB 68.53, 50.78, -39.32

 

CMYK 5 / 30 / 0 / 5

HEX #E8AAF3

RGB 232 170 243

HSL 290.96, 0.75%, 0.81%

LAB 77.51, 34.82, -27.55

 

CMYK 9 / 59 / 0 / 8

HEX #D561EA

RGB 213 97 234

HSL 290.8, 0.77%, 0.65%

LAB 60.46, 64.6, -49.33

 

CMYK 0 / 57 / 59 / 8

HEX #EA6561

RGB 234 101 97

HSL 1.75, 0.77%, 0.65%

LAB 59.58, 51.21, 28.18

 

CMYK 59 / 0 / 33 / 8

HEX #61EA9C

RGB 97 234 156

HSL 145.84, 0.77%, 0.65%

LAB 83.85, -54.61, 27

 

CMYK 9 / 59 / 0 / 8

HEX #D561EA

RGB 213 97 234

HSL 290.8, 0.77%, 0.65%

LAB 60.46, 64.6, -49.33

 

CMYK 0 / 10 / 59 / 8

HEX #EAD361

RGB 234 211 97

HSL 49.93, 0.77%, 0.65%

LAB 84.45, -5.55, 58.17

 

CMYK 59 / 0 / 10 / 8

HEX #61EAD3

RGB 97 234 211

HSL 169.93, 0.77%, 0.65%

LAB 85.04, -42.65, 0.01

 

CMYK 9 / 59 / 0 / 8

HEX #D561EA

RGB 213 97 234

HSL 290.8, 0.77%, 0.65%

LAB 60.46, 64.6, -49.33

 

CMYK 0 / 57 / 59 / 8

HEX #EA6561

RGB 234 101 97

HSL 1.75, 0.77%, 0.65%

LAB 59.58, 51.21, 28.18

 

CMYK 49 / 0 / 59 / 8

HEX #77EA61

RGB 119 234 97

HSL 110.36, 0.77%, 0.65%

LAB 83.77, -57.91, 55.51

 

CMYK 59 / 2 / 0 / 8

HEX #61E5EA

RGB 97 229 234

HSL 182.19, 0.77%, 0.65%

LAB 84.24, -34.43, -13.32

 

CMYK 9 / 59 / 0 / 8

HEX #D561EA

RGB 213 97 234

HSL 290.8, 0.77%, 0.65%

LAB 60.46, 64.6, -49.33

 

CMYK 0 / 39 / 59 / 8

HEX #EA8E61

RGB 234 142 97

HSL 19.71, 0.77%, 0.65%

LAB 67.8, 30.68, 38.56

 

CMYK 49 / 0 / 59 / 8

HEX #77EA61

RGB 119 234 97

HSL 110.36, 0.77%, 0.65%

LAB 83.77, -57.91, 55.51

 

CMYK 59 / 20 / 0 / 8

HEX #61BCEA

RGB 97 188 234

HSL 200.15, 0.77%, 0.65%

LAB 72.53, -14, -31.11

 

Description

Color code: HEX #D561EA | qconv.com Color code: HEX #D561EA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 97 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 97 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 59 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 59% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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