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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C44FD7 it is the complementary color #3BB028. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C44FD7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C44FD7 shade: #C94FD2, #DA61E5, #EB73F8, #FC85FF and #FF97FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C44FD7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C44FD7 shade: #C44FD7, #B33DC4, #A22BB1, #91199E and #80078B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C44FD7 shade: #C450D7, #D750C5, #D750A1, #D7507D and #D75058

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C44FD7 shade: #C450D7, #A050D7, #7B50D7, #5750D7 and #5050D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C44FD7 shade matches the following richer shades: #C450D7, #D13FE8 and #DD2DFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C44FD7 shade: #C450D7, #B861C6, #AB73B4, #9F84A3 and #929592

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C44FD7 shade: #7B50D7, #9F50D7, #C350D7, #D750C7 and #D750A3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C44FD7 shade: #9B27AD, #B92FCF, #C450D7, #CF72DF and #DB93E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C44FD7 shade: #C44FD7, #D75750 and #50D78D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C44FD7 shade: #C44FD7, #D7C350 and #50D7C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C44FD7 shade: #C44FD7, #D75750, #64D750 and #50D0D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C44FD7 shade: #C44FD7, #D77F50, #64D750 and #50A8D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 63 / 0 / 16

HEX #C44FD7

RGB 196 79 215

HSL 291.62, 0.63%, 0.58%

LAB 54.27, 64.87, -48.6

 

Complementary color

CMYK 66 / 0 / 77 / 31

HEX #3BB028

RGB 59 176 40

HSL 111.62, 0.63%, 0.42%

LAB 63.45, -56.88, 55.83

 

CMYK 4 / 62 / 0 / 18

HEX #C94FD2

RGB 201 79 210

HSL 295.88, 0.59%, 0.57%

LAB 54.72, 65.16, -45

 

CMYK 5 / 58 / 0 / 10

HEX #DA61E5

RGB 218 97 229

HSL 295, 0.72%, 0.64%

LAB 60.88, 64.93, -45.83

 

CMYK 5 / 54 / 0 / 3

HEX #EB73F8

RGB 235 115 248

HSL 294.14, 0.9%, 0.71%

LAB 67.05, 64.49, -46.48

 

CMYK 1 / 48 / 0 / 0

HEX #FC85FF

RGB 252 133 255

HSL 298.52, 1%, 0.76%

LAB 72.69, 61.79, -41.32

 

CMYK 0 / 41 / 0 / 0

HEX #FF97FF

RGB 255 151 255

HSL 300, 1%, 0.8%

LAB 76.44, 53.83, -35.45

 

CMYK 9 / 63 / 0 / 16

HEX #C44FD7

RGB 196 79 215

HSL 291.62, 0.63%, 0.58%

LAB 54.27, 64.87, -48.6

 

CMYK 9 / 69 / 0 / 23

HEX #B33DC4

RGB 179 61 196

HSL 292.44, 0.53%, 0.5%

LAB 48.14, 64.8, -47.62

 

CMYK 8 / 76 / 0 / 31

HEX #A22BB1

RGB 162 43 177

HSL 293.28, 0.61%, 0.43%

LAB 42.13, 64.15, -46.26

 

CMYK 8 / 84 / 0 / 38

HEX #91199E

RGB 145 25 158

HSL 294.14, 0.73%, 0.36%

LAB 36.34, 62.59, -44.33

 

CMYK 8 / 95 / 0 / 45

HEX #80078B

RGB 128 7 139

HSL 295, 0.9%, 0.29%

LAB 30.89, 59.65, -41.59

 

CMYK 9 / 63 / 0 / 16

HEX #C450D7

RGB 196 80 215

HSL 291.56, 0.63%, 0.58%

LAB 54.43, 64.45, -48.36

 

CMYK 0 / 63 / 8 / 16

HEX #D750C5

RGB 215 80 197

HSL 308, 0.63%, 0.58%

LAB 56.3, 66.05, -34.95

 

CMYK 0 / 63 / 25 / 16

HEX #D750A1

RGB 215 80 161

HSL 324, 0.63%, 0.58%

LAB 54.82, 60.89, -16.37

 

CMYK 0 / 63 / 42 / 16

HEX #D7507D

RGB 215 80 125

HSL 340, 0.63%, 0.58%

LAB 53.67, 56.69, 3.19

 

CMYK 0 / 63 / 59 / 16

HEX #D75058

RGB 215 80 88

HSL 356.44, 0.63%, 0.58%

LAB 52.83, 53.52, 24.01

 

CMYK 9 / 63 / 0 / 16

HEX #C450D7

RGB 196 80 215

HSL 291.56, 0.63%, 0.58%

LAB 54.43, 64.45, -48.36

 

CMYK 26 / 63 / 0 / 16

HEX #A050D7

RGB 160 80 215

HSL 275.56, 0.63%, 0.58%

LAB 49.64, 56.11, -56.28

 

CMYK 43 / 63 / 0 / 16

HEX #7B50D7

RGB 123 80 215

HSL 259.11, 0.63%, 0.58%

LAB 45.43, 48.14, -63.28

 

CMYK 60 / 63 / 0 / 16

HEX #5750D7

RGB 87 80 215

HSL 243.11, 0.63%, 0.58%

LAB 42.26, 41.56, -68.58

 

CMYK 63 / 63 / 0 / 16

HEX #5050D7

RGB 80 80 215

HSL 240, 0.63%, 0.58%

LAB 41.77, 40.48, -69.41

 

CMYK 9 / 63 / 0 / 16

HEX #C450D7

RGB 196 80 215

HSL 291.56, 0.63%, 0.58%

LAB 54.43, 64.45, -48.36

 

CMYK 10 / 73 / 0 / 9

HEX #D13FE8

RGB 209 63 232

HSL 291.83, 0.79%, 0.58%

LAB 55.01, 76.69, -56.93

 

CMYK 12 / 82 / 0 / 2

HEX #DD2DFA

RGB 221 45 250

HSL 291.51, 0.95%, 0.58%

LAB 56.24, 86.83, -64.92

 

CMYK 9 / 63 / 0 / 16

HEX #C450D7

RGB 196 80 215

HSL 291.56, 0.63%, 0.58%

LAB 54.43, 64.45, -48.36

 

CMYK 7 / 51 / 0 / 22

HEX #B861C6

RGB 184 97 198

HSL 291.68, 0.47%, 0.58%

LAB 54.88, 50.22, -38.05

 

CMYK 5 / 36 / 0 / 29

HEX #AB73B4

RGB 171 115 180

HSL 291.69, 0.3%, 0.58%

LAB 56.3, 33.13, -25.64

 

CMYK 2 / 19 / 0 / 36

HEX #9F84A3

RGB 159 132 163

HSL 292.26, 0.14%, 0.58%

LAB 58.53, 16, -12.61

 

CMYK 2 / 0 / 2 / 42

HEX #929592

RGB 146 149 146

HSL 120, 0.01%, 0.58%

LAB 61.38, -1.67, 1.19

 

CMYK 43 / 63 / 0 / 16

HEX #7B50D7

RGB 123 80 215

HSL 259.11, 0.63%, 0.58%

LAB 45.43, 48.14, -63.28

 

CMYK 26 / 63 / 0 / 16

HEX #9F50D7

RGB 159 80 215

HSL 275.11, 0.63%, 0.58%

LAB 49.51, 55.89, -56.49

 

CMYK 9 / 63 / 0 / 16

HEX #C350D7

RGB 195 80 215

HSL 291.11, 0.63%, 0.58%

LAB 54.29, 64.22, -48.59

 

CMYK 0 / 63 / 7 / 16

HEX #D750C7

RGB 215 80 199

HSL 307.11, 0.63%, 0.58%

LAB 56.39, 66.36, -35.95

 

CMYK 0 / 63 / 24 / 16

HEX #D750A3

RGB 215 80 163

HSL 323.11, 0.63%, 0.58%

LAB 54.9, 61.15, -17.43

 

CMYK 10 / 77 / 0 / 32

HEX #9B27AD

RGB 155 39 173

HSL 291.94, 0.63%, 0.42%

LAB 40.31, 63.3, -46.87

 

CMYK 11 / 77 / 0 / 19

HEX #B92FCF

RGB 185 47 207

HSL 291.75, 0.63%, 0.5%

LAB 48.07, 72.69, -54.03

 

CMYK 9 / 63 / 0 / 16

HEX #C450D7

RGB 196 80 215

HSL 291.56, 0.63%, 0.58%

LAB 54.43, 64.45, -48.36

 

CMYK 7 / 49 / 0 / 13

HEX #CF72DF

RGB 207 114 223

HSL 291.19, 0.63%, 0.66%

LAB 62.19, 52.86, -40.51

 

CMYK 5 / 36 / 0 / 10

HEX #DB93E6

RGB 219 147 230

HSL 292.05, 0.62%, 0.74%

LAB 70.62, 40.56, -31.17

 

CMYK 9 / 63 / 0 / 16

HEX #C44FD7

RGB 196 79 215

HSL 291.62, 0.63%, 0.58%

LAB 54.27, 64.87, -48.6

 

CMYK 0 / 60 / 63 / 16

HEX #D75750

RGB 215 87 80

HSL 3.11, 0.63%, 0.58%

LAB 53.86, 49.88, 29.99

 

CMYK 63 / 0 / 34 / 16

HEX #50D78D

RGB 80 215 141

HSL 147.11, 0.63%, 0.58%

LAB 77.42, -53.33, 25.95

 

CMYK 9 / 63 / 0 / 16

HEX #C44FD7

RGB 196 79 215

HSL 291.62, 0.63%, 0.58%

LAB 54.27, 64.87, -48.6

 

CMYK 0 / 9 / 63 / 16

HEX #D7C350

RGB 215 195 80

HSL 51.11, 0.63%, 0.58%

LAB 78.49, -6.42, 58.62

 

CMYK 63 / 0 / 9 / 16

HEX #50D7C3

RGB 80 215 195

HSL 171.11, 0.63%, 0.58%

LAB 78.61, -41.2, -0.97

 

CMYK 9 / 63 / 0 / 16

HEX #C44FD7

RGB 196 79 215

HSL 291.62, 0.63%, 0.58%

LAB 54.27, 64.87, -48.6

 

CMYK 0 / 60 / 63 / 16

HEX #D75750

RGB 215 87 80

HSL 3.11, 0.63%, 0.58%

LAB 53.86, 49.88, 29.99

 

CMYK 53 / 0 / 63 / 16

HEX #64D750

RGB 100 215 80

HSL 111.11, 0.63%, 0.58%

LAB 77.21, -57.6, 55.24

 

CMYK 63 / 3 / 0 / 16

HEX #50D0D7

RGB 80 208 215

HSL 183.11, 0.63%, 0.58%

LAB 77.12, -32.6, -13.91

 

CMYK 9 / 63 / 0 / 16

HEX #C44FD7

RGB 196 79 215

HSL 291.62, 0.63%, 0.58%

LAB 54.27, 64.87, -48.6

 

CMYK 0 / 41 / 63 / 16

HEX #D77F50

RGB 215 127 80

HSL 20.89, 0.63%, 0.58%

LAB 61.83, 29.81, 39.74

 

CMYK 53 / 0 / 63 / 16

HEX #64D750

RGB 100 215 80

HSL 111.11, 0.63%, 0.58%

LAB 77.21, -57.6, 55.24

 

CMYK 63 / 22 / 0 / 16

HEX #50A8D7

RGB 80 168 215

HSL 200.89, 0.63%, 0.58%

LAB 65.45, -12.25, -31.7

 

Description

Color code: HEX #C44FD7 | qconv.com Color code: HEX #C44FD7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 79 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 79 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 63 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 63% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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