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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D4EF89 it is the complementary color #2B1076. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D4EF89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D4EF89 shade: #D9EF84, #EAFF97, #FBFFAA, #FFFFBD and #FFFFD0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D4EF89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D4EF89 shade: #D4EF89, #C3DD76, #B2CB63, #A1B950 and #90A73D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D4EF89 shade: #D4EF8A, #EFEE8A, #EFD38A, #EFB88A and #EF9D8A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D4EF89 shade: #D4EF8A, #B9EF8A, #9EEF8A, #8AEF91 and #8AEFAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D4EF89 shade matches the following richer shades: #D4EF8A and #D9F97F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D4EF89 shade: #D4EF8A, #CFE495, #CAD99F, #C5CEAA and #C0C4B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D4EF89 shade: #EFD28A, #EFED8A, #D5EF8A, #BBEF8A and #A0EF8A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D4EF89 shade: #B9E541, #C7EA66, #D4EF8A, #E1F4AE and #EEF8D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D4EF89 shade: #D4EF89, #8AEFB7 and #DF8AEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D4EF89 shade: #D4EF89, #8AD5EF and #EF8AD5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D4EF89 shade: #D4EF89, #8AEFB7, #A38AEF and #EF8AC1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D4EF89 shade: #D4EF89, #8AEFD5, #A38AEF and #EF8AA3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 43 / 6

HEX #D4EF89

RGB 212 239 137

HSL 75.88, 0.76%, 0.74%

LAB 90.57, -24.47, 46.3

 

Complementary color

CMYK 64 / 86 / 0 / 54

HEX #2B1076

RGB 43 16 118

HSL 255.88, 0.76%, 0.26%

LAB 16.47, 40.29, -52.41

 

CMYK 9 / 0 / 45 / 6

HEX #D9EF84

RGB 217 239 132

HSL 72.34, 0.77%, 0.73%

LAB 90.85, -23.12, 49.12

 

CMYK 8 / 0 / 41 / 0

HEX #EAFF97

RGB 234 255 151

HSL 72.12, 1%, 0.8%

LAB 96.51, -22.36, 47.34

 

CMYK 2 / 0 / 33 / 0

HEX #FBFFAA

RGB 251 255 170

HSL 62.82, 1%, 0.83%

LAB 98.01, -13.88, 40.24

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFBD

RGB 255 255 189

HSL 60, 1%, 0.87%

LAB 98.61, -10.07, 31.64

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD0

RGB 255 255 208

HSL 60, 1%, 0.91%

LAB 98.96, -7.48, 22.52

 

CMYK 11 / 0 / 43 / 6

HEX #D4EF89

RGB 212 239 137

HSL 75.88, 0.76%, 0.74%

LAB 90.57, -24.47, 46.3

 

CMYK 12 / 0 / 47 / 13

HEX #C3DD76

RGB 195 221 118

HSL 75.15, 0.6%, 0.66%

LAB 84.29, -24.31, 47.43

 

CMYK 12 / 0 / 51 / 20

HEX #B2CB63

RGB 178 203 99

HSL 74.42, 0.5%, 0.59%

LAB 77.92, -24.09, 48.55

 

CMYK 13 / 0 / 57 / 27

HEX #A1B950

RGB 161 185 80

HSL 73.71, 0.43%, 0.52%

LAB 71.46, -23.8, 49.61

 

CMYK 14 / 0 / 63 / 35

HEX #90A73D

RGB 144 167 61

HSL 73.02, 0.46%, 0.45%

LAB 64.89, -23.4, 50.5

 

CMYK 11 / 0 / 42 / 6

HEX #D4EF8A

RGB 212 239 138

HSL 76.04, 0.76%, 0.74%

LAB 90.58, -24.36, 45.83

 

CMYK 0 / 0 / 42 / 6

HEX #EFEE8A

RGB 239 238 138

HSL 59.41, 0.76%, 0.74%

LAB 92.28, -13.57, 48.38

 

CMYK 0 / 12 / 42 / 6

HEX #EFD38A

RGB 239 211 138

HSL 43.37, 0.76%, 0.74%

LAB 85.39, 0.03, 39.67

 

CMYK 0 / 23 / 42 / 6

HEX #EFB88A

RGB 239 184 138

HSL 27.33, 0.76%, 0.74%

LAB 78.73, 14.11, 31.01

 

CMYK 0 / 34 / 42 / 6

HEX #EF9D8A

RGB 239 157 138

HSL 11.29, 0.76%, 0.74%

LAB 72.43, 28.41, 22.55

 

CMYK 11 / 0 / 42 / 6

HEX #D4EF8A

RGB 212 239 138

HSL 76.04, 0.76%, 0.74%

LAB 90.58, -24.36, 45.83

 

CMYK 23 / 0 / 42 / 6

HEX #B9EF8A

RGB 185 239 138

HSL 92.08, 0.76%, 0.74%

LAB 88.87, -34.19, 43.3

 

CMYK 34 / 0 / 42 / 6

HEX #9EEF8A

RGB 158 239 138

HSL 108.12, 0.76%, 0.74%

LAB 87.41, -43.29, 41.14

 

CMYK 42 / 0 / 39 / 6

HEX #8AEF91

RGB 138 239 145

HSL 124.16, 0.76%, 0.74%

LAB 86.59, -48.35, 36.45

 

CMYK 42 / 0 / 28 / 6

HEX #8AEFAC

RGB 138 239 172

HSL 140.2, 0.76%, 0.74%

LAB 87.05, -43.84, 23.39

 

CMYK 11 / 0 / 42 / 6

HEX #D4EF8A

RGB 212 239 138

HSL 76.04, 0.76%, 0.74%

LAB 90.58, -24.36, 45.83

 

CMYK 13 / 0 / 49 / 2

HEX #D9F97F

RGB 217 249 127

HSL 75.74, 0.91%, 0.74%

LAB 93.47, -28.35, 54.66

 

CMYK 11 / 0 / 42 / 6

HEX #D4EF8A

RGB 212 239 138

HSL 76.04, 0.76%, 0.74%

LAB 90.58, -24.36, 45.83

 

CMYK 9 / 0 / 35 / 11

HEX #CFE495

RGB 207 228 149

HSL 75.95, 0.59%, 0.74%

LAB 87.45, -19.61, 36.3

 

CMYK 7 / 0 / 27 / 15

HEX #CAD99F

RGB 202 217 159

HSL 75.52, 0.43%, 0.74%

LAB 84.32, -14.69, 26.96

 

CMYK 4 / 0 / 17 / 19

HEX #C5CEAA

RGB 197 206 170

HSL 75, 0.27%, 0.74%

LAB 81.24, -9.3, 16.9

 

CMYK 2 / 0 / 8 / 23

HEX #C0C4B5

RGB 192 196 181

HSL 76, 0.11%, 0.74%

LAB 78.47, -4.08, 7.04

 

CMYK 0 / 12 / 42 / 6

HEX #EFD28A

RGB 239 210 138

HSL 42.77, 0.76%, 0.74%

LAB 85.14, 0.54, 39.35

 

CMYK 0 / 1 / 42 / 6

HEX #EFED8A

RGB 239 237 138

HSL 58.81, 0.76%, 0.74%

LAB 92.02, -13.07, 48.05

 

CMYK 11 / 0 / 42 / 6

HEX #D5EF8A

RGB 213 239 138

HSL 75.45, 0.76%, 0.74%

LAB 90.65, -23.99, 45.93

 

CMYK 22 / 0 / 42 / 6

HEX #BBEF8A

RGB 187 239 138

HSL 90.89, 0.76%, 0.74%

LAB 88.99, -33.49, 43.48

 

CMYK 33 / 0 / 42 / 6

HEX #A0EF8A

RGB 160 239 138

HSL 106.93, 0.76%, 0.74%

LAB 87.51, -42.65, 41.29

 

CMYK 19 / 0 / 72 / 10

HEX #B9E541

RGB 185 229 65

HSL 76.1, 0.76%, 0.58%

LAB 85.37, -36.07, 70.8

 

CMYK 15 / 0 / 56 / 8

HEX #C7EA66

RGB 199 234 102

HSL 75.91, 0.76%, 0.66%

LAB 87.94, -30.43, 59.18

 

CMYK 11 / 0 / 42 / 6

HEX #D4EF8A

RGB 212 239 138

HSL 76.04, 0.76%, 0.74%

LAB 90.58, -24.36, 45.83

 

CMYK 8 / 0 / 29 / 4

HEX #E1F4AE

RGB 225 244 174

HSL 76.29, 0.76%, 0.82%

LAB 93.35, -17.57, 31.73

 

CMYK 4 / 0 / 15 / 3

HEX #EEF8D2

RGB 238 248 210

HSL 75.79, 0.73%, 0.9%

LAB 95.98, -9.69, 17.15

 

CMYK 11 / 0 / 43 / 6

HEX #D4EF89

RGB 212 239 137

HSL 75.88, 0.76%, 0.74%

LAB 90.57, -24.47, 46.3

 

CMYK 42 / 0 / 23 / 6

HEX #8AEFB7

RGB 138 239 183

HSL 146.73, 0.76%, 0.74%

LAB 87.27, -41.78, 18.01

 

CMYK 7 / 42 / 0 / 6

HEX #DF8AEF

RGB 223 138 239

HSL 290.5, 0.76%, 0.74%

LAB 69.54, 48.21, -37.75

 

CMYK 11 / 0 / 43 / 6

HEX #D4EF89

RGB 212 239 137

HSL 75.88, 0.76%, 0.74%

LAB 90.57, -24.47, 46.3

 

CMYK 42 / 11 / 0 / 6

HEX #8AD5EF

RGB 138 213 239

HSL 195.45, 0.76%, 0.74%

LAB 81.41, -16.65, -20.06

 

CMYK 0 / 42 / 11 / 6

HEX #EF8AD5

RGB 239 138 213

HSL 315.45, 0.76%, 0.74%

LAB 70.41, 48.45, -21.93

 

CMYK 11 / 0 / 43 / 6

HEX #D4EF89

RGB 212 239 137

HSL 75.88, 0.76%, 0.74%

LAB 90.57, -24.47, 46.3

 

CMYK 42 / 0 / 23 / 6

HEX #8AEFB7

RGB 138 239 183

HSL 146.73, 0.76%, 0.74%

LAB 87.27, -41.78, 18.01

 

CMYK 32 / 42 / 0 / 6

HEX #A38AEF

RGB 163 138 239

HSL 254.85, 0.76%, 0.74%

LAB 63.5, 31.29, -47.64

 

CMYK 0 / 42 / 19 / 6

HEX #EF8AC1

RGB 239 138 193

HSL 327.33, 0.76%, 0.74%

LAB 69.74, 45.35, -11.83

 

CMYK 11 / 0 / 43 / 6

HEX #D4EF89

RGB 212 239 137

HSL 75.88, 0.76%, 0.74%

LAB 90.57, -24.47, 46.3

 

CMYK 42 / 0 / 11 / 6

HEX #8AEFD5

RGB 138 239 213

HSL 164.55, 0.76%, 0.74%

LAB 87.94, -35.55, 3.35

 

CMYK 32 / 42 / 0 / 6

HEX #A38AEF

RGB 163 138 239

HSL 254.85, 0.76%, 0.74%

LAB 63.5, 31.29, -47.64

 

CMYK 0 / 42 / 32 / 6

HEX #EF8AA3

RGB 239 138 163

HSL 345.15, 0.76%, 0.74%

LAB 68.88, 41.24, 3.69

 

Description

Color code: HEX #D4EF89 | qconv.com Color code: HEX #D4EF89 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 239 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 239 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 43 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 43% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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