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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8AEFAC it is the complementary color #751053. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8AEFAC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8AEFAC shade: #8FEFA7, #A0FFBA, #B1FFCD, #C2FFE0 and #D3FFF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8AEFAC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8AEFAC shade: #8AEFAC, #79DD99, #68CB86, #57B973 and #46A760

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8AEFAC shade: #8AEFAC, #8AEF91, #9EEF8A, #B9EF8A and #D5EF8A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8AEFAC shade: #8AEFAC, #8AEFC7, #8AEFE2, #8AE0EF and #8AC5EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8AEFAC shade matches the following richer shades: #8AEFAC and #7FF9A8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8AEFAC shade: #8AEFAC, #95E4AF, #9FD9B3, #AACEB6 and #B5C4BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8AEFAC shade: #9EEF8A, #8AEF91, #8AEFAB, #8AEFC6 and #8AEFE1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8AEFAC shade: #41E578, #66EA92, #8AEFAC, #AEF4C5 and #D2F8DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8AEFAC shade: #8AEFAC, #8AB9EF and #EF8A91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8AEFAC shade: #8AEFAC, #AB8AEF and #EFAB8A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8AEFAC shade: #8AEFAC, #8AB9EF, #EF8ACD and #EFC08A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8AEFAC shade: #8AEFAC, #8A9BEF, #EF8ACD and #EFDE8A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 28 / 6

HEX #8AEFAC

RGB 138 239 172

HSL 140.2, 0.76%, 0.74%

LAB 87.05, -43.84, 23.39

 

Complementary color

CMYK 0 / 86 / 29 / 54

HEX #751053

RGB 117 16 83

HSL 320.2, 0.76%, 0.26%

LAB 26.09, 47.17, -13.33

 

CMYK 40 / 0 / 30 / 6

HEX #8FEFA7

RGB 143 239 167

HSL 135, 0.75%, 0.75%

LAB 87.17, -43.34, 26.15

 

CMYK 37 / 0 / 27 / 0

HEX #A0FFBA

RGB 160 255 186

HSL 136.42, 1%, 0.81%

LAB 92.81, -42.21, 24.31

 

CMYK 31 / 0 / 20 / 0

HEX #B1FFCD

RGB 177 255 205

HSL 141.54, 1%, 0.85%

LAB 94, -33.83, 16.39

 

CMYK 24 / 0 / 12 / 0

HEX #C2FFE0

RGB 194 255 224

HSL 149.51, 1%, 0.88%

LAB 95.32, -25.16, 8.63

 

CMYK 17 / 0 / 5 / 0

HEX #D3FFF3

RGB 211 255 243

HSL 163.64, 1%, 0.91%

LAB 96.75, -16.3, 1.06

 

CMYK 42 / 0 / 28 / 6

HEX #8AEFAC

RGB 138 239 172

HSL 140.2, 0.76%, 0.74%

LAB 87.05, -43.84, 23.39

 

CMYK 45 / 0 / 31 / 13

HEX #79DD99

RGB 121 221 153

HSL 139.2, 0.6%, 0.67%

LAB 80.78, -44.06, 24.51

 

CMYK 49 / 0 / 34 / 20

HEX #68CB86

RGB 104 203 134

HSL 138.18, 0.49%, 0.6%

LAB 74.43, -44.25, 25.71

 

CMYK 53 / 0 / 38 / 27

HEX #57B973

RGB 87 185 115

HSL 137.14, 0.41%, 0.53%

LAB 67.99, -44.37, 26.99

 

CMYK 58 / 0 / 43 / 35

HEX #46A760

RGB 70 167 96

HSL 136.08, 0.41%, 0.46%

LAB 61.47, -44.38, 28.37

 

CMYK 42 / 0 / 28 / 6

HEX #8AEFAC

RGB 138 239 172

HSL 140.2, 0.76%, 0.74%

LAB 87.05, -43.84, 23.39

 

CMYK 42 / 0 / 39 / 6

HEX #8AEF91

RGB 138 239 145

HSL 124.16, 0.76%, 0.74%

LAB 86.59, -48.35, 36.45

 

CMYK 34 / 0 / 42 / 6

HEX #9EEF8A

RGB 158 239 138

HSL 108.12, 0.76%, 0.74%

LAB 87.41, -43.29, 41.14

 

CMYK 23 / 0 / 42 / 6

HEX #B9EF8A

RGB 185 239 138

HSL 92.08, 0.76%, 0.74%

LAB 88.87, -34.19, 43.3

 

CMYK 11 / 0 / 42 / 6

HEX #D5EF8A

RGB 213 239 138

HSL 75.45, 0.76%, 0.74%

LAB 90.65, -23.99, 45.93

 

CMYK 42 / 0 / 28 / 6

HEX #8AEFAC

RGB 138 239 172

HSL 140.2, 0.76%, 0.74%

LAB 87.05, -43.84, 23.39

 

CMYK 42 / 0 / 17 / 6

HEX #8AEFC7

RGB 138 239 199

HSL 156.24, 0.76%, 0.74%

LAB 87.61, -38.56, 10.18

 

CMYK 42 / 0 / 5 / 6

HEX #8AEFE2

RGB 138 239 226

HSL 172.28, 0.76%, 0.74%

LAB 88.27, -32.59, -2.97

 

CMYK 42 / 6 / 0 / 6

HEX #8AE0EF

RGB 138 224 239

HSL 188.91, 0.76%, 0.74%

LAB 84.46, -22.19, -15.48

 

CMYK 42 / 18 / 0 / 6

HEX #8AC5EF

RGB 138 197 239

HSL 204.95, 0.76%, 0.74%

LAB 77.02, -8.31, -26.75

 

CMYK 42 / 0 / 28 / 6

HEX #8AEFAC

RGB 138 239 172

HSL 140.2, 0.76%, 0.74%

LAB 87.05, -43.84, 23.39

 

CMYK 49 / 0 / 33 / 2

HEX #7FF9A8

RGB 127 249 168

HSL 140.16, 0.91%, 0.74%

LAB 89.44, -51.66, 28.6

 

CMYK 42 / 0 / 28 / 6

HEX #8AEFAC

RGB 138 239 172

HSL 140.2, 0.76%, 0.74%

LAB 87.05, -43.84, 23.39

 

CMYK 35 / 0 / 23 / 11

HEX #95E4AF

RGB 149 228 175

HSL 139.75, 0.59%, 0.74%

LAB 84.47, -35.23, 18.33

 

CMYK 27 / 0 / 18 / 15

HEX #9FD9B3

RGB 159 217 179

HSL 140.69, 0.43%, 0.74%

LAB 81.97, -26.22, 12.8

 

CMYK 17 / 0 / 12 / 19

HEX #AACEB6

RGB 170 206 182

HSL 140, 0.27%, 0.74%

LAB 79.65, -16.64, 7.99

 

CMYK 8 / 0 / 5 / 23

HEX #B5C4BA

RGB 181 196 186

HSL 140, 0.11%, 0.74%

LAB 77.79, -7.02, 3.25

 

CMYK 34 / 0 / 42 / 6

HEX #9EEF8A

RGB 158 239 138

HSL 108.12, 0.76%, 0.74%

LAB 87.41, -43.29, 41.14

 

CMYK 42 / 0 / 39 / 6

HEX #8AEF91

RGB 138 239 145

HSL 124.16, 0.76%, 0.74%

LAB 86.59, -48.35, 36.45

 

CMYK 42 / 0 / 28 / 6

HEX #8AEFAB

RGB 138 239 171

HSL 139.6, 0.76%, 0.74%

LAB 87.03, -44.02, 23.87

 

CMYK 42 / 0 / 17 / 6

HEX #8AEFC6

RGB 138 239 198

HSL 155.64, 0.76%, 0.74%

LAB 87.59, -38.77, 10.67

 

CMYK 42 / 0 / 6 / 6

HEX #8AEFE1

RGB 138 239 225

HSL 171.68, 0.76%, 0.74%

LAB 88.24, -32.82, -2.49

 

CMYK 72 / 0 / 48 / 10

HEX #41E578

RGB 65 229 120

HSL 140.12, 0.76%, 0.58%

LAB 81.03, -64.71, 41.18

 

CMYK 56 / 0 / 38 / 8

HEX #66EA92

RGB 102 234 146

HSL 140, 0.76%, 0.66%

LAB 83.83, -55.34, 32.08

 

CMYK 42 / 0 / 28 / 6

HEX #8AEFAC

RGB 138 239 172

HSL 140.2, 0.76%, 0.74%

LAB 87.05, -43.84, 23.39

 

CMYK 29 / 0 / 19 / 4

HEX #AEF4C5

RGB 174 244 197

HSL 139.71, 0.76%, 0.82%

LAB 90.66, -31.09, 15.77

 

CMYK 15 / 0 / 10 / 3

HEX #D2F8DF

RGB 210 248 223

HSL 140.53, 0.73%, 0.9%

LAB 94.38, -16.92, 7.93

 

CMYK 42 / 0 / 28 / 6

HEX #8AEFAC

RGB 138 239 172

HSL 140.2, 0.76%, 0.74%

LAB 87.05, -43.84, 23.39

 

CMYK 42 / 23 / 0 / 6

HEX #8AB9EF

RGB 138 185 239

HSL 212.08, 0.76%, 0.74%

LAB 73.76, -1.85, -31.76

 

CMYK 0 / 42 / 39 / 6

HEX #EF8A91

RGB 239 138 145

HSL 355.84, 0.76%, 0.74%

LAB 68.44, 39.11, 13.16

 

CMYK 42 / 0 / 28 / 6

HEX #8AEFAC

RGB 138 239 172

HSL 140.2, 0.76%, 0.74%

LAB 87.05, -43.84, 23.39

 

CMYK 28 / 42 / 0 / 6

HEX #AB8AEF

RGB 171 138 239

HSL 259.6, 0.76%, 0.74%

LAB 64.22, 33.45, -46.47

 

CMYK 0 / 28 / 42 / 6

HEX #EFAB8A

RGB 239 171 138

HSL 19.6, 0.76%, 0.74%

LAB 75.64, 21, 26.89

 

CMYK 42 / 0 / 28 / 6

HEX #8AEFAC

RGB 138 239 172

HSL 140.2, 0.76%, 0.74%

LAB 87.05, -43.84, 23.39

 

CMYK 42 / 23 / 0 / 6

HEX #8AB9EF

RGB 138 185 239

HSL 212.08, 0.76%, 0.74%

LAB 73.76, -1.85, -31.76

 

CMYK 0 / 42 / 14 / 6

HEX #EF8ACD

RGB 239 138 205

HSL 320.2, 0.76%, 0.74%

LAB 70.13, 47.18, -17.91

 

CMYK 0 / 20 / 42 / 6

HEX #EFC08A

RGB 239 192 138

HSL 32.08, 0.76%, 0.74%

LAB 80.67, 9.9, 33.56

 

CMYK 42 / 0 / 28 / 6

HEX #8AEFAC

RGB 138 239 172

HSL 140.2, 0.76%, 0.74%

LAB 87.05, -43.84, 23.39

 

CMYK 42 / 35 / 0 / 6

HEX #8A9BEF

RGB 138 155 239

HSL 229.9, 0.76%, 0.74%

LAB 65.81, 15.01, -44.14

 

CMYK 0 / 42 / 14 / 6

HEX #EF8ACD

RGB 239 138 205

HSL 320.2, 0.76%, 0.74%

LAB 70.13, 47.18, -17.91

 

CMYK 0 / 7 / 42 / 6

HEX #EFDE8A

RGB 239 222 138

HSL 49.9, 0.76%, 0.74%

LAB 88.17, -5.58, 43.22

 

Description

Color code: HEX #8AEFAC | qconv.com Color code: HEX #8AEFAC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 239 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 239 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 28 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 28% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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