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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D42FB5 it is the complementary color #2BD04A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D42FB5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D42FB5 shade: #D92FB0, #EA41C3, #FB53D6, #FF65E9 and #FF77FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D42FB5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D42FB5 shade: #D42FB5, #C31DA2, #B20B8F, #A1007C and #900069

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D42FB5 shade: #D42FB5, #D42F89, #D42F5C, #D42F30 and #D42F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D42FB5 shade: #D42FB5, #C72FD4, #9A2FD4, #6E2FD4 and #412FD4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D42FB5 shade matches the following richer shades: #D42FB5, #E81BC2 and #FC07CE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D42FB5 shade: #D42FB5, #C043A8, #AC589C, #976C8F and #838083

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D42FB5 shade: #9A2FD4, #C62FD4, #D42FB6, #D42F8A and #D42F5E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D42FB5 shade: #931E7D, #B5259A, #D42FB5, #DB51C1 and #E274CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D42FB5 shade: #D42FB5, #D46E2F and #2FD4B0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D42FB5 shade: #D42FB5, #B6D42F and #2FB6D4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D42FB5 shade: #D42FB5, #D46E2F, #2FD44D and #2F95D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D42FB5 shade: #D42FB5, #D4A02F, #2FD44D and #2F63D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 15 / 17

HEX #D42FB5

RGB 212 47 181

HSL 311.27, 0.66%, 0.51%

LAB 51.11, 74.18, -33.85

 

Complementary color

CMYK 79 / 0 / 64 / 18

HEX #2BD04A

RGB 43 208 74

HSL 131.27, 0.66%, 0.49%

LAB 73.62, -66.85, 53.4

 

CMYK 0 / 78 / 19 / 15

HEX #D92FB0

RGB 217 47 176

HSL 314.47, 0.69%, 0.52%

LAB 51.75, 74.61, -29.87

 

CMYK 0 / 72 / 17 / 8

HEX #EA41C3

RGB 234 65 195

HSL 313.85, 0.8%, 0.59%

LAB 57.28, 75.76, -32.05

 

CMYK 0 / 67 / 15 / 2

HEX #FB53D6

RGB 251 83 214

HSL 313.21, 0.95%, 0.65%

LAB 62.97, 76.31, -33.79

 

CMYK 0 / 60 / 9 / 0

HEX #FF65E9

RGB 255 101 233

HSL 308.57, 1%, 0.7%

LAB 66.86, 73.18, -38.3

 

CMYK 0 / 53 / 1 / 0

HEX #FF77FC

RGB 255 119 252

HSL 301.32, 1%, 0.73%

LAB 70.51, 68.54, -43.05

 

CMYK 0 / 78 / 15 / 17

HEX #D42FB5

RGB 212 47 181

HSL 311.27, 0.66%, 0.51%

LAB 51.11, 74.18, -33.85

 

CMYK 0 / 85 / 17 / 24

HEX #C31DA2

RGB 195 29 162

HSL 311.93, 0.74%, 0.44%

LAB 45.76, 72.21, -31.23

 

CMYK 0 / 94 / 20 / 30

HEX #B20B8F

RGB 178 11 143

HSL 312.57, 0.88%, 0.37%

LAB 40.72, 69.08, -27.88

 

CMYK 0 / 100 / 23 / 37

HEX #A1007C

RGB 161 0 124

HSL 313.79, 1%, 0.32%

LAB 36.05, 64.57, -23.66

 

CMYK 0 / 100 / 27 / 44

HEX #900069

RGB 144 0 105

HSL 316.25, 1%, 0.28%

LAB 31.69, 58.82, -18.64

 

CMYK 0 / 78 / 15 / 17

HEX #D42FB5

RGB 212 47 181

HSL 311.27, 0.66%, 0.51%

LAB 51.11, 74.18, -33.85

 

CMYK 0 / 78 / 35 / 17

HEX #D42F89

RGB 212 47 137

HSL 327.27, 0.66%, 0.51%

LAB 49.3, 68.84, -10.52

 

CMYK 0 / 78 / 57 / 17

HEX #D42F5C

RGB 212 47 92

HSL 343.64, 0.66%, 0.51%

LAB 48.01, 64.9, 15.06

 

CMYK 0 / 78 / 77 / 17

HEX #D42F30

RGB 212 47 48

HSL 359.64, 0.66%, 0.51%

LAB 47.29, 62.64, 40.39

 

CMYK 0 / 78 / 78 / 17

HEX #D42F2F

RGB 212 47 47

HSL 0, 0.66%, 0.51%

LAB 47.28, 62.6, 40.94

 

CMYK 0 / 78 / 15 / 17

HEX #D42FB5

RGB 212 47 181

HSL 311.27, 0.66%, 0.51%

LAB 51.11, 74.18, -33.85

 

CMYK 6 / 78 / 0 / 17

HEX #C72FD4

RGB 199 47 212

HSL 295.27, 0.66%, 0.51%

LAB 50.6, 76.19, -52.72

 

CMYK 27 / 78 / 0 / 17

HEX #9A2FD4

RGB 154 47 212

HSL 278.91, 0.66%, 0.51%

LAB 43.74, 68.03, -64.14

 

CMYK 48 / 78 / 0 / 17

HEX #6E2FD4

RGB 110 47 212

HSL 262.91, 0.66%, 0.51%

LAB 38.02, 61.18, -73.7

 

CMYK 69 / 78 / 0 / 17

HEX #412FD4

RGB 65 47 212

HSL 246.55, 0.66%, 0.51%

LAB 33.8, 56.05, -80.82

 

CMYK 0 / 78 / 15 / 17

HEX #D42FB5

RGB 212 47 181

HSL 311.27, 0.66%, 0.51%

LAB 51.11, 74.18, -33.85

 

CMYK 0 / 88 / 16 / 9

HEX #E81BC2

RGB 232 27 194

HSL 311.12, 0.82%, 0.51%

LAB 53.85, 83.97, -36.86

 

CMYK 0 / 97 / 18 / 1

HEX #FC07CE

RGB 252 7 206

HSL 311.27, 0.98%, 0.51%

LAB 57.37, 91.01, -37.99

 

CMYK 0 / 78 / 15 / 17

HEX #D42FB5

RGB 212 47 181

HSL 311.27, 0.66%, 0.51%

LAB 51.11, 74.18, -33.85

 

CMYK 0 / 65 / 13 / 25

HEX #C043A8

RGB 192 67 168

HSL 311.52, 0.5%, 0.51%

LAB 49.55, 60.92, -28.9

 

CMYK 0 / 49 / 9 / 33

HEX #AC589C

RGB 172 88 156

HSL 311.43, 0.34%, 0.51%

LAB 49.68, 43.56, -21.86

 

CMYK 0 / 28 / 5 / 41

HEX #976C8F

RGB 151 108 143

HSL 311.16, 0.17%, 0.51%

LAB 51.02, 23.06, -12.37

 

CMYK 0 / 2 / 0 / 49

HEX #838083

RGB 131 128 131

HSL 300, 0.01%, 0.51%

LAB 53.92, 1.72, -1.23

 

CMYK 27 / 78 / 0 / 17

HEX #9A2FD4

RGB 154 47 212

HSL 278.91, 0.66%, 0.51%

LAB 43.74, 68.03, -64.14

 

CMYK 7 / 78 / 0 / 17

HEX #C62FD4

RGB 198 47 212

HSL 294.91, 0.66%, 0.51%

LAB 50.44, 76, -52.98

 

CMYK 0 / 78 / 14 / 17

HEX #D42FB6

RGB 212 47 182

HSL 310.91, 0.66%, 0.51%

LAB 51.16, 74.31, -34.36

 

CMYK 0 / 78 / 35 / 17

HEX #D42F8A

RGB 212 47 138

HSL 326.91, 0.66%, 0.51%

LAB 49.33, 68.95, -11.07

 

CMYK 0 / 78 / 56 / 17

HEX #D42F5E

RGB 212 47 94

HSL 342.91, 0.66%, 0.51%

LAB 48.06, 65.04, 13.89

 

CMYK 0 / 80 / 15 / 42

HEX #931E7D

RGB 147 30 125

HSL 311.28, 0.66%, 0.35%

LAB 35.23, 56.41, -25.77

 

CMYK 0 / 80 / 15 / 29

HEX #B5259A

RGB 181 37 154

HSL 311.25, 0.66%, 0.43%

LAB 43.48, 66.32, -30.18

 

CMYK 0 / 78 / 15 / 17

HEX #D42FB5

RGB 212 47 181

HSL 311.27, 0.66%, 0.51%

LAB 51.11, 74.18, -33.85

 

CMYK 0 / 63 / 12 / 14

HEX #DB51C1

RGB 219 81 193

HSL 311.3, 0.66%, 0.59%

LAB 56.88, 66.06, -31.71

 

CMYK 0 / 49 / 9 / 11

HEX #E274CD

RGB 226 116 205

HSL 311.45, 0.65%, 0.67%

LAB 64.22, 54.15, -27.09

 

CMYK 0 / 78 / 15 / 17

HEX #D42FB5

RGB 212 47 181

HSL 311.27, 0.66%, 0.51%

LAB 51.11, 74.18, -33.85

 

CMYK 0 / 48 / 78 / 17

HEX #D46E2F

RGB 212 110 47

HSL 22.91, 0.66%, 0.51%

LAB 57.42, 35.81, 51.2

 

CMYK 78 / 0 / 17 / 17

HEX #2FD4B0

RGB 47 212 176

HSL 166.91, 0.66%, 0.51%

LAB 76.57, -49.2, 6.17

 

CMYK 0 / 78 / 15 / 17

HEX #D42FB5

RGB 212 47 181

HSL 311.27, 0.66%, 0.51%

LAB 51.11, 74.18, -33.85

 

CMYK 14 / 0 / 78 / 17

HEX #B6D42F

RGB 182 212 47

HSL 70.91, 0.66%, 0.51%

LAB 80.31, -30.27, 71.65

 

CMYK 78 / 14 / 0 / 17

HEX #2FB6D4

RGB 47 182 212

HSL 190.91, 0.66%, 0.51%

LAB 68.62, -25.11, -25.24

 

CMYK 0 / 78 / 15 / 17

HEX #D42FB5

RGB 212 47 181

HSL 311.27, 0.66%, 0.51%

LAB 51.11, 74.18, -33.85

 

CMYK 0 / 48 / 78 / 17

HEX #D46E2F

RGB 212 110 47

HSL 22.91, 0.66%, 0.51%

LAB 57.42, 35.81, 51.2

 

CMYK 78 / 0 / 64 / 17

HEX #2FD44D

RGB 47 212 77

HSL 130.91, 0.66%, 0.51%

LAB 74.97, -67.3, 53.65

 

CMYK 78 / 30 / 0 / 17

HEX #2F95D4

RGB 47 149 212

HSL 202.91, 0.66%, 0.51%

LAB 58.84, -7.41, -40.42

 

CMYK 0 / 78 / 15 / 17

HEX #D42FB5

RGB 212 47 181

HSL 311.27, 0.66%, 0.51%

LAB 51.11, 74.18, -33.85

 

CMYK 0 / 25 / 78 / 17

HEX #D4A02F

RGB 212 160 47

HSL 41.09, 0.66%, 0.51%

LAB 69, 9.05, 62.22

 

CMYK 78 / 0 / 64 / 17

HEX #2FD44D

RGB 47 212 77

HSL 130.91, 0.66%, 0.51%

LAB 74.97, -67.3, 53.65

 

CMYK 78 / 53 / 0 / 17

HEX #2F63D4

RGB 47 99 212

HSL 221.09, 0.66%, 0.51%

LAB 44.63, 23.19, -63.1

 

Description

Color code: HEX #D42FB5 | qconv.com Color code: HEX #D42FB5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 47 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 47 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 15 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 15% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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