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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2F95D4 it is the complementary color #D06A2B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2F95D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2F95D4 shade: #3495CF, #45A7E2, #56B9F5, #67CBFF and #78DDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2F95D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2F95D4 shade: #2F95D4, #1E83C1, #0D71AE, #005F9B and #004D88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2F95D4 shade: #2F95D4, #2F69D4, #2F3CD4, #4F2FD4 and #7B2FD4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2F95D4 shade: #2F95D4, #2F69D4, #2F3CD4 and #2F2FD4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2F95D4 shade matches the following richer shades: #2F95D4, #1B9AE8 and #079FFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2F95D4 shade: #2F95D4, #4390C0, #588BAC, #6C8797 and #808283

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2F95D4 shade: #2FD4B9, #2FC4D4, #2F98D4, #2F6CD4 and #2F40D4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2F95D4 shade: #1E6693, #257EB5, #2F95D4, #51A6DB and #74B8E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2F95D4 shade: #2F95D4, #8D2FD4 and #D4CF2F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2F95D4 shade: #2F95D4, #D42F98 and #98D42F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2F95D4 shade: #2F95D4, #8D2FD4, #D46C2F and #77D42F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2F95D4 shade: #2F95D4, #BE2FD4, #D46C2F and #45D42F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 30 / 0 / 17

HEX #2F95D4

RGB 47 149 212

HSL 202.91, 0.66%, 0.51%

LAB 58.84, -7.41, -40.42

 

Complementary color

CMYK 0 / 49 / 79 / 18

HEX #D06A2B

RGB 208 106 43

HSL 22.91, 0.66%, 0.49%

LAB 55.98, 36.13, 51.39

 

CMYK 75 / 28 / 0 / 19

HEX #3495CF

RGB 52 149 207

HSL 202.45, 0.62%, 0.51%

LAB 58.72, -8.59, -37.78

 

CMYK 69 / 26 / 0 / 11

HEX #45A7E2

RGB 69 167 226

HSL 202.55, 0.73%, 0.58%

LAB 65.27, -9.88, -38.07

 

CMYK 65 / 24 / 0 / 4

HEX #56B9F5

RGB 86 185 245

HSL 202.64, 0.89%, 0.65%

LAB 71.74, -10.91, -38.32

 

CMYK 60 / 20 / 0 / 0

HEX #67CBFF

RGB 103 203 255

HSL 200.53, 1%, 0.7%

LAB 77.77, -14.47, -34.3

 

CMYK 53 / 13 / 0 / 0

HEX #78DDFF

RGB 120 221 255

HSL 195.11, 1%, 0.74%

LAB 83.4, -20.44, -25.6

 

CMYK 78 / 30 / 0 / 17

HEX #2F95D4

RGB 47 149 212

HSL 202.91, 0.66%, 0.51%

LAB 58.84, -7.41, -40.42

 

CMYK 84 / 32 / 0 / 24

HEX #1E83C1

RGB 30 131 193

HSL 202.82, 0.73%, 0.44%

LAB 52.24, -5.54, -40.08

 

CMYK 93 / 35 / 0 / 32

HEX #0D71AE

RGB 13 113 174

HSL 202.73, 0.86%, 0.37%

LAB 45.57, -3.15, -39.68

 

CMYK 100 / 39 / 0 / 39

HEX #005F9B

RGB 0 95 155

HSL 203.23, 1%, 0.3%

LAB 38.81, -0.16, -39.18

 

CMYK 100 / 43 / 0 / 47

HEX #004D88

RGB 0 77 136

HSL 206.03, 1%, 0.27%

LAB 32, 3.66, -38.53

 

CMYK 78 / 30 / 0 / 17

HEX #2F95D4

RGB 47 149 212

HSL 202.91, 0.66%, 0.51%

LAB 58.84, -7.41, -40.42

 

CMYK 78 / 50 / 0 / 17

HEX #2F69D4

RGB 47 105 212

HSL 218.91, 0.66%, 0.51%

LAB 46.26, 19.34, -60.47

 

CMYK 78 / 72 / 0 / 17

HEX #2F3CD4

RGB 47 60 212

HSL 235.27, 0.66%, 0.51%

LAB 35.18, 47.61, -78.56

 

CMYK 63 / 78 / 0 / 17

HEX #4F2FD4

RGB 79 47 212

HSL 251.64, 0.66%, 0.51%

LAB 34.9, 57.39, -78.96

 

CMYK 42 / 78 / 0 / 17

HEX #7B2FD4

RGB 123 47 212

HSL 267.64, 0.66%, 0.51%

LAB 39.58, 63.05, -71.1

 

CMYK 78 / 30 / 0 / 17

HEX #2F95D4

RGB 47 149 212

HSL 202.91, 0.66%, 0.51%

LAB 58.84, -7.41, -40.42

 

CMYK 78 / 50 / 0 / 17

HEX #2F69D4

RGB 47 105 212

HSL 218.91, 0.66%, 0.51%

LAB 46.26, 19.34, -60.47

 

CMYK 78 / 72 / 0 / 17

HEX #2F3CD4

RGB 47 60 212

HSL 235.27, 0.66%, 0.51%

LAB 35.18, 47.61, -78.56

 

CMYK 78 / 78 / 0 / 17

HEX #2F2FD4

RGB 47 47 212

HSL 240, 0.66%, 0.51%

LAB 32.68, 54.68, -82.7

 

CMYK 78 / 30 / 0 / 17

HEX #2F95D4

RGB 47 149 212

HSL 202.91, 0.66%, 0.51%

LAB 58.84, -7.41, -40.42

 

CMYK 88 / 34 / 0 / 9

HEX #1B9AE8

RGB 27 154 232

HSL 202.83, 0.82%, 0.51%

LAB 60.93, -4.66, -48.26

 

CMYK 97 / 37 / 0 / 1

HEX #079FFC

RGB 7 159 252

HSL 202.78, 0.98%, 0.51%

LAB 63.24, -0.88, -55.61

 

CMYK 78 / 30 / 0 / 17

HEX #2F95D4

RGB 47 149 212

HSL 202.91, 0.66%, 0.51%

LAB 58.84, -7.41, -40.42

 

CMYK 65 / 25 / 0 / 25

HEX #4390C0

RGB 67 144 192

HSL 203.04, 0.5%, 0.51%

LAB 57.02, -8.68, -31.95

 

CMYK 49 / 19 / 0 / 33

HEX #588BAC

RGB 88 139 172

HSL 203.57, 0.34%, 0.51%

LAB 55.6, -7.79, -22.69

 

CMYK 28 / 11 / 0 / 41

HEX #6C8797

RGB 108 135 151

HSL 202.33, 0.17%, 0.51%

LAB 54.81, -5.7, -11.69

 

CMYK 2 / 1 / 0 / 49

HEX #808283

RGB 128 130 131

HSL 200, 0.01%, 0.51%

LAB 54.23, -0.54, -0.81

 

CMYK 78 / 0 / 13 / 17

HEX #2FD4B9

RGB 47 212 185

HSL 170.18, 0.66%, 0.51%

LAB 76.8, -46.89, 1.67

 

CMYK 78 / 8 / 0 / 17

HEX #2FC4D4

RGB 47 196 212

HSL 185.82, 0.66%, 0.51%

LAB 72.78, -32, -18.89

 

CMYK 78 / 28 / 0 / 17

HEX #2F98D4

RGB 47 152 212

HSL 201.82, 0.66%, 0.51%

LAB 59.72, -9.11, -39.03

 

CMYK 78 / 49 / 0 / 17

HEX #2F6CD4

RGB 47 108 212

HSL 217.82, 0.66%, 0.51%

LAB 47.08, 17.43, -59.14

 

CMYK 78 / 70 / 0 / 17

HEX #2F40D4

RGB 47 64 212

HSL 233.82, 0.66%, 0.51%

LAB 36.03, 45.26, -77.16

 

CMYK 80 / 31 / 0 / 42

HEX #1E6693

RGB 30 102 147

HSL 203.08, 0.66%, 0.35%

LAB 41.03, -5.52, -30.85

 

CMYK 80 / 30 / 0 / 29

HEX #257EB5

RGB 37 126 181

HSL 202.92, 0.66%, 0.43%

LAB 50.28, -6.39, -36.28

 

CMYK 78 / 30 / 0 / 17

HEX #2F95D4

RGB 47 149 212

HSL 202.91, 0.66%, 0.51%

LAB 58.84, -7.41, -40.42

 

CMYK 63 / 24 / 0 / 14

HEX #51A6DB

RGB 81 166 219

HSL 203.04, 0.66%, 0.59%

LAB 65.07, -9.71, -34.49

 

CMYK 49 / 19 / 0 / 11

HEX #74B8E2

RGB 116 184 226

HSL 202.91, 0.65%, 0.67%

LAB 71.88, -10.24, -27.69

 

CMYK 78 / 30 / 0 / 17

HEX #2F95D4

RGB 47 149 212

HSL 202.91, 0.66%, 0.51%

LAB 58.84, -7.41, -40.42

 

CMYK 33 / 78 / 0 / 17

HEX #8D2FD4

RGB 141 47 212

HSL 274.18, 0.66%, 0.51%

LAB 41.92, 65.86, -67.17

 

CMYK 0 / 2 / 78 / 17

HEX #D4CF2F

RGB 212 207 47

HSL 58.18, 0.66%, 0.51%

LAB 81.2, -15.39, 73.29

 

CMYK 78 / 30 / 0 / 17

HEX #2F95D4

RGB 47 149 212

HSL 202.91, 0.66%, 0.51%

LAB 58.84, -7.41, -40.42

 

CMYK 0 / 78 / 28 / 17

HEX #D42F98

RGB 212 47 152

HSL 321.82, 0.66%, 0.51%

LAB 49.85, 70.51, -18.67

 

CMYK 28 / 0 / 78 / 17

HEX #98D42F

RGB 152 212 47

HSL 81.82, 0.66%, 0.51%

LAB 78.44, -41.98, 69.25

 

CMYK 78 / 30 / 0 / 17

HEX #2F95D4

RGB 47 149 212

HSL 202.91, 0.66%, 0.51%

LAB 58.84, -7.41, -40.42

 

CMYK 33 / 78 / 0 / 17

HEX #8D2FD4

RGB 141 47 212

HSL 274.18, 0.66%, 0.51%

LAB 41.92, 65.86, -67.17

 

CMYK 0 / 49 / 78 / 17

HEX #D46C2F

RGB 212 108 47

HSL 22.18, 0.66%, 0.51%

LAB 57, 36.84, 50.79

 

CMYK 44 / 0 / 78 / 17

HEX #77D42F

RGB 119 212 47

HSL 93.82, 0.66%, 0.51%

LAB 76.81, -53.42, 67.13

 

CMYK 78 / 30 / 0 / 17

HEX #2F95D4

RGB 47 149 212

HSL 202.91, 0.66%, 0.51%

LAB 58.84, -7.41, -40.42

 

CMYK 10 / 78 / 0 / 17

HEX #BE2FD4

RGB 190 47 212

HSL 292, 0.66%, 0.51%

LAB 49.17, 74.5, -55.09

 

CMYK 0 / 49 / 78 / 17

HEX #D46C2F

RGB 212 108 47

HSL 22.18, 0.66%, 0.51%

LAB 57, 36.84, 50.79

 

CMYK 67 / 0 / 78 / 17

HEX #45D42F

RGB 69 212 47

HSL 112, 0.66%, 0.51%

LAB 75.18, -66.31, 65.01

 

Description

Color code: HEX #2F95D4 | qconv.com Color code: HEX #2F95D4 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 149 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 149 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 30 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 30% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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