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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D7CF63 it is the complementary color #28309C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D7CF63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D7CF63 shade: #DCCF5E, #EDE171, #FEF384, #FFFF97 and #FFFFAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D7CF63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D7CF63 shade: #D7CF63, #C6BD50, #B5AB3D, #A4992A and #938717

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D7CF63 shade: #D7CF64, #D7B064, #D79164, #D77264 and #D76464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D7CF63 shade: #D7CF64, #C0D764, #A1D764, #82D764 and #64D766

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D7CF63 shade matches the following richer shades: #D7CF64, #E6DC55 and #F6EA45

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D7CF63 shade: #D7CF64, #C7C174, #B7B484, #A8A693 and #9899A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D7CF63 shade: #D79064, #D7AF64, #D7CD64, #C2D764 and #A3D764

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D7CF63 shade: #B9B02F, #CEC544, #D7CF64, #DFD985 and #E8E3A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D7CF63 shade: #D7CF63, #64D772 and #A064D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D7CF63 shade: #D7CF63, #64D7CD and #CD64D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D7CF63 shade: #D7CF63, #64D772, #646ED7 and #D764C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D7CF63 shade: #D7CF63, #64D794, #646ED7 and #D764A7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 54 / 16

HEX #D7CF63

RGB 215 207 99

HSL 55.86, 0.59%, 0.62%

LAB 81.82, -11.18, 53.83

 

Complementary color

CMYK 74 / 69 / 0 / 39

HEX #28309C

RGB 40 48 156

HSL 235.86, 0.59%, 0.38%

LAB 26.64, 34.73, -59.45

 

CMYK 0 / 6 / 57 / 14

HEX #DCCF5E

RGB 220 207 94

HSL 53.81, 0.64%, 0.62%

LAB 82.19, -9.5, 56.64

 

CMYK 0 / 5 / 52 / 7

HEX #EDE171

RGB 237 225 113

HSL 54.19, 0.78%, 0.69%

LAB 88.47, -10.17, 55.56

 

CMYK 0 / 4 / 48 / 0

HEX #FEF384

RGB 254 243 132

HSL 54.59, 0.98%, 0.76%

LAB 94.67, -10.74, 54.42

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF97

RGB 255 255 151

HSL 60, 1%, 0.8%

LAB 98.04, -14.43, 49.58

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAA

RGB 255 255 170

HSL 60, 1%, 0.83%

LAB 98.31, -12.39, 40.69

 

CMYK 0 / 4 / 54 / 16

HEX #D7CF63

RGB 215 207 99

HSL 55.86, 0.59%, 0.62%

LAB 81.82, -11.18, 53.83

 

CMYK 0 / 5 / 60 / 22

HEX #C6BD50

RGB 198 189 80

HSL 55.42, 0.51%, 0.55%

LAB 75.44, -10.49, 54.87

 

CMYK 0 / 6 / 66 / 29

HEX #B5AB3D

RGB 181 171 61

HSL 55, 0.5%, 0.47%

LAB 68.96, -9.67, 55.7

 

CMYK 0 / 7 / 74 / 36

HEX #A4992A

RGB 164 153 42

HSL 54.59, 0.59%, 0.4%

LAB 62.37, -8.65, 56.11

 

CMYK 0 / 8 / 84 / 42

HEX #938717

RGB 147 135 23

HSL 54.19, 0.73%, 0.33%

LAB 55.68, -7.4, 55.66

 

CMYK 0 / 4 / 53 / 16

HEX #D7CF64

RGB 215 207 100

HSL 55.83, 0.59%, 0.62%

LAB 81.83, -11.1, 53.38

 

CMYK 0 / 18 / 53 / 16

HEX #D7B064

RGB 215 176 100

HSL 39.65, 0.59%, 0.62%

LAB 73.82, 5, 43.88

 

CMYK 0 / 33 / 53 / 16

HEX #D79164

RGB 215 145 100

HSL 23.48, 0.59%, 0.62%

LAB 66.23, 21.67, 34.5

 

CMYK 0 / 47 / 53 / 16

HEX #D77264

RGB 215 114 100

HSL 7.3, 0.59%, 0.62%

LAB 59.34, 38.14, 25.63

 

CMYK 0 / 53 / 53 / 16

HEX #D76464

RGB 215 100 100

HSL 0, 0.59%, 0.62%

LAB 56.57, 45.19, 21.95

 

CMYK 0 / 4 / 53 / 16

HEX #D7CF64

RGB 215 207 100

HSL 55.83, 0.59%, 0.62%

LAB 81.83, -11.1, 53.38

 

CMYK 11 / 0 / 53 / 16

HEX #C0D764

RGB 192 215 100

HSL 72, 0.59%, 0.62%

LAB 82.23, -24.31, 53.39

 

CMYK 25 / 0 / 53 / 16

HEX #A1D764

RGB 161 215 100

HSL 88.17, 0.59%, 0.62%

LAB 80.23, -36.1, 50.55

 

CMYK 40 / 0 / 53 / 16

HEX #82D764

RGB 130 215 100

HSL 104.35, 0.59%, 0.62%

LAB 78.62, -46.72, 48.24

 

CMYK 53 / 0 / 53 / 16

HEX #64D766

RGB 100 215 102

HSL 121.04, 0.59%, 0.62%

LAB 77.44, -55.1, 45.6

 

CMYK 0 / 4 / 53 / 16

HEX #D7CF64

RGB 215 207 100

HSL 55.83, 0.59%, 0.62%

LAB 81.83, -11.1, 53.38

 

CMYK 0 / 4 / 63 / 10

HEX #E6DC55

RGB 230 220 85

HSL 55.86, 0.74%, 0.62%

LAB 86.34, -12.51, 65.29

 

CMYK 0 / 5 / 72 / 4

HEX #F6EA45

RGB 246 234 69

HSL 55.93, 0.91%, 0.62%

LAB 91.17, -13.67, 76.58

 

CMYK 0 / 4 / 53 / 16

HEX #D7CF64

RGB 215 207 100

HSL 55.83, 0.59%, 0.62%

LAB 81.83, -11.1, 53.38

 

CMYK 0 / 3 / 42 / 22

HEX #C7C174

RGB 199 193 116

HSL 55.66, 0.43%, 0.62%

LAB 77.01, -8.97, 39.44

 

CMYK 0 / 2 / 28 / 28

HEX #B7B484

RGB 183 180 132

HSL 56.47, 0.26%, 0.62%

LAB 72.48, -6.63, 24.93

 

CMYK 0 / 1 / 13 / 34

HEX #A8A693

RGB 168 166 147

HSL 54.29, 0.11%, 0.62%

LAB 67.8, -2.66, 10.1

 

CMYK 7 / 6 / 0 / 36

HEX #9899A3

RGB 152 153 163

HSL 234.55, 0.06%, 0.62%

LAB 63.43, 1.63, -5.35

 

CMYK 0 / 33 / 53 / 16

HEX #D79064

RGB 215 144 100

HSL 22.96, 0.59%, 0.62%

LAB 65.99, 22.21, 34.2

 

CMYK 0 / 19 / 53 / 16

HEX #D7AF64

RGB 215 175 100

HSL 39.13, 0.59%, 0.62%

LAB 73.56, 5.53, 43.58

 

CMYK 0 / 5 / 53 / 16

HEX #D7CD64

RGB 215 205 100

HSL 54.78, 0.59%, 0.62%

LAB 81.31, -10.08, 52.77

 

CMYK 10 / 0 / 53 / 16

HEX #C2D764

RGB 194 215 100

HSL 70.96, 0.59%, 0.62%

LAB 82.37, -23.52, 53.59

 

CMYK 24 / 0 / 53 / 16

HEX #A3D764

RGB 163 215 100

HSL 87.13, 0.59%, 0.62%

LAB 80.35, -35.37, 50.72

 

CMYK 0 / 5 / 75 / 27

HEX #B9B02F

RGB 185 176 47

HSL 56.09, 0.59%, 0.45%

LAB 70.57, -11.24, 62.75

 

CMYK 0 / 4 / 67 / 19

HEX #CEC544

RGB 206 197 68

HSL 56.09, 0.58%, 0.54%

LAB 78.15, -11.95, 63

 

CMYK 0 / 4 / 53 / 16

HEX #D7CF64

RGB 215 207 100

HSL 55.83, 0.59%, 0.62%

LAB 81.83, -11.1, 53.38

 

CMYK 0 / 3 / 40 / 13

HEX #DFD985

RGB 223 217 133

HSL 56, 0.58%, 0.7%

LAB 85.51, -9.86, 42.06

 

CMYK 0 / 2 / 28 / 9

HEX #E8E3A6

RGB 232 227 166

HSL 55.45, 0.59%, 0.78%

LAB 89.32, -7.59, 30.48

 

CMYK 0 / 4 / 54 / 16

HEX #D7CF63

RGB 215 207 99

HSL 55.86, 0.59%, 0.62%

LAB 81.82, -11.18, 53.83

 

CMYK 53 / 0 / 47 / 16

HEX #64D772

RGB 100 215 114

HSL 127.3, 0.59%, 0.62%

LAB 77.59, -53.45, 39.99

 

CMYK 26 / 53 / 0 / 16

HEX #A064D7

RGB 160 100 215

HSL 271.3, 0.59%, 0.62%

LAB 53.49, 45.84, -50.13

 

CMYK 0 / 4 / 54 / 16

HEX #D7CF63

RGB 215 207 99

HSL 55.86, 0.59%, 0.62%

LAB 81.82, -11.18, 53.83

 

CMYK 53 / 0 / 5 / 16

HEX #64D7CD

RGB 100 215 205

HSL 174.78, 0.59%, 0.62%

LAB 79.45, -34.95, -5.01

 

CMYK 5 / 53 / 0 / 16

HEX #CD64D7

RGB 205 100 215

HSL 294.78, 0.59%, 0.62%

LAB 58.97, 57.67, -41.09

 

CMYK 0 / 4 / 54 / 16

HEX #D7CF63

RGB 215 207 99

HSL 55.86, 0.59%, 0.62%

LAB 81.82, -11.18, 53.83

 

CMYK 53 / 0 / 47 / 16

HEX #64D772

RGB 100 215 114

HSL 127.3, 0.59%, 0.62%

LAB 77.59, -53.45, 39.99

 

CMYK 53 / 49 / 0 / 16

HEX #646ED7

RGB 100 110 215

HSL 234.78, 0.59%, 0.62%

LAB 50.41, 25.75, -55.35

 

CMYK 0 / 53 / 7 / 16

HEX #D764C9

RGB 215 100 201

HSL 307.3, 0.59%, 0.62%

LAB 59.69, 57.96, -31.95

 

CMYK 0 / 4 / 54 / 16

HEX #D7CF63

RGB 215 207 99

HSL 55.86, 0.59%, 0.62%

LAB 81.82, -11.18, 53.83

 

CMYK 53 / 0 / 31 / 16

HEX #64D794

RGB 100 215 148

HSL 145.04, 0.59%, 0.62%

LAB 78.14, -47.73, 23.38

 

CMYK 53 / 49 / 0 / 16

HEX #646ED7

RGB 100 110 215

HSL 234.78, 0.59%, 0.62%

LAB 50.41, 25.75, -55.35

 

CMYK 0 / 53 / 22 / 16

HEX #D764A7

RGB 215 100 167

HSL 325.04, 0.59%, 0.62%

LAB 58.37, 52.75, -14.49

 

Description

Color code: HEX #D7CF63 | qconv.com Color code: HEX #D7CF63 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 207 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 207 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 54 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 54% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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