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Color name
HEX #D7CD64

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D7CD64 it is the complementary color #28329B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D7CD64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D7CD64 shade: #DCCD5F, #EDDF72, #FEF185, #FFFF98 and #FFFFAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D7CD64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D7CD64 shade: #D7CD64, #C6BB51, #B5A93E, #A4972B and #938518

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D7CD64 shade: #D7CD64, #D7AE64, #D78F64, #D77064 and #D76464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D7CD64 shade: #D7CD64, #C2D764, #A3D764, #84D764 and #65D764

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D7CD64 shade matches the following richer shades: #D7CD64, #E6DA55 and #F6E745

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D7CD64 shade: #D7CD64, #C7C074, #B7B384, #A8A693 and #9899A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D7CD64 shade: #D78E64, #D7AD64, #D7CB64, #C4D764 and #A5D764

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D7CD64 shade: #B9AD2F, #CEC244, #D7CD64, #DFD785 and #E8E2A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D7CD64 shade: #D7CD64, #64D770 and #9E64D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D7CD64 shade: #D7CD64, #64D7CB and #CB64D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D7CD64 shade: #D7CD64, #64D770, #6470D7 and #D764CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D7CD64 shade: #D7CD64, #64D792, #6470D7 and #D764A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 53 / 16

HEX #D7CD64

RGB 215 205 100

HSL 54.78, 0.59%, 0.62%

LAB 81.31, -10.08, 52.77

 

Complementary color

CMYK 74 / 68 / 0 / 39

HEX #28329B

RGB 40 50 155

HSL 234.78, 0.59%, 0.38%

LAB 27.01, 33.09, -58.22

 

CMYK 0 / 7 / 57 / 14

HEX #DCCD5F

RGB 220 205 95

HSL 52.8, 0.64%, 0.62%

LAB 81.68, -8.42, 55.61

 

CMYK 0 / 6 / 52 / 7

HEX #EDDF72

RGB 237 223 114

HSL 53.17, 0.77%, 0.69%

LAB 87.97, -9.09, 54.5

 

CMYK 0 / 5 / 48 / 0

HEX #FEF185

RGB 254 241 133

HSL 53.55, 0.98%, 0.76%

LAB 94.17, -9.66, 53.35

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF98

RGB 255 255 152

HSL 60, 1%, 0.8%

LAB 98.05, -14.33, 49.12

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAB

RGB 255 255 171

HSL 60, 1%, 0.84%

LAB 98.32, -12.27, 40.22

 

CMYK 0 / 5 / 53 / 16

HEX #D7CD64

RGB 215 205 100

HSL 54.78, 0.59%, 0.62%

LAB 81.31, -10.08, 52.77

 

CMYK 0 / 6 / 59 / 22

HEX #C6BB51

RGB 198 187 81

HSL 54.36, 0.51%, 0.55%

LAB 74.91, -9.39, 53.84

 

CMYK 0 / 7 / 66 / 29

HEX #B5A93E

RGB 181 169 62

HSL 53.95, 0.49%, 0.48%

LAB 68.42, -8.56, 54.72

 

CMYK 0 / 8 / 74 / 36

HEX #A4972B

RGB 164 151 43

HSL 53.55, 0.58%, 0.41%

LAB 61.83, -7.54, 55.22

 

CMYK 0 / 10 / 84 / 42

HEX #938518

RGB 147 133 24

HSL 53.17, 0.72%, 0.34%

LAB 55.12, -6.27, 54.9

 

CMYK 0 / 5 / 53 / 16

HEX #D7CD64

RGB 215 205 100

HSL 54.78, 0.59%, 0.62%

LAB 81.31, -10.08, 52.77

 

CMYK 0 / 19 / 53 / 16

HEX #D7AE64

RGB 215 174 100

HSL 38.61, 0.59%, 0.62%

LAB 73.31, 6.06, 43.27

 

CMYK 0 / 33 / 53 / 16

HEX #D78F64

RGB 215 143 100

HSL 22.43, 0.59%, 0.62%

LAB 65.76, 22.75, 33.91

 

CMYK 0 / 48 / 53 / 16

HEX #D77064

RGB 215 112 100

HSL 6.26, 0.59%, 0.62%

LAB 58.93, 39.17, 25.09

 

CMYK 0 / 53 / 53 / 16

HEX #D76464

RGB 215 100 100

HSL 0, 0.59%, 0.62%

LAB 56.57, 45.19, 21.95

 

CMYK 0 / 5 / 53 / 16

HEX #D7CD64

RGB 215 205 100

HSL 54.78, 0.59%, 0.62%

LAB 81.31, -10.08, 52.77

 

CMYK 10 / 0 / 53 / 16

HEX #C2D764

RGB 194 215 100

HSL 70.96, 0.59%, 0.62%

LAB 82.37, -23.52, 53.59

 

CMYK 24 / 0 / 53 / 16

HEX #A3D764

RGB 163 215 100

HSL 87.13, 0.59%, 0.62%

LAB 80.35, -35.37, 50.72

 

CMYK 39 / 0 / 53 / 16

HEX #84D764

RGB 132 215 100

HSL 103.3, 0.59%, 0.62%

LAB 78.71, -46.08, 48.37

 

CMYK 53 / 0 / 53 / 16

HEX #65D764

RGB 101 215 100

HSL 119.48, 0.59%, 0.62%

LAB 77.45, -55.09, 46.56

 

CMYK 0 / 5 / 53 / 16

HEX #D7CD64

RGB 215 205 100

HSL 54.78, 0.59%, 0.62%

LAB 81.31, -10.08, 52.77

 

CMYK 0 / 5 / 63 / 10

HEX #E6DA55

RGB 230 218 85

HSL 55.03, 0.74%, 0.62%

LAB 85.82, -11.52, 64.74

 

CMYK 0 / 6 / 72 / 4

HEX #F6E745

RGB 246 231 69

HSL 54.92, 0.91%, 0.62%

LAB 90.4, -12.19, 75.84

 

CMYK 0 / 5 / 53 / 16

HEX #D7CD64

RGB 215 205 100

HSL 54.78, 0.59%, 0.62%

LAB 81.31, -10.08, 52.77

 

CMYK 0 / 4 / 42 / 22

HEX #C7C074

RGB 199 192 116

HSL 54.94, 0.43%, 0.62%

LAB 76.74, -8.45, 39.11

 

CMYK 0 / 2 / 28 / 28

HEX #B7B384

RGB 183 179 132

HSL 55.29, 0.26%, 0.62%

LAB 72.21, -6.11, 24.57

 

CMYK 0 / 1 / 13 / 34

HEX #A8A693

RGB 168 166 147

HSL 54.29, 0.11%, 0.62%

LAB 67.8, -2.66, 10.1

 

CMYK 7 / 6 / 0 / 36

HEX #9899A3

RGB 152 153 163

HSL 234.55, 0.06%, 0.62%

LAB 63.43, 1.63, -5.35

 

CMYK 0 / 34 / 53 / 16

HEX #D78E64

RGB 215 142 100

HSL 21.91, 0.59%, 0.62%

LAB 65.52, 23.29, 33.61

 

CMYK 0 / 20 / 53 / 16

HEX #D7AD64

RGB 215 173 100

HSL 38.09, 0.59%, 0.62%

LAB 73.06, 6.6, 42.97

 

CMYK 0 / 6 / 53 / 16

HEX #D7CB64

RGB 215 203 100

HSL 53.74, 0.59%, 0.62%

LAB 80.78, -9.07, 52.16

 

CMYK 9 / 0 / 53 / 16

HEX #C4D764

RGB 196 215 100

HSL 69.91, 0.59%, 0.62%

LAB 82.52, -22.73, 53.79

 

CMYK 23 / 0 / 53 / 16

HEX #A5D764

RGB 165 215 100

HSL 86.09, 0.59%, 0.62%

LAB 80.47, -34.63, 50.89

 

CMYK 0 / 6 / 75 / 27

HEX #B9AD2F

RGB 185 173 47

HSL 54.78, 0.59%, 0.45%

LAB 69.76, -9.69, 61.98

 

CMYK 0 / 6 / 67 / 19

HEX #CEC244

RGB 206 194 68

HSL 54.78, 0.58%, 0.54%

LAB 77.35, -10.43, 62.18

 

CMYK 0 / 5 / 53 / 16

HEX #D7CD64

RGB 215 205 100

HSL 54.78, 0.59%, 0.62%

LAB 81.31, -10.08, 52.77

 

CMYK 0 / 4 / 40 / 13

HEX #DFD785

RGB 223 215 133

HSL 54.67, 0.58%, 0.7%

LAB 84.99, -8.85, 41.4

 

CMYK 0 / 3 / 28 / 9

HEX #E8E2A6

RGB 232 226 166

HSL 54.55, 0.59%, 0.78%

LAB 89.06, -7.09, 30.14

 

CMYK 0 / 5 / 53 / 16

HEX #D7CD64

RGB 215 205 100

HSL 54.78, 0.59%, 0.62%

LAB 81.31, -10.08, 52.77

 

CMYK 53 / 0 / 48 / 16

HEX #64D770

RGB 100 215 112

HSL 126.26, 0.59%, 0.62%

LAB 77.57, -53.74, 40.94

 

CMYK 27 / 53 / 0 / 16

HEX #9E64D7

RGB 158 100 215

HSL 270.26, 0.59%, 0.62%

LAB 53.27, 45.33, -50.49

 

CMYK 0 / 5 / 53 / 16

HEX #D7CD64

RGB 215 205 100

HSL 54.78, 0.59%, 0.62%

LAB 81.31, -10.08, 52.77

 

CMYK 53 / 0 / 6 / 16

HEX #64D7CB

RGB 100 215 203

HSL 173.74, 0.59%, 0.62%

LAB 79.4, -35.46, -4.02

 

CMYK 6 / 53 / 0 / 16

HEX #CB64D7

RGB 203 100 215

HSL 293.74, 0.59%, 0.62%

LAB 58.71, 57.14, -41.52

 

CMYK 0 / 5 / 53 / 16

HEX #D7CD64

RGB 215 205 100

HSL 54.78, 0.59%, 0.62%

LAB 81.31, -10.08, 52.77

 

CMYK 53 / 0 / 48 / 16

HEX #64D770

RGB 100 215 112

HSL 126.26, 0.59%, 0.62%

LAB 77.57, -53.74, 40.94

 

CMYK 53 / 48 / 0 / 16

HEX #6470D7

RGB 100 112 215

HSL 233.74, 0.59%, 0.62%

LAB 50.92, 24.53, -54.53

 

CMYK 0 / 53 / 6 / 16

HEX #D764CB

RGB 215 100 203

HSL 306.26, 0.59%, 0.62%

LAB 59.77, 58.3, -32.95

 

CMYK 0 / 5 / 53 / 16

HEX #D7CD64

RGB 215 205 100

HSL 54.78, 0.59%, 0.62%

LAB 81.31, -10.08, 52.77

 

CMYK 53 / 0 / 32 / 16

HEX #64D792

RGB 100 215 146

HSL 144, 0.59%, 0.62%

LAB 78.1, -48.11, 24.38

 

CMYK 53 / 48 / 0 / 16

HEX #6470D7

RGB 100 112 215

HSL 233.74, 0.59%, 0.62%

LAB 50.92, 24.53, -54.53

 

CMYK 0 / 53 / 21 / 16

HEX #D764A9

RGB 215 100 169

HSL 324, 0.59%, 0.62%

LAB 58.44, 53.03, -15.54

 

Description

Color code: HEX #D7CD64 | qconv.com Color code: HEX #D7CD64 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 205 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 205 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 53 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 53% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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