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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2DB3B it is the complementary color #2D24C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2DB3B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2DB3B shade: #D7DB36, #E8ED49, #F9FF5C, #FFFF6F and #FFFF82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2DB3B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2DB3B shade: #D2DB3B, #C1C928, #B0B715, #9FA502 and #8E9300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2DB3B shade: #D2DB3D, #DBB93D, #DB8E3D, #DB643D and #DB3D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2DB3B shade: #D2DB3D, #A7DB3D, #7DDB3D, #52DB3D and #3DDB52

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2DB3B shade matches the following richer shades: #D2DB3D and #E2ED2A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2DB3B shade: #D2DB3D, #C2C84F, #B1B662, #A1A374 and #909187

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2DB3B shade: #DB8E3D, #DBB93D, #D3DB3D, #A9DB3D and #7FDB3D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2DB3B shade: #9FA71E, #C0CA25, #D2DB3D, #DAE15F and #E2E882

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2DB3B shade: #D2DB3B, #3DDB64 and #A43DDB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2DB3B shade: #D2DB3B, #3DD3DB and #DB3DD3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2DB3B shade: #D2DB3B, #3DDB64, #443DDB and #DB3DB3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2DB3B shade: #D2DB3B, #3DDB94, #443DDB and #DB3D84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 73 / 14

HEX #D2DB3B

RGB 210 219 59

HSL 63.38, 0.69%, 0.55%

LAB 84.32, -21.64, 72.39

 

Complementary color

CMYK 77 / 82 / 0 / 23

HEX #2D24C4

RGB 45 36 196

HSL 243.38, 0.69%, 0.45%

LAB 28.92, 54.96, -79.62

 

CMYK 2 / 0 / 75 / 14

HEX #D7DB36

RGB 215 219 54

HSL 61.45, 0.7%, 0.54%

LAB 84.68, -19.78, 74.44

 

CMYK 2 / 0 / 69 / 7

HEX #E8ED49

RGB 232 237 73

HSL 61.83, 0.82%, 0.61%

LAB 90.87, -20.68, 74.53

 

CMYK 2 / 0 / 64 / 0

HEX #F9FF5C

RGB 249 255 92

HSL 62.21, 1%, 0.68%

LAB 97, -21.43, 74.14

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF6F

RGB 255 255 111

HSL 60, 1%, 0.72%

LAB 97.6, -17.84, 67.25

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF82

RGB 255 255 130

HSL 60, 1%, 0.75%

LAB 97.79, -16.37, 59.1

 

CMYK 4 / 0 / 73 / 14

HEX #D2DB3B

RGB 210 219 59

HSL 63.38, 0.69%, 0.55%

LAB 84.32, -21.64, 72.39

 

CMYK 4 / 0 / 80 / 21

HEX #C1C928

RGB 193 201 40

HSL 62.98, 0.67%, 0.47%

LAB 78.03, -20.69, 71.86

 

CMYK 4 / 0 / 89 / 28

HEX #B0B715

RGB 176 183 21

HSL 62.59, 0.79%, 0.4%

LAB 71.66, -19.54, 70.28

 

CMYK 4 / 0 / 99 / 35

HEX #9FA502

RGB 159 165 2

HSL 62.21, 0.98%, 0.33%

LAB 65.19, -18.19, 67.36

 

CMYK 3 / 0 / 100 / 42

HEX #8E9300

RGB 142 147 0

HSL 62.04, 1%, 0.29%

LAB 58.62, -16.56, 62.17

 

CMYK 4 / 0 / 72 / 14

HEX #D2DB3D

RGB 210 219 61

HSL 63.42, 0.69%, 0.55%

LAB 84.33, -21.55, 71.74

 

CMYK 0 / 16 / 72 / 14

HEX #DBB93D

RGB 219 185 61

HSL 47.09, 0.69%, 0.55%

LAB 76.13, -0.58, 64.07

 

CMYK 0 / 35 / 72 / 14

HEX #DB8E3D

RGB 219 142 61

HSL 30.76, 0.69%, 0.55%

LAB 65.55, 22.35, 53.39

 

CMYK 0 / 54 / 72 / 14

HEX #DB643D

RGB 219 100 61

HSL 14.81, 0.69%, 0.55%

LAB 56.6, 44.14, 43.84

 

CMYK 0 / 72 / 72 / 14

HEX #DB3D3D

RGB 219 61 61

HSL 0, 0.69%, 0.55%

LAB 50.38, 60.73, 36.84

 

CMYK 4 / 0 / 72 / 14

HEX #D2DB3D

RGB 210 219 61

HSL 63.42, 0.69%, 0.55%

LAB 84.33, -21.55, 71.74

 

CMYK 24 / 0 / 72 / 14

HEX #A7DB3D

RGB 167 219 61

HSL 79.75, 0.69%, 0.55%

LAB 81.41, -38.7, 67.91

 

CMYK 43 / 0 / 72 / 14

HEX #7DDB3D

RGB 125 219 61

HSL 95.7, 0.69%, 0.55%

LAB 79.25, -53.43, 65.05

 

CMYK 63 / 0 / 72 / 14

HEX #52DB3D

RGB 82 219 61

HSL 112.03, 0.69%, 0.55%

LAB 77.75, -64.99, 63.05

 

CMYK 72 / 0 / 63 / 14

HEX #3DDB52

RGB 61 219 82

HSL 127.97, 0.69%, 0.55%

LAB 77.44, -67, 54.36

 

CMYK 4 / 0 / 72 / 14

HEX #D2DB3D

RGB 210 219 61

HSL 63.42, 0.69%, 0.55%

LAB 84.33, -21.55, 71.74

 

CMYK 5 / 0 / 82 / 7

HEX #E2ED2A

RGB 226 237 42

HSL 63.38, 0.84%, 0.55%

LAB 90.28, -24.31, 82.86

 

CMYK 4 / 0 / 72 / 14

HEX #D2DB3D

RGB 210 219 61

HSL 63.42, 0.69%, 0.55%

LAB 84.33, -21.55, 71.74

 

CMYK 3 / 0 / 61 / 22

HEX #C2C84F

RGB 194 200 79

HSL 62.98, 0.52%, 0.55%

LAB 78.08, -17.8, 58.09

 

CMYK 3 / 0 / 46 / 29

HEX #B1B662

RGB 177 182 98

HSL 63.57, 0.37%, 0.55%

LAB 72.02, -14.09, 41.92

 

CMYK 1 / 0 / 29 / 36

HEX #A1A374

RGB 161 163 116

HSL 62.55, 0.2%, 0.55%

LAB 65.77, -8.49, 24.25

 

CMYK 1 / 0 / 7 / 43

HEX #909187

RGB 144 145 135

HSL 66, 0.04%, 0.55%

LAB 59.82, -2.26, 5.17

 

CMYK 0 / 35 / 72 / 14

HEX #DB8E3D

RGB 219 142 61

HSL 30.76, 0.69%, 0.55%

LAB 65.55, 22.35, 53.39

 

CMYK 0 / 16 / 72 / 14

HEX #DBB93D

RGB 219 185 61

HSL 47.09, 0.69%, 0.55%

LAB 76.13, -0.58, 64.07

 

CMYK 4 / 0 / 72 / 14

HEX #D3DB3D

RGB 211 219 61

HSL 63.04, 0.69%, 0.55%

LAB 84.41, -21.14, 71.84

 

CMYK 23 / 0 / 72 / 14

HEX #A9DB3D

RGB 169 219 61

HSL 78.99, 0.69%, 0.55%

LAB 81.53, -37.94, 68.07

 

CMYK 42 / 0 / 72 / 14

HEX #7FDB3D

RGB 127 219 61

HSL 94.94, 0.69%, 0.55%

LAB 79.34, -52.8, 65.16

 

CMYK 5 / 0 / 82 / 35

HEX #9FA71E

RGB 159 167 30

HSL 63.5, 0.7%, 0.39%

LAB 65.83, -18.63, 62.88

 

CMYK 5 / 0 / 82 / 21

HEX #C0CA25

RGB 192 202 37

HSL 63.64, 0.69%, 0.47%

LAB 78.22, -21.7, 72.76

 

CMYK 4 / 0 / 72 / 14

HEX #D2DB3D

RGB 210 219 61

HSL 63.42, 0.69%, 0.55%

LAB 84.33, -21.55, 71.74

 

CMYK 3 / 0 / 58 / 12

HEX #DAE15F

RGB 218 225 95

HSL 63.23, 0.68%, 0.63%

LAB 86.79, -19.2, 61.3

 

CMYK 3 / 0 / 44 / 9

HEX #E2E882

RGB 226 232 130

HSL 63.53, 0.69%, 0.71%

LAB 89.62, -16.46, 48.72

 

CMYK 4 / 0 / 73 / 14

HEX #D2DB3B

RGB 210 219 59

HSL 63.38, 0.69%, 0.55%

LAB 84.32, -21.64, 72.39

 

CMYK 72 / 0 / 54 / 14

HEX #3DDB64

RGB 61 219 100

HSL 134.81, 0.69%, 0.55%

LAB 77.62, -64.8, 46.52

 

CMYK 25 / 72 / 0 / 14

HEX #A43DDB

RGB 164 61 219

HSL 279.11, 0.69%, 0.55%

LAB 47.42, 66.16, -62.11

 

CMYK 4 / 0 / 73 / 14

HEX #D2DB3B

RGB 210 219 59

HSL 63.38, 0.69%, 0.55%

LAB 84.32, -21.64, 72.39

 

CMYK 72 / 4 / 0 / 14

HEX #3DD3DB

RGB 61 211 219

HSL 183.04, 0.69%, 0.55%

LAB 77.69, -35.5, -15.23

 

CMYK 0 / 72 / 4 / 14

HEX #DB3DD3

RGB 219 61 211

HSL 303.04, 0.69%, 0.55%

LAB 55.18, 75.97, -44.68

 

CMYK 4 / 0 / 73 / 14

HEX #D2DB3B

RGB 210 219 59

HSL 63.38, 0.69%, 0.55%

LAB 84.32, -21.64, 72.39

 

CMYK 72 / 0 / 54 / 14

HEX #3DDB64

RGB 61 219 100

HSL 134.81, 0.69%, 0.55%

LAB 77.62, -64.8, 46.52

 

CMYK 69 / 72 / 0 / 14

HEX #443DDB

RGB 68 61 219

HSL 242.66, 0.69%, 0.55%

LAB 37.26, 51.24, -79.12

 

CMYK 0 / 72 / 18 / 14

HEX #DB3DB3

RGB 219 61 179

HSL 315.19, 0.69%, 0.55%

LAB 53.66, 71.36, -28.63

 

CMYK 4 / 0 / 73 / 14

HEX #D2DB3B

RGB 210 219 59

HSL 63.38, 0.69%, 0.55%

LAB 84.32, -21.64, 72.39

 

CMYK 72 / 0 / 32 / 14

HEX #3DDB94

RGB 61 219 148

HSL 153.04, 0.69%, 0.55%

LAB 78.34, -56.64, 23.49

 

CMYK 69 / 72 / 0 / 14

HEX #443DDB

RGB 68 61 219

HSL 242.66, 0.69%, 0.55%

LAB 37.26, 51.24, -79.12

 

CMYK 0 / 72 / 40 / 14

HEX #DB3D84

RGB 219 61 132

HSL 333.04, 0.69%, 0.55%

LAB 51.91, 65.83, -3.49

 

Description

Color code: HEX #D2DB3B | qconv.com Color code: HEX #D2DB3B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 219 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 219 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 73 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 73% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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