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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAE15F it is the complementary color #251EA0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAE15F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAE15F shade: #DFE15A, #F0F36D, #FFFF80, #FFFF93 and #FFFFA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAE15F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAE15F shade: #DAE15F, #C9CF4C, #B8BD39, #A7AB26 and #969913

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAE15F shade: #D9E060, #E0C560, #E0A260, #E07F60 and #E06060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAE15F shade: #D9E060, #B7E060, #94E060, #72E060 and #60E071

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAE15F shade matches the following richer shades: #D9E060 and #E7F051

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAE15F shade: #D9E060, #CCD16F, #BEC27F, #B1B38E and #A3A39D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAE15F shade: #E0A260, #E0C560, #DAE060, #B8E060 and #95E060

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAE15F shade: #BFC826, #D1DA3D, #D9E060, #E2E783 and #EAEEA5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAE15F shade: #DAE15F, #60E080 and #B360E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAE15F shade: #DAE15F, #60DAE0 and #E060DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAE15F shade: #DAE15F, #60E080, #6660E0 and #E060C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAE15F shade: #DAE15F, #60E0A7, #6660E0 and #E0609A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 58 / 12

HEX #DAE15F

RGB 218 225 95

HSL 63.23, 0.68%, 0.63%

LAB 86.79, -19.2, 61.3

 

Complementary color

CMYK 77 / 81 / 0 / 37

HEX #251EA0

RGB 37 30 160

HSL 243.23, 0.68%, 0.37%

LAB 23.2, 46.17, -67.57

 

CMYK 1 / 0 / 60 / 12

HEX #DFE15A

RGB 223 225 90

HSL 60.89, 0.69%, 0.62%

LAB 87.13, -17.53, 63.9

 

CMYK 1 / 0 / 55 / 5

HEX #F0F36D

RGB 240 243 109

HSL 61.34, 0.85%, 0.69%

LAB 93.33, -18.13, 63.01

 

CMYK 0 / 0 / 50 / 0

HEX #FFFF80

RGB 255 255 128

HSL 60, 1%, 0.75%

LAB 97.77, -16.54, 59.98

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF93

RGB 255 255 147

HSL 60, 1%, 0.79%

LAB 97.99, -14.83, 51.43

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA6

RGB 255 255 166

HSL 60, 1%, 0.83%

LAB 98.25, -12.84, 42.58

 

CMYK 3 / 0 / 58 / 12

HEX #DAE15F

RGB 218 225 95

HSL 63.23, 0.68%, 0.63%

LAB 86.79, -19.2, 61.3

 

CMYK 3 / 0 / 63 / 19

HEX #C9CF4C

RGB 201 207 76

HSL 62.75, 0.58%, 0.55%

LAB 80.5, -18.58, 62.09

 

CMYK 3 / 0 / 70 / 26

HEX #B8BD39

RGB 184 189 57

HSL 62.27, 0.54%, 0.48%

LAB 74.11, -17.82, 62.56

 

CMYK 2 / 0 / 78 / 33

HEX #A7AB26

RGB 167 171 38

HSL 61.8, 0.64%, 0.41%

LAB 67.64, -16.89, 62.43

 

CMYK 2 / 0 / 88 / 40

HEX #969913

RGB 150 153 19

HSL 61.34, 0.78%, 0.34%

LAB 61.06, -15.74, 61.22

 

CMYK 3 / 0 / 57 / 12

HEX #D9E060

RGB 217 224 96

HSL 63.28, 0.67%, 0.63%

LAB 86.46, -19.04, 60.47

 

CMYK 0 / 12 / 57 / 12

HEX #E0C560

RGB 224 197 96

HSL 47.34, 0.67%, 0.63%

LAB 79.97, -2.58, 53.29

 

CMYK 0 / 28 / 57 / 12

HEX #E0A260

RGB 224 162 96

HSL 30.94, 0.67%, 0.63%

LAB 71.24, 15.89, 43

 

CMYK 0 / 43 / 57 / 12

HEX #E07F60

RGB 224 127 96

HSL 14.53, 0.67%, 0.63%

LAB 63.24, 34.53, 33.12

 

CMYK 0 / 57 / 57 / 12

HEX #E06060

RGB 224 96 96

HSL 0, 0.67%, 0.63%

LAB 57.13, 49.97, 25.26

 

CMYK 3 / 0 / 57 / 12

HEX #D9E060

RGB 217 224 96

HSL 63.28, 0.67%, 0.63%

LAB 86.46, -19.04, 60.47

 

CMYK 18 / 0 / 57 / 12

HEX #B7E060

RGB 183 224 96

HSL 79.22, 0.67%, 0.63%

LAB 84.08, -32.4, 57.15

 

CMYK 34 / 0 / 57 / 12

HEX #94E060

RGB 148 224 96

HSL 95.63, 0.67%, 0.63%

LAB 82.08, -45.04, 54.34

 

CMYK 49 / 0 / 57 / 12

HEX #72E060

RGB 114 224 96

HSL 111.56, 0.67%, 0.63%

LAB 80.59, -55.56, 52.23

 

CMYK 57 / 0 / 50 / 12

HEX #60E071

RGB 96 224 113

HSL 127.97, 0.67%, 0.63%

LAB 80.17, -58.01, 43.67

 

CMYK 3 / 0 / 57 / 12

HEX #D9E060

RGB 217 224 96

HSL 63.28, 0.67%, 0.63%

LAB 86.46, -19.04, 60.47

 

CMYK 4 / 0 / 66 / 6

HEX #E7F051

RGB 231 240 81

HSL 63.4, 0.84%, 0.63%

LAB 91.64, -22.1, 72.38

 

CMYK 3 / 0 / 57 / 12

HEX #D9E060

RGB 217 224 96

HSL 63.28, 0.67%, 0.63%

LAB 86.46, -19.04, 60.47

 

CMYK 2 / 0 / 47 / 18

HEX #CCD16F

RGB 204 209 111

HSL 63.06, 0.52%, 0.63%

LAB 81.61, -15.58, 47.7

 

CMYK 2 / 0 / 35 / 24

HEX #BEC27F

RGB 190 194 127

HSL 63.58, 0.35%, 0.63%

LAB 76.72, -11.81, 33.29

 

CMYK 1 / 0 / 21 / 30

HEX #B1B38E

RGB 177 179 142

HSL 63.24, 0.2%, 0.63%

LAB 71.92, -7, 18.71

 

CMYK 0 / 0 / 4 / 36

HEX #A3A39D

RGB 163 163 157

HSL 60, 0.03%, 0.63%

LAB 66.84, -1.12, 3.1

 

CMYK 0 / 28 / 57 / 12

HEX #E0A260

RGB 224 162 96

HSL 30.94, 0.67%, 0.63%

LAB 71.24, 15.89, 43

 

CMYK 0 / 12 / 57 / 12

HEX #E0C560

RGB 224 197 96

HSL 47.34, 0.67%, 0.63%

LAB 79.97, -2.58, 53.29

 

CMYK 3 / 0 / 57 / 12

HEX #DAE060

RGB 218 224 96

HSL 62.81, 0.67%, 0.63%

LAB 86.53, -18.64, 60.58

 

CMYK 18 / 0 / 57 / 12

HEX #B8E060

RGB 184 224 96

HSL 78.75, 0.67%, 0.63%

LAB 84.15, -32.02, 57.24

 

CMYK 33 / 0 / 57 / 12

HEX #95E060

RGB 149 224 96

HSL 95.16, 0.67%, 0.63%

LAB 82.13, -44.7, 54.41

 

CMYK 5 / 0 / 81 / 22

HEX #BFC826

RGB 191 200 38

HSL 63.33, 0.68%, 0.47%

LAB 77.59, -21.11, 71.94

 

CMYK 4 / 0 / 72 / 15

HEX #D1DA3D

RGB 209 218 61

HSL 63.44, 0.68%, 0.55%

LAB 83.98, -21.48, 71.39

 

CMYK 3 / 0 / 57 / 12

HEX #D9E060

RGB 217 224 96

HSL 63.28, 0.67%, 0.63%

LAB 86.46, -19.04, 60.47

 

CMYK 2 / 0 / 43 / 9

HEX #E2E783

RGB 226 231 131

HSL 63, 0.68%, 0.71%

LAB 89.37, -15.87, 47.93

 

CMYK 2 / 0 / 31 / 7

HEX #EAEEA5

RGB 234 238 165

HSL 63.29, 0.68%, 0.79%

LAB 92.29, -12.46, 34.98

 

CMYK 3 / 0 / 58 / 12

HEX #DAE15F

RGB 218 225 95

HSL 63.23, 0.68%, 0.63%

LAB 86.79, -19.2, 61.3

 

CMYK 57 / 0 / 43 / 12

HEX #60E080

RGB 96 224 128

HSL 135, 0.67%, 0.63%

LAB 80.38, -55.77, 36.57

 

CMYK 20 / 57 / 0 / 12

HEX #B360E0

RGB 179 96 224

HSL 278.91, 0.67%, 0.63%

LAB 55.41, 54.71, -52.01

 

CMYK 3 / 0 / 58 / 12

HEX #DAE15F

RGB 218 225 95

HSL 63.23, 0.68%, 0.63%

LAB 86.79, -19.2, 61.3

 

CMYK 57 / 3 / 0 / 12

HEX #60DAE0

RGB 96 218 224

HSL 182.81, 0.67%, 0.63%

LAB 80.75, -32.13, -13.24

 

CMYK 0 / 57 / 3 / 12

HEX #E060DA

RGB 224 96 218

HSL 302.81, 0.67%, 0.63%

LAB 61.02, 65, -39.38

 

CMYK 3 / 0 / 58 / 12

HEX #DAE15F

RGB 218 225 95

HSL 63.23, 0.68%, 0.63%

LAB 86.79, -19.2, 61.3

 

CMYK 57 / 0 / 43 / 12

HEX #60E080

RGB 96 224 128

HSL 135, 0.67%, 0.63%

LAB 80.38, -55.77, 36.57

 

CMYK 54 / 57 / 0 / 12

HEX #6660E0

RGB 102 96 224

HSL 242.81, 0.67%, 0.63%

LAB 47.72, 37.46, -64.79

 

CMYK 0 / 57 / 14 / 12

HEX #E060C0

RGB 224 96 192

HSL 315, 0.67%, 0.63%

LAB 59.91, 60.89, -26.39

 

CMYK 3 / 0 / 58 / 12

HEX #DAE15F

RGB 218 225 95

HSL 63.23, 0.68%, 0.63%

LAB 86.79, -19.2, 61.3

 

CMYK 57 / 0 / 25 / 12

HEX #60E0A7

RGB 96 224 167

HSL 153.28, 0.67%, 0.63%

LAB 81.06, -48.58, 17.46

 

CMYK 54 / 57 / 0 / 12

HEX #6660E0

RGB 102 96 224

HSL 242.81, 0.67%, 0.63%

LAB 47.72, 37.46, -64.79

 

CMYK 0 / 57 / 31 / 12

HEX #E0609A

RGB 224 96 154

HSL 332.81, 0.67%, 0.63%

LAB 58.55, 55.7, -6.54

 

Description

Color code: HEX #DAE15F | qconv.com Color code: HEX #DAE15F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 225 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 225 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 58 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 58% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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