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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D19AE5 it is the complementary color #2E651A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D19AE5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D19AE5 shade: #D69AE0, #E7ACF3, #F8BEFF, #FFD0FF and #FFE2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D19AE5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D19AE5 shade: #D19AE5, #C088D2, #AF76BF, #9E64AC and #8D5299

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D19AE5 shade: #D099E4, #E499E4, #E499D0, #E499BC and #E499A7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D19AE5 shade: #D099E4, #BC99E4, #A899E4 and #9999E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D19AE5 shade matches the following richer shades: #D099E4, #D58FEF and #DA85F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D19AE5 shade: #D099E4, #CBA3DA, #C7AED0, #C2B8C5 and #BDC2BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D19AE5 shade: #A899E4, #BC99E4, #D099E4, #E499E4 and #E499D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D19AE5 shade: #B258D3, #C178DC, #D099E4, #DFBAED and #EEDBF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D19AE5 shade: #D19AE5, #E4999E and #99E4B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D19AE5 shade: #D19AE5, #E4D099 and #99E4D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D19AE5 shade: #D19AE5, #E4999E, #ADE499 and #99E4DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D19AE5 shade: #D19AE5, #E4AB99, #ADE499 and #99D3E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 33 / 0 / 10

HEX #D19AE5

RGB 209 154 229

HSL 284, 0.59%, 0.75%

LAB 71.09, 33.52, -29.98

 

Complementary color

CMYK 54 / 0 / 74 / 60

HEX #2E651A

RGB 46 101 26

HSL 104, 0.59%, 0.25%

LAB 37.78, -33.07, 35.23

 

CMYK 4 / 31 / 0 / 12

HEX #D69AE0

RGB 214 154 224

HSL 291.43, 0.53%, 0.74%

LAB 71.41, 34.1, -26.7

 

CMYK 5 / 29 / 0 / 5

HEX #E7ACF3

RGB 231 172 243

HSL 289.86, 0.75%, 0.81%

LAB 77.85, 33.44, -27.02

 

CMYK 3 / 25 / 0 / 0

HEX #F8BEFF

RGB 248 190 255

HSL 293.54, 1%, 0.87%

LAB 83.97, 31.5, -23.97

 

CMYK 0 / 18 / 0 / 0

HEX #FFD0FF

RGB 255 208 255

HSL 300, 1%, 0.91%

LAB 88.73, 24.27, -16.71

 

CMYK 0 / 11 / 0 / 0

HEX #FFE2FF

RGB 255 226 255

HSL 300, 1%, 0.94%

LAB 92.96, 14.86, -10.39

 

CMYK 9 / 33 / 0 / 10

HEX #D19AE5

RGB 209 154 229

HSL 284, 0.59%, 0.75%

LAB 71.09, 33.52, -29.98

 

CMYK 9 / 35 / 0 / 18

HEX #C088D2

RGB 192 136 210

HSL 285.41, 0.45%, 0.68%

LAB 64.54, 34.22, -29.72

 

CMYK 8 / 38 / 0 / 25

HEX #AF76BF

RGB 175 118 191

HSL 286.85, 0.36%, 0.61%

LAB 57.88, 34.97, -29.46

 

CMYK 8 / 42 / 0 / 33

HEX #9E64AC

RGB 158 100 172

HSL 288.33, 0.3%, 0.53%

LAB 51.11, 35.75, -29.18

 

CMYK 8 / 46 / 0 / 40

HEX #8D5299

RGB 141 82 153

HSL 289.86, 0.3%, 0.46%

LAB 44.23, 36.55, -28.85

 

CMYK 9 / 33 / 0 / 11

HEX #D099E4

RGB 208 153 228

HSL 284, 0.58%, 0.75%

LAB 70.73, 33.55, -30

 

CMYK 0 / 33 / 0 / 11

HEX #E499E4

RGB 228 153 228

HSL 300, 0.58%, 0.75%

LAB 72.81, 39.8, -26.62

 

CMYK 0 / 33 / 9 / 11

HEX #E499D0

RGB 228 153 208

HSL 316, 0.58%, 0.75%

LAB 72.12, 36.27, -16.69

 

CMYK 0 / 33 / 18 / 11

HEX #E499BC

RGB 228 153 188

HSL 332, 0.58%, 0.75%

LAB 71.49, 33.03, -6.57

 

CMYK 0 / 33 / 27 / 11

HEX #E499A7

RGB 228 153 167

HSL 348.8, 0.58%, 0.75%

LAB 70.92, 29.96, 4.24

 

CMYK 9 / 33 / 0 / 11

HEX #D099E4

RGB 208 153 228

HSL 284, 0.58%, 0.75%

LAB 70.73, 33.55, -30

 

CMYK 18 / 33 / 0 / 11

HEX #BC99E4

RGB 188 153 228

HSL 268, 0.58%, 0.75%

LAB 68.81, 27.4, -33.13

 

CMYK 26 / 33 / 0 / 11

HEX #A899E4

RGB 168 153 228

HSL 252, 0.58%, 0.75%

LAB 67.06, 21.44, -35.98

 

CMYK 33 / 33 / 0 / 11

HEX #9999E4

RGB 153 153 228

HSL 240, 0.58%, 0.75%

LAB 65.87, 17.16, -37.92

 

CMYK 9 / 33 / 0 / 11

HEX #D099E4

RGB 208 153 228

HSL 284, 0.58%, 0.75%

LAB 70.73, 33.55, -30

 

CMYK 11 / 40 / 0 / 6

HEX #D58FEF

RGB 213 143 239

HSL 283.75, 0.75%, 0.75%

LAB 69.49, 42.66, -37.91

 

CMYK 12 / 47 / 0 / 2

HEX #DA85F9

RGB 218 133 249

HSL 283.97, 0.91%, 0.75%

LAB 68.4, 51.33, -45.05

 

CMYK 9 / 33 / 0 / 11

HEX #D099E4

RGB 208 153 228

HSL 284, 0.58%, 0.75%

LAB 70.73, 33.55, -30

 

CMYK 7 / 25 / 0 / 15

HEX #CBA3DA

RGB 203 163 218

HSL 283.64, 0.43%, 0.75%

LAB 72.2, 24.49, -22.31

 

CMYK 4 / 16 / 0 / 18

HEX #C7AED0

RGB 199 174 208

HSL 284.12, 0.27%, 0.75%

LAB 74.17, 15.17, -13.88

 

CMYK 2 / 7 / 0 / 23

HEX #C2B8C5

RGB 194 184 197

HSL 286.15, 0.1%, 0.75%

LAB 75.93, 5.92, -5.3

 

CMYK 3 / 0 / 4 / 24

HEX #BDC2BB

RGB 189 194 187

HSL 102.86, 0.05%, 0.75%

LAB 77.87, -3.02, 2.9

 

CMYK 26 / 33 / 0 / 11

HEX #A899E4

RGB 168 153 228

HSL 252, 0.58%, 0.75%

LAB 67.06, 21.44, -35.98

 

CMYK 18 / 33 / 0 / 11

HEX #BC99E4

RGB 188 153 228

HSL 268, 0.58%, 0.75%

LAB 68.81, 27.4, -33.13

 

CMYK 9 / 33 / 0 / 11

HEX #D099E4

RGB 208 153 228

HSL 284, 0.58%, 0.75%

LAB 70.73, 33.55, -30

 

CMYK 0 / 33 / 0 / 11

HEX #E499E4

RGB 228 153 228

HSL 300, 0.58%, 0.75%

LAB 72.81, 39.8, -26.62

 

CMYK 0 / 33 / 9 / 11

HEX #E499D0

RGB 228 153 208

HSL 316, 0.58%, 0.75%

LAB 72.12, 36.27, -16.69

 

CMYK 16 / 58 / 0 / 17

HEX #B258D3

RGB 178 88 211

HSL 283.9, 0.58%, 0.59%

LAB 53.11, 55.68, -48.32

 

CMYK 12 / 45 / 0 / 14

HEX #C178DC

RGB 193 120 220

HSL 283.8, 0.59%, 0.67%

LAB 61.6, 45.22, -39.88

 

CMYK 9 / 33 / 0 / 11

HEX #D099E4

RGB 208 153 228

HSL 284, 0.58%, 0.75%

LAB 70.73, 33.55, -30

 

CMYK 6 / 22 / 0 / 7

HEX #DFBAED

RGB 223 186 237

HSL 283.53, 0.59%, 0.83%

LAB 80.13, 22.21, -20.39

 

CMYK 3 / 11 / 0 / 4

HEX #EEDBF5

RGB 238 219 245

HSL 283.85, 0.57%, 0.91%

LAB 89.6, 11.1, -10.3

 

CMYK 9 / 33 / 0 / 10

HEX #D19AE5

RGB 209 154 229

HSL 284, 0.59%, 0.75%

LAB 71.09, 33.52, -29.98

 

CMYK 0 / 33 / 31 / 11

HEX #E4999E

RGB 228 153 158

HSL 356, 0.58%, 0.75%

LAB 70.69, 28.75, 8.92

 

CMYK 33 / 0 / 22 / 11

HEX #99E4B2

RGB 153 228 178

HSL 140, 0.58%, 0.75%

LAB 84.73, -33.48, 17.16

 

CMYK 9 / 33 / 0 / 10

HEX #D19AE5

RGB 209 154 229

HSL 284, 0.59%, 0.75%

LAB 71.09, 33.52, -29.98

 

CMYK 0 / 9 / 33 / 11

HEX #E4D099

RGB 228 208 153

HSL 44, 0.58%, 0.75%

LAB 83.92, -1.04, 29.88

 

CMYK 33 / 0 / 9 / 11

HEX #99E4D0

RGB 153 228 208

HSL 164, 0.58%, 0.75%

LAB 85.41, -27.48, 2.38

 

CMYK 9 / 33 / 0 / 10

HEX #D19AE5

RGB 209 154 229

HSL 284, 0.59%, 0.75%

LAB 71.09, 33.52, -29.98

 

CMYK 0 / 33 / 31 / 11

HEX #E4999E

RGB 228 153 158

HSL 356, 0.58%, 0.75%

LAB 70.69, 28.75, 8.92

 

CMYK 24 / 0 / 33 / 11

HEX #ADE499

RGB 173 228 153

HSL 104, 0.58%, 0.75%

LAB 85.34, -31.23, 31.08

 

CMYK 33 / 0 / 2 / 11

HEX #99E4DF

RGB 153 228 223

HSL 176, 0.58%, 0.75%

LAB 85.8, -24.17, -4.96

 

CMYK 9 / 33 / 0 / 10

HEX #D19AE5

RGB 209 154 229

HSL 284, 0.59%, 0.75%

LAB 71.09, 33.52, -29.98

 

CMYK 0 / 25 / 33 / 11

HEX #E4AB99

RGB 228 171 153

HSL 14.4, 0.58%, 0.75%

LAB 74.77, 18.48, 17.41

 

CMYK 24 / 0 / 33 / 11

HEX #ADE499

RGB 173 228 153

HSL 104, 0.58%, 0.75%

LAB 85.34, -31.23, 31.08

 

CMYK 33 / 7 / 0 / 11

HEX #99D3E4

RGB 153 211 228

HSL 193.6, 0.58%, 0.75%

LAB 81.27, -14.48, -14.34

 

Description

Color code: HEX #D19AE5 | qconv.com Color code: HEX #D19AE5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 154 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 154 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 33 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 33% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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