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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D099E4 it is the complementary color #2F661B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D099E4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D099E4 shade: #D599DF, #E6ABF2, #F7BDFF, #FFCFFF and #FFE1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D099E4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D099E4 shade: #D099E4, #BF87D1, #AE75BE, #9D63AB and #8C5198

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D099E4 shade: #D09AE4, #E49AE4, #E49AD0, #E49ABC and #E49AA8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D099E4 shade: #D09AE4, #BC9AE4, #A89AE4 and #9A9AE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D099E4 shade matches the following richer shades: #D09AE4, #D58FEE and #DA85F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D099E4 shade: #D09AE4, #CBA4D9, #C6AECF, #C2B9C5 and #BDC3BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D099E4 shade: #A99AE4, #BC9AE4, #D09AE4, #E49AE4 and #E49AD0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D099E4 shade: #B259D2, #C179DB, #D09AE4, #DFBAEC and #EEDBF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D099E4 shade: #D099E4, #E49A9F and #9AE4B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D099E4 shade: #D099E4, #E4D09A and #9AE4D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D099E4 shade: #D099E4, #E49A9F, #ADE49A and #9AE4DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D099E4 shade: #D099E4, #E4AB9A, #ADE49A and #9AD2E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 33 / 0 / 11

HEX #D099E4

RGB 208 153 228

HSL 284, 0.58%, 0.75%

LAB 70.73, 33.55, -30

 

Complementary color

CMYK 54 / 0 / 74 / 60

HEX #2F661B

RGB 47 102 27

HSL 104, 0.58%, 0.25%

LAB 38.17, -33.09, 35.22

 

CMYK 4 / 31 / 0 / 13

HEX #D599DF

RGB 213 153 223

HSL 291.43, 0.52%, 0.74%

LAB 71.05, 34.13, -26.72

 

CMYK 5 / 29 / 0 / 5

HEX #E6ABF2

RGB 230 171 242

HSL 289.86, 0.73%, 0.81%

LAB 77.5, 33.47, -27.04

 

CMYK 3 / 26 / 0 / 0

HEX #F7BDFF

RGB 247 189 255

HSL 292.73, 1%, 0.87%

LAB 83.65, 31.71, -24.47

 

CMYK 0 / 19 / 0 / 0

HEX #FFCFFF

RGB 255 207 255

HSL 300, 1%, 0.91%

LAB 88.5, 24.79, -17.06

 

CMYK 0 / 12 / 0 / 0

HEX #FFE1FF

RGB 255 225 255

HSL 300, 1%, 0.94%

LAB 92.72, 15.38, -10.74

 

CMYK 9 / 33 / 0 / 11

HEX #D099E4

RGB 208 153 228

HSL 284, 0.58%, 0.75%

LAB 70.73, 33.55, -30

 

CMYK 9 / 35 / 0 / 18

HEX #BF87D1

RGB 191 135 209

HSL 285.41, 0.45%, 0.67%

LAB 64.17, 34.25, -29.75

 

CMYK 8 / 38 / 0 / 25

HEX #AE75BE

RGB 174 117 190

HSL 286.85, 0.36%, 0.6%

LAB 57.5, 35, -29.49

 

CMYK 8 / 42 / 0 / 33

HEX #9D63AB

RGB 157 99 171

HSL 288.33, 0.3%, 0.53%

LAB 50.72, 35.79, -29.2

 

CMYK 8 / 47 / 0 / 40

HEX #8C5198

RGB 140 81 152

HSL 289.86, 0.3%, 0.46%

LAB 43.84, 36.59, -28.87

 

CMYK 9 / 32 / 0 / 11

HEX #D09AE4

RGB 208 154 228

HSL 283.78, 0.58%, 0.75%

LAB 70.96, 33.01, -29.65

 

CMYK 0 / 32 / 0 / 11

HEX #E49AE4

RGB 228 154 228

HSL 300, 0.58%, 0.75%

LAB 73.03, 39.27, -26.29

 

CMYK 0 / 32 / 9 / 11

HEX #E49AD0

RGB 228 154 208

HSL 316.22, 0.58%, 0.75%

LAB 72.33, 35.74, -16.36

 

CMYK 0 / 32 / 18 / 11

HEX #E49ABC

RGB 228 154 188

HSL 332.43, 0.58%, 0.75%

LAB 71.71, 32.5, -6.24

 

CMYK 0 / 32 / 26 / 11

HEX #E49AA8

RGB 228 154 168

HSL 348.65, 0.58%, 0.75%

LAB 71.17, 29.56, 4.05

 

CMYK 9 / 32 / 0 / 11

HEX #D09AE4

RGB 208 154 228

HSL 283.78, 0.58%, 0.75%

LAB 70.96, 33.01, -29.65

 

CMYK 18 / 32 / 0 / 11

HEX #BC9AE4

RGB 188 154 228

HSL 267.57, 0.58%, 0.75%

LAB 69.04, 26.85, -32.76

 

CMYK 26 / 32 / 0 / 11

HEX #A89AE4

RGB 168 154 228

HSL 251.35, 0.58%, 0.75%

LAB 67.31, 20.88, -35.59

 

CMYK 32 / 32 / 0 / 11

HEX #9A9AE4

RGB 154 154 228

HSL 240, 0.58%, 0.75%

LAB 66.2, 16.87, -37.4

 

CMYK 9 / 32 / 0 / 11

HEX #D09AE4

RGB 208 154 228

HSL 283.78, 0.58%, 0.75%

LAB 70.96, 33.01, -29.65

 

CMYK 11 / 40 / 0 / 7

HEX #D58FEE

RGB 213 143 238

HSL 284.21, 0.74%, 0.75%

LAB 69.44, 42.46, -37.43

 

CMYK 12 / 46 / 0 / 3

HEX #DA85F8

RGB 218 133 248

HSL 284.35, 0.89%, 0.75%

LAB 68.36, 51.13, -44.57

 

CMYK 9 / 32 / 0 / 11

HEX #D09AE4

RGB 208 154 228

HSL 283.78, 0.58%, 0.75%

LAB 70.96, 33.01, -29.65

 

CMYK 6 / 24 / 0 / 15

HEX #CBA4D9

RGB 203 164 217

HSL 284.15, 0.41%, 0.75%

LAB 72.4, 23.74, -21.45

 

CMYK 4 / 16 / 0 / 19

HEX #C6AECF

RGB 198 174 207

HSL 283.64, 0.26%, 0.75%

LAB 74.05, 14.63, -13.52

 

CMYK 2 / 6 / 0 / 23

HEX #C2B9C5

RGB 194 185 197

HSL 285, 0.09%, 0.75%

LAB 76.19, 5.38, -4.92

 

CMYK 3 / 0 / 5 / 24

HEX #BDC3BA

RGB 189 195 186

HSL 100, 0.07%, 0.75%

LAB 78.11, -3.72, 3.79

 

CMYK 26 / 32 / 0 / 11

HEX #A99AE4

RGB 169 154 228

HSL 252.16, 0.58%, 0.75%

LAB 67.39, 21.17, -35.46

 

CMYK 18 / 32 / 0 / 11

HEX #BC9AE4

RGB 188 154 228

HSL 267.57, 0.58%, 0.75%

LAB 69.04, 26.85, -32.76

 

CMYK 9 / 32 / 0 / 11

HEX #D09AE4

RGB 208 154 228

HSL 283.78, 0.58%, 0.75%

LAB 70.96, 33.01, -29.65

 

CMYK 0 / 32 / 0 / 11

HEX #E49AE4

RGB 228 154 228

HSL 300, 0.58%, 0.75%

LAB 73.03, 39.27, -26.29

 

CMYK 0 / 32 / 9 / 11

HEX #E49AD0

RGB 228 154 208

HSL 316.22, 0.58%, 0.75%

LAB 72.33, 35.74, -16.36

 

CMYK 15 / 58 / 0 / 18

HEX #B259D2

RGB 178 89 210

HSL 284.13, 0.57%, 0.59%

LAB 53.24, 54.99, -47.56

 

CMYK 12 / 45 / 0 / 14

HEX #C179DB

RGB 193 121 219

HSL 284.08, 0.58%, 0.67%

LAB 61.76, 44.49, -39.06

 

CMYK 9 / 32 / 0 / 11

HEX #D09AE4

RGB 208 154 228

HSL 283.78, 0.58%, 0.75%

LAB 70.96, 33.01, -29.65

 

CMYK 6 / 21 / 0 / 7

HEX #DFBAEC

RGB 223 186 236

HSL 284.4, 0.57%, 0.83%

LAB 80.1, 22.02, -19.9

 

CMYK 3 / 11 / 0 / 4

HEX #EEDBF5

RGB 238 219 245

HSL 283.85, 0.57%, 0.91%

LAB 89.6, 11.1, -10.3

 

CMYK 9 / 33 / 0 / 11

HEX #D099E4

RGB 208 153 228

HSL 284, 0.58%, 0.75%

LAB 70.73, 33.55, -30

 

CMYK 0 / 32 / 30 / 11

HEX #E49A9F

RGB 228 154 159

HSL 355.95, 0.58%, 0.75%

LAB 70.95, 28.35, 8.72

 

CMYK 32 / 0 / 22 / 11

HEX #9AE4B2

RGB 154 228 178

HSL 139.46, 0.58%, 0.75%

LAB 84.78, -33.18, 17.24

 

CMYK 9 / 33 / 0 / 11

HEX #D099E4

RGB 208 153 228

HSL 284, 0.58%, 0.75%

LAB 70.73, 33.55, -30

 

CMYK 0 / 9 / 32 / 11

HEX #E4D09A

RGB 228 208 154

HSL 43.78, 0.58%, 0.75%

LAB 83.93, -0.92, 29.38

 

CMYK 32 / 0 / 9 / 11

HEX #9AE4D0

RGB 154 228 208

HSL 163.78, 0.58%, 0.75%

LAB 85.46, -27.19, 2.46

 

CMYK 9 / 33 / 0 / 11

HEX #D099E4

RGB 208 153 228

HSL 284, 0.58%, 0.75%

LAB 70.73, 33.55, -30

 

CMYK 0 / 32 / 30 / 11

HEX #E49A9F

RGB 228 154 159

HSL 355.95, 0.58%, 0.75%

LAB 70.95, 28.35, 8.72

 

CMYK 24 / 0 / 32 / 11

HEX #ADE49A

RGB 173 228 154

HSL 104.59, 0.58%, 0.75%

LAB 85.35, -31.08, 30.6

 

CMYK 32 / 0 / 2 / 11

HEX #9AE4DF

RGB 154 228 223

HSL 175.95, 0.58%, 0.75%

LAB 85.85, -23.89, -4.88

 

CMYK 9 / 33 / 0 / 11

HEX #D099E4

RGB 208 153 228

HSL 284, 0.58%, 0.75%

LAB 70.73, 33.55, -30

 

CMYK 0 / 25 / 32 / 11

HEX #E4AB9A

RGB 228 171 154

HSL 13.78, 0.58%, 0.75%

LAB 74.8, 18.6, 16.89

 

CMYK 24 / 0 / 32 / 11

HEX #ADE49A

RGB 173 228 154

HSL 104.59, 0.58%, 0.75%

LAB 85.35, -31.08, 30.6

 

CMYK 32 / 8 / 0 / 11

HEX #9AD2E4

RGB 154 210 228

HSL 194.59, 0.58%, 0.75%

LAB 81.05, -13.69, -14.67

 

Description

Color code: HEX #D099E4 | qconv.com Color code: HEX #D099E4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 153 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 153 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 33 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 33% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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