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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D0E952 it is the complementary color #2F16AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D0E952. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D0E952 shade: #D5E94D, #E6FB60, #F7FF73, #FFFF86 and #FFFF99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D0E952. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D0E952 shade: #D0E952, #BFD73F, #AEC52C, #9DB319 and #8CA106

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D0E952 shade: #D0E853, #E8D953, #E8B053, #E88853 and #E86053

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D0E952 shade: #D0E853, #A7E853, #7FE853, #57E853 and #53E877

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D0E952 shade matches the following richer shades: #D0E853 and #DAF843

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D0E952 shade: #D0E853, #C5D963, #BBC972, #B0B982 and #A6A992

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D0E952 shade: #E8AF53, #E8D753, #D2E853, #AAE853 and #82E853

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D0E952 shade: #B1CE1A, #C6E32E, #D0E853, #DAED78 and #E4F29C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D0E952 shade: #D0E952, #53E887 and #C353E8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D0E952 shade: #D0E952, #53D2E8 and #E853D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D0E952 shade: #D0E952, #53E887, #6953E8 and #E853B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D0E952 shade: #D0E952, #53E8B4, #6953E8 and #E85387

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 65 / 9

HEX #D0E952

RGB 208 233 82

HSL 69.93, 0.77%, 0.62%

LAB 88.11, -27.91, 67.84

 

Complementary color

CMYK 73 / 87 / 0 / 32

HEX #2F16AD

RGB 47 22 173

HSL 249.93, 0.77%, 0.38%

LAB 24.31, 54.18, -73.59

 

CMYK 9 / 0 / 67 / 9

HEX #D5E94D

RGB 213 233 77

HSL 67.69, 0.78%, 0.61%

LAB 88.43, -26.22, 70.18

 

CMYK 8 / 0 / 62 / 2

HEX #E6FB60

RGB 230 251 96

HSL 68.13, 0.95%, 0.68%

LAB 94.59, -26.8, 69.63

 

CMYK 3 / 0 / 55 / 0

HEX #F7FF73

RGB 247 255 115

HSL 63.43, 1%, 0.73%

LAB 97.04, -20.69, 64.73

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF86

RGB 255 255 134

HSL 60, 1%, 0.76%

LAB 97.83, -16.03, 57.32

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF99

RGB 255 255 153

HSL 60, 1%, 0.8%

LAB 98.07, -14.23, 48.66

 

CMYK 11 / 0 / 65 / 9

HEX #D0E952

RGB 208 233 82

HSL 69.93, 0.77%, 0.62%

LAB 88.11, -27.91, 67.84

 

CMYK 11 / 0 / 71 / 16

HEX #BFD73F

RGB 191 215 63

HSL 69.47, 0.66%, 0.55%

LAB 81.86, -27.3, 68.18

 

CMYK 12 / 0 / 78 / 23

HEX #AEC52C

RGB 174 197 44

HSL 69.02, 0.63%, 0.47%

LAB 75.52, -26.55, 67.96

 

CMYK 12 / 0 / 86 / 30

HEX #9DB319

RGB 157 179 25

HSL 68.57, 0.75%, 0.4%

LAB 69.1, -25.61, 66.8

 

CMYK 13 / 0 / 96 / 37

HEX #8CA106

RGB 140 161 6

HSL 68.13, 0.93%, 0.33%

LAB 62.57, -24.45, 64.2

 

CMYK 10 / 0 / 64 / 9

HEX #D0E853

RGB 208 232 83

HSL 69.66, 0.76%, 0.62%

LAB 87.85, -27.38, 67.17

 

CMYK 0 / 6 / 64 / 9

HEX #E8D953

RGB 232 217 83

HSL 53.96, 0.76%, 0.62%

LAB 85.71, -10.31, 65.49

 

CMYK 0 / 24 / 64 / 9

HEX #E8B053

RGB 232 176 83

HSL 37.45, 0.76%, 0.62%

LAB 75.35, 10.88, 54.3

 

CMYK 0 / 41 / 64 / 9

HEX #E88853

RGB 232 136 83

HSL 21.34, 0.76%, 0.62%

LAB 66.05, 32.08, 43.71

 

CMYK 0 / 59 / 64 / 9

HEX #E86053

RGB 232 96 83

HSL 5.23, 0.76%, 0.62%

LAB 58.18, 51.9, 34.25

 

CMYK 10 / 0 / 64 / 9

HEX #D0E853

RGB 208 232 83

HSL 69.66, 0.76%, 0.62%

LAB 87.85, -27.38, 67.17

 

CMYK 28 / 0 / 64 / 9

HEX #A7E853

RGB 167 232 83

HSL 86.17, 0.76%, 0.62%

LAB 85.28, -42.97, 63.67

 

CMYK 45 / 0 / 64 / 9

HEX #7FE853

RGB 127 232 83

HSL 102.28, 0.76%, 0.62%

LAB 83.36, -56.2, 61.04

 

CMYK 63 / 0 / 64 / 9

HEX #57E853

RGB 87 232 83

HSL 118.39, 0.76%, 0.62%

LAB 82.04, -66.42, 59.21

 

CMYK 64 / 0 / 49 / 9

HEX #53E877

RGB 83 232 119

HSL 134.5, 0.76%, 0.62%

LAB 82.32, -62.84, 43.37

 

CMYK 10 / 0 / 64 / 9

HEX #D0E853

RGB 208 232 83

HSL 69.66, 0.76%, 0.62%

LAB 87.85, -27.38, 67.17

 

CMYK 12 / 0 / 73 / 3

HEX #DAF843

RGB 218 248 67

HSL 69.94, 0.93%, 0.62%

LAB 92.77, -31.75, 78.02

 

CMYK 10 / 0 / 64 / 9

HEX #D0E853

RGB 208 232 83

HSL 69.66, 0.76%, 0.62%

LAB 87.85, -27.38, 67.17

 

CMYK 9 / 0 / 54 / 15

HEX #C5D963

RGB 197 217 99

HSL 70.17, 0.61%, 0.62%

LAB 83.12, -23.39, 54.97

 

CMYK 7 / 0 / 43 / 21

HEX #BBC972

RGB 187 201 114

HSL 69.66, 0.45%, 0.62%

LAB 78.2, -18.03, 41.74

 

CMYK 5 / 0 / 30 / 27

HEX #B0B982

RGB 176 185 130

HSL 69.82, 0.28%, 0.62%

LAB 73.25, -12.24, 26.93

 

CMYK 2 / 0 / 14 / 34

HEX #A6A992

RGB 166 169 146

HSL 67.83, 0.12%, 0.62%

LAB 68.43, -5.19, 11.52

 

CMYK 0 / 25 / 64 / 9

HEX #E8AF53

RGB 232 175 83

HSL 37.05, 0.76%, 0.62%

LAB 75.1, 11.4, 54.03

 

CMYK 0 / 7 / 64 / 9

HEX #E8D753

RGB 232 215 83

HSL 53.15, 0.76%, 0.62%

LAB 85.19, -9.31, 64.95

 

CMYK 9 / 0 / 64 / 9

HEX #D2E853

RGB 210 232 83

HSL 68.86, 0.76%, 0.62%

LAB 87.99, -26.58, 67.36

 

CMYK 27 / 0 / 64 / 9

HEX #AAE853

RGB 170 232 83

HSL 84.97, 0.76%, 0.62%

LAB 85.45, -41.89, 63.9

 

CMYK 44 / 0 / 64 / 9

HEX #82E853

RGB 130 232 83

HSL 101.07, 0.76%, 0.62%

LAB 83.49, -55.3, 61.21

 

CMYK 14 / 0 / 87 / 19

HEX #B1CE1A

RGB 177 206 26

HSL 69.67, 0.78%, 0.45%

LAB 78.21, -30.16, 74.7

 

CMYK 13 / 0 / 80 / 11

HEX #C6E32E

RGB 198 227 46

HSL 69.61, 0.76%, 0.54%

LAB 85.58, -30.86, 77.05

 

CMYK 10 / 0 / 64 / 9

HEX #D0E853

RGB 208 232 83

HSL 69.66, 0.76%, 0.62%

LAB 87.85, -27.38, 67.17

 

CMYK 8 / 0 / 49 / 7

HEX #DAED78

RGB 218 237 120

HSL 69.74, 0.76%, 0.7%

LAB 90.24, -22.95, 54.06

 

CMYK 6 / 0 / 36 / 5

HEX #E4F29C

RGB 228 242 156

HSL 69.77, 0.77%, 0.78%

LAB 92.75, -17.76, 40

 

CMYK 11 / 0 / 65 / 9

HEX #D0E952

RGB 208 233 82

HSL 69.93, 0.77%, 0.62%

LAB 88.11, -27.91, 67.84

 

CMYK 64 / 0 / 42 / 9

HEX #53E887

RGB 83 232 135

HSL 140.94, 0.76%, 0.62%

LAB 82.54, -60.33, 35.81

 

CMYK 16 / 64 / 0 / 9

HEX #C353E8

RGB 195 83 232

HSL 285.1, 0.76%, 0.62%

LAB 55.7, 66.16, -55.93

 

CMYK 11 / 0 / 65 / 9

HEX #D0E952

RGB 208 233 82

HSL 69.93, 0.77%, 0.62%

LAB 88.11, -27.91, 67.84

 

CMYK 64 / 9 / 0 / 9

HEX #53D2E8

RGB 83 210 232

HSL 188.86, 0.76%, 0.62%

LAB 78.32, -28.21, -21.21

 

CMYK 0 / 64 / 9 / 9

HEX #E853D2

RGB 232 83 210

HSL 308.86, 0.76%, 0.62%

LAB 59.88, 71.1, -36.56

 

CMYK 11 / 0 / 65 / 9

HEX #D0E952

RGB 208 233 82

HSL 69.93, 0.77%, 0.62%

LAB 88.11, -27.91, 67.84

 

CMYK 64 / 0 / 42 / 9

HEX #53E887

RGB 83 232 135

HSL 140.94, 0.76%, 0.62%

LAB 82.54, -60.33, 35.81

 

CMYK 55 / 64 / 0 / 9

HEX #6953E8

RGB 105 83 232

HSL 248.86, 0.76%, 0.62%

LAB 45.66, 47.99, -72.65

 

CMYK 0 / 64 / 22 / 9

HEX #E853B4

RGB 232 83 180

HSL 320.94, 0.76%, 0.62%

LAB 58.64, 66.86, -21.35

 

CMYK 11 / 0 / 65 / 9

HEX #D0E952

RGB 208 233 82

HSL 69.93, 0.77%, 0.62%

LAB 88.11, -27.91, 67.84

 

CMYK 64 / 0 / 22 / 9

HEX #53E8B4

RGB 83 232 180

HSL 159.06, 0.76%, 0.62%

LAB 83.36, -51.53, 13.82

 

CMYK 55 / 64 / 0 / 9

HEX #6953E8

RGB 105 83 232

HSL 248.86, 0.76%, 0.62%

LAB 45.66, 47.99, -72.65

 

CMYK 0 / 64 / 42 / 9

HEX #E85387

RGB 232 83 135

HSL 339.06, 0.76%, 0.62%

LAB 57.16, 61.64, 2.68

 

Description

Color code: HEX #D0E952 | qconv.com Color code: HEX #D0E952 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 233 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 233 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 65 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 65% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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