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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 232 83 135 it is the complementary color RGB 23 172 120. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 232 83 135. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 232 83 135 shade: RGB 237 83 130, RGB 254 101 149, RGB 255 119 168, RGB 255 137 187 and RGB 255 155 206

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 232 83 135. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 232 83 135 shade: RGB 232 83 135, RGB 215 65 116, RGB 198 47 97, RGB 181 29 78 and RGB 164 11 59

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 232 83 135 shade: RGB 231 84 135, RGB 231 84 96 and RGB 231 84 84

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 232 83 135 shade: RGB 231 84 135, RGB 231 84 175, RGB 231 84 215, RGB 208 84 231 and RGB 168 84 231

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 232 83 135 shade matches the following richer shades: RGB 231 84 135 and RGB 247 68 131

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 232 83 135 shade: RGB 231 84 135, RGB 216 100 140, RGB 200 115 145, RGB 184 131 150 and RGB 169 147 154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 232 83 135 shade: RGB 231 84 214, RGB 231 84 175, RGB 231 84 136, RGB 231 84 96 and RGB 231 111 84

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 232 83 135 shade: RGB 205 28 90, RGB 226 48 110, RGB 231 84 135, RGB 236 120 161 and RGB 241 157 186

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 232 83 135 shade: RGB 232 83 135, RGB 231 209 84 and RGB 84 194 231

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 232 83 135 shade: RGB 232 83 135, RGB 136 231 84 and RGB 84 136 231

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 232 83 135 shade: RGB 232 83 135, RGB 231 209 84, RGB 84 231 180 and RGB 84 106 231

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 232 83 135 shade: RGB 232 83 135, RGB 209 231 84, RGB 84 231 180 and RGB 106 84 231

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 42 / 9

HEX #E85387

RGB 232 83 135

HSL 339.06, 0.76%, 0.62%

LAB 57.16, 61.64, 2.68

Complementary color

CMYK 87 / 0 / 30 / 33

HEX #17AC78

RGB 23 172 120

HSL 159.06, 0.76%, 0.38%

LAB 62.54, -48.81, 16.68

 

CMYK 0 / 65 / 45 / 7

HEX #ED5382

RGB 237 83 130

HSL 341.69, 0.81%, 0.63%

LAB 57.85, 62.67, 6.71

 

CMYK 0 / 60 / 41 / 0

HEX #FE6595

RGB 254 101 149

HSL 341.18, 0.99%, 0.7%

LAB 63.79, 62.23, 4.56

 

CMYK 0 / 53 / 34 / 0

HEX #FF77A8

RGB 255 119 168

HSL 338.38, 1%, 0.73%

LAB 67.49, 56.56, -0.89

 

CMYK 0 / 46 / 27 / 0

HEX #FF89BB

RGB 255 137 187

HSL 334.58, 1%, 0.77%

LAB 71.38, 50.27, -5.83

 

CMYK 0 / 39 / 19 / 0

HEX #FF9BCE

RGB 255 155 206

HSL 329.4, 1%, 0.8%

LAB 75.55, 43.87, -10.13

 

CMYK 0 / 64 / 42 / 9

HEX #E85387

RGB 232 83 135

HSL 339.06, 0.76%, 0.62%

LAB 57.16, 61.64, 2.68

 

CMYK 0 / 70 / 46 / 16

HEX #D74174

RGB 215 65 116

HSL 339.6, 0.65%, 0.55%

LAB 51.25, 61.77, 5.1

 

CMYK 0 / 76 / 51 / 22

HEX #C62F61

RGB 198 47 97

HSL 340.13, 0.62%, 0.48%

LAB 45.5, 61.41, 8.08

 

CMYK 0 / 84 / 57 / 29

HEX #B51D4E

RGB 181 29 78

HSL 340.66, 0.72%, 0.41%

LAB 40, 60.26, 11.82

 

CMYK 0 / 93 / 64 / 36

HEX #A40B3B

RGB 164 11 59

HSL 341.18, 0.87%, 0.34%

LAB 34.9, 57.94, 16.55

 

CMYK 0 / 64 / 42 / 9

HEX #E75487

RGB 231 84 135

HSL 339.18, 0.75%, 0.62%

LAB 57.15, 60.93, 2.64

 

CMYK 0 / 64 / 58 / 9

HEX #E75460

RGB 231 84 96

HSL 355.1, 0.75%, 0.62%

LAB 56.26, 57.63, 24.33

 

CMYK 0 / 64 / 64 / 9

HEX #E75454

RGB 231 84 84

HSL 0, 0.75%, 0.62%

LAB 56.06, 56.86, 31.02

 

CMYK 0 / 64 / 42 / 9

HEX #E75487

RGB 231 84 135

HSL 339.18, 0.75%, 0.62%

LAB 57.15, 60.93, 2.64

 

CMYK 0 / 64 / 24 / 9

HEX #E754AF

RGB 231 84 175

HSL 322.86, 0.75%, 0.62%

LAB 58.44, 65.53, -18.79

 

CMYK 0 / 64 / 7 / 9

HEX #E754D7

RGB 231 84 215

HSL 306.53, 0.75%, 0.62%

LAB 60.1, 71.23, -39.06

 

CMYK 10 / 64 / 0 / 9

HEX #D054E7

RGB 208 84 231

HSL 290.61, 0.75%, 0.62%

LAB 57.58, 68.48, -52.27

 

CMYK 27 / 64 / 0 / 9

HEX #A854E7

RGB 168 84 231

HSL 274.29, 0.75%, 0.62%

LAB 52.33, 59.53, -60.97

 

CMYK 0 / 64 / 42 / 9

HEX #E75487

RGB 231 84 135

HSL 339.18, 0.75%, 0.62%

LAB 57.15, 60.93, 2.64

 

CMYK 0 / 72 / 47 / 3

HEX #F74483

RGB 247 68 131

HSL 338.88, 0.92%, 0.62%

LAB 57.6, 71.05, 6

 

CMYK 0 / 64 / 42 / 9

HEX #E75487

RGB 231 84 135

HSL 339.18, 0.75%, 0.62%

LAB 57.15, 60.93, 2.64

 

CMYK 0 / 54 / 35 / 15

HEX #D8648C

RGB 216 100 140

HSL 339.31, 0.6%, 0.62%

LAB 57.66, 49.57, 0.17

 

CMYK 0 / 43 / 28 / 22

HEX #C87391

RGB 200 115 145

HSL 338.82, 0.44%, 0.62%

LAB 58.59, 37.09, -1.64

 

CMYK 0 / 29 / 18 / 28

HEX #B88396

RGB 184 131 150

HSL 338.49, 0.27%, 0.62%

LAB 60.45, 23.27, -2.02

 

CMYK 0 / 13 / 9 / 34

HEX #A9939A

RGB 169 147 154

HSL 340.91, 0.11%, 0.62%

LAB 63.04, 9.41, -0.67

 

CMYK 0 / 64 / 7 / 9

HEX #E754D6

RGB 231 84 214

HSL 306.94, 0.75%, 0.62%

LAB 60.06, 71.07, -38.57

 

CMYK 0 / 64 / 24 / 9

HEX #E754AF

RGB 231 84 175

HSL 322.86, 0.75%, 0.62%

LAB 58.44, 65.53, -18.79

 

CMYK 0 / 64 / 41 / 9

HEX #E75488

RGB 231 84 136

HSL 338.78, 0.75%, 0.62%

LAB 57.18, 61.03, 2.09

 

CMYK 0 / 64 / 58 / 9

HEX #E75460

RGB 231 84 96

HSL 355.1, 0.75%, 0.62%

LAB 56.26, 57.63, 24.33

 

CMYK 0 / 52 / 64 / 9

HEX #E76F54

RGB 231 111 84

HSL 11.02, 0.75%, 0.62%

LAB 60.78, 44.49, 36.85

 

CMYK 0 / 86 / 56 / 20

HEX #CD1C5A

RGB 205 28 90

HSL 338.98, 0.76%, 0.46%

LAB 45.01, 67.48, 11.94

 

CMYK 0 / 79 / 51 / 11

HEX #E2306E

RGB 226 48 110

HSL 339.1, 0.75%, 0.54%

LAB 51.16, 69.69, 8.87

 

CMYK 0 / 64 / 42 / 9

HEX #E75487

RGB 231 84 135

HSL 339.18, 0.75%, 0.62%

LAB 57.15, 60.93, 2.64

 

CMYK 0 / 49 / 32 / 7

HEX #EC78A1

RGB 236 120 161

HSL 338.79, 0.75%, 0.7%

LAB 64.83, 49.03, -1.11

 

CMYK 0 / 35 / 23 / 5

HEX #F19DBA

RGB 241 157 186

HSL 339.29, 0.75%, 0.78%

LAB 73.78, 35.15, -1.93

 

CMYK 0 / 64 / 42 / 9

HEX #E85387

RGB 232 83 135

HSL 339.06, 0.76%, 0.62%

LAB 57.16, 61.64, 2.68

 

CMYK 0 / 10 / 64 / 9

HEX #E7D154

RGB 231 209 84

HSL 51.02, 0.75%, 0.62%

LAB 83.56, -6.63, 62.78

 

CMYK 64 / 16 / 0 / 9

HEX #54C2E7

RGB 84 194 231

HSL 195.1, 0.75%, 0.62%

LAB 73.7, -20.34, -27.72

 

CMYK 0 / 64 / 42 / 9

HEX #E85387

RGB 232 83 135

HSL 339.06, 0.76%, 0.62%

LAB 57.16, 61.64, 2.68

 

CMYK 41 / 0 / 64 / 9

HEX #88E754

RGB 136 231 84

HSL 98.78, 0.75%, 0.62%

LAB 83.46, -52.97, 60.85

 

CMYK 64 / 41 / 0 / 9

HEX #5488E7

RGB 84 136 231

HSL 218.78, 0.75%, 0.62%

LAB 57.33, 12.13, -53.33

 

CMYK 0 / 64 / 42 / 9

HEX #E85387

RGB 232 83 135

HSL 339.06, 0.76%, 0.62%

LAB 57.16, 61.64, 2.68

 

CMYK 0 / 10 / 64 / 9

HEX #E7D154

RGB 231 209 84

HSL 51.02, 0.75%, 0.62%

LAB 83.56, -6.63, 62.78

 

CMYK 64 / 0 / 22 / 9

HEX #54E7B4

RGB 84 231 180

HSL 159.18, 0.75%, 0.62%

LAB 83.09, -50.95, 13.44

 

CMYK 64 / 54 / 0 / 9

HEX #546AE7

RGB 84 106 231

HSL 231.02, 0.75%, 0.62%

LAB 49.45, 30.52, -65.99

 

CMYK 0 / 64 / 42 / 9

HEX #E85387

RGB 232 83 135

HSL 339.06, 0.76%, 0.62%

LAB 57.16, 61.64, 2.68

 

CMYK 10 / 0 / 64 / 9

HEX #D1E754

RGB 209 231 84

HSL 68.98, 0.75%, 0.62%

LAB 87.65, -26.44, 66.59

 

CMYK 64 / 0 / 22 / 9

HEX #54E7B4

RGB 84 231 180

HSL 159.18, 0.75%, 0.62%

LAB 83.09, -50.95, 13.44

 

CMYK 54 / 64 / 0 / 9

HEX #6A54E7

RGB 106 84 231

HSL 248.98, 0.75%, 0.62%

LAB 45.87, 47.3, -71.73

 

Description

Color code: RGB 232 83 135 | qconv.com Color code: RGB 232 83 135 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 83 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 83 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 42 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 42% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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