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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D08FA2 it is the complementary color #2F705D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D08FA2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D08FA2 shade: #D58F9D, #E6A1B0, #F7B3C3, #FFC5D6 and #FFD7E9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D08FA2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D08FA2 shade: #D08FA2, #BF7D8F, #AE6B7C, #9D5969 and #8C4756

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D08FA2 shade: #D08FA2, #D08F91 and #D08F8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D08FA2 shade: #D08FA2, #D08FB3, #D08FC5, #C98FD0 and #B88FD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D08FA2 shade matches the following richer shades: #D08FA2, #DD829D, #E97597 and #F66992

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D08FA2 shade: #D08FA2, #C39CA7, #B6A9AD, #A9B5B2 and #9DC2B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D08FA2 shade: #D08FC5, #D08FB4, #D08FA2, #D08F91 and #D09E8F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D08FA2 shade: #B85572, #C4728A, #D08FA2, #DCACBA and #E8C9D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D08FA2 shade: #D08FA2, #D0C98F and #8FBCD0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D08FA2 shade: #D08FA2, #A2D08F and #8FA2D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D08FA2 shade: #D08FA2, #D0C98F, #8FD0BC and #8F96D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D08FA2 shade: #D08FA2, #C3D08F, #8FD0BC and #9C8FD0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 22 / 18

HEX #D08FA2

RGB 208 143 162

HSL 342.46, 0.41%, 0.69%

LAB 66.26, 27.33, -0

 

Complementary color

CMYK 58 / 0 / 17 / 56

HEX #2F705D

RGB 47 112 93

HSL 162.46, 0.41%, 0.31%

LAB 42.74, -25.77, 4.35

 

CMYK 0 / 33 / 26 / 16

HEX #D58F9D

RGB 213 143 157

HSL 348, 0.45%, 0.7%

LAB 66.69, 28.44, 3.5

 

CMYK 0 / 30 / 23 / 10

HEX #E6A1B0

RGB 230 161 176

HSL 346.96, 0.58%, 0.77%

LAB 73.19, 27.68, 2.57

 

CMYK 0 / 28 / 21 / 3

HEX #F7B3C3

RGB 247 179 195

HSL 345.88, 0.81%, 0.84%

LAB 79.59, 26.98, 1.72

 

CMYK 0 / 23 / 16 / 0

HEX #FFC5D6

RGB 255 197 214

HSL 342.41, 1%, 0.89%

LAB 85.02, 23.18, -0.47

 

CMYK 0 / 16 / 9 / 0

HEX #FFD7E9

RGB 255 215 233

HSL 333, 1%, 0.92%

LAB 89.74, 16.8, -3.62

 

CMYK 0 / 31 / 22 / 18

HEX #D08FA2

RGB 208 143 162

HSL 342.46, 0.41%, 0.69%

LAB 66.26, 27.33, -0

 

CMYK 0 / 35 / 25 / 25

HEX #BF7D8F

RGB 191 125 143

HSL 343.64, 0.34%, 0.62%

LAB 59.64, 28.12, 0.92

 

CMYK 0 / 39 / 29 / 32

HEX #AE6B7C

RGB 174 107 124

HSL 344.78, 0.29%, 0.55%

LAB 52.92, 28.98, 1.95

 

CMYK 0 / 43 / 33 / 38

HEX #9D5969

RGB 157 89 105

HSL 345.88, 0.28%, 0.48%

LAB 46.09, 29.91, 3.14

 

CMYK 0 / 49 / 39 / 45

HEX #8C4756

RGB 140 71 86

HSL 346.96, 0.33%, 0.41%

LAB 39.16, 30.91, 4.57

 

CMYK 0 / 31 / 22 / 18

HEX #D08FA2

RGB 208 143 162

HSL 342.46, 0.41%, 0.69%

LAB 66.26, 27.33, -0

 

CMYK 0 / 31 / 30 / 18

HEX #D08F91

RGB 208 143 145

HSL 358.15, 0.41%, 0.69%

LAB 65.83, 24.93, 8.94

 

CMYK 0 / 31 / 31 / 18

HEX #D08F8F

RGB 208 143 143

HSL 0, 0.41%, 0.69%

LAB 65.78, 24.66, 9.99

 

CMYK 0 / 31 / 22 / 18

HEX #D08FA2

RGB 208 143 162

HSL 342.46, 0.41%, 0.69%

LAB 66.26, 27.33, -0

 

CMYK 0 / 31 / 14 / 18

HEX #D08FB3

RGB 208 143 179

HSL 326.77, 0.41%, 0.69%

LAB 66.76, 30, -8.83

 

CMYK 0 / 31 / 5 / 18

HEX #D08FC5

RGB 208 143 197

HSL 310.15, 0.41%, 0.69%

LAB 67.34, 33.08, -18.02

 

CMYK 3 / 31 / 0 / 18

HEX #C98FD0

RGB 201 143 208

HSL 293.54, 0.41%, 0.69%

LAB 66.99, 32.84, -24.76

 

CMYK 12 / 31 / 0 / 18

HEX #B88FD0

RGB 184 143 208

HSL 277.85, 0.41%, 0.69%

LAB 65.27, 27.41, -27.55

 

CMYK 0 / 31 / 22 / 18

HEX #D08FA2

RGB 208 143 162

HSL 342.46, 0.41%, 0.69%

LAB 66.26, 27.33, -0

 

CMYK 0 / 41 / 29 / 13

HEX #DD829D

RGB 221 130 157

HSL 342.2, 0.57%, 0.69%

LAB 64.78, 38.26, 0.85

 

CMYK 0 / 50 / 35 / 9

HEX #E97597

RGB 233 117 151

HSL 342.41, 0.73%, 0.69%

LAB 63.57, 48.29, 2.71

 

CMYK 0 / 57 / 41 / 4

HEX #F66992

RGB 246 105 146

HSL 342.55, 0.89%, 0.69%

LAB 63.15, 57.67, 5.21

 

CMYK 0 / 31 / 22 / 18

HEX #D08FA2

RGB 208 143 162

HSL 342.46, 0.41%, 0.69%

LAB 66.26, 27.33, -0

 

CMYK 0 / 20 / 14 / 24

HEX #C39CA7

RGB 195 156 167

HSL 343.08, 0.25%, 0.69%

LAB 68.15, 16.23, -0.22

 

CMYK 0 / 7 / 5 / 29

HEX #B6A9AD

RGB 182 169 173

HSL 341.54, 0.08%, 0.69%

LAB 70.41, 5.39, -0.38

 

CMYK 7 / 0 / 2 / 29

HEX #A9B5B2

RGB 169 181 178

HSL 165, 0.08%, 0.69%

LAB 72.69, -4.74, 0.08

 

CMYK 19 / 0 / 6 / 24

HEX #9DC2B7

RGB 157 194 183

HSL 162.16, 0.23%, 0.69%

LAB 75.56, -14.58, 1.44

 

CMYK 0 / 31 / 5 / 18

HEX #D08FC5

RGB 208 143 197

HSL 310.15, 0.41%, 0.69%

LAB 67.34, 33.08, -18.02

 

CMYK 0 / 31 / 13 / 18

HEX #D08FB4

RGB 208 143 180

HSL 325.85, 0.41%, 0.69%

LAB 66.79, 30.17, -9.35

 

CMYK 0 / 31 / 22 / 18

HEX #D08FA2

RGB 208 143 162

HSL 342.46, 0.41%, 0.69%

LAB 66.26, 27.33, -0

 

CMYK 0 / 31 / 30 / 18

HEX #D08F91

RGB 208 143 145

HSL 358.15, 0.41%, 0.69%

LAB 65.83, 24.93, 8.94

 

CMYK 0 / 24 / 31 / 18

HEX #D09E8F

RGB 208 158 143

HSL 13.85, 0.41%, 0.69%

LAB 69.36, 16.49, 15.04

 

CMYK 0 / 54 / 38 / 28

HEX #B85572

RGB 184 85 114

HSL 342.42, 0.41%, 0.53%

LAB 49.38, 43, 2.95

 

CMYK 0 / 42 / 30 / 23

HEX #C4728A

RGB 196 114 138

HSL 342.44, 0.41%, 0.61%

LAB 57.66, 35.23, 1

 

CMYK 0 / 31 / 22 / 18

HEX #D08FA2

RGB 208 143 162

HSL 342.46, 0.41%, 0.69%

LAB 66.26, 27.33, -0

 

CMYK 0 / 22 / 15 / 14

HEX #DCACBA

RGB 220 172 186

HSL 342.5, 0.41%, 0.77%

LAB 74.99, 19.67, -0.41

 

CMYK 0 / 13 / 9 / 9

HEX #E8C9D2

RGB 232 201 210

HSL 342.58, 0.4%, 0.85%

LAB 83.75, 12.36, -0.45

 

CMYK 0 / 31 / 22 / 18

HEX #D08FA2

RGB 208 143 162

HSL 342.46, 0.41%, 0.69%

LAB 66.26, 27.33, -0

 

CMYK 0 / 3 / 31 / 18

HEX #D0C98F

RGB 208 201 143

HSL 53.54, 0.41%, 0.69%

LAB 80.27, -6.41, 29.92

 

CMYK 31 / 10 / 0 / 18

HEX #8FBCD0

RGB 143 188 208

HSL 198.46, 0.41%, 0.69%

LAB 73.78, -10.12, -14.88

 

CMYK 0 / 31 / 22 / 18

HEX #D08FA2

RGB 208 143 162

HSL 342.46, 0.41%, 0.69%

LAB 66.26, 27.33, -0

 

CMYK 22 / 0 / 31 / 18

HEX #A2D08F

RGB 162 208 143

HSL 102.46, 0.41%, 0.69%

LAB 78.91, -27.02, 27.53

 

CMYK 31 / 22 / 0 / 18

HEX #8FA2D0

RGB 143 162 208

HSL 222.46, 0.41%, 0.69%

LAB 66.7, 4.07, -25.64

 

CMYK 0 / 31 / 22 / 18

HEX #D08FA2

RGB 208 143 162

HSL 342.46, 0.41%, 0.69%

LAB 66.26, 27.33, -0

 

CMYK 0 / 3 / 31 / 18

HEX #D0C98F

RGB 208 201 143

HSL 53.54, 0.41%, 0.69%

LAB 80.27, -6.41, 29.92

 

CMYK 31 / 0 / 10 / 18

HEX #8FD0BC

RGB 143 208 188

HSL 161.54, 0.41%, 0.69%

LAB 78.8, -24.9, 3.35

 

CMYK 31 / 28 / 0 / 18

HEX #8F96D0

RGB 143 150 208

HSL 233.54, 0.41%, 0.69%

LAB 63.51, 10.88, -30.55

 

CMYK 0 / 31 / 22 / 18

HEX #D08FA2

RGB 208 143 162

HSL 342.46, 0.41%, 0.69%

LAB 66.26, 27.33, -0

 

CMYK 6 / 0 / 31 / 18

HEX #C3D08F

RGB 195 208 143

HSL 72, 0.41%, 0.69%

LAB 81.12, -14.96, 30.87

 

CMYK 31 / 0 / 10 / 18

HEX #8FD0BC

RGB 143 208 188

HSL 161.54, 0.41%, 0.69%

LAB 78.8, -24.9, 3.35

 

CMYK 25 / 31 / 0 / 18

HEX #9C8FD0

RGB 156 143 208

HSL 252, 0.41%, 0.69%

LAB 62.73, 18.74, -31.67

 

Description

Color code: HEX #D08FA2 | qconv.com Color code: HEX #D08FA2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 143 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 143 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 22 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 22% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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