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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3D08F it is the complementary color #3C2F70. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3D08F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3D08F shade: #C8D08A, #D9E29D, #EAF4B0, #FBFFC3 and #FFFFD6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3D08F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3D08F shade: #C3D08F, #B2BE7C, #A1AC69, #909A56 and #7F8843

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3D08F shade: #C3D08F, #D0CB8F, #D0BA8F, #D0A88F and #D0978F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3D08F shade: #C3D08F, #B1D08F, #A0D08F, #8FD090 and #8FD0A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3D08F shade matches the following richer shades: #C3D08F, #CBDD82, #D2E975 and #DAF669

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3D08F shade: #C3D08F, #BBC39C, #B4B6A9, #ACA9B5 and #A49DC2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3D08F shade: #D0BA8F, #D0CC8F, #C3D08F, #B2D08F and #A0D08F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3D08F shade: #A4B855, #B3C472, #C3D08F, #D2DCAC and #E2E8C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3D08F shade: #C3D08F, #8FD0A9 and #C38FD0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3D08F shade: #C3D08F, #8FC3D0 and #D08FC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3D08F shade: #C3D08F, #8FD0A9, #9C8FD0 and #D08FB6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3D08F shade: #C3D08F, #8FD0BC, #9C8FD0 and #D08FA2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 31 / 18

HEX #C3D08F

RGB 195 208 143

HSL 72, 0.41%, 0.69%

LAB 81.12, -14.96, 30.87

 

Complementary color

CMYK 46 / 58 / 0 / 56

HEX #3C2F70

RGB 60 47 112

HSL 252, 0.41%, 0.31%

LAB 24.2, 23.6, -35.84

 

CMYK 4 / 0 / 34 / 18

HEX #C8D08A

RGB 200 208 138

HSL 66.86, 0.43%, 0.68%

LAB 81.42, -13.69, 33.9

 

CMYK 4 / 0 / 31 / 11

HEX #D9E29D

RGB 217 226 157

HSL 67.83, 0.54%, 0.75%

LAB 87.77, -13.87, 32.8

 

CMYK 4 / 0 / 28 / 4

HEX #EAF4B0

RGB 234 244 176

HSL 68.82, 0.76%, 0.82%

LAB 94.02, -14.02, 31.74

 

CMYK 2 / 0 / 24 / 0

HEX #FBFFC3

RGB 251 255 195

HSL 64, 1%, 0.88%

LAB 98.42, -10.72, 28.31

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD6

RGB 255 255 214

HSL 60, 1%, 0.92%

LAB 99.08, -6.61, 19.64

 

CMYK 6 / 0 / 31 / 18

HEX #C3D08F

RGB 195 208 143

HSL 72, 0.41%, 0.69%

LAB 81.12, -14.96, 30.87

 

CMYK 6 / 0 / 35 / 25

HEX #B2BE7C

RGB 178 190 124

HSL 70.91, 0.34%, 0.62%

LAB 74.67, -14.82, 31.99

 

CMYK 6 / 0 / 39 / 33

HEX #A1AC69

RGB 161 172 105

HSL 69.85, 0.29%, 0.54%

LAB 68.1, -14.65, 33.17

 

CMYK 6 / 0 / 44 / 40

HEX #909A56

RGB 144 154 86

HSL 68.82, 0.28%, 0.47%

LAB 61.41, -14.41, 34.38

 

CMYK 7 / 0 / 51 / 47

HEX #7F8843

RGB 127 136 67

HSL 67.83, 0.34%, 0.4%

LAB 54.58, -14.1, 35.62

 

CMYK 6 / 0 / 31 / 18

HEX #C3D08F

RGB 195 208 143

HSL 72, 0.41%, 0.69%

LAB 81.12, -14.96, 30.87

 

CMYK 0 / 2 / 31 / 18

HEX #D0CB8F

RGB 208 203 143

HSL 55.38, 0.41%, 0.69%

LAB 80.8, -7.44, 30.62

 

CMYK 0 / 11 / 31 / 18

HEX #D0BA8F

RGB 208 186 143

HSL 39.69, 0.41%, 0.69%

LAB 76.38, 1.43, 24.69

 

CMYK 0 / 19 / 31 / 18

HEX #D0A88F

RGB 208 168 143

HSL 23.08, 0.41%, 0.69%

LAB 71.82, 11.07, 18.46

 

CMYK 0 / 27 / 31 / 18

HEX #D0978F

RGB 208 151 143

HSL 7.38, 0.41%, 0.69%

LAB 67.67, 20.3, 12.67

 

CMYK 6 / 0 / 31 / 18

HEX #C3D08F

RGB 195 208 143

HSL 72, 0.41%, 0.69%

LAB 81.12, -14.96, 30.87

 

CMYK 15 / 0 / 31 / 18

HEX #B1D08F

RGB 177 208 143

HSL 88.62, 0.41%, 0.69%

LAB 79.86, -21.66, 28.97

 

CMYK 23 / 0 / 31 / 18

HEX #A0D08F

RGB 160 208 143

HSL 104.31, 0.41%, 0.69%

LAB 78.79, -27.72, 27.34

 

CMYK 31 / 0 / 31 / 18

HEX #8FD090

RGB 143 208 144

HSL 120.92, 0.41%, 0.69%

LAB 77.85, -33.26, 25.39

 

CMYK 31 / 0 / 23 / 18

HEX #8FD0A1

RGB 143 208 161

HSL 136.62, 0.41%, 0.69%

LAB 78.18, -30.28, 16.88

 

CMYK 6 / 0 / 31 / 18

HEX #C3D08F

RGB 195 208 143

HSL 72, 0.41%, 0.69%

LAB 81.12, -14.96, 30.87

 

CMYK 8 / 0 / 41 / 13

HEX #CBDD82

RGB 203 221 130

HSL 71.87, 0.57%, 0.69%

LAB 85.01, -19.95, 42.59

 

CMYK 10 / 0 / 50 / 9

HEX #D2E975

RGB 210 233 117

HSL 71.9, 0.73%, 0.69%

LAB 88.57, -24.4, 53.32

 

CMYK 11 / 0 / 57 / 4

HEX #DAF669

RGB 218 246 105

HSL 71.91, 0.89%, 0.69%

LAB 92.5, -28.49, 63.37

 

CMYK 6 / 0 / 31 / 18

HEX #C3D08F

RGB 195 208 143

HSL 72, 0.41%, 0.69%

LAB 81.12, -14.96, 30.87

 

CMYK 4 / 0 / 20 / 24

HEX #BBC39C

RGB 187 195 156

HSL 72.31, 0.25%, 0.69%

LAB 77.28, -9.47, 18.71

 

CMYK 1 / 0 / 7 / 29

HEX #B4B6A9

RGB 180 182 169

HSL 69.23, 0.08%, 0.69%

LAB 73.56, -3.06, 6.36

 

CMYK 5 / 7 / 0 / 29

HEX #ACA9B5

RGB 172 169 181

HSL 255, 0.08%, 0.69%

LAB 69.81, 3.38, -5.78

 

CMYK 15 / 19 / 0 / 24

HEX #A49DC2

RGB 164 157 194

HSL 251.35, 0.23%, 0.69%

LAB 66.44, 10.06, -18.11

 

CMYK 0 / 11 / 31 / 18

HEX #D0BA8F

RGB 208 186 143

HSL 39.69, 0.41%, 0.69%

LAB 76.38, 1.43, 24.69

 

CMYK 0 / 2 / 31 / 18

HEX #D0CC8F

RGB 208 204 143

HSL 56.31, 0.41%, 0.69%

LAB 81.06, -7.95, 30.97

 

CMYK 6 / 0 / 31 / 18

HEX #C3D08F

RGB 195 208 143

HSL 72, 0.41%, 0.69%

LAB 81.12, -14.96, 30.87

 

CMYK 14 / 0 / 31 / 18

HEX #B2D08F

RGB 178 208 143

HSL 87.69, 0.41%, 0.69%

LAB 79.93, -21.29, 29.07

 

CMYK 23 / 0 / 31 / 18

HEX #A0D08F

RGB 160 208 143

HSL 104.31, 0.41%, 0.69%

LAB 78.79, -27.72, 27.34

 

CMYK 11 / 0 / 54 / 28

HEX #A4B855

RGB 164 184 85

HSL 72.12, 0.41%, 0.53%

LAB 71.44, -21.64, 47.32

 

CMYK 9 / 0 / 42 / 23

HEX #B3C472

RGB 179 196 114

HSL 72.44, 0.41%, 0.61%

LAB 76.24, -18.67, 39.16

 

CMYK 6 / 0 / 31 / 18

HEX #C3D08F

RGB 195 208 143

HSL 72, 0.41%, 0.69%

LAB 81.12, -14.96, 30.87

 

CMYK 5 / 0 / 22 / 14

HEX #D2DCAC

RGB 210 220 172

HSL 72.5, 0.41%, 0.77%

LAB 85.94, -11.39, 22.51

 

CMYK 3 / 0 / 13 / 9

HEX #E2E8C9

RGB 226 232 201

HSL 71.61, 0.4%, 0.85%

LAB 90.83, -7.28, 14.41

 

CMYK 6 / 0 / 31 / 18

HEX #C3D08F

RGB 195 208 143

HSL 72, 0.41%, 0.69%

LAB 81.12, -14.96, 30.87

 

CMYK 31 / 0 / 19 / 18

HEX #8FD0A9

RGB 143 208 169

HSL 144, 0.41%, 0.69%

LAB 78.35, -28.77, 12.87

 

CMYK 6 / 31 / 0 / 18

HEX #C38FD0

RGB 195 143 208

HSL 288, 0.41%, 0.69%

LAB 66.37, 30.91, -25.77

 

CMYK 6 / 0 / 31 / 18

HEX #C3D08F

RGB 195 208 143

HSL 72, 0.41%, 0.69%

LAB 81.12, -14.96, 30.87

 

CMYK 31 / 6 / 0 / 18

HEX #8FC3D0

RGB 143 195 208

HSL 192, 0.41%, 0.69%

LAB 75.71, -13.79, -11.97

 

CMYK 0 / 31 / 6 / 18

HEX #D08FC3

RGB 208 143 195

HSL 312, 0.41%, 0.69%

LAB 67.27, 32.73, -17.01

 

CMYK 6 / 0 / 31 / 18

HEX #C3D08F

RGB 195 208 143

HSL 72, 0.41%, 0.69%

LAB 81.12, -14.96, 30.87

 

CMYK 31 / 0 / 19 / 18

HEX #8FD0A9

RGB 143 208 169

HSL 144, 0.41%, 0.69%

LAB 78.35, -28.77, 12.87

 

CMYK 25 / 31 / 0 / 18

HEX #9C8FD0

RGB 156 143 208

HSL 252, 0.41%, 0.69%

LAB 62.73, 18.74, -31.67

 

CMYK 0 / 31 / 13 / 18

HEX #D08FB6

RGB 208 143 182

HSL 324, 0.41%, 0.69%

LAB 66.85, 30.5, -10.37

 

CMYK 6 / 0 / 31 / 18

HEX #C3D08F

RGB 195 208 143

HSL 72, 0.41%, 0.69%

LAB 81.12, -14.96, 30.87

 

CMYK 31 / 0 / 10 / 18

HEX #8FD0BC

RGB 143 208 188

HSL 161.54, 0.41%, 0.69%

LAB 78.8, -24.9, 3.35

 

CMYK 25 / 31 / 0 / 18

HEX #9C8FD0

RGB 156 143 208

HSL 252, 0.41%, 0.69%

LAB 62.73, 18.74, -31.67

 

CMYK 0 / 31 / 22 / 18

HEX #D08FA2

RGB 208 143 162

HSL 342.46, 0.41%, 0.69%

LAB 66.26, 27.33, -0

 

Description

Color code: HEX #C3D08F | qconv.com Color code: HEX #C3D08F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 208 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 208 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 31 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 31% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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