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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D0801D it is the complementary color #2F7FE2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D0801D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D0801D shade: #D58018, #E6922B, #F7A43E, #FFB651 and #FFC864

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D0801D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D0801D shade: #D0801D, #BF6E0A, #AE5C00, #9D4A00 and #8C3800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D0801D shade: #CE7E1C, #CE4E1C, #CE1E1C and #CE1C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D0801D shade: #CE7E1C, #CEAE1C, #BDCE1C, #8DCE1C and #5DCE1C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D0801D shade matches the following richer shades: #CE7E1C and #E18009

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D0801D shade: #CE7E1C, #BB7C2F, #A87A42, #957855 and #827668

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D0801D shade: #CE1F1C, #CE4E1C, #CE7E1C, #CEAD1C and #BFCE1C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D0801D shade: #855212, #AA6817, #CE7E1C, #E29330 and #E7A655

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D0801D shade: #D0801D, #48CE1C and #361CCE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D0801D shade: #D0801D, #1CCE7E and #7E1CCE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D0801D shade: #D0801D, #48CE1C, #1C6CCE and #A11CCE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D0801D shade: #D0801D, #1CCE25, #1C6CCE and #CE1CC5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 86 / 18

HEX #D0801D

RGB 208 128 29

HSL 33.18, 0.76%, 0.46%

LAB 60.73, 24.06, 60.87

 

Complementary color

CMYK 79 / 44 / 0 / 11

HEX #2F7FE2

RGB 47 127 226

HSL 213.18, 0.76%, 0.54%

LAB 53.25, 10.77, -57.14

 

CMYK 0 / 40 / 89 / 16

HEX #D58018

RGB 213 128 24

HSL 33.02, 0.8%, 0.46%

LAB 61.35, 26.08, 63.08

 

CMYK 0 / 37 / 81 / 10

HEX #E6922B

RGB 230 146 43

HSL 33.05, 0.79%, 0.54%

LAB 67.69, 24.13, 63.23

 

CMYK 0 / 34 / 75 / 3

HEX #F7A43E

RGB 247 164 62

HSL 33.08, 0.92%, 0.61%

LAB 73.98, 22.41, 62.56

 

CMYK 0 / 29 / 68 / 0

HEX #FFB651

RGB 255 182 81

HSL 34.83, 1%, 0.66%

LAB 79.22, 17.18, 60.13

 

CMYK 0 / 22 / 61 / 0

HEX #FFC864

RGB 255 200 100

HSL 38.71, 1%, 0.7%

LAB 83.7, 8.95, 56.47

 

CMYK 0 / 38 / 86 / 18

HEX #D0801D

RGB 208 128 29

HSL 33.18, 0.76%, 0.46%

LAB 60.73, 24.06, 60.87

 

CMYK 0 / 42 / 95 / 25

HEX #BF6E0A

RGB 191 110 10

HSL 33.15, 0.9%, 0.39%

LAB 54.29, 26.18, 59.78

 

CMYK 0 / 47 / 100 / 32

HEX #AE5C00

RGB 174 92 0

HSL 31.72, 1%, 0.34%

LAB 47.82, 28.54, 56.46

 

CMYK 0 / 53 / 100 / 38

HEX #9D4A00

RGB 157 74 0

HSL 28.28, 1%, 0.31%

LAB 41.32, 31.02, 51.24

 

CMYK 0 / 60 / 100 / 45

HEX #8C3800

RGB 140 56 0

HSL 24, 1%, 0.27%

LAB 34.81, 33.41, 46.04

 

CMYK 0 / 39 / 86 / 19

HEX #CE7E1C

RGB 206 126 28

HSL 33.03, 0.76%, 0.46%

LAB 60, 24.26, 60.48

 

CMYK 0 / 62 / 86 / 19

HEX #CE4E1C

RGB 206 78 28

HSL 16.85, 0.76%, 0.46%

LAB 50.28, 48.53, 52.54

 

CMYK 0 / 85 / 86 / 19

HEX #CE1E1C

RGB 206 30 28

HSL 0.67, 0.76%, 0.46%

LAB 44.42, 64.65, 47.72

 

CMYK 0 / 86 / 86 / 19

HEX #CE1C1C

RGB 206 28 28

HSL 0, 0.76%, 0.46%

LAB 44.28, 65.05, 47.6

 

CMYK 0 / 39 / 86 / 19

HEX #CE7E1C

RGB 206 126 28

HSL 33.03, 0.76%, 0.46%

LAB 60, 24.26, 60.48

 

CMYK 0 / 16 / 86 / 19

HEX #CEAE1C

RGB 206 174 28

HSL 49.21, 0.76%, 0.46%

LAB 71.88, -1.61, 70.12

 

CMYK 8 / 0 / 86 / 19

HEX #BDCE1C

RGB 189 206 28

HSL 65.73, 0.76%, 0.46%

LAB 79.07, -25.14, 75.38

 

CMYK 32 / 0 / 86 / 19

HEX #8DCE1C

RGB 141 206 28

HSL 81.91, 0.76%, 0.46%

LAB 76, -44.2, 71.58

 

CMYK 55 / 0 / 86 / 19

HEX #5DCE1C

RGB 93 206 28

HSL 98.09, 0.76%, 0.46%

LAB 73.9, -59.66, 68.96

 

CMYK 0 / 39 / 86 / 19

HEX #CE7E1C

RGB 206 126 28

HSL 33.03, 0.76%, 0.46%

LAB 60, 24.26, 60.48

 

CMYK 0 / 43 / 96 / 12

HEX #E18009

RGB 225 128 9

HSL 33.06, 0.92%, 0.46%

LAB 62.9, 30.89, 68

 

CMYK 0 / 39 / 86 / 19

HEX #CE7E1C

RGB 206 126 28

HSL 33.03, 0.76%, 0.46%

LAB 60, 24.26, 60.48

 

CMYK 0 / 34 / 75 / 27

HEX #BB7C2F

RGB 187 124 47

HSL 33, 0.6%, 0.46%

LAB 57.26, 17.78, 49.93

 

CMYK 0 / 27 / 61 / 34

HEX #A87A42

RGB 168 122 66

HSL 32.94, 0.44%, 0.46%

LAB 54.7, 11.7, 37.25

 

CMYK 0 / 19 / 43 / 42

HEX #957855

RGB 149 120 85

HSL 32.81, 0.27%, 0.46%

LAB 52.37, 6.36, 23.48

 

CMYK 0 / 9 / 20 / 49

HEX #827668

RGB 130 118 104

HSL 32.31, 0.11%, 0.46%

LAB 50.34, 2.17, 9.39

 

CMYK 0 / 85 / 86 / 19

HEX #CE1F1C

RGB 206 31 28

HSL 1.01, 0.76%, 0.46%

LAB 44.5, 64.44, 47.78

 

CMYK 0 / 62 / 86 / 19

HEX #CE4E1C

RGB 206 78 28

HSL 16.85, 0.76%, 0.46%

LAB 50.28, 48.53, 52.54

 

CMYK 0 / 39 / 86 / 19

HEX #CE7E1C

RGB 206 126 28

HSL 33.03, 0.76%, 0.46%

LAB 60, 24.26, 60.48

 

CMYK 0 / 16 / 86 / 19

HEX #CEAD1C

RGB 206 173 28

HSL 48.88, 0.76%, 0.46%

LAB 71.62, -1.08, 69.91

 

CMYK 7 / 0 / 86 / 19

HEX #BFCE1C

RGB 191 206 28

HSL 65.06, 0.76%, 0.46%

LAB 79.22, -24.31, 75.56

 

CMYK 0 / 38 / 86 / 48

HEX #855212

RGB 133 82 18

HSL 33.39, 0.76%, 0.3%

LAB 39.69, 16.24, 42.95

 

CMYK 0 / 39 / 86 / 33

HEX #AA6817

RGB 170 104 23

HSL 33.06, 0.76%, 0.38%

LAB 50.11, 20.57, 52

 

CMYK 0 / 39 / 86 / 19

HEX #CE7E1C

RGB 206 126 28

HSL 33.03, 0.76%, 0.46%

LAB 60, 24.26, 60.48

 

CMYK 0 / 35 / 79 / 11

HEX #E29330

RGB 226 147 48

HSL 33.37, 0.75%, 0.54%

LAB 67.46, 22.08, 61

 

CMYK 0 / 28 / 63 / 9

HEX #E7A655

RGB 231 166 85

HSL 33.29, 0.75%, 0.62%

LAB 72.84, 15.89, 50.52

 

CMYK 0 / 38 / 86 / 18

HEX #D0801D

RGB 208 128 29

HSL 33.18, 0.76%, 0.46%

LAB 60.73, 24.06, 60.87

 

CMYK 65 / 0 / 86 / 19

HEX #48CE1C

RGB 72 206 28

HSL 105.17, 0.76%, 0.46%

LAB 73.29, -64.7, 68.18

 

CMYK 74 / 86 / 0 / 19

HEX #361CCE

RGB 54 28 206

HSL 248.76, 0.76%, 0.46%

LAB 29.59, 61.61, -84.33

 

CMYK 0 / 38 / 86 / 18

HEX #D0801D

RGB 208 128 29

HSL 33.18, 0.76%, 0.46%

LAB 60.73, 24.06, 60.87

 

CMYK 86 / 0 / 39 / 19

HEX #1CCE7E

RGB 28 206 126

HSL 153.03, 0.76%, 0.46%

LAB 73.48, -59.8, 28.3

 

CMYK 39 / 86 / 0 / 19

HEX #7E1CCE

RGB 126 28 206

HSL 273.03, 0.76%, 0.46%

LAB 37.34, 68.27, -71.28

 

CMYK 0 / 38 / 86 / 18

HEX #D0801D

RGB 208 128 29

HSL 33.18, 0.76%, 0.46%

LAB 60.73, 24.06, 60.87

 

CMYK 65 / 0 / 86 / 19

HEX #48CE1C

RGB 72 206 28

HSL 105.17, 0.76%, 0.46%

LAB 73.29, -64.7, 68.18

 

CMYK 86 / 48 / 0 / 19

HEX #1C6CCE

RGB 28 108 206

HSL 213.03, 0.76%, 0.46%

LAB 46.22, 13.44, -57.13

 

CMYK 22 / 86 / 0 / 19

HEX #A11CCE

RGB 161 28 206

HSL 284.83, 0.76%, 0.46%

LAB 42.56, 73.23, -62.54

 

CMYK 0 / 38 / 86 / 18

HEX #D0801D

RGB 208 128 29

HSL 33.18, 0.76%, 0.46%

LAB 60.73, 24.06, 60.87

 

CMYK 86 / 0 / 82 / 19

HEX #1CCE25

RGB 28 206 37

HSL 123.03, 0.76%, 0.46%

LAB 72.58, -70.74, 65.15

 

CMYK 86 / 48 / 0 / 19

HEX #1C6CCE

RGB 28 108 206

HSL 213.03, 0.76%, 0.46%

LAB 46.22, 13.44, -57.13

 

CMYK 0 / 86 / 4 / 19

HEX #CE1CC5

RGB 206 28 197

HSL 303.03, 0.76%, 0.46%

LAB 49.48, 79.36, -45.81

 

Description

Color code: HEX #D0801D | qconv.com Color code: HEX #D0801D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 128 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 128 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 86 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 86% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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