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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 206 28 197 it is the complementary color RGB 49 227 58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 206 28 197. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 206 28 197 shade: RGB 211 28 192, RGB 228 46 211, RGB 245 64 230, RGB 255 82 249 and RGB 255 100 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 206 28 197. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 206 28 197 shade: RGB 206 28 197, RGB 189 10 178, RGB 172 0 159, RGB 155 0 140 and RGB 138 0 121

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 206 28 197 shade: RGB 206 28 197, RGB 206 28 149, RGB 206 28 101, RGB 206 28 53 and RGB 206 28 28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 206 28 197 shade: RGB 206 28 197, RGB 167 28 206, RGB 119 28 206, RGB 71 28 206 and RGB 28 28 206

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 206 28 197 shade matches the following richer shades: RGB 206 28 197 and RGB 225 9 214

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 206 28 197 shade: RGB 206 28 197, RGB 187 47 180, RGB 168 66 163, RGB 149 85 146 and RGB 130 104 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 206 28 197 shade: RGB 120 28 206, RGB 167 28 206, RGB 206 28 197, RGB 206 28 149 and RGB 206 28 102

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 206 28 197 shade: RGB 133 18 127, RGB 170 23 162, RGB 206 28 197, RGB 226 48 217 and RGB 231 85 224

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 206 28 197 shade: RGB 206 28 197, RGB 206 72 28 and RGB 28 206 144

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 206 28 197 shade: RGB 206 28 197, RGB 197 206 28 and RGB 28 197 206

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 206 28 197 shade: RGB 206 28 197, RGB 206 72 28, RGB 28 206 37 and RGB 28 161 206

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 206 28 197 shade: RGB 206 28 197, RGB 206 126 28, RGB 28 206 37 and RGB 28 108 206

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 4 / 19

HEX #CE1CC5

RGB 206 28 197

HSL 303.03, 0.76%, 0.46%

LAB 49.48, 79.36, -45.81

 

Complementary color

CMYK 78 / 0 / 74 / 11

HEX #31E33A

RGB 49 227 58

HSL 123.03, 0.76%, 0.54%

LAB 79.55, -73.35, 65.67

 

CMYK 0 / 87 / 9 / 17

HEX #D31CC0

RGB 211 28 192

HSL 306.23, 0.77%, 0.47%

LAB 50.08, 79.58, -41.9

 

CMYK 0 / 80 / 7 / 11

HEX #E42ED3

RGB 228 46 211

HSL 305.6, 0.77%, 0.54%

LAB 55.23, 81.9, -44.5

 

CMYK 0 / 74 / 6 / 4

HEX #F540E6

RGB 245 64 230

HSL 304.97, 0.9%, 0.61%

LAB 60.6, 83.37, -46.57

 

CMYK 0 / 68 / 2 / 0

HEX #FF52F9

RGB 255 82 249

HSL 302.08, 1%, 0.66%

LAB 65.07, 82.69, -49.97

 

CMYK 0 / 61 / 0 / 0

HEX #FF64FF

RGB 255 100 255

HSL 300, 1%, 0.7%

LAB 67.72, 77.03, -49.08

 

CMYK 0 / 86 / 4 / 19

HEX #CE1CC5

RGB 206 28 197

HSL 303.03, 0.76%, 0.46%

LAB 49.48, 79.36, -45.81

 

CMYK 0 / 95 / 6 / 26

HEX #BD0AB2

RGB 189 10 178

HSL 303.69, 0.9%, 0.39%

LAB 44.59, 75.95, -42.65

 

CMYK 0 / 100 / 8 / 33

HEX #AC009F

RGB 172 0 159

HSL 304.53, 1%, 0.34%

LAB 40.04, 71.26, -38.74

 

CMYK 0 / 100 / 10 / 39

HEX #9B008C

RGB 155 0 140

HSL 305.81, 1%, 0.3%

LAB 35.72, 65.54, -34.21

 

CMYK 0 / 100 / 12 / 46

HEX #8A0079

RGB 138 0 121

HSL 307.39, 1%, 0.27%

LAB 31.31, 59.71, -29.53

 

CMYK 0 / 86 / 4 / 19

HEX #CE1CC5

RGB 206 28 197

HSL 303.03, 0.76%, 0.46%

LAB 49.48, 79.36, -45.81

 

CMYK 0 / 86 / 28 / 19

HEX #CE1C95

RGB 206 28 149

HSL 319.21, 0.76%, 0.46%

LAB 47.13, 73.13, -21.14

 

CMYK 0 / 86 / 51 / 19

HEX #CE1C65

RGB 206 28 101

HSL 335.39, 0.76%, 0.46%

LAB 45.49, 68.53, 5.79

 

CMYK 0 / 86 / 74 / 19

HEX #CE1C35

RGB 206 28 53

HSL 351.57, 0.76%, 0.46%

LAB 44.53, 65.78, 34.14

 

CMYK 0 / 86 / 86 / 19

HEX #CE1C1C

RGB 206 28 28

HSL 0, 0.76%, 0.46%

LAB 44.28, 65.05, 47.6

 

CMYK 0 / 86 / 4 / 19

HEX #CE1CC5

RGB 206 28 197

HSL 303.03, 0.76%, 0.46%

LAB 49.48, 79.36, -45.81

 

CMYK 19 / 86 / 0 / 19

HEX #A71CCE

RGB 167 28 206

HSL 286.85, 0.76%, 0.46%

LAB 43.51, 74.16, -60.95

 

CMYK 42 / 86 / 0 / 19

HEX #771CCE

RGB 119 28 206

HSL 270.67, 0.76%, 0.46%

LAB 36.38, 67.4, -72.88

 

CMYK 66 / 86 / 0 / 19

HEX #471CCE

RGB 71 28 206

HSL 254.49, 0.76%, 0.46%

LAB 30.94, 62.69, -82.05

 

CMYK 86 / 86 / 0 / 19

HEX #1C1CCE

RGB 28 28 206

HSL 240, 0.76%, 0.46%

LAB 28.2, 60.54, -86.68

 

CMYK 0 / 86 / 4 / 19

HEX #CE1CC5

RGB 206 28 197

HSL 303.03, 0.76%, 0.46%

LAB 49.48, 79.36, -45.81

 

CMYK 0 / 96 / 5 / 12

HEX #E109D6

RGB 225 9 214

HSL 303.06, 0.92%, 0.46%

LAB 53.01, 87.22, -49.76

 

CMYK 0 / 86 / 4 / 19

HEX #CE1CC5

RGB 206 28 197

HSL 303.03, 0.76%, 0.46%

LAB 49.48, 79.36, -45.81

 

CMYK 0 / 75 / 4 / 27

HEX #BB2FB4

RGB 187 47 180

HSL 303, 0.6%, 0.46%

LAB 46.83, 68.64, -40.29

 

CMYK 0 / 61 / 3 / 34

HEX #A842A3

RGB 168 66 163

HSL 302.94, 0.44%, 0.46%

LAB 45.45, 54.24, -32.63

 

CMYK 0 / 43 / 2 / 42

HEX #955592

RGB 149 85 146

HSL 302.81, 0.27%, 0.46%

LAB 45.58, 36.02, -22.48

 

CMYK 0 / 20 / 1 / 49

HEX #826881

RGB 130 104 129

HSL 302.31, 0.11%, 0.46%

LAB 47.28, 15.02, -9.92

 

CMYK 42 / 86 / 0 / 19

HEX #781CCE

RGB 120 28 206

HSL 271.01, 0.76%, 0.46%

LAB 36.52, 67.52, -72.66

 

CMYK 19 / 86 / 0 / 19

HEX #A71CCE

RGB 167 28 206

HSL 286.85, 0.76%, 0.46%

LAB 43.51, 74.16, -60.95

 

CMYK 0 / 86 / 4 / 19

HEX #CE1CC5

RGB 206 28 197

HSL 303.03, 0.76%, 0.46%

LAB 49.48, 79.36, -45.81

 

CMYK 0 / 86 / 28 / 19

HEX #CE1C95

RGB 206 28 149

HSL 319.21, 0.76%, 0.46%

LAB 47.13, 73.13, -21.14

 

CMYK 0 / 86 / 50 / 19

HEX #CE1C66

RGB 206 28 102

HSL 335.06, 0.76%, 0.46%

LAB 45.51, 68.61, 5.21

 

CMYK 0 / 86 / 5 / 48

HEX #85127F

RGB 133 18 127

HSL 303.13, 0.76%, 0.3%

LAB 31.7, 56.7, -32.76

 

CMYK 0 / 86 / 5 / 33

HEX #AA17A2

RGB 170 23 162

HSL 303.27, 0.76%, 0.38%

LAB 40.84, 68.38, -39.28

 

CMYK 0 / 86 / 4 / 19

HEX #CE1CC5

RGB 206 28 197

HSL 303.03, 0.76%, 0.46%

LAB 49.48, 79.36, -45.81

 

CMYK 0 / 79 / 4 / 11

HEX #E230D9

RGB 226 48 217

HSL 303.03, 0.75%, 0.54%

LAB 55.37, 81.9, -47.71

 

CMYK 0 / 63 / 3 / 9

HEX #E755E0

RGB 231 85 224

HSL 302.88, 0.75%, 0.62%

LAB 60.66, 72.25, -43.24

 

CMYK 0 / 86 / 4 / 19

HEX #CE1CC5

RGB 206 28 197

HSL 303.03, 0.76%, 0.46%

LAB 49.48, 79.36, -45.81

 

CMYK 0 / 65 / 86 / 19

HEX #CE481C

RGB 206 72 28

HSL 14.83, 0.76%, 0.46%

LAB 49.3, 51.14, 51.73

 

CMYK 86 / 0 / 30 / 19

HEX #1CCE90

RGB 28 206 144

HSL 159.1, 0.76%, 0.46%

LAB 73.81, -56.06, 19.3

 

CMYK 0 / 86 / 4 / 19

HEX #CE1CC5

RGB 206 28 197

HSL 303.03, 0.76%, 0.46%

LAB 49.48, 79.36, -45.81

 

CMYK 4 / 0 / 86 / 19

HEX #C5CE1C

RGB 197 206 28

HSL 63.03, 0.76%, 0.46%

LAB 79.67, -21.78, 76.12

 

CMYK 86 / 4 / 0 / 19

HEX #1CC5CE

RGB 28 197 206

HSL 183.03, 0.76%, 0.46%

LAB 72.65, -35.79, -15.85

 

CMYK 0 / 86 / 4 / 19

HEX #CE1CC5

RGB 206 28 197

HSL 303.03, 0.76%, 0.46%

LAB 49.48, 79.36, -45.81

 

CMYK 0 / 65 / 86 / 19

HEX #CE481C

RGB 206 72 28

HSL 14.83, 0.76%, 0.46%

LAB 49.3, 51.14, 51.73

 

CMYK 86 / 0 / 82 / 19

HEX #1CCE25

RGB 28 206 37

HSL 123.03, 0.76%, 0.46%

LAB 72.58, -70.74, 65.15

 

CMYK 86 / 22 / 0 / 19

HEX #1CA1CE

RGB 28 161 206

HSL 195.17, 0.76%, 0.46%

LAB 61.82, -17.81, -32.43

 

CMYK 0 / 86 / 4 / 19

HEX #CE1CC5

RGB 206 28 197

HSL 303.03, 0.76%, 0.46%

LAB 49.48, 79.36, -45.81

 

CMYK 0 / 39 / 86 / 19

HEX #CE7E1C

RGB 206 126 28

HSL 33.03, 0.76%, 0.46%

LAB 60, 24.26, 60.48

 

CMYK 86 / 0 / 82 / 19

HEX #1CCE25

RGB 28 206 37

HSL 123.03, 0.76%, 0.46%

LAB 72.58, -70.74, 65.15

 

CMYK 86 / 48 / 0 / 19

HEX #1C6CCE

RGB 28 108 206

HSL 213.03, 0.76%, 0.46%

LAB 46.22, 13.44, -57.13

 

Description

Color code: RGB 206 28 197 | qconv.com Color code: RGB 206 28 197 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 28 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 28 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 4 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 4% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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