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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D01F95 it is the complementary color #2FE06A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D01F95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D01F95 shade: #D51F90, #E631A3, #F743B6, #FF55C9 and #FF67DC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D01F95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D01F95 shade: #D01F95, #BF0D82, #AE006F, #9D005C and #8C0049

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D01F95 shade: #D01F95, #D01F65, #D01F35 and #D01F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D01F95 shade: #D01F95, #D01FC5, #AB1FD0, #7C1FD0 and #4C1FD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D01F95 shade matches the following richer shades: #D01F95 and #E30B9B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D01F95 shade: #D01F95, #BD328E, #A94588, #965982 and #826C7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D01F95 shade: #AD1FD0, #D01FC4, #D01F95, #D01F66 and #D01F36

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D01F95 shade: #881461, #AC197B, #D01F95, #E137A8 and #E65BB8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D01F95 shade: #D01F95, #D07D1F and #1FD0C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D01F95 shade: #D01F95, #95D01F and #1F95D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D01F95 shade: #D01F95, #D07D1F, #1FD05A and #1F71D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D01F95 shade: #D01F95, #D0B21F, #1FD05A and #1F3CD0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 28 / 18

HEX #D01F95

RGB 208 31 149

HSL 320, 0.74%, 0.47%

LAB 47.7, 73, -20.24

 

Complementary color

CMYK 79 / 0 / 53 / 12

HEX #2FE06A

RGB 47 224 106

HSL 140, 0.74%, 0.53%

LAB 79.02, -67.5, 45.34

 

CMYK 0 / 85 / 32 / 16

HEX #D51F90

RGB 213 31 144

HSL 322.75, 0.75%, 0.48%

LAB 48.44, 73.56, -16.02

 

CMYK 0 / 79 / 29 / 10

HEX #E631A3

RGB 230 49 163

HSL 322.21, 0.78%, 0.55%

LAB 53.67, 75.46, -19.08

 

CMYK 0 / 73 / 26 / 3

HEX #F743B6

RGB 247 67 182

HSL 321.67, 0.92%, 0.62%

LAB 59.13, 76.57, -21.54

 

CMYK 0 / 67 / 21 / 0

HEX #FF55C9

RGB 255 85 201

HSL 319.06, 1%, 0.67%

LAB 63.32, 74.83, -25.86

 

CMYK 0 / 60 / 14 / 0

HEX #FF67DC

RGB 255 103 220

HSL 313.82, 1%, 0.7%

LAB 66.62, 70.43, -31.45

 

CMYK 0 / 85 / 28 / 18

HEX #D01F95

RGB 208 31 149

HSL 320, 0.74%, 0.47%

LAB 47.7, 73, -20.24

 

CMYK 0 / 93 / 32 / 25

HEX #BF0D82

RGB 191 13 130

HSL 320.56, 0.87%, 0.4%

LAB 42.73, 70.02, -16.59

 

CMYK 0 / 100 / 36 / 32

HEX #AE006F

RGB 174 0 111

HSL 321.72, 1%, 0.34%

LAB 38.1, 65.79, -12.09

 

CMYK 0 / 100 / 41 / 38

HEX #9D005C

RGB 157 0 92

HSL 324.84, 1%, 0.31%

LAB 33.86, 60.22, -6.68

 

CMYK 0 / 100 / 48 / 45

HEX #8C0049

RGB 140 0 73

HSL 328.71, 1%, 0.27%

LAB 29.55, 54.6, -0.96

 

CMYK 0 / 85 / 28 / 18

HEX #D01F95

RGB 208 31 149

HSL 320, 0.74%, 0.47%

LAB 47.7, 73, -20.24

 

CMYK 0 / 85 / 51 / 18

HEX #D01F65

RGB 208 31 101

HSL 336.27, 0.74%, 0.47%

LAB 46.08, 68.44, 6.7

 

CMYK 0 / 85 / 75 / 18

HEX #D01F35

RGB 208 31 53

HSL 352.54, 0.74%, 0.47%

LAB 45.15, 65.71, 34.95

 

CMYK 0 / 85 / 85 / 18

HEX #D01F1F

RGB 208 31 31

HSL 0, 0.74%, 0.47%

LAB 44.93, 65.05, 46.84

 

CMYK 0 / 85 / 28 / 18

HEX #D01F95

RGB 208 31 149

HSL 320, 0.74%, 0.47%

LAB 47.7, 73, -20.24

 

CMYK 0 / 85 / 5 / 18

HEX #D01FC5

RGB 208 31 197

HSL 303.73, 0.74%, 0.47%

LAB 50, 79.2, -44.95

 

CMYK 18 / 85 / 0 / 18

HEX #AB1FD0

RGB 171 31 208

HSL 287.46, 0.74%, 0.47%

LAB 44.51, 74.52, -60.46

 

CMYK 40 / 85 / 0 / 18

HEX #7C1FD0

RGB 124 31 208

HSL 271.53, 0.74%, 0.47%

LAB 37.52, 67.65, -72.16

 

CMYK 63 / 85 / 0 / 18

HEX #4C1FD0

RGB 76 31 208

HSL 255.25, 0.74%, 0.47%

LAB 31.97, 62.58, -81.5

 

CMYK 0 / 85 / 28 / 18

HEX #D01F95

RGB 208 31 149

HSL 320, 0.74%, 0.47%

LAB 47.7, 73, -20.24

 

CMYK 0 / 95 / 32 / 11

HEX #E30B9B

RGB 227 11 155

HSL 320, 0.91%, 0.47%

LAB 50.61, 80.29, -19.05

 

CMYK 0 / 85 / 28 / 18

HEX #D01F95

RGB 208 31 149

HSL 320, 0.74%, 0.47%

LAB 47.7, 73, -20.24

 

CMYK 0 / 74 / 25 / 26

HEX #BD328E

RGB 189 50 142

HSL 320.29, 0.58%, 0.47%

LAB 45.71, 62.74, -19.37

 

CMYK 0 / 59 / 20 / 34

HEX #A94588

RGB 169 69 136

HSL 319.8, 0.42%, 0.47%

LAB 44.9, 48.79, -17.27

 

CMYK 0 / 41 / 13 / 41

HEX #965982

RGB 150 89 130

HSL 319.67, 0.26%, 0.47%

LAB 45.96, 31.2, -12.28

 

CMYK 0 / 17 / 5 / 49

HEX #826C7B

RGB 130 108 123

HSL 319.09, 0.09%, 0.47%

LAB 48.14, 11.45, -5.06

 

CMYK 17 / 85 / 0 / 18

HEX #AD1FD0

RGB 173 31 208

HSL 288.14, 0.74%, 0.47%

LAB 44.83, 74.84, -59.93

 

CMYK 0 / 85 / 6 / 18

HEX #D01FC4

RGB 208 31 196

HSL 304.07, 0.74%, 0.47%

LAB 49.95, 79.06, -44.46

 

CMYK 0 / 85 / 28 / 18

HEX #D01F95

RGB 208 31 149

HSL 320, 0.74%, 0.47%

LAB 47.7, 73, -20.24

 

CMYK 0 / 85 / 51 / 18

HEX #D01F66

RGB 208 31 102

HSL 335.93, 0.74%, 0.47%

LAB 46.11, 68.51, 6.12

 

CMYK 0 / 85 / 74 / 18

HEX #D01F36

RGB 208 31 54

HSL 352.2, 0.74%, 0.47%

LAB 45.16, 65.75, 34.37

 

CMYK 0 / 85 / 29 / 47

HEX #881461

RGB 136 20 97

HSL 320.17, 0.74%, 0.31%

LAB 30.87, 52.65, -14.86

 

CMYK 0 / 85 / 28 / 33

HEX #AC197B

RGB 172 25 123

HSL 320, 0.75%, 0.39%

LAB 39.4, 63.15, -17.67

 

CMYK 0 / 85 / 28 / 18

HEX #D01F95

RGB 208 31 149

HSL 320, 0.74%, 0.47%

LAB 47.7, 73, -20.24

 

CMYK 0 / 76 / 25 / 12

HEX #E137A8

RGB 225 55 168

HSL 320.12, 0.74%, 0.55%

LAB 53.56, 73.23, -22.25

 

CMYK 0 / 60 / 20 / 10

HEX #E65BB8

RGB 230 91 184

HSL 319.86, 0.74%, 0.63%

LAB 59.68, 63.58, -22.09

 

CMYK 0 / 85 / 28 / 18

HEX #D01F95

RGB 208 31 149

HSL 320, 0.74%, 0.47%

LAB 47.7, 73, -20.24

 

CMYK 0 / 40 / 85 / 18

HEX #D07D1F

RGB 208 125 31

HSL 31.86, 0.74%, 0.47%

LAB 60.05, 25.72, 59.67

 

CMYK 85 / 0 / 6 / 18

HEX #1FD0C4

RGB 31 208 196

HSL 175.93, 0.74%, 0.47%

LAB 75.69, -43.5, -5.89

 

CMYK 0 / 85 / 28 / 18

HEX #D01F95

RGB 208 31 149

HSL 320, 0.74%, 0.47%

LAB 47.7, 73, -20.24

 

CMYK 28 / 0 / 85 / 18

HEX #95D01F

RGB 149 208 31

HSL 80, 0.74%, 0.47%

LAB 77.04, -41.98, 72.02

 

CMYK 85 / 28 / 0 / 18

HEX #1F95D0

RGB 31 149 208

HSL 200, 0.74%, 0.47%

LAB 58.36, -10.3, -38.95

 

CMYK 0 / 85 / 28 / 18

HEX #D01F95

RGB 208 31 149

HSL 320, 0.74%, 0.47%

LAB 47.7, 73, -20.24

 

CMYK 0 / 40 / 85 / 18

HEX #D07D1F

RGB 208 125 31

HSL 31.86, 0.74%, 0.47%

LAB 60.05, 25.72, 59.67

 

CMYK 85 / 0 / 57 / 18

HEX #1FD05A

RGB 31 208 90

HSL 140, 0.74%, 0.47%

LAB 73.64, -66.15, 46.3

 

CMYK 85 / 46 / 0 / 18

HEX #1F71D0

RGB 31 113 208

HSL 212.2, 0.74%, 0.47%

LAB 47.82, 11.26, -55.68

 

CMYK 0 / 85 / 28 / 18

HEX #D01F95

RGB 208 31 149

HSL 320, 0.74%, 0.47%

LAB 47.7, 73, -20.24

 

CMYK 0 / 14 / 85 / 18

HEX #D0B21F

RGB 208 178 31

HSL 49.83, 0.74%, 0.47%

LAB 73.12, -2.76, 70.5

 

CMYK 85 / 0 / 57 / 18

HEX #1FD05A

RGB 31 208 90

HSL 140, 0.74%, 0.47%

LAB 73.64, -66.15, 46.3

 

CMYK 85 / 71 / 0 / 18

HEX #1F3CD0

RGB 31 60 208

HSL 230.17, 0.74%, 0.47%

LAB 34.14, 45.17, -77.99

 

Description

Color code: HEX #D01F95 | qconv.com Color code: HEX #D01F95 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 31 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 31 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 28 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 28% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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