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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 208 31 31 it is the complementary color RGB 47 224 224. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 208 31 31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 208 31 31 shade: RGB 213 31 26, RGB 230 49 45, RGB 247 67 64, RGB 255 85 83 and RGB 255 103 102

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 208 31 31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 208 31 31 shade: RGB 208 31 31, RGB 191 13 12, RGB 174 0 0, RGB 157 0 0 and RGB 140 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 208 31 31 shade: RGB 208 31 31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 208 31 31 shade: RGB 208 31 31, RGB 208 78 31, RGB 208 126 31, RGB 208 174 31 and RGB 194 208 31

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 208 31 31 shade matches the following richer shades: RGB 208 31 31 and RGB 227 11 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 208 31 31 shade: RGB 208 31 31, RGB 189 50 50, RGB 169 69 69, RGB 150 89 89 and RGB 130 108 108

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 208 31 31 shade: RGB 208 31 125, RGB 208 31 78, RGB 208 31 31, RGB 208 78 31 and RGB 208 125 31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 208 31 31 shade: RGB 136 20 20, RGB 172 25 25, RGB 208 31 31, RGB 225 55 55 and RGB 230 91 91

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 208 31 31 shade: RGB 208 31 31, RGB 173 208 31 and RGB 31 102 208

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 208 31 31 shade: RGB 208 31 31, RGB 31 208 31 and RGB 31 31 208

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 208 31 31 shade: RGB 208 31 31, RGB 173 208 31, RGB 31 208 208 and RGB 66 31 208

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 208 31 31 shade: RGB 208 31 31, RGB 119 208 31, RGB 31 208 208 and RGB 119 31 208

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 85 / 18

HEX #D01F1F

RGB 208 31 31

HSL 0, 0.74%, 0.47%

LAB 44.93, 65.05, 46.84

 

Complementary color

CMYK 79 / 0 / 0 / 12

HEX #2FE0E0

RGB 47 224 224

HSL 180, 0.74%, 0.53%

LAB 81.45, -41.41, -12.29

 

CMYK 0 / 85 / 88 / 16

HEX #D51F1A

RGB 213 31 26

HSL 1.6, 0.78%, 0.47%

LAB 45.91, 66.31, 50.43

 

CMYK 0 / 79 / 80 / 10

HEX #E6312D

RGB 230 49 45

HSL 1.3, 0.79%, 0.54%

LAB 50.93, 67.15, 46.83

 

CMYK 0 / 73 / 74 / 3

HEX #F74340

RGB 247 67 64

HSL 0.98, 0.92%, 0.61%

LAB 56.25, 67.27, 43.18

 

CMYK 0 / 67 / 67 / 0

HEX #FF5553

RGB 255 85 83

HSL 0.7, 1%, 0.66%

LAB 60.23, 64.12, 37.63

 

CMYK 0 / 60 / 60 / 0

HEX #FF6766

RGB 255 103 102

HSL 0.39, 1%, 0.7%

LAB 63.28, 57.81, 30.76

 

CMYK 0 / 85 / 85 / 18

HEX #D01F1F

RGB 208 31 31

HSL 0, 0.74%, 0.47%

LAB 44.93, 65.05, 46.84

 

CMYK 0 / 93 / 94 / 25

HEX #BF0D0C

RGB 191 13 12

HSL 0.34, 0.88%, 0.4%

LAB 40.23, 63.2, 50.06

 

CMYK 0 / 100 / 100 / 32

HEX #AE0000

RGB 174 0 0

HSL 0, 1%, 0.34%

LAB 35.98, 60.15, 50.35

 

CMYK 0 / 100 / 100 / 38

HEX #9D0000

RGB 157 0 0

HSL 0, 1%, 0.31%

LAB 32.19, 55.76, 46.19

 

CMYK 0 / 100 / 100 / 45

HEX #8C0000

RGB 140 0 0

HSL 0, 1%, 0.27%

LAB 28.32, 51.28, 41.58

 

CMYK 0 / 85 / 85 / 18

HEX #D01F1F

RGB 208 31 31

HSL 0, 0.74%, 0.47%

LAB 44.93, 65.05, 46.84

 

CMYK 0 / 85 / 85 / 18

HEX #D01F1F

RGB 208 31 31

HSL 0, 0.74%, 0.47%

LAB 44.93, 65.05, 46.84

 

CMYK 0 / 63 / 85 / 18

HEX #D04E1F

RGB 208 78 31

HSL 15.93, 0.74%, 0.47%

LAB 50.64, 49.31, 51.74

 

CMYK 0 / 39 / 85 / 18

HEX #D07E1F

RGB 208 126 31

HSL 32.2, 0.74%, 0.47%

LAB 60.28, 25.19, 59.86

 

CMYK 0 / 16 / 85 / 18

HEX #D0AE1F

RGB 208 174 31

HSL 48.47, 0.74%, 0.47%

LAB 72.08, -0.66, 69.64

 

CMYK 7 / 0 / 85 / 18

HEX #C2D01F

RGB 194 208 31

HSL 64.75, 0.74%, 0.47%

LAB 80, -23.94, 75.7

 

CMYK 0 / 85 / 85 / 18

HEX #D01F1F

RGB 208 31 31

HSL 0, 0.74%, 0.47%

LAB 44.93, 65.05, 46.84

 

CMYK 0 / 95 / 95 / 11

HEX #E30B0B

RGB 227 11 11

HSL 0, 0.91%, 0.47%

LAB 47.74, 72.56, 58.58

 

CMYK 0 / 85 / 85 / 18

HEX #D01F1F

RGB 208 31 31

HSL 0, 0.74%, 0.47%

LAB 44.93, 65.05, 46.84

 

CMYK 0 / 74 / 74 / 26

HEX #BD3232

RGB 189 50 50

HSL 0, 0.58%, 0.47%

LAB 43.26, 54.81, 33.57

 

CMYK 0 / 59 / 59 / 34

HEX #A94545

RGB 169 69 69

HSL 0, 0.42%, 0.47%

LAB 42.94, 41.15, 21.01

 

CMYK 0 / 41 / 41 / 41

HEX #965959

RGB 150 89 89

HSL 0, 0.26%, 0.47%

LAB 44.73, 25.11, 10.79

 

CMYK 0 / 17 / 17 / 49

HEX #826C6C

RGB 130 108 108

HSL 0, 0.09%, 0.47%

LAB 47.69, 8.69, 3.25

 

CMYK 0 / 85 / 40 / 18

HEX #D01F7D

RGB 208 31 125

HSL 328.14, 0.74%, 0.47%

LAB 46.8, 70.49, -7.04

 

CMYK 0 / 85 / 63 / 18

HEX #D01F4E

RGB 208 31 78

HSL 344.07, 0.74%, 0.47%

LAB 45.55, 66.9, 20.24

 

CMYK 0 / 85 / 85 / 18

HEX #D01F1F

RGB 208 31 31

HSL 0, 0.74%, 0.47%

LAB 44.93, 65.05, 46.84

 

CMYK 0 / 63 / 85 / 18

HEX #D04E1F

RGB 208 78 31

HSL 15.93, 0.74%, 0.47%

LAB 50.64, 49.31, 51.74

 

CMYK 0 / 40 / 85 / 18

HEX #D07D1F

RGB 208 125 31

HSL 31.86, 0.74%, 0.47%

LAB 60.05, 25.72, 59.67

 

CMYK 0 / 85 / 85 / 47

HEX #881414

RGB 136 20 20

HSL 0, 0.74%, 0.31%

LAB 28.86, 46.76, 32.55

 

CMYK 0 / 85 / 85 / 33

HEX #AC1919

RGB 172 25 25

HSL 0, 0.75%, 0.39%

LAB 37, 56.21, 40.09

 

CMYK 0 / 85 / 85 / 18

HEX #D01F1F

RGB 208 31 31

HSL 0, 0.74%, 0.47%

LAB 44.93, 65.05, 46.84

 

CMYK 0 / 76 / 76 / 12

HEX #E13737

RGB 225 55 55

HSL 0, 0.74%, 0.55%

LAB 50.71, 64.28, 40.9

 

CMYK 0 / 60 / 60 / 10

HEX #E65B5B

RGB 230 91 91

HSL 0, 0.74%, 0.63%

LAB 57.13, 53.95, 28.33

 

CMYK 0 / 85 / 85 / 18

HEX #D01F1F

RGB 208 31 31

HSL 0, 0.74%, 0.47%

LAB 44.93, 65.05, 46.84

 

CMYK 17 / 0 / 85 / 18

HEX #ADD01F

RGB 173 208 31

HSL 71.86, 0.74%, 0.47%

LAB 78.52, -32.59, 73.86

 

CMYK 85 / 51 / 0 / 18

HEX #1F66D0

RGB 31 102 208

HSL 215.93, 0.74%, 0.47%

LAB 44.73, 18.3, -60.68

 

CMYK 0 / 85 / 85 / 18

HEX #D01F1F

RGB 208 31 31

HSL 0, 0.74%, 0.47%

LAB 44.93, 65.05, 46.84

 

CMYK 85 / 0 / 85 / 18

HEX #1FD01F

RGB 31 208 31

HSL 120, 0.74%, 0.47%

LAB 73.22, -71.34, 67.2

 

CMYK 85 / 85 / 0 / 18

HEX #1F1FD0

RGB 31 31 208

HSL 240, 0.74%, 0.47%

LAB 28.97, 60.04, -86.57

 

CMYK 0 / 85 / 85 / 18

HEX #D01F1F

RGB 208 31 31

HSL 0, 0.74%, 0.47%

LAB 44.93, 65.05, 46.84

 

CMYK 17 / 0 / 85 / 18

HEX #ADD01F

RGB 173 208 31

HSL 71.86, 0.74%, 0.47%

LAB 78.52, -32.59, 73.86

 

CMYK 85 / 0 / 0 / 18

HEX #1FD0D0

RGB 31 208 208

HSL 180, 0.74%, 0.47%

LAB 76.04, -40.05, -11.84

 

CMYK 68 / 85 / 0 / 18

HEX #421FD0

RGB 66 31 208

HSL 251.86, 0.74%, 0.47%

LAB 31.1, 61.82, -82.97

 

CMYK 0 / 85 / 85 / 18

HEX #D01F1F

RGB 208 31 31

HSL 0, 0.74%, 0.47%

LAB 44.93, 65.05, 46.84

 

CMYK 43 / 0 / 85 / 18

HEX #77D01F

RGB 119 208 31

HSL 90.17, 0.74%, 0.47%

LAB 75.53, -52.56, 70.13

 

CMYK 85 / 0 / 0 / 18

HEX #1FD0D0

RGB 31 208 208

HSL 180, 0.74%, 0.47%

LAB 76.04, -40.05, -11.84

 

CMYK 43 / 85 / 0 / 18

HEX #771FD0

RGB 119 31 208

HSL 269.83, 0.74%, 0.47%

LAB 36.85, 67.02, -73.28

 

Description

Color code: RGB 208 31 31 | qconv.com Color code: RGB 208 31 31 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 31 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 31 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 85 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 85% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to PANTONE®

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HKS® to PANTONE®

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HKS® to Sherwin Williams®

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HKS® to NCS®

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Sherwin Williams® to RGB

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Sherwin Williams® to RGBA

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Sherwin Williams® to CMYK

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Sherwin Williams® to HEX

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Sherwin Williams® to HKS®

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